SYMHC Classics: William Desmond Taylor Murder

to Stuff You Missed in History Class, a production of iHeartRadio. Hello, and welcome to the podcast. I'm Holly Frye and I'm Tracy B. Wilson, and I have a confession to make right out of the gate, which is today's episode is kind of a remainder from Halloween stuff. Yeah. When I

looked at the title of I was like, oh, more Halloween. Yeah, it's like one of those things that I started looking at as a potential October episode, and then as I got more into it, I was like, oh, this really is just like more of a sad, convoluted tale of people in the lives they lead. It wasn't so much spooky as just sad. It's more Hollywood history than creepy

Halloween stuff. Although a lot of the Hollywood scandals we're going to be talking about are pretty upsetting themselves, right Like, it popped on my radar because it's on my list of unsolved crimes. But then the deeper you go, the less it really has anything spooky about it. It's more just the like the right paperwork didn't happen, and people protected each other. So in the nineteen twenties, the idea of Hollywood as a motion picture town was still really

pretty new. The film industry had existed in Los Angeles for just a little more than a decade when They're Roaring Twenties began, and even in its youth, though, Hollywood and it's really quickly growing film industry had a reputation

for debauchery. As movies grew into a serious business, the small California town, which had initially just been chosen because it was a good location to shoot because the consistent sunshine made it easy in terms of lighting, it grew so quickly, so from nineteen ten to nineteen twenty, the population of Los Angeles went from three hundred and nineteen thousand people to five hundred seventy seven thousand, so it almost doubled. It's like one point seven ish. I'm doing

very sloppy math in my head. And during that time, its population of actors and actresses went from six hundred and fifteen to thirty six hundred according to census records, and the mushrooming business of making entertainment drew this kind of perfect combination of fame and wealth seekers, and it wasn't long before scandals started to happen, because sometimes people would get very desperate and do things that were unscrupulous.

Day we are talking about one of those scandals. It's a murder that had so many suspects and so much convoluted stuff going on that the case was never solved, and that is the murder of William Desmond Taylor. William Desmond Taylor was born William Cunningham Dean Tanner and Carlo Ireland on April twenty sixth, eighteen seventy two. The family moved to Dublin when he was still young. His father was a major in the British Army and had hoped

that William would enter the military. Those hopes were dashed because he failed to pass his interests tests. Instead. William moved to the United States in eighteen ninety at the age of eighteen, and he had been sent by his father to work on a dude ranch. A ranch known as Running Meade that was in Kansas had been advertising in Great Britain as a place where young men could go and learn to be manlier, and Major Dean Tanner thought it would make William into the sun that he wanted.

This is such a weird premise to me, it is, but it was one of those things. It was a little bit of a fad in Great Britain for a few years of like, oh, our sons who are maybe privileged and don't really haven't really been tested in terms of their manliness, will send them to America, to the rough riding West, and they'll come back just strapping young men ready to take on the world well. And the idea that there would be a movement to try to make men manlier, that is not the part that strikes

me as weird. It's the part of like dude ranches specifically as like the place to go be manlier, just because like the dude ranch has that element of being for tourists to come well it does now. Well it must have then too, because there's a stage on the ranch. Yeah,

that's true. But I think you know, to somebody that doesn't know much about ranching, what they know is you're gonna go out and be kind of in the wilderness and the prairies, and you are gonna herd animals, and you're gonna ride horses and gonna learn things like carpentry. You are gonna come back so manly. Well that was there. There's also the part where this ranch was giving William

an outlet in the form of acting. He had done some stage work in school, but appearing on stage at the ranch, which like we said, had a resort element to it, he really seemed to love that. When the ranch closed in eighteen ninety two, he moved briefly to Missouri and then drifted a while as a laborer before he took an acting job in Chicago under the name

Cunningham Dean. Eventually he made his way to New York. Yeah, this is one of those things where you kind of have to condense because he really does just drift around and do a lot of odd jobs and you know, kind of keep himself going because you could do that at this time in the United States, but by the end of nineteen oh one he was living in New York. He had gotten married to a woman named Ethel May Harrison, who was an actress. That was actually her stage name.

