This week’s question comes from long-time reader, frequent and generous commenter Kei Ikeda, but it’s one I’ve been asked a few times - What goes into producing Wild?
My short answer would be: a lot of swirling self-doubt, over-analysis, faking-till-making and ad hoc recording set-ups. Here, I chat (on a cold Paris afternoon) about my recording equipment, how I contact guests, how the costs stack up, how the brand advertising and sponsorship works and more.
I flagged a few previous episodes you might want to catch up on with Sheena Iyengar and Sister Helen Prejean.
In 15 minutes (OK, 20 minutes) I don’t cover everything, so I invite you to ask me anything I missed in the comment section over on Substack. Also, I’ll start a thread on Sunday (again, over at Substack), as suggested by a bunch of you, where we can maybe thrash out a few ways to keep Wild going together. See you there.
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