This season we’re going to explore the stories of 11 blonde actresses who died unusual, untimely or otherwise notable deaths - deaths which, in various ways, have outshined these actress’ lives. Today we’ll explain why we’re doing this, and will tell the story of Peg Entwistle - idol of Bette Davis, successful stage star turned movie aspirant, and one of the first Hollywood blondes who became more famous in death than in life. This episode contains selections from the album Industry, by Unheard ...
Jan 31, 2017•50 min•Ep 93•Transcript available on Metacast The year after Joan Crawford died, her estranged, adopted daughter Christina published a tell-all, accusing her late mother of having been an abusive monster when the cameras weren’t around. Three years later, Mommie Dearest became a movie, starring the only actress of the “new Hollywood” who Joan herself had commended, Faye Dunaway. The disastrous production of that film revealed how much had changed in Hollywood since Joan’s heyday, and the finished film did much to mutate Joan’s persona in th...
Sep 13, 2016•1 hr 3 min•Ep 92•Transcript available on Metacast Robert Aldrich’s What Ever Happened to Baby Jane? has done more to define later generation’s ideas about who Crawford was than perhaps any other movie that she was actually in. Unfortunately, most of those ideas center around Crawford’s supposed feud with co-star Bette Davis, which began as a marketing ploy and turned into something quasi-real - or, at least as real as certain celebrity “feuds” of today. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com...
Sep 06, 2016•47 min•Ep 91•Transcript available on Metacast Joan Crawford struggled through what she called her “middle years,” the period during her 40s before she remade herself from aging, slumping MGM deadweight into a fleet, journeywoman powerhouse who starred in some of the most interesting films about adult womanhood of the 1940s and 1950s. That revival began with Mildred Pierce (for which Crawford won her only Oscar), and included a number of films, such as Daisy Kenyon and Johnny Guitar, directed by men who would later be upheld as auteurs, subv...
Aug 30, 2016•52 min•Ep 90•Transcript available on Metacast By the mid-1930s, Joan Crawford was very, very famous, and negotiating both an affair with Clark Gable (her most frequent co-star and the only male star of her stature), and a new marriage to Franchot Tone, who, like Joan’s first husband, was an actor who was not quite on her level of stardom. Crawford’s marriage to Tone would span the back half of the decade, as Crawford’s stardom peaked, and then began its first decline. Today we’ll talk about that, and then we’ll tell a story about what happe...
Aug 23, 2016•50 min•Ep 89•Transcript available on Metacast Joan Crawford’s early years in Hollywood were like - well, a pre-code Joan Crawford movie: a highly ambitious beauty of low birth does what she has to do (whatever she has to do) to transform herself into a well-respected glamour gal at the top of the food chain. Her romance with Douglas Fairbanks Jr - the scion of the actor/producer who had been considered the King of Hollywood since the early days of the feature film - began almost simultaneous to Crawford’s breakout hit, Our Dancing Daughters...
Aug 16, 2016•44 min•Ep 88•Transcript available on Metacast In order to understand Joan Crawford’s rise to fame, we have to talk about what Joan - born Lucille LeSueur, and called “Billie Cassin” for much of her childhood - was like before she got to Hollywood, and what Hollywood was like before she got there. To accomplish the latter, we’ll focus on Douglas Fairbanks: top action star of the silent era, the definition of Hollywood royalty, and the father of Crawford’s first husband. To learn more about listener data and our privacy practices visit: https...
Aug 09, 2016•45 min•Ep 87•Transcript available on Metacast How did the Blacklist come to an end? If you ask Kirk Douglas, the end began with his hiring of Dalton Trumbo to write Spartacus -- or, rather Douglas flaunting of that hiring. Otto Preminger, who hired Trumbo to write Exodus, might see it differently. In truth, the end of the blacklist was a process that took over a decade, and couldn’t have happened without actions taken by Charlie Chaplin, Gary Cooper, director Joseph Losey, and president John F. Kennedy. We'll talk about the connection betwe...
Jun 21, 2016•56 min•Ep 86•Transcript available on Metacast In the first of two episodes about major stars attempting to end the Blacklist, we’ll look at Frank Sinatra’s efforts to hire Hollywood Ten member Albert Maltz. Timing got in the way of Sinatra’s good intentions: this was the exact moment when Sinatra had become the coolest middle-aged man in America as “chairman of the board” of the newly-formed Vegas act now known as the Rat Pack. It was also the moment when Sinatra thought he was on the verge of acquiring real political power through his prox...
Jun 14, 2016•45 min•Ep 85•Transcript available on Metacast Before our episode on Frank Sinatra’s attempt to end the blacklist, we’re going to flashback to an episode from April 2015, on Sinatra’s rise to fame and his experiences during World War II. In the early 1940s, shortly after skyrocketing to fame as a heartthrob crooner, Sinatra was perceived, and from some corners pilloried, as a draft dodger. Today we’ll talk about how Sinatra acquired that reputation, how it impacted his early career, and the early success which, as we’ll see next week, faded,...
