The Backstory to Great Audio Storytelling, hosted by Rob Rosenthal, for Transom and PRX.
Chenjerai Kumanyika delivered the goods. Rob interviewed Chenjerai on stage at the recent On Air Fest where Chenjraie was passionate, animated, and electric as he talked about a question he sees as essential for anyone in audio storytelling to consider. We're sure you'll be as transfixed as the audience.
Just recently, Hillary Frank relaunched her popular podcast The Longest Shortest Time . This archive episode takes us back to Hillary's early days, when she was just finding her way in podcasting -- as we all were.
You want scenes in your story. But, reporting in the field isn't an option. What then? Simon Adler, a senior producer at Radiolab has an answer: interview for scenes using "the layered approach."
Nichole Hill pitched her show idea again and again. And, again and again, podcast companies said "no." But, that didn't stop Nichole. She said "I'm doing it myself!" Our Ancestors Were Messy , a podcast featuring hidden stories from the archives of historic, Black newspapers, launches February 5th. Sound School has the backstory to how Nichole dialed in the format for the show and why she chose a mix of chat and narrative styles.
Just over 50 years ago, in 1974, NPR took to the airwaves for a 25-hour-broadcast that Rob thinks may be one of the most tedious recordings he's ever heard and one that was also an incredible broadcast service. What is it? You'll have to listen. Trust us. It's worth it.
Rob's interview with Misha Euceph is one of his favorites. As he says, she's very clear, engaging, and insightful about the craft of audio storytelling. On this archive episode of the show from 2019, they discuss why Misha believed it was important to start each episode of her podcast "Tell Them, I Am" with a personal anecdote.
Let's state the obvious: Daniel Alarcón is a gifted writer. It's evident from the writing in "The Good Whale," the latest series from Serial that Daniel wrote and hosted. Rob put his writing under the microscope and heard a lot of satisfying maneuvers -- and a couple that weren't so satisfying.
Nothing seems guaranteed these days for creative audio makers. "Short Cuts" was recently cancelled and "Pretendians" is seeking funding for a second season, two shows on this episode of Sound School that are high on Rob's must-listen list because they elevate the craft and deliver essential storytelling.
WCAI, the public radio station for Cape Cod, has been told it needs to move -- to leave the home it broadcasts from. An actual home. A former captain's house. News that the house had been sold startled the station staff and the community. In this episode, Rob laments what would be a strike against the station's deep commitment to local service.
The story from Slovenia on this episode of Sound School is hyper-local -- so local, you might not catch all the cultural references. But, the reporter, Ajda Kus, says that's okay. The key to telling a great local story is to give weight to universal themes so that all listeners can still relate to the piece.
When should a reporter turn around a leave? At what point do should they say "I won't report on these people. They need their space, not a stranger with a microphone." Jay Nathan faced that exact situation some years ago reporting on a man who was dying of cancer and the friend taking care of him. But, instead of turning around and leaving, Jay stayed. Jay is still haunted by the decision.
Robert Krulwich, formerly of Radiolab, once said "how you write is basically who you are." It's a profound statement, a kind-of koan. It requires a little bit of thought. Krulwich can be that way. But, it leads to an essential question for anyone who writes: "Who are you as a storyteller?"
"To play and to fail and to get to know each other and to celebrate the craft of making audio... What's better than that," Jasmin Bauomy asks. When inspiration struck, Jasmin put together a four-day audio retreat for about a dozen producers from Berlin. She called the retreat "The Ecco" and it yielded some fantastic storytelling.
We tell stories in sound for many, many reasons. For our listener's hearts and minds. For community. For self-expression. For the democracy. For listener's ears. Yes. Their ears. On this episode of The Sound School Podcast , Rob relishes the ear catching qualities of work from Delia Derbyshire (BBC), Michel Martin (NPR), and the Making Gay History podcast.
Say you're listening to a great narrative podcast. The host has really grabbed your attention and you're pulled in. Then, out of nowhere, the narrator swears. Not once. Not twice. But three times. Including f-bombs. Is that a turn off for listeners? Should narrators swear? Dan Taberski defends his swears in his latest podcast.