Her real last name was Hamilton, and her family wealth had come from her stockbroker father. William was then employed in an establishment called English Antique Shop, in which his new father in law was an investor, and the couple had a daughter named Ethel Daisy in nineteen oh three. Seven years into this marriage, William vanished. This was in October of nineteen oh eight. He called the antique shop to ask for six hundred dollars on the day after

he left his family. The shop messengered this money to him, and then the New York society and on the family everything that he had had around him. Never saw him again. Nope, he just like we said, vanished. And the years immediately after William's disappearance are quite hazy. His friends and family were concerned that he may have had some sort of mental break or amnesia. There were even stories that started cropping up of like, well, he's had some incidents before.

Various versions of his life story indicate that he drifted for several years after he left his wife and child, placing him everywhere you can imagine, from the Deep South to Montana to Colorado and even Alaska. These are all places that one might imagine that men would go to become more manly. I'm still going to just be stuck on that this whole episode. In nineteen twelve, Ethyl petition of the state for a divorce from her missing husband

so that she could remarry. At the end of that year, William reappeared in California going by the name of William Desmond Taylor. As William Taylor, he was hired to act in an assortment of short films, including the Iconoclast Bread, Cast upon the Waters, A True Believer, and The quakeres in nineteen thirteen. Yeah, all of those films were made

that same year. As we've talked about before when we talk about older Hollywood history, they were churning out movies at a much quicker rate than we ever talked about we would ever imagine today. In nineteen fourteen, Taylor started taking on work as a director as well, and for several projects he actually worked as both actor and director.

His knowledge, he was pretty well read he could speak a couple languages pretty well, and he really loved literature, so he came off as very airy dite, and his work ethic enabled him to really rise quite quickly as a major player in the fledgling film industry. During World War One, Taylor enlisted with the Canadian Army, but he never saw any action. He had enlisted in nineteen eighteen, but the war ended before he could be shipped out.

And so as the film industry was growing and the concept of a movie star became a thing which was all happening in parallel to Taylor being part of it, Hollywood, as we said, started to attract people seeking fame and money and power, and in the early nineteen twenties the industry began experiencing its first scandals. There were a lot of them. In September nineteen twenty, actress Olive Thomas had spent the evening with her husband Jack Pickford, brother of

Mary Pickford, in Paris. Their marriage had been struggling because they both had hectic careers, and the two of them were hoping that a getaway could help mend their problems. But after coming back to their hotel room one evening, Olive drank a lethal dose of mercury by chloride, and whether she intentionally ended her life or accidentally ingested the

fatal chemical remains uncertain. You might recall, if you listened to our Lawn Cheney episode, that Cheney's first wife, Cleva Creton, attempted to kill herself with mercury by chloride in nineteen thirteen. One of the reported versions of this story was that Olive thought she was taking a sleeping aid and she had misread the French label on the bottle, which had

been prescribed for her husband. One of the reasons that sometimes given for why there was mercury by chloride on hand in the first place was that Jack was using it topically to treat sores from syphilis. Today that would carry a lot of stigma, but at the time that would have been even more so so. If that was true, that obviously would have been one of the causes of

their strained marriage. This scandalous element to the story, plus all these lingering doubts about whether the death was accidental or not, really started tongues wagging about how the Hollywood life had been The undoing of a sweet girl from Pennsylvania. As a side note, Olive's ghost is rumored to haunt Broadway's New Amsterdam Theater, but that ghost has never divulged what really happened the night she died. Yeah, as recently

as last year, there were articles about this ghost. If you don't know Broadway or where the New Amsterdam is, it is where the Aladdin Show has been running for quite some time, which to me, I don't know, makes it extra kind of witty that she would be hanging

out watching the Aladdin Show every night. Roughly one year after Olive's death, in September of nineteen twenty one, It's twenty five year old actress Virginia rap or Rape or Rappa, depending on who you listen to, died several days after she had attended a party at the Saint Francis Hotel. She had a ruptured bladder, and she died of peritonitis.

