“I loved it more than everybody. And afterwards, I thought for the first time, whatever I do, I've got to get as close to that as I can . Not the noise or the music or being a rock star, but the creativity of it and the energy of it and the way that you affect people, and I knew that my life wouldn't be the same. And it's kind of always been like that.” Nick Hornby ( High Fidelity, Fever Pitch, About a Boy and Juliet, Naked , among others) returns with Dickens and Prince: A Particular Kind of Ge...
Nov 29, 2022•1 hr•Transcript available on Metacast “I grew up in a blue-collar neighborhood. And you know, nobody was expected to be a novelist — that was not a thing, that was not a choice in my neighborhood. And when I made that choice, it was very strange to people. And it was a really hard thing for people to accept and my father and my grandfather did not understand that at all. And they discouraged me. But then once I succeeded, they really claimed that, and my grandfather would tell everyone…” Matthew Quick ( The Silver Linings Playbook )...
Nov 26, 2022•53 min•Transcript available on Metacast "One of the ways you can get into my cast of characters is by leaving a very detailed written record. Because that's what we historians have to work from, you're not allowed to make stuff up like a novelist can… And, of course, it skews, to some extent, the way history is written. Because the rich leave more records than the poor, men leave more records than women, white people leave more records than Black and so on.” Adam Hochschild ( King Leopold’s Ghost ) joins us on the show to talk about h...
Nov 24, 2022•49 min•Transcript available on Metacast "When I was a kid, I was super, super geeky, it was so nerdy. And all I read was dragon books, or ghost books, or elf books…someone tried to give me a copy of To Kill a Mockingbird , and I just remember thinking, Where are the dragons? And when I went to do my doctorate in creative writing and literature —especially at the time, and even now, they kind of steamroll that out of you, they sort of train you to think that there are two things called literary and genre … if you're a good writer, and ...
Nov 22, 2022•45 min•Transcript available on Metacast “They're rooted in our culture as well. And because of all that, I think they feel a little bit more real, even though they are fantastical magical realms…and there's also this timeless quality in a way as well….I do think also there is a lot of room for imagination to grow in these stories.” Sue Lynn Tan joins guest host Kat Sarfas on the show to take readers behind the scenes of her latest epic, Heart of the Sun Warrior , the stunning sequel to Daughter of the Moon Goddess, from world-building...
Nov 19, 2022•48 min•Transcript available on Metacast “We are writing our stories to the world, as opposed to just reading the old stories. And somehow, some way accidentally, intentionally, desperately on the case and caught off guard, Art is Life captures this huge sweep and ends about where we are now in the present—which is an epic place as well.” Pulitzer Prize-winning critic Jerry Saltz ( How to Be An Artist ) is consistently one of the smartest, freshest and liveliest voices in art criticism and he joins us on the show to talk about his new ...
Nov 17, 2022•54 min•Transcript available on Metacast “I'm really driven by poetry. I'm really driven by language. But also, I'm driven by a desire to connect with the people. So I could have been a teacher. I could have been a politician. I could have been anyone that communicates with people verbally because I liked that. I wound up a performer, but it was all rooted in poetry. And as a book person, I have loved books since I was a toddler.” Writer, performer, National Book Award Winner (Just Kids), Commandeur des Arts et des Lettres, and Rock an...
Nov 15, 2022•1 hr 6 min•Transcript available on Metacast “It's hard to be funny, you can't really plan on — you don't know what will land with people…. absurdity just exists constantly in the world that we live in. And to my mind, the humor comes from the way different people traverse absurdity, how they try to normalize it, or how they freak out because they want to build their own weirdness on top of it. And so for me, that's where I get a lot of the humor, just the different ways that people respond to the absurdity around them.” Kevin Wilson ( Not...
Nov 12, 2022•52 min•Transcript available on Metacast “I had never known what it was like to feel full. And I know that sounds like really odd, but because most people can — I would be with friends and a friend would stop eating. She's like, I'm full. And I'm like, What's wrong with me that I don't know what it feels like to feel full? And I don't know what the answer to that question is, to this day. I don't know if it's a psychological or emotional thing, or if it was an actual physical thing that like my tummy was bottomless. But this feeling of...
Nov 10, 2022•50 min•Transcript available on Metacast “I always feel like as a reader, I always want to go in ready to be changed, ready to be transformed by what I'm reading, ready to be expanded. And that's what I love about books, they work on you kind of like magic.” Madeline Miller’s novels, The Song of Achilles and Circe , keep working their magic on readers everywhere. She joins us on the show to take listeners behind the scenes of her new novella, Galatea , in a very fun conversation that covers voice, subverting stories, Troilus & Cressida...