Patient privacy in medical settings is essential. So, how does a reporter convince a facility to let them in with a microphone and assure anonymity of the patient? Selena Simmons-Duffin has answers. She is a health policy reporter at NPR who recently reported inside a primary care facility that provides standard medical care as well as abortions.
There are four kinds of luck. Unlucky. No luck. Lucky. And radio luck. On this archive episode of Sound School , Hillary Frank digs into the *incredible* radio luck she encountered reporting a story about teens and their "robot babies."
David Weinberg pulls off a real radio feat mixing fantasy and reality in his documentary called "Grace of the Sea." In this archive episode, David explores the value of "magical realism" in audio storytelling.
Rob plays "Story DJ" on this episode "spinning" excerpts from several excellent stories you'll definitely want to hear. It's an audio field trip taking you around the world: Macon, Georgia, Wales, Madagascar, Kenya, and a closet at an undisclosed IKEA. Bring your best headphones for this one.
Don't leave an interview entirely to chance. Structure it like a good story. On this episode, Rob dissects an interview on The Daily revealing its effective inner story structure.
Ira Glass of This American Life is a master audio storyteller. He's equally skillful at laying out the mechanics of creative storytelling and reporting, too. Rob unearthed a presentation Ira made back in 2001 at a radio conference that is signature Ira and brimming with incredibly helpful tips on writing, structure, reporting, and scoring. A good listen for audio
It's illegal to be queer in Uganda and incredibly unsafe. Queer people risk violence, eviction, harassment, and arrest. How then does a producer protect the identity of interviewees, especially when someone's voice might be recognized. British freelance producer Mary Goodhart solved this problem and many other safety issues while working on an LGBTQ story for the BBC World Service Podcast "The Comb."
There's a moment in this episode when Rob is gasping and holding his hand to his chest. Why was he so astonished? Listen to his conversation with Jess Shane as they dissect the ethics of her Radiotopia documentary "Shocking, Heartbreaking, Transformative."
Deadlines, production meetings, staff management, show scheduling... in any given day, there's rarely time to pause and consider the craft of audio storytelling. Of course, PRX and Transom hope Sound School provides an easy opportunity to do that. On this episode, we'd like to introduce you to another podcast with the same mission: Sound Judgment hosted by Elaine Appleton Grant and featuring an interview with Jonathan Menjivar about his podcast Classy ....
Have NPR's news magazines occasionally been sounding more radiophonic lately? Rob thinks so. He's collected a handful of satisfying moments of writing, production, and reporting from several reporters: Daniel Estrin, Avery Keatley, Andrew Limbong, Barbara Moran, Ari Shapiro, and Andrea Shea.
"Ums." You're supposed to cut them out, right? But what if the "um" means something? Talia Augustidis noticed her boyfriend "ummed" when he was lying and she thought "radio story." Talia takes a deep dive into the importance of not cutting out all the "ums" as well as the backstory to her piece for the BBC's Short Cuts called "What's In An Um?"
One of the top three questions Rob often hears when he's teaching is, "Should I record in stereo?" Rob says mono is usually the way to go. But on this archive episode of Sound School , former NPR engineer Flawn Williams evangelizes about the value of stereo recordings, and he brought along several sound-rich examples.
In the tsunami of serialized documentary making over the last decade, what happened to the short story? Where are the one-off curious and creative sound portraits or essays or found sound or audio postcards or.... ? Last year Transom commissioned a dozen short stories as part of "Small, Random, and Meaningful." Rob features his three favorites.
In honor of World Radio Day this week, The Sound School Podcast is celebrating with a story that exemplifies the power of radio to evoke striking images — a story reported from a remote hillside in Slovenia.
Katz Laszlo says writing and tracking for herself is complicated enough. But it's an even greater challenge writing for and tracking with the two co-hosts of The Europeans podcast. Katz lays out how she and the hosts wrangle it all on the latest Sound School .