She had been seen in a room with super star at the time, Fatty Arbuckle, and her friend Maude Delmont said that Arbuckle had sexually assaulted her, uh, the actress Virginia, and though there was no evidence to back up the claim and Arbuckle was acquitted of manslaughter, this story, which was very scandalous had been front page news and reported in the most sensational ways possible to sell as many papers as possible. It's been almost one hundred years and

Fatty Arbuckle's name is still like was intimately connected with scandal. Yeah, when you say it, it's like people get that like scared look on their face of like, I don't even want to hear about that, because there were various versions, some of which are very very upsetting to hear that

we will not go into. But yeah, they're really lurid of how he may have assaulted her, and even some that were sort of more I don't want to say mild, because it still involves him forcing himself on her, but that were just like he was so heavy when he forced himself on her, it caused this this ru sure, So there are a lot of different versions of it,

and they're very unseemly. So that is why even today, even though he was completely acquitted and there was no evidence, his name still has this sort of specter of ickiness on it. Yeah, it ended his career. He was blacklisted, he wasn't cast in another film for more than a decade, and he died just as it look like that he might make a comeback, and this whole incident really negatively

impacted the whole film industry's image. By that point, Hollywood had gained this reputation as a place where people went to follow their dreams, only to often have things end in disaster. Headlines swirled about the lack of morality in filmmaking culture, and William Desmond Taylor was the advocate for the industry. He spoke about the good that films could do as censors threatened to clip anything even remotely considered scandalous.

I was reading in one of his biographies that there was a scene in a picture where a woman was making baby clothes, and the sensors stepped in and said they had to cut it because it would confuse children who thought that the stork brought babies. So the sensors were sort of trying to overcorrect. At the same time, some people in the film industry, like Taylor were saying, like, hey, we can also make wholesome films. We can kind of

meet in the middle a little bit. He also cooperated with US attorney Tom Green to try to get rid of a drug problem that had been steadily growing in his movie studio Over the years. Yeah, it was pretty common for people in the industry to use drugs, either at parties or developing habits that became problematic. But this, despite all of his efforts, that image of this morally unglued, self indulgent town was about to get a lot worse. But before we delve into this next section, we're gonna

pause and have a little sponsor break. On February second, nineteen twenty two, William Desmond Taylor's body was found in his home on Alvarado Street in Los Angeles. He had been shot in the back, although that was not initially immediately apparent. We'll talk about that in a moment. His valet, Henry Peavey, had reported for work in the morning and discovered him and began yelling, which alerted the neighbors. Taylor looked perfectly composed, he was dressed, and he was lying

on his back dead in a pool of blood. Both the back and front doors had been locked when Peeve arrived for work, but the front door locked automatically. The police were also called that morning to the scene of what was reported as a natural death. It was obviously not natural to have been shot in the back. But initially it was thought that he may have fallen and hit his head or as a doctor who was called to the scene initially pronounced that he had died of

a stomach hemorrhage. They all did marvel, however, that the way he was lying seemed like nobody could have fallen, hit their head and died that way, because he looked so put together. By the time detectives arrived at Taylor's home, it was already completely compromised by an assortment of the director's associates who were going through his belongings. When studio manager Charles Ayton arrived, he had commanded people to get

rid of any piece of incriminating anything. I feel like this is a running theme every time we talk about our crime in our show. That then people came and wrecked the crime scene. So, after all of Thomas's death, and with Fatty Arbuckle still at the time facing trial, he wanted any scrap that could be perceived as seed in any way to be taken back to his office so it couldn't further damage the studio's reputation. Later, he turned over what he claimed were all the papers to

the police, but he did not in fact, give them everything. Eventually, the deputy coroner arrived and there was after a lot of discussion because initially people were really ready to accept that this had been a natural death. There was a more thorough examination of Taylor's body, and then after he had been rolled over, it became apparent that William had been shot. The motive for the murder was elusive because

there did not appear to be anything missing. Once the bungalow turned into a crime scene, detectives moved out all the people who had gathered, but reporters were really persistent. One of them actually got into the home and others started taking photos through the windows. You may be wondering at this point, like if he got shot in the back, wouldn't it have been obvious as he was lying there

