Episode description

British-Egyptian activist and Maths professor Laila Soueif has been on hunger strike for the past month to protest her son Alaa’s incarceration in Egypt. He is the country’s most high profile political prisoner. Laila and her daughter Sanaa – who has faced arrest and imprisonment herself – joined Anita Rani to talk about why they won’t stop fighting for Alaa’s release.

The BAFTA-winning actress Anna Maxwell Martin stars as Delia in the new ITV series Until I Kill You. It tells the true story of Delia Balmer, who was the girlfriend of serial killer John Sweeney. Anna joined Nuala McGovern to talk about why she wanted to tell Delia’s story, as well as her personal experiences of grief and struggles with the special educational needs system.

The United States goes to the polls next week and presidential candidates are campaigning furiously, with the two frontrunners being the Democratic nominee and current Vice President, Kamala Harris and the Republican nominee and former President, Donald Trump. As a programme, we’re taking a look at whether there’s such a thing as the ‘the woman’s vote'. How are different groups of women likely to vote and why? Nuala spoke to Kathy Frankovic, Consultant to YouGov America and former director of surveys for CBS News and Debbie Walsh, Director of the Centre for Women and American Politics at Rutgers University.

Sacked from her job by voicemail the day after she informed her employer she was pregnant Joeli Brearley set up Pregnant Then Screwed to end pregnancy and maternity discrimination. The charity has helped to influence new flexible working and redundancy protection laws, providing advice to hundreds of thousands of women when they face discrimination and challenging employers and government in high profile cases. After ten years Joeli is stepping down as CEO. She joined Nuala in the Woman's Hour studio.

Film historian Jennifer Smyth talked to Nuala about the life and legacy of the pioneering American screenwriter, Mary McCall Jr. The first woman president of the Screen Writers Guild in 1942, Mary was a key negotiator ensuring better rights and wages for all screenwriters in the film industry. But after years of standing up to male studio heads, she would be blacklisted and go from being one of the biggest earners in Hollywood to living on nickels and dimes.

Presenter: Anita Rani Producer: Annette Wells Editor: Emma Pearce