Jun 07, 2016•40 min•Transcript available on Metacast Arthur Miller considered Elia Kazan a close friend and collaborator, but when Kazan named names to HUAC, Miller broke with him and wrote The Crucible, a parable about anti-communist hysteria set amidst the Salem Witch Trials. But despite the committee’s sensitivity to criticism, HUAC didn’t subpoena Miller until he became engaged to Marilyn Monroe, then the biggest star and sex symbol of her day. Miller and Kazan would remain estranged for a decade, until the latter directed a play written by th...
May 31, 2016•55 min•Ep 84•Transcript available on Metacast Elia Kazan introduced audiences to Warren Beatty, James Dean and Marlon Brando. His films of the 1950s -- including A Streetcar Named Desire, On the Waterfront, and East of Eden -- comprise perhaps the most impressive body of work of an American director of the decade. But Kazan, who was briefly a Communist in the 1930s, likely would not have been able to make many of those films had he not named names to HUAC in 1952. This episode is brought to you by Slack. Visit Slack.com/REMEMBER, Create a n...
May 24, 2016•52 min•Ep 83•Transcript available on Metacast Horne's last years at MGM overlapped with the first HUAC hearings. Horne, an outspoken proponent of equal rights, who from the beginning of her career had associated with leftists and “agitators,” got caught up in the anti-communist insanity. One of those agitators was Paul Robeson, a singer, actor and political firebrand who was a mentor and friend to Horne. But once the red panic began to heat up, that friendship became problematic for Lena, and like so many others, she was forced to choose be...
May 17, 2016•47 min•Ep 82•Transcript available on Metacast Stunning singer/actress Lena Horne was the first black performer to be given the full glamour girl star-making treatment. But as the years went on and her studio failed to make much use of her, Horne started feeling like a token — and she wasn’t wrong. Today we’ll detail Horne’s experiences rising through the ranks of the black nightclub world to MGM, where she remained under contract through the 1940s, and found herself competing with Ava Gardner for parts. Next week, we’ll talk about Horne’s p...
May 10, 2016•1 hr 9 min•Transcript available on Metacast Judy Holliday won an Oscar for her first starring film role, and of her eight major film roles between 1950 and 1960, four were in films now considered classics. She was one star who was subpoenaed to testify about her ties to Communism who was fully supported by her studio and subsequently wasn’t blacklisted from movies. Holliday’s career was short-lived nonetheless, in part because she represented a highly idiosyncratic, working-class, urban, Jewish authenticity in a time when conformity was b...
May 03, 2016•48 min•Ep 81•Transcript available on Metacast Today we explore one of the more troubling aspects of Howard Hughes’ legacy: the firm hand he played in enforcing the blacklisting of Hollywood workers, both as the head and owner of RKO Pictures, and as a powerful rich guy whose influence went as high as the U.S. Congress. This episode also tells the story of Paul Jarrico, the first screenwriter to be taken to court by a studio (RKO) over the question of his firing during the blacklist period. In partnership with the also-blacklisted writer Mic...
Apr 26, 2016•57 min•Ep 80•Transcript available on Metacast In advance of next week’s episode dealing with Howard Hughes’ role in the blacklist, we revisit our October 2014 episode on Hughes’ relationship with Jane Russell, his wartime efforts to balance his aviation and moviemaking businesses, and his shaky run as head of RKO Pictures. Also: Ava Gardner gets violent, Hughes’ 15 year-old muse, and how Russell’s boobs did what the Spruce Goose couldn’t. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-po...
Apr 19, 2016•53 min•Transcript available on Metacast The wife of actor Melvyn Douglas (Ninotchka, Being There), Helen Gahagan Douglas transformed herself from a Broadway and opera star into an exciting new politician in the days of FDR. A persistent, nagging voice of conscience in Congress during the time of HUAC and nuclear panic, Douglas’ political career came to an end amidst irresponsible allegations that she was a Communist supporter -- many of which were leveled at her by her opponent in the 1950 Senate race, Richard Nixon. This episode is b...
Apr 12, 2016•53 min•Ep 79•Transcript available on Metacast The post-war Communist witch hunt had a big impact on Ronald Reagan’s evolution from movie actor to politician, and from Democrat to Republican. And Ronald Reagan had a major personal impact on the witch hunt’s manifestation in Hollywood, the Blacklist. This episode will trace the years in which Reagan was primarily known as a movie and TV star, and explore his two marriages to actresses, his testimony to HUAC, his behind-the-scenes work as an informer to the FBI, his late-career incarnation as ...
Apr 05, 2016•38 min•Ep 78•Transcript available on Metacast Picking up where last week’s episode left off, we’ll catch up with Chaplin’s post-The Great Dictator activism, talk about Chaplin’s savage satirical follow-up, Monsieur Verdoux, and explain the witch hunt that ended with him forced to leave his adopted home, and Hollywood career, behind. This episode is brought to you by Audible.com, who has more than 180,000 audiobooks and spoken-word audio products. Get a free audiobook of your choice at audible.com/REMEMBER. This episode is also brought to yo...