on the floor. But an autopsy later revealed that a thirty eight caliber soft nosed bullet had entered Taylor's body on his left side, about six and a half inches below his armpit, and that bullet had traveled on an upward trajectory through his left lung and then it had lodged in his neck, So it was shot from kind of below and went up. It didn't exit his body, which is why it was not immediately apparent when he

was lying on his back. Part of the difficulty in unraveling this murder is the vast number of possible suspects. Taylor had been known as something of a philanderer, even back in New York when he was still with his wife, and there were a lot of young starlets that he had been linked to romantically over the years. Even though a lot of those links are a lot, they were

basically unsubstantiated gossip. Taylor wasn't big on the sorts of huge parties that a lot of people in the film industry were frequenting, like the whole incident with Fatty Arbicle had happened at just like a big, raucous party. Neighbors described him as having a regular and fairly dull schedule. Yeah, they were like, he's usually home by seven. We can see him reading through the window into the evening, and

then he goes to bed. His former wife had of course recognized William when she saw him in a film in nineteen nineteen eleven years after he had walked out of her life, but she was in New York and at that point she was happily remarried to a restaurant tour. Her existence had been completely unknown to Taylor's Hollywood acquaintances

until shortly after his death. Some of his papers revealed that this person existed, and there were also papers describing that Taylor had met with his daughter the summer before he was killed, and that he might have been trying to re establish some sort of relationship with his daughter and his ex wife, So it was not likely to be a revenge scenario of his former wife, not for her. She was in New York and accounted for during all

of it. Additionally, it had become apparent that Taylor's relationship with his former employee, Edward Sands had become strained. Sands had actually left Taylor's employee seven months before the murder. The valet had forged Taylor's signature on checks and then crashed his car while Taylor was traveling outside that country. He was neither seen nor heard from again after Taylor's murder. Yeah, he's one of the nebulous suspects that a lot of people point to that does make sense in some ways.

He had a criminal history, but there are also a lot of things that don't make sense, like basically he was running from the law, and it wouldn't make sense for him to show back up in Los Angeles and be like, Hi, I'm going to do some high profile killing of things because he was trying to be on

the lamb. Taylor also, it turned out had a brother that was living in the States, Dennis Dean Taylor, and oddly enough, just as William had done in nineteen oh eight, Dennis had left his family, although he did so four years later in nineteen twelve, but Taylor had found out about this and was actually supporting his sister in law and her two children. It turned out he had been

sending them regular checks every month. This tangle of the two brothers and their abandoned families was never entirely cleared up, but it did fuel a lot of speculation about Taylor and his mysterious life. More information about Taylor was uncovered, it only made things more confusing. People who had known him during those years that he had vanished started coming forward. He had used all kinds of different aliases while working

various labor jobs. Yeah, it's one of those. Reading through this whole story in a few different books, it's kind of interesting because you're like, oh, These are all the tropes of like mystery movies, but these all happened in a person's actual life. Where he vanishes, he lives several other different lives his like franchise lives, and then he finally settles in Hollywood. A neighbor named Faith McLean was the only person to have seen anything the night of

the murder. She said that she had seen a man leaving Taylor's home around eight PM, and her description of the man was stocky, but not fat. This kind of excluded Sands because he was considered to be fairly overweight. This person that the claim described was clean shaven, with a plan cap and looking, as she put it, quote like my idea of a motion picture burglar. I imagine that as carrying a crowbar and looking suspiciously over one's shoulder.

