The Backstory to Great Audio Storytelling, hosted by Rob Rosenthal, for Transom and PRX.
NPR reporter Uri Berliner breaks from his usual approach to storytelling and finds interviewing his dad about growing up in Berlin in the 1930s to be incredibly difficult and rewarding.
Sewage pipes, a radio crime, and sound designing inner thoughts.... Must be another episode of Rob's fav sounds but this time with a twist -- a sound that annoyed Rob to no end. Clips from BBC 3 and Nathanial Mann, Bodies by KCRW, and No Feeling Is Final from ABC Radio.
Every once in a while, I think HowSound should focus solely on interviewing. To heck with sound design, writing, ethics, tracking, and the like. Just focus on “the backstory to great radio interviewing.” Why? Because interviewing is how radio producers mine. It’s how we collect the raw material for our work. The better the interviewing, the better the tape. The better the tape, the better the story. I mean, sure sloppy writing can kill stellar interview tape. Same with bad production. Conversely...
On this episode, the convention-busting production choices of "10 Things That Scare Me."
Sometimes, there's just too much good work to feature on HowSound. To solve the problem, from time to time I feature a slew of ear-catching clips on one episode. On this episode, work from Believed, 99% Invisible, This American Life, and Threshold.
At a school where I taught radio, in the mic booth, there was a photo of Studs Terkel hanging on the wall. Under it, someone wrote “Talk to Studs.” The picture was there to help with tracking. Narration will sound more conversational if you pretend you’re talking to Studs, the thinking went. After all, that’s the goal, right? To track like you’re just talking to someone. Hanging up a picture and talking to it may be a good (and slightly weird) first step toward tracking naturally, Sruthi Pinnema...
Since 2009, Julia Barton's edited a lot of radio and podcasts you probably listen to including Revisionist History. On this HowSound, Julia talks shop about her approach to editing.
Jeff Emtmen pulled an audio sleight of hand in an episode of Hear Be Monsters about Mexican free-tail bats. It's a delight to listen to. To understand Jeff's trick, Rob offers a primer on sound and hearing.
Why do students at Transom's Traveling Workshops produce such solid work on very little sleep? Because they're driven to learn? Yup. Because they want to leave the workshop with something they're proud of? Absolutely. But, it may also be because they want to do justice to the people they profile in their stories -- to get it right. You can definitely hear that effort on this HowSound.
On this episode, a fascinating minute of audio - the sound of war and peace reconstructed from the exact end of World War I. Even more fascinating, the producers - Will Worsley and Sam Britton - conjured the sound using audio shadows captured on film.
Back in September, Barrie Hardymon and Dana Cronin produced a short, sharp, shock of a story. One that featured tweets recorded by listeners including a tweet that had to be approved by NPR legal before broadcast. And they did it all in about eighteen hours.
Jim Briggs and Fernando Arruda compose music for stories at Reveal. HowSound's Rob Rosenthal talks with them about the way they think about music and scoring. We think you’ll find it instructive, even if your music comes from a library.
Up now on HowSound, a recent doc from BBC 3 called "Right Between the Ears" features ear-catching sound design and reveals how ears aren't the only part of the body involved in hearing.
A pile of tape just might be a treasure trove of radio gold. But how do you go manage it? Bianca Giaever has answers and a touching documentary called “Two Years with Franz” produced with Jay Allison here at Transom.
That feeling you have at the end of a serialized podcast where all you want to do is press play again -- what causes that? Rob talks to Leah Sottlile and Ryan Haas from Bundyville about episode endings that entice listeners to press play again.
A student once asked me “How do you find the stories you feature on HowSound?” I’m asked that a lot, actually. And, I’m sorry to say, I don’t have any secrets to reveal. I probably find stories and podcasts the same way everyone else does. Here’s my very quick and cursory list. * I listen to the radio. A lot. * I ask people “What are you listening to that was really interesting? Or that pissed you off?” * I pick the brains of my students. They often get out their phones and rifle through what th...
Jennifer Kingsley was so nervous when she started "Humans of the Arctic" she didn't eat for a week. But, she stepped off the boat in Svalbard with her mic and recording gear and learned a valuable lesson - you just won't know if you don't ask.
Producer Morgan Givens lays out his elaborate thinking behind a few sound effects he recorded for a historical fiction story he produced about an escaped slave.
It's a hackneyed idea, but it bears repeating: you can have all the right gear and marketing and everything else to make your podcast successful, but the most important asset is you. On this second episode of two, Vanessa Lowe of Nocturne lays out her podcast mindset.
Recording equipment? Check. Marketing plan? Check. Theme music? Check. Mindset?..... You can have all the technical and logistical aspects of podcasting in place but if you don't have the right outlook, your effort may fall short. What is that mindset? On this first of two episodes, Phoebe Judge of Criminal answers that question.
Often, sound brings to light the visuals in a radio story. But, narration can paint pictures, too. NPR's John Burnett talks "color notes" in radio storytelling.
For some radio inspiration, make sure to listen to these three stories produced in a week by students at a recent Transom Traveling Workshop in Marfa, Texas. Then, sign up for a workshop yourself!
The narrative arc in recent story about the drug epidemic by NPR's Rachel Martin was like being taken down into a basement and having the light turned off. The piece was bleak and the ending was, perhaps, the darkest point in the story. Rachel talks about that choice and offers other thoughts about story endings on this episode of HowSound.
Radio producers talk about the scenes in their stories all the time. "What are the scenes in your story?" "Oh, I got some great scene tape today." But what is a scene? On this episode, Rob dissects one of the best scenes he's heard in a while.
It's possible I love David Weinberg's "Louie Louie" doc because I love the song. It's "Louie Louie" for God's sake. But, really, what hooked me was David's writing. Especially the opening.
Three students. Three stories. One week. Hear what can be accomplished in a very short period of time with barely any sleep.
Select telling details... Mete out descriptions... Cast surprising characters... and other tips for dynamic and visual reporting on the arts from the legendary Susan Stamberg.
This year marks the 25th anniversary of one of the best -- if not the best -- radio documentary: Ghetto Life 101. Producer David Isay and editor Gary Covino recall their landmark work on this episode of HowSound.
All you need to know for this episode is this: Listen with your best headphones!
A few years ago, Chenjerai Kumanyika went to record his narration for his first-ever radio story. And he discovered a problem: "What should I sound like?" Several years later, Chenjerai found his voice on the Peabody Award-winning podcast "Uncivil."
