417 - John Mader: Multiple Productions of "Hamilton", Playing with Carl Verheyen, "The Sum of All Nuances." | Working Drummer podcast - Listen or read transcript on Metacast
417 - John Mader: Multiple Productions of "Hamilton", Playing with Carl Verheyen, "The Sum of All Nuances."
John began playing drums at the age of 5 in Oakland California. Oakland proved to be a perfect incubator for John as he thrived playing in many of the school, community, rock, jazz, and funk bands in the area. This experience gave John a diverse background that continues to serve him well today. Early in his career, John was playing in local bands opening for such diverse acts as George Benson, The Red Hot Chili Peppers, The Who (two North American tours), and many more. John’s reputation quickly grew and he found himself playing with San Francisco/Oakland bay area legends including Joshua Redman, Lenny Williams (Tower of Power), and Miles Davis band alumni Barry Finnerty, Garth Webber, and Benny Rietveld.
John continued to cast his net as wide as possible. He began getting calls from New York, Los Angeles, Nashville, and New Orleans to audition with such artists as Pee Wee Ellis, Stephen Jenkins (Third Eye Blind), Cake, and many more. These experiences gave John national exposure which has led to local, touring, and/or studio dates with Josh Groban, Bonnie Raitt, Randy Newman, Pat Benatar, Steve Miller, Booker T., Pee Wee Ellis, Maceo Parker, Fred Wesley, Oz Noy and many more. John has played multiple productions of Hamilton in Los Angeles, San Francisco, and Puerto Rico and tours and records with Carl Verheyen.
In this episode, John talks about:
The resume he amassed in the Bay Area before moving to LA
Thinking of different theatre shows as different “dialects”
His experience of playing multiple productions of Hamilton
Getting called out by his musical director for going on auto pilot
The process of constant refinement over the course of a show
The broader palate he gets to use with Carl Verheyen