Two attendants at a nearby gas station said they had been asked Tailor's address by a stranger, and an unknown man was seen boarding a streetcar at the Maryland Avenue stop, which was not far from the crime scene. When shown photos of Sands, none of the people who described this

stranger thought it was the same man. Yeah, and there are people that say none of these people are even describing the same person like they're just Their descriptions were general enough that some people started to automatically assume it was the same person, But there's not really enough clear, hard detail to know. It is estimated, to further complicate things, that three hundred different people confess to this murder in police stations across the country, but they were all written

off as false confessions. Was every lead based on these exhaustively examined? Probably not, uh, But the investigation ended up focusing around three women, primarily none of whom were those people that showed up in police stations to confess. These were Mabel Normand, Mary Mentor, and Mary Mintor's mother, Charlotte Shelby. So we're going to tack through the three of them,

starting with Mabel. Mabel Normand was a comedian who had been romantically linked with Taylor, at least according to gossip columns. Mabel was very successful in films, but she also really abhorred all the artifice that the industry's culture had taken on. She had a reputation for being kind and generous, but

she also had a drug problem. She traveled to New York to try to get away from all this, and it was the news of Olive Thomas's death that really snapped her into the realization that she needed to get sober. She and all of had been friends and had partied together, and Mabel saw her own fate as being potentially the same as Olives. Mabel and William were really close friends, and they corresponded often, and their letters to each other

were very sweet. She had been involved with men before him who had been really unkind to her, but she and William seemed really more to have a deep friendship rather than a romantic relationship. It was William that she called after Olive's funeral asking for help, and he was completely encouraging, and when she checked herself into a rehab program at a sanatorium north of Seneca Lake, New York, it was rumored that Taylor actually paid the bill for it.

When Mabel came back to Hollywood looking radiant and healthy, Taylor was often her escort around town, leading to the belief that the two of them were a couple, But there's also a likelihood that this was just a way for Taylor to support his friend's sobriety. As she started making herself visible again in Los Angeles, Yeah, they seemed like the best of friends. He actually sent her flowers several times a week, and she would come over and they would talk about literature, and they seemed to be

super close. But she pretty much makes clear that if this was not romantic. Mabel was, however, the last known person to see Taylor alive. On the evening of February first, she stopped at the director's bungalow home to borrow two books, Nietzschez Thus Spake Zarathustra and Freud's Interpretation of Dreams. The two then shared a drink and then Taylor walked her

to her car. He was supposed to call her at nine pm, but he didn't, but she had already been asleep and her maid did not normally wake her up if she got calls after she was in bed, so she thought nothing of this. Detectives who were piecing this crime together believed that as Taylor was walking Mabel to her car, the assailant snuck into the bungalow. Yeah. They did investigate Mabel though, because on a tip that Mabel had a thirty eight caliber revolver like the one that

was used to kill Taylor. Police searched her home and they did find two handguns, but both were twenty five caliber weapons that were not a match for the murder weapon, and so the police pretty quickly determined that Mabel was not the killer. She was also of the people they interviewed seemed to be the most deeply grieving over the whole loss. Mabel's life continued to have problems after Taylor's death.

Not long after the murder, she had a date in a jazz club with a married man named George S. Patterson. He died in a car accident that after they parted ways that evening, and then the newspapers used that whole event to smear her. Yeah, it was kind of like, isn't it weird that two men that you were close to both died so soon after one another. It was really unkind uh. And then she was also involved in a shooting in nineteen twenty four when her driver killed

her boyfriend. It turned out that the driver was an escaped convict who, like many people in Hollywood, had taken on a new identity. In nineteen twenty seven, Mabel was diagnosed with tuberculosis, and she died in nineteen thirty at the age of thirty seven. Next up. We're going to take a look at the mother daughter duo who are most frequently linked to Taylor's death. But first we're going to pause again for a little sponsor break. Mary Miles Minter was a young actress of eighteen who had been

acting since she was a small girl. She was cast in an adaptation of Anne of green Gables that Taylor was directing, and she developed a huge crush on the director. Mary's mother, Charlotte Shelby, was dismayed at the possibility of a relationship between her teenage daughter and the late forties age director. Mary had fallen for a number of older men during her career, and at least one of them had taken advantage of her attraction to him. So why