Nov 08, 2022•51 min•Transcript available on Metacast “More people than we realize are works in progress, are trying to figure out a way to think about the world… As Beyoncé said in her new album, they're contradicted. They're internally contradicted more than we think. We can make the kind of change we seek, we deserve in this country, if we allow the idea that more of us are contradicted, more of us need help sorting through the world, and we have the patience — we can muster that kind of patience and love to help people sort through how they see...
Nov 05, 2022•39 min•Transcript available on Metacast “…The idea just kind of spun itself into existence in my head, the world started to form almost immediately — when my creative brain kind of immediately kicks in like that, I've learned to listen to it, because usually, that means something, something good is trying to come out.” N.K. Jemisin — winner of three consecutive Hugo Awards for Best Novel (each of the Broken Earth books) and now a fourth for Best Graphic Story or Comic ( Far Sector ), and MacArthur “genius grant” recipient — is one of ...
Nov 03, 2022•44 min•Transcript available on Metacast “…It was at the end of an exhibition called The Art of The Troubles . And that had been a little controversial (as these things very often are in post-conflict societies). Some people felt it had gone too far. Other people felt that it hadn't gone far enough. It just made me think about how maybe art could be used to say things that are really unsayable in a place where people are obsessed with language and obsessed with identity and where languages are so problematic.” Louise Kennedy joins us o...
Nov 01, 2022•50 min•Transcript available on Metacast "We don't know our parents, I mean, we think we do; you know, all of us have a practice of dealing with contained worlds. And that practice begins with our families, it begins with our parents, because these are individuals that we don't fully understand, but we are completely dependent on for our survival... And so it creates this really interesting situation where, you know, we take them for granted in a certain way, we think we understand them, but we don't. I want to see if I could get that ...
Oct 29, 2022•48 min•Transcript available on Metacast “I was always writing, and I think it goes back to that Charlotte's Web thing when I had that experience of something taking me out of this world. It was mysterious, and transcendent, and glorious. And I'm still searching for that every day — if I can find a story that will do that to me and just kind of mystify me and leave me a slightly different person than I was before.” Jennifer Finney Boylan and Jodi Picoult joined us on stage at our flagship store on Union Square in New York City to talk ...
Oct 27, 2022•44 min•Transcript available on Metacast “People write medical histories, people write personal case histories, I didn't want to do either. People write memoirs; I wanted to do all of them in the same book. And I wanted to do that without blurring the boundaries between any and all of those… I consider those parts of living history.” Siddhartha Mukherjee is an oncologist, a professor, a bestselling author and a winner of the Pulitzer Prize for his first book, Emperor of All Maladies: A Biography of Cancer . He joins us on the show to t...
Oct 25, 2022•46 min•Transcript available on Metacast “We were doing all of this for people we did not know and could not imagine. And as is the case, too, like, when you're planting trees, you hope that they're gonna outlive you. And the trees that were planted have outlived some of the people who are deeply involved in that project. Which is, you know…it's both this sorrow and it's a gratitude. We were addressing our needs. And our needs were actually to care for one another, and to join each other, and to love each other and to come to love to l...
Oct 22, 2022•47 min•Transcript available on Metacast “When I came back, I was thinking about how to tell the story. And I wanted to meet people who, in one way or another, resembled the young people who I'd known as a kid and I was talking to various people, and I had some ideas. And then I got a call from a lawyer, whose name is Ken. And he called up and he said, You know, I've heard about what you're doing. And I have a client who se experience, I think, speaks to what you're trying to do …” Writer Nicholas Dawidoff ( The Catcher was a Spy ) spe...
Oct 20, 2022•51 min•Transcript available on Metacast “By making a certain voice, then I'm going to force myself to do new things in that story. The voice is for me, very measured and realistic and regular, regular. But it's almost like DNA. Once you do that, then you're committed to continuing to do it, which means you're committed to finding some kind of power, even in that somewhat limited mode, which is great fun.” The only thing better than reading a short story by George Saunders is listening to him talk about how — and why — he does it. Libe...
Oct 18, 2022•54 min•Transcript available on Metacast “There's kind of an aspect of melancholy that I love as a reader… But I can't write a book that I wouldn't want to read… Although I am interested in just sadness and like a certain beautiful quality…I can't write books that I don't want to live in, and I don't really want to live in just a depressed book. I don't want to just live in a depressed world, there has to be more fire than that.” Lydia Millet — finalist for both the Pulitzer Prize ( Love in Infant Monkeys ) and the National Book Award ...