Mar 29, 2016•41 min•Ep 77•Transcript available on Metacast In 1922, Charlie Chaplin was one of the most beloved men in the world. In 1952, after over a decade of being publicly shamed, he was essentially manipulated into self-deportation. What happened in between? We’ll explain over two episodes, beginning with this flashback to an episode that originally ran in March 2015, detailing Chaplin’s politics, his fascination with Adolf Hitler, the making and release of The Great Dictator, and the sex scandal that gave J. Edgar Hoover an opening to persecute C...
Mar 22, 2016•48 min•Transcript available on Metacast John Garfield was Brando before Brando -- a Method-style actor who repped the New York working class while becoming a major sex symbol in film noir and World War II films. Garfield was not a Communist; most of his friends -- and his wife -- were, but they mostly thought “Julie” was well meaning but not a serious political animal. HUAC disagreed, and in the early 1950s, Garfield became the biggest star to be blacklisted. To learn more about listener data and our privacy practices visit: https://w...
Mar 15, 2016•50 min•Ep 76•Transcript available on Metacast Barbara Stanwyck’s first marriage helped to inspire A Star is Born. Her second marriage, to heartthrob Robert Taylor, didn’t make sense in a lot of ways, but the pair were united by their conservative politics. Both joined the blacklist-stoking Motion Picture Alliance for the Preservation of American Ideals, but only Taylor testified before HUAC. Called to shame MGM for forcing him to star in wartime pro-Soviet film Song of Russia, Taylor would become the only major star to name names. Today we’...
Mar 08, 2016•50 min•Ep 75•Transcript available on Metacast In the late 1940s, as the country was moving to the right and there was pressure on Hollywood to do the same, Katharine Hepburn, Humphrey Bogart and John Huston all protested HUAC in ways that damaged their public personas and their ability to work in Hollywood. Hepburn’s outspokenness resulted in headlines branding her a "Red" and, allegedly, audiences stoning her films. Bogart and Huston were prominent members of the Committee For the First Amendment, a group of Hollywood stars who came to Was...
Mar 01, 2016•52 min•Ep 74•Transcript available on Metacast Humphrey Bogart was Warner Brothers' most valuable star in 1947, when he, his wife Lauren Bacall, his future African Queen co-star Katharine Hepburn, his friend and frequent director John Huston and many other stars actively protested HUAC. We'll get into that next week. This week, we're flashing back to our episode on Bogart from 2014, describing how the Casablanca star struggled to find his niche in Hollywood during the first part of his film career, the tough guy roles that changed things aro...
Feb 23, 2016•45 min•Transcript available on Metacast The New Yorker columnist, poet and celebrated Algonquin Roundtable wit spent years in Hollywood, working as a screenwriter in partnership with her second husband, Alan Campbell, and contributing to important films such as the original A Star is Born and Alfred Hitchcock’s Saboteur. Much to the surprise of many of her closest friends, beginning in the late 1920s Parker became increasingly drawn to socialist causes. Parker’s political calling was merely socially problematic before World War II, wh...
Feb 16, 2016•54 min•Ep 73•Transcript available on Metacast In 1947, the House Un-American Activities Committee subpoenaed dozens of Hollywood workers to come to Washington and testify to the presence of Communists in the film industry. 19 of those who were subpoenaed announced that they wouldn't co-operate with the Committee; of those 19, 10 "unfriendly" witnesses were called to the stand and refused to answer "The $64 Question": "Are you now or have you ever been a Communist?" Those 10 men were subsequently denied employment, imprisoned; afraid of coll...
Feb 09, 2016•59 min•Ep 72•Transcript available on Metacast This episode will trace the roots of both communism and anti-communism in Hollywood, through the Depression, union struggles and scandals, and World War II. The major characters of the series will be introduced, including members of the Hollywood Ten like Dalton Trumbo and Edward Dmytryk, two Party members who collaborated on a film called Tender Comrade, which starred one of Hollywood's proudest Conservatives, Ginger Rogers. Tender Comrade epitomizes the political evolution that made the Blackl...
Feb 02, 2016•53 min•Ep 71•Transcript available on Metacast In the 1940s, Louis B. Mayer was the highest paid man in America, one of the first celebrity CEOs and the figurehead of what for most Americans was the most glamorous industry on Earth. In 1951, Mayer was fired from the studio that bore his name. What happened -- to Mayer, and to Movies on the whole -- to hasten the end of the golden era of hollywood? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visi...
Dec 22, 2015•52 min•Ep 70•Transcript available on Metacast Elizabeth Taylor grew up on the MGM lot, spending 18 years as what she referred to as “MGM chattel.” The last four years of that 18 year sentence were arguably the most interesting. From 1956-1960, she made a run of really interesting films including Giant, Cat on a Hot Tin Roof and Butterfield 8, and she met the “love of her life”, Mike Todd, and turned him into her third husband. When Todd died a year later Liz sought comfort in the arms of Todd’s friend - and Debbie Reynolds’ husband — Eddie ...
Dec 15, 2015•48 min•Ep 69•Transcript available on Metacast