Charlotte was watching her daughter like a hawk? She was really intent that Mary should be famous and that the two of them should get rich in the process. She did not want any kind of dalliance to complicate matters. She didn't want anything to ruin their plans. But Mary really seemed to believe that William Taylor was the love

of her life. I will say, reading pretty much every account, Charlotte does not seem to have been concerned about her daughter's well being in any of this, Like, she wasn't like I don't want another man to take advantage of my daughter. She really seemed to be making pretty selfish moves, which is sort of heartbreaking. Yeah, it's kind of the

original prototype for the horrible stage mom. Yeah, and there's also in one of those ways that is unfortunately not surprising, putting the blame on her when she was a child for the actions of adult men. Yes, and Charlotte definitely brought into that love. Notes that Mary Mentor had written William Taylor were among his effects in his Bungalow, in which the starlett wrote of wanting to go away with

William and living an idyllic, domestic, romantic life. The papers began running stories that stated that the young woman was having an affair with the much older director, but friends of his, as well as Mary Mentor, had all claimed that Mary's love was unrequited. When the young woman had told Taylor how she felt about him, he had very gently explained to her that he was far too old for her, and he believed that the matter was settled.

After Taylor got promoted to a different office by the studio. Mary was no longer working with him, and she became even more obsessed and really a little unstable as she tried to deal with her feelings for him and her growing resentment of her mother's interference. At one point, Mentor had feigned shooting herself after a fight with her mother over whether she had been with Taylor. The gun was the same type that had been used to kill Taylor. Yeah,

that happened, just for clarity before Taylor was killed. But the two of them, there was sort of a constant badgering of were you with that man? Were you with that man? Did you go see that man? And while Mary would have loved to have gone to see that man, she made very clear that she really did adore him. She also had not been Later, missus Shelby was seen carrying that same revolver when she at one point went to William Desmond Taylor's house in search of her daughter,

who had failed to come home. She was going to confront him, but Mary was not at the director's house. Charlotte Shelby's protective nature regarding her daughter was really explosive when it came to William Taylor, even though he really seemed to have no kind of lascivious intent on the young actress, but a witness employed by Missus Shelby once saw her say to Taylor, if I ever catch you hanging around with Mary again, I will blow your expletive

brains out. When Mary Mentor heard the news of Ta's death, she went first to his home and then to a nearby mortuary, where she asked to give blood to save him. Whether she truly was in denial that he was dead or if she was playing up this relationship with the deceased remains unknown. Charlotte Shelby opted to get out in front of this story by inviting reporters to speak with Mary, and the young actress said that she and William Desmond Taylor had never been involved and that he saw her

as a child. When Mary was deposed by police, her interview lasted for several hours. She told them that she had been in love with William Taylor, but he had never returned his affection, and that they were not romantically involved. Charlotte Shelby was close to the da in Los Angeles, and there had been rumors that the two of them

were having an affair. This was about the time that Holly, as she was doing this research, started to believe that the papers in LA in the nineteen twenties were speculating that everyone was having affair an affair, but I mean, who knows, maybe they were, Maybe everyone was heavy an affair. So she got a little heads up. When the police were headed to her home to ask a few questions about William Taylor's murder, she was a very shrewd woman

and she refused to answer their questions. Eventually, detectives that were pretty convinced that she had probably murdered Taylor cooked up this wacky ruse to try to lure her out by running a fake story in the newspapers that a spiritualist had communicated with the deceased William Desmond Taylor and had learned the killer's identity and that it was a

woman with a beautiful daughter. This was, of course, alla farce, but it was designed to spur Shelby into some sort of action, and the morning that that story ran, Shelby phoned her lawyer immediately, but it really didn't result in anything more, and she did not come forward to confess. As they were hoping. One of the detectives in the case pulled three blonde hairs from the jacket that Taylor had been wearing when he died. He had an expert compare them to hair from Mary Mentor, and they were

declared to be a match. The theory was that Charlotte had walked in on Mary and William as they embraced and had shot Taylor, and then Mary had arranged the body. Just as investigators really thought they were getting pretty close to solving this crime, they were ordered to drop the case by the district attorney, the same one that was

good friends with Charlotte Shelby. But as the investigation once again pointed to Shelby several years later, she claimed at that point that she and William Taylor had been the best of friends, that there was no animosity between them. This was a flat out lie, as anyone who knew

them would have attested to. But when she was questioned at that point about the whereabouts of her thirty eight caliber revolver, which she was known to have owned the DA had actually given it to her, she confessed to investigators that her mother had taken the guns somewhere and disposed of it, but that she did not know where.