Oct 15, 2022•47 min•Transcript available on Metacast “I was always in a play, always in rehearsals. And if I wasn't in a play, I was counting the hours ‘til I could be in a play. Because it was the first time I felt a sense of belonging, a sense of community.” In Making a Scene , actress Constance Wu ( Lyle, Lyle Crocodile ) takes readers backstage in her own life in often hilarious — and always real and relatable — essays. She joins us on the show to talk about authenticity and big emotions, love, her big break (and what happened next), her liter...
Oct 13, 2022•50 min•Transcript available on Metacast "I think the knee-jerk reaction to pandemic literature — that I think a lot of readers might have as well, I don't want to read that because it's going to be triggering, it's going to be about, you know, CDC scientists brushing against the clock — there are actually very few pandemic novels that I can think of that actually operate on that level. They're thinking about Hollywood, probably, and not about literature. Most plague literature that I can think of, or dystopian literature generally, is...
Oct 11, 2022•49 min•Transcript available on Metacast “I want to tell stories. I hate the whole, don't tell, show mantra because it's not true—it has its like moments like, you know, when the reader finishes something of mine, I want them to feel as if it's something they had experienced, as if it's like a memory for them. Because like, for me, that's always been the best stuff. And like that can be so hard to do.” If you haven’t yet read Morgan Talty’s debut linked story collection Night of the Living Rez , you’re in for an exceptional read; think...
Oct 08, 2022•43 min•Transcript available on Metacast “He thinks of himself as a character in a fairy tale in a way who's going on a quest. And there's so many stories like that about a character who's going in search of a lost loved one, whether it's a daughter, a mother, a son, there's this sense of I'm going off to find you . And that's really powerful.” Celeste Ng follows her massive hit Little Fires Everywhere with a novel set in a world that “looks like ours, but with the volume kind of turned up to 11” in Our Missing Hearts , an indelible st...
Oct 06, 2022•44 min•Transcript available on Metacast “I want to escape into these like incredible, immersive situations, really. But I think I try and balance this kind of creation of a world or this world building with the dialogue. And that's where things like the humor come in. And particularly with this one, because it's quite a gritty subject. But it was really important to have that joy and have that humor. And to my mind that comes very akin with the bravery in the book and the courage in the book, there is this kind of ability, even under ...
Oct 04, 2022•38 min•Transcript available on Metacast “So you know, something that is a big part of my project…is actually this idea that we deserve pleasure. I think that pleasure and care, these are antidotes against various kinds of violence and degradation that we're all beset with. And so for me, when I wrote this novel, I did not write it for a critic at The New York Times , you know. I wrote it for the past version of me. And I wrote for someone who would need to read this, who would be reading this book after work on the subway.” Sarah's Th...
Oct 01, 2022•41 min•Transcript available on Metacast “I think I figured a lot of things out literally as I was writing the book. I'm usually an obsessive methodical writer, or I have everything, if not mapped out, I kind of know spatially, what's going to happen in a piece of writing. But with this, I just kind of had to write it to figure out what it was. For years, friends knew that I was working on this — friends who were in the book, actually. But I could never explain what it was nor could they imagine what it might be. You know, I would just...
Sep 29, 2022•54 min•Transcript available on Metacast “I feel like very often when we have stories about womanizing characters, whether we piece those stories out, so we see each woman—individually or not, they don't really have stories. They don't really have lives except as they relate to that main character. So, it was always going to be each woman steps forward, each woman gets a chapter.” Laura Warrell takes us behind the scenes of her smart, sharp and deeply resonant debut novel Sweet, Soft, Plenty Rhythm . She joins us on the show to talk ab...
Sep 27, 2022•49 min•Transcript available on Metacast “I did nothing but read the entire time I was writing this….literally every waking moment, I was doing some type of research and a lot of research I did for this book was on joy and celebration and on community. Because, yes, we're going through all of these things, but there's a reason the cover is bright and celebratory, because that's also where the book goes, where the journey goes.” Hafizah Augustus Geter covers an incredible amount of ground in her memoir The Black P eriod: On Personhood, ...
Sep 24, 2022•55 min•Transcript available on Metacast “I think I made a shrewd pick when I chose this character. Because the last thing you want is to be able to say—I understand everything about you—is a character with a lot of ambiguity. And I think some of that is calculated ambiguity. And some of it is probably caused by the fact that the historical record is erased in one way or another. But there’s plenty scope for creative conjecture with Cromwell.” That’s Hilary Mantel from this interview, which originally ran in March 2020 when The Mirror ...
Sep 23, 2022•30 min•Transcript available on Metacast 
