Calcutta in the late 18th century was a chaotic, fast-growing city, filled with fortune seekers, towering mansions, and an ever-present sense of impermanence. Inspired by the botanical and zoological paintings they encountered in Lucknow, Sir Elijah Impey, the first Chief Justice of Bengal, and his wife, Lady Mary Impey, brought this style to Calcutta, where they assembled an artistic salon and commissioned Indian artists to document the natural world in beautiful detail.
Lady Impey, a passionate naturalist, became the unlikely patron of some of India's greatest animal painters, including Sheikh Zayn al-Din, Bhawani Das, and Ram Das. Working with delicate squirrel-hair brushes, these artists captured birds, mammals, and even bats with stunning precision. Their art, once viewed merely as scientific record-keeping, is now recognized as some of the finest examples of Indian painting from the colonial period.
Listen as William and Anita trace the journey of this artistic tradition from Lucknow to Calcutta and beyond, exploring how European patrons influenced Indian artists - and how, in turn, Indian artistry left an indelible mark on Western botanical and zoological illustration.
Twitter: @Empirepoduk
Email: empirepoduk@gmail.comGoalhangerpodcasts.com
Assistant Producer: Becki Hills
Producer: Anouska Lewis
Senior Producer: Callum Hill
Exec Producer: Neil Fearn
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226. The Rise and Fall of East India Company Painting (Ep 2) | Empire podcast - Listen or read transcript on Metacast