Director king Vador later told people that Mary mentor had strongly suggested that her mother had killed William Taylorarolette Shelby's other daughter, Margaret, also started openly accusing her mother of the murder in the nineteen thirties. Although Margaret's version of events was wildly off the known facts of the case, this mismatch in the description of the killer and Charlotte Shelby was the one real halting point in her status

as a suspect. Yeah, Faith McLean's description definitely did not describe anybody that looked like Charlotte Shelby, And so even when they felt like they had a lot of good, circumstantial evidence that all was pretty much put an end to things. It's like, but she doesn't look at all

like the one person that a witness saw. In nineteen thirty seven, fifteen years after the murder, Charlotte Shelby's former chauffeur told police that his employer had asked him to remove all of the ammunition from the gun that she owned immediately after the murder of William Desmond Taylor was publicly known. She claimed at the time that she feared that Mary was going to turn the pistol on herself.

He had put this ammunition on a beam in the basement of Charlotte Shelley with Shelby's former residence, and when the police went to the home, which at that point was occupied by other residents, the bullets were still there. They were matched to the bullet that had killed Taylor, which was significant because it was an older style of

ammunition that was not normally used in nineteen twenty two. Yeah, the ammunitions expert said something to the effect of like, you know, this is one in a million or something crazy like that, like, if you find this this ammunition, it's got to be the same person. The case was reopened based on this new evidence. But when she appeared before a grand jury, Charlotte Shelby suddenly had a backup

witness for an alibi. Prior to that, there had always been a little discrepancy in her whereabouts at the time of the murder. She had always said she was at her house, but Mary and Mary's grandmother, who were at the house, were like, no, she wasn't, So it was always a little unclear if she had been in the house and they just didn't know or not. But this time she had a friend back her up and say

he was there with her. After the hearing, she told reporters quote, one of the worst tortures for any person, particularly a woman, is to go through life with a cloud of malicious innuendo constantly hovering over her like a specter. Why must William Desmond Taylor's murder follow me through the years? I want to live the rest of my life and happiness and peace if I may be permitted to do so. The case was closed after the hearing, and it was

never reopened. In the meantime, though, in those fifteen years, Mary Mentor's wholesome image was tarnished by the rumors of a sexual relationship with Taylor, even though everyone denied that such a thing existed. So she was this sort of ingenue type actress, and so that it just was really incongruous with the image that they were trying to promote for her. So her contract with the studio wasn't renewed.

She did manage to move away from her mother, but she quickly realized that because she had been basically a child star and then an actress and her mother had managed everything, she did not have the skills to manage money on her own. And moreover, there wasn't any money coming in to manage anyway. For a while, she seemed to constantly want to dredge up the case in an effort to stay relevant, and at one point she even fabricated a whole story that somebody had tried to murder her.

She also started a rumor that her mother had been jealous of her relationship with Taylor and hinted that there had been a romantic involvement. She finally ended up marrying into wealth and living out her life in a happy obscurity. Yeah, when she went through that phase where she was saying a lot of crazy things to the press, it is pretty widely believed that she was developing a pretty bad dependency on drugs and that's why she was so erratic

all the time. Another woman in Taylor's story, though that was not really investigated at the time, was Margaret Gibson. And Gibson, who went by Gibbee, knew William Desmond Taylor. They had been actors together in their early careers. This was before Taylor had even moved to Los Angeles. Gibby ran into some legal trouble after an arrest for dealing opium and possible prostitution under a sort of an umbrella

vagrancy charge. She had been acquitted, but she knew that her career, which she had been trying to get off the ground, was never going to get its feet back under it, so she reinvented herself as an actress under the name of Patricia Palmer. With her new name and an age that she fudged, Gibby or Patricia sought out her old friend who was then head of the famous player's last studio, but she didn't get the help she

hoped for. Instead, her life wind up spiraling into just a constant, clawing effort to try to make it in Hollywood that often involved some really seedy people and eventually included being part of a blackmail ring. Yeah, Gibby was so desperate. It was a combination of, you know, maybe some flexible morality and also being just gullible enough to believe horrible people when they promised that they would be the ones that really got her career off the ground.

But eventually Gibson fled Hollywood, but she did move back to California later in her life, this time as a married woman. Her husband was Elbert Lewis. She was widowed in the nineteen forties when Lewis died, and in nineteen sixty four, Gibson, who at that point was living as Patricia Lewis, had a heart attack. When a neighbor found her, she asked for a priest to give her final confession,

eventually telling the neighbor I killed William Desmond Taylor. It's possible that, even if she didn't physically kill Taylor, that her blackmail dealings may have led to his demise in some way. If she was speeding information to the people who did in his life, she might have felt that she was responsible for his untimely end. Even so, in addition to that, people confess to things they didn't do,

like all the time. That is true. This is a theory that's become a lot more popular in recent years, in part because she did run with a lot of people as part of this blackmailing ring, and there are some matchups of people that she knew and was dealing with and some sort of shady looking characters that had been seen around William Desmond Taylor's home in the weeks leading up to the murder. But again, that's one that could very easily be strictly coincidence. We just don't know.

And to further complicate the picture of Taylor's life and who in it might wish to harm him, it slowly came to light in all of this post murder investigation that he may have been bisexual. Friends eventually started speaking about his jaunts into opium clubs in Los Angeles that catered to gay men, and there were headlines that ran

in papers about Taylor visiting quote queer places. The studio tried to spin these stories as the director scouting kind of you know, color for his films, but this really didn't have any effect. George James hop who was a designer of sets and production, had collaborated on several pictures with William Desmond Taylor, and in nineteen eighty one he wrote an autobiography which was never published, in which he's spoken of an affair with Taylor that lasted for several years,

right up until the murder. It's possible that someone was blackmailing William Desmond Taylor. Given his abandoned family and the possibility of bisexuality, and even his career in film, there were plenty of secrets that he may have wanted to keep under wraps. The revelations about the many secrets of Taylor's life, which fed into this larger story of scandal in Hollywood, really had a serious impact on the film industry.

An article that appeared six days after Taylor's body was found read quote, the murder of William Desmond Taylor has had a fearsome effect upon the movies. It is exposing the debaucheries, the looseness, the rottenness of Hollywood. Studios immediately started working on on vigilance plans to ensure that ethics and conduct regulations were in place in the industry. This eventually led to the adoption of the Hayes Code in nineteen thirty, which laid out moral guidelines for all motion

pictures made in the United States. That code remained in place until nineteen sixty eight. William Desmond Taylor directed more than fifty movies in a span of only eight years, and when he was laid to rest, ten thousand people

showed up for the funeral. It was a combination of people from Hollywood who just loved him because he was really well liked, as well as onlookers who were hoping to see famous people grieving The crowd at one point pushed their way into the chapel where his funeral service was taking place, and a riot nearly started, but police were eventually able to push them back out onto the street,

and then they locked the door so the service could continue. Today, there's an annual film festival of his movies in Carlo, Ireland,

which is where he was born. And what really becomes apparent when you look at all of the elements of this bizarre, unsolved case is how many people in Los Angeles in the early days of the film industry were hiding huge personal secrets, and the truth of what happened the night that William Desmond Taylor died will likely never be known, though there are certainly plenty of books written about the case, each of which seems to favor a

different killer. Yeah, it comes up a lot when you're reading histories of this case, like how easy it was for someone to just show up in Los Angeles and say my name is X, and there were not the easy ways to background check people as there are now, and people would go, okay, X, let's do this. So a lot of the people that had moved there were kind of starting over and maybe had some unsavory things that they wanted to leave behind, just you know, a

fascinating and kind of sad thing in many ways. Thanks so much for joining us on this Saturday. If you'd like to send us a note, our email addresses. His free podcasts at iHeartRadio dot com, and you can subscribe to the show on the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows.