Mini Crush #132

bit going nol from now on. We should do the show in the characters of of of Frog. We're going to start out with a stream this frog. Is that the only thing you can do? I can't, I can't say other words? Uh yeah, No, We're gonna do a little reverse order and start out with a little stream this action before we get into things. I watched a couple of music documentaries last week that are highly recommended by Moah. I guess you gotta like the musicians though

to like the docks. But I watched the David Crosby documentary Remember My Name, that was out last year. Fantastic, really good space. It was just very brutally raw, like he's a guy who in his old age, he's he's dying soon and he knows that and as any end of his life, basically saying, all the people I worked with hate me because I'm a big asshole. Yeah, has

a lot of regrets and it's just very somber. He's very frank about it all um, good stuff, complicated man, but just you know, he said it was his adrenaline and his anger management. He said, you know I was when I got mad, adrenaline kicked in, and he said it was instant asshole. And I think he's just one of those guys, you know, the at least the trail of pain in their wake. He's the one that looks

like Gallagher kind of right. Uh sure, yeah, yeah. He does a little bit really good documentary though, and it got me to listen. I did not really know this. Um he did a solo record, uh kind of in the midst of all that what's it called here? If only I could remember my name, which I didn't know about.

And they said that it was like a stoner classic and just such a weird, psychedelic, bizarre um thing in that in that the studio was just open and all his friends would just drop by and like like, hey, let me add this, let me put in a vocal part, let me throw in a lap steel, and it just was this layered like you should check it out, man, And uh yeah, I'd love to sit around with the candles on in the dark. And you know, I don't know if you have to have a joint that that

might help. Sure, sure, always have you speaking of you know, legends potentially on their last and their twilight days, I guess, and making cool work. Have you heard the new Bob Dylan record, Rough and Rowdy Ways? Of course that's been good man, it is good. Yeah. The first song in particular that I contain multitudes all these like it's got all these really interesting like modern pop culture references. Yeah, that that they I am not used to hear and

coming from him. I have a great toin of charming. Also that lost Um Nearly Young record that they came out similarly at the same time. I've been listening to that one. Toolan's also good. It's great. Um. The first time I saw Dylan was I think it was maybe during college. He was doing one of these tours and he does this sometimes where he plays like just like very off the beaten path places. And he played in Gainesville, Georgia. And if you know, I mean, if you're listening, you

don't know. Gainesville. It's a just sort of at the foothills where the North Georgia Mountains begin, and it's, um, it's a sizeable town for North Georgia, but it is very, very small. And he played the Gainesville Civic Center, I guess, which I don't know. It's probably like three or four thousand people. And my buddy Eddie and I who's a Dylan freak um went and camped out nearby and then went to the Dylan show and then went back to our campsite, which is kind of the perfect first way

to see Dylan. And it was in the nineties, so it was a while ago he was he was a bit younger. But it was really cool, man. It was like a town event, like everybody in the town of Gainesville came out for the show. Like there were the people that traveled to see Dylan. But then you could just see these families like a grandma and grandpa and parents and aids who probably don't ever go to see live music. They came out because Bob Dylan came to town.

It was really really neat. Highly recommend checking out Bob Dylan. Emily hated it live. We took another time to Eddie and I saw them we drug our wives and they were both just not too impressed. More recently, Dylan's been doing this bit where he just kind of sits behind the piano and he's kind of croony like Frank Sinatra e type numbers, and people are like, I came to hear fucking blowing in the wind. That's a song, right,

Sure he didn't he didn't do it. I mean, he does some of the hits, but he he's always been famous for just rearranging things on the fly. And his band is like he might be on stage and oll and he'll go to do all along the watch Tower and he'll turn around and switch the key right before he says one, two, three, four, And the band has got to be so good they can just go with whatever he wants to do. Wow, he's just have to

like eyeball it. Yeah, very interesting performer, love it. Agen And then the other doctor I watched last night Nol was Heaven Adores You. The Elliott Smithwin that's been out for a while and it uh I wanted to see in the theater when it came out, but it had a very short limited run and just sort of got by me. But it popped up on Amazon Prime. It was really just so great. Yeah to watch that's a sad one. I think I maybe mentioned this in the

show before. I saw him live weeks before he died, and he was not well, Like he was just very clearly quite drug added was. Yeah, he was just slurring and I couldn't find his capo when he was like sitting on in It was just this whole kind of like seeing somebody sort of like quiet, quietly melting down. Man.

It was, Yeah, that is tough stuff. He his audience cared so much about him, and I remember I saw him a few times with the band and then a couple of times by himself, and people would yell out these solo shows by himself things like you know, we hope you're okay and stuff like that, Like he was so cherished by his his fan base. It was just so fucking sad the way he went out. I missed that that music. Man, We we get cheated when these people the Jeff Buckley's and the Elliott Smith's leave us

so early. You know, I had a Jeff Buckley into Elliott smith sash last night. Actually, um that record that Buckley was working on before, Right before he died. They put out his sketches from My Sweethearts to Drunk, which is phenomenal. It was one disc of it is more

polished what they did in the studio. The second disc is all these really dope, weird uh uh four track type recordings, and one of them he does this song, this Genesis song called Back in New York City that's really weird and like trippy, and you know, um with all these loops and stuff, and it's just he's just he was such a creative guy. And Grace is incredible. That's such a straightforward record like I wanted to I would.

That really showed that, Oh man, he's he's got some weird ship up his sleeve, like he was gonna ye, who knows where he was going. His was even more sad too, because it wasn't like addiction or he didn't die by suicide. It was like he died living life. You know, you want to go swimming. He jumped to the river to swim never came back. You know, he's the kind of guy that takes his shirt off and jumps in the Mississippi River at midnight after total recording

session and yeah, it's sucking. So sad man. There was your buddy. Uh. Matt Gorley had this podcast where he would interview I can remember the name of it. It just ended, but he would interview like kind of behind like like second second tier players from big movies. Yeah, I was there too, that's the one. And he interviewed the woman who played the senator's daughter in Silence of the Lambs who was stuck in the pit, you know with the with the dog and all that ship. Um,

really really great, really cool lady. But she was talking about how she used to be Jeff Buckley's roommates. Um, and just a really weird, like totally unexpected twist to the story. I was talking about how like he needed a place to stay and he lets you let him stay with her for he was like the door guy at this club that she liked and or something like that, and they just became best of friends. And it was just a really really touching little story that was expected.

It was it was literally the last episode of that series. He wrapped it. So if you guys want to check out that story, it's the it's the the last episode of I was there too. I think it's the name of it. Yeah, okay, alright, everyone, we're gonna do grip this. It's been a while. I got some ship on Facebook for not doing stuff like this anymore, specifically grip this. So I'm doing it and all we're gonna talk about

script supervisors. Nice. They call him script e s. Back in the day they would call them continuity clerks or U script girl, of course because it was old Hollywood. And uh, his historically been a job that a woman performs. I don't think in all of my days on any set, I ever worked with a man as a script supervisor. And perhaps one of the reasons is that, uh, you have to blend in and just sort of be ever present but not loud and obnoxious about things that are

going on. And the script supervisor is the right hand person of the director, um, almost as much as I would say as the assistant director. Uh. And if you don't know what a script he does, the scripty oversees a continuity. UM. They do a lot of things. They

oversee the continuity of a movie. So when they go to shoot a scene, like a few minutes beforehand, when they're prepping, you will see everyone from the wardrobe person to the prop person, and especially if it's a carry overseene, like if you broke for lunch or if you're coming back to it, come over to the scripty and be like, hey, which hand was the was the gun in? Was the gun cocked? Was the collar? Was the collar up on the side like it is right now? Or did they

do that during lunch? Because it's got all match and that's all on scripty, And won't they take colect polaroids and stuff too to like do when they do like last looks or whatever. They'll make sure that they know and they keep that filed away and they're a little folder and pull out that thing and see because it's not like they can make notes that all that by hand and remember it. They have to like have some

kind of visual you get a reference. These days, I think they're using the old iPhones and iPads for that kind of thing. That makes perfect. But back in the day, it was a big stack of polaroids. Uh. And then during the scene they record what's going on and how

a line may be said. They mark. They're sort of the the aison between the director and the editor who was obviously not on set, And a lot of times they'll be sending not a lot of times, always they'll be sending footage to the editor because they kind of get to work right away. It's not like they shoot the movie then send it to the editor and they so they'll be making notes and they will hand those notes over to the editor. Um, like we did eighteen takes.

The director really loved to six and nine and a double star next to nine because he thought that was the best take. Um or maybe this director, um, maybe she thought that, uh, they didn't get it at all. So she was she wants you to look at these to see if you can marry these three takes instead of using what we thought was going to be one take. So just sort of notes like that that director is constantly giving to the script supervisor to pass along. Um

what else they're watching the script obviously they're reading along. Uh. If it's a movie where you, um, where the dialogue is, you really have to nail and it's not like you're improving and doing whatever. Um, they make sure that you get it right. If it is improv stuff, they have to keep up with that because Christopher guest five takes later might be like, oh wait, what was that? That was great? What you were doing before? And the actor goes, I don't even know what I was doing. I was

just sat on the zone. That's where script he comes in say, oh, you did a little bit about your fly being down or whatever. So also like is that the person that someone yells line ye, script supervisor will yell out the line, or not yell out. They will very quietly tell you the line. Uh. They will time the script of the stopwatch if it's required. I think for movies you don't see that as much unless it's a really sort of timed thing that has to be

a certain length. But on commercials, especially in music videos, where timing is everything you have, they sit there with a stopwatch because they know, like, you've only got three seconds to do this bit, because the commercial is only thirty seconds long or whatever, what else and all they keep in It's called the access of the scene. It's sort of where the camera position sits in relation to

the actors and the actor's eye lines. So they'll keep up with all of that and be like, no, you were over the shoulder in the scene and you were looking from left to right because that's where the horses galloping away. Because you know, some actors are great at that, and other actors are so into their performance they really really rely on scripty to kind of point out this stuff.

There's a really great Instagram account that I follow, and it's gonna be so useless because I can't remember the name of it, but I'll try to remember for next time. But it shows like split screens of like this, like really awesome sequences in movies, and it shows like the on set version versus the the actual, you know, finished edit. And that one that I saw recently was like, I don't remember what movie was from, but it was I've

seen it. I've seen it done for Children of Men as well, a big scene where it was a one shot tracking thing and then something blows up, like one of the buildings explodes, and everyone likes running screaming, but it shows them having like firing all those you know, those explosives and all of the like the things that have to happen to make us a scene like that go off without a hitch, and probably so much budget lined up in that an extra personnel and I don't know,

it's really cool. Also, I'll send it to you and on Instagram. I think you'd dig it. I'll totally dig that and all. Uh well else, I guess the final thing they do or I mean they do a lot more, but they keep track of the uh the takes. As in the camera department. They work closely with the camera department, so they have to you know, the clapper. The loader comes in and claps the old clapper down, and on that slate it says who the director is, what take

it is, what's scene it is? Maybe who the camera uh cinematographer is, and and the script he is watching that thing and they will say like it's take four, not take three, until they'll quickly erase it and put take three before anyone notices. So script is kind of the best friend of a lot of departments. That sounds like it. Yeah, very important job. If you I always thought this was a job my mom could have done in retirement. It's a great gig. Like you show up.

You don't have to be there super early. Um you know you you you kind of have the director's hour, So you show up when they show up, and as soon as they call cut, you make your copies of the stuff that you got to send out, and you go home and you're just sort of quietly always there. You gotta have a really good handwriting, have to have a nice demeanor. You get paid very well, like all

film jobs. So if you if you were someone who is comfortable not being the center of attention and come both being seen and not heard and has a great eye for detail, nice penmanship, uh, script supervisor might be the job for you. But how do you work your way up to that? I mean it seems like such a rarefying there isn't because there's no assistant. It's not like you can start out in a department and work

your way up. It's one person. So you just kind of have to make that decision like this is what I want to do, and try and just get in there any way you can, because it's all about like who you know. I mean, like the reason David, my my ex husband, got this job is because he works with this crew, and like they every time a gig comes up, they hire out the people they want. That's right, And it's not even like the production, it's the production hires the guy, and then the guy hires the team.

So it's like you really just have to get in there and like get you know, your your foot in the door, and then get in the union, I guess, and that's a big part of it too. Yeah, I'm not sure what union they're in, but I know that personnelity. I like, you've got to be good at your job obviously and have that great eye for your detail, but your personality goes a long way as a script. If the director really likes working with you, she might just be like, you know, you're my my person forever. I

like having your round. You've got my back, and you know, uh, you know how to do your job in a in a nice kind of quiet, unassuming way, which is a big part of it. So that's it. No, that's a grip this. Hope everybody learned something. I sure did, check, I sure did. I'm wondering if I should go get my computer charger. I think I should because I'm a Skype just eats it up. Yeah, I came down here with a percent and noll. Yeah. Man, alright, always plug in,

always plug in, all right, I'll be right back. Okay, all this entertain the people. We can leave that part in. But do do do do do do? Okay, Noel, I'm back through the magic of editing me. Running up two flights of stairs took no time at all. I know you don't seem WinDD or anything. Strangely, I'm not. Actually we experienced that in real time, Chuck. I was entertaining the folks at home while you were away. I was singing little muppet type songs. So, oh well, should we

could leave all that in? If you want some of that? I think it'll be clear to super producer Ramsey where where to where to institute the cut? So no, we're gonna move on to uh a little thing called casting couch. Oh sexy. That is where I get you on the couch and hol and make sweet sweet love. I do have a couch right here. How do you Where do you want me? Huh? Well, and I don't look I can make anything work. No, okay, all right, I know your holes. Oh no, all right, So we're gonna go

to casting couch. And with all these and music biopics biopics that are out and have been out, everyone's talking about what's who's next? You know what? Movies are next. I know you don't like those movies. No, but pretend for a minute you do. What do you want to see? Um? Well, I actually do want to see the Elton John one. I really liked Bohemian Rhapsody quite a bit, and I know there's some some some of the same personnel, right that did those two? Am I am? I mistaken about

that rocket Man in Bohemian Rhapsody. I don't know was there. I thought there was. I thought it was the same director. Oh maybe the first singer got fired and then took over. Yeah, I think he went on to do Rocket Man, which every one that I've talked to you about said is so awesome and dream like and fantastic. And did you see it rocket Man several times? It kicks. Liked it a lot. Let's see. I don't know. I think the

Bowie one would be cool. I know there's one in the works, but it looks a little twee honestly like it doesn't look like it's gonna be hard hitting cinema actually happening. Yeah, yeah, let's see Bowie bio pic. What's his? He's he's somebody I hadn't heard of. Uh, well, then I was errant because it's about the young David Bowie. Yeah, star Dust, Oh it's already out. Yeah, it doesn't look good. Why do you got to mess up a Bowie movie? Aloy, isn't that crazy? Like? How does that even? How is

that allowed to happen? Johnny Flynn, Yeah, I don't know that person. He just seems kind of like a little sweet pop star from South Africa kind of well. I missed the memo nol because I asked to cast, uh the Billy Joel movie, the Stevie Nicks movie, and the David Bowie movie, so I did not realize there was I think we can count this one as a wash, like, let's just pretend this will never happened. Maybe it's great.

I'm sorry. I don't want to mean to Malina before having seen it, but based on the casting and the look of it, they kind of came and went. Does not bode well. Um, but I love dude. Tildas Winton always comes up and I just think that's so clever. I would love to see that. Sure, might it might be tough to sustain for a whole I don't think so. I mean, if Kate Lynch I can play Bob Dylan. Yeah, but that was only in one little vignette and like, and it was meant to be kind of weird, you

know what I mean. Good point. Our oldest of friends, Franka Dakas first named Debbie, says Stevie could be Billy Lord, Carrie Fisher's daughter. I could see that. Eddie Redmain for Bowie. Yeah, why not. Billy Joel could be Michael Keaton for the older version. Young Joel could be played by a tussled Timothy shallow May. Timothy shallowm is way too handsome and chisel jaw to play Billy Joel, who has always been a very round human. Uh. And shallow May's playing Dylan,

so is he really? Oh? Yes, in real life and in the movie, I r l in a. I am got gotta gotta got it. Yeah, it's gonna be great. I can't wait for that. Kristen glen Kister, one of our old friends, says, uh, Gillian Anderson should reprise the role of David Bowie from American Gods, Florence Pugh or Amelia Clark for Stevie Nicks. Yeah, I could see that. She said, Billy is hard and to have such an unabashed love of Billy Joel me too that. I'm not sure there's a person who could do it to my licking.

James McAvoy maybe, m oh, maybe he can. He can be so versatile man like he really he's one of those ones that will like beef up or like, you know, get all gaunt and ship like, like, oh my god, did you see that movie where he played all the different personalities? He played them all so great. No, that was That's exactly kind of that. I think he did a fabulous job in that movie. Um, I like him

very much. Yeah, that's a pretty smart, smart casting call there. Yeah, and he sort of has that look a little bit. J Fraser says to Billy Joel, James McAvoy would do solid representation Stevie Nicks. I'd go to Lady Gaga route. Okay, I could see that maybe, even though if they did a good wig job, you know, I think she would she would be pretty good. Okay, I could go for that. I mean, I certainly thinks she's wonderful. But boy, I

love Stevie Knicks, David Bowie, Eddie Redmain. Everyone is saying, Eddie Redmain, do they know something? I don't know. He's he's a little too nerdy looking or something. I don't know. I'm not feeling it. Uh, Star Chili says Bowie Tilda Swinton. Okay, Uh someone I saw someone say Billy Lord for Stevie Nicks, that would be great, and Elijah would for Billy Joel mm hmm nah, not for me. Uh, young Billy modern

Billy Joel Paul Giamatti. That's where Mike Sam's I've heard that too, that that would not be bad as an older Billy Joel Mark Ballas as young Billy Joel from Dancing with the Stars. Who is that? Knull? I don't know, but holy funk, I did not realize that Billy Lord was Carrie Fisher's daughter. She's in all the American horror story shows, do, isn't she? Uh? I don't know, don't watch it. Yeah, she totally is she and and she's yeah,

she's great, She's fantastic. I had no idea. Now and now I'm looking at her in the face, and like, how did I not realize that? So I am now looking at Mark Ballas from Dancing with the Stars. He would make a great young Billy Joel because you gotta have that sort of those sad puppy dog eyes, which he has. He's more handsome than Young Billy Joel, but they're always better looking. Let's get real, almost always better looking. Yeah, good job. That's from Ballad b A L L A

s Mark Ballace. He could totally be a young Billy Joel or that afro out, that white boy afrow that he had. Another vote for Elijah Wood is from Ben mcvittie Stevie Nicks. Another vote for Billy Lord. Why is everyone saying Billy Lord? I mean she doesn't. She sort of looks like her. She's you gotta see and um American horror story. All right, She's real versatile, like she's She plays very different characters in each season, and it is always kind of like disappears into the role. I

really think she's super talented. Okay, fair enough. David Bowie, Jonathan Groff, Hey, I love Groff. Uh doesn't look enough like him for me. M Jimmy Kachendal says Billy Joel John c Riley, John c Riley, I don't think uh to be fun, but I'm not sure about that. He's sort of in that middle range where he can't play old or young. He is he is an original. He can't. He's kind of like he's just himself. You know. Another vote for a Lady Gaga and another vote for Tilda Swinton. Uh.

Garrett Keels has Billy Joel played by John Roderick. That's funny. Roderick and I had a not famous because it was only between us, but we had a little dust up about Billy Joel once where I made him eat crow. Years later he was bagging on him and I was like, you don't know what you're talking about, dude. Do you

take that snobbery elsewhere? And then about a year later I heard on another podcast Roderick talking about getting free tickets to go see Billy Joel and went and was like, god damn it if I didn't know thirty of those songs my heart and had a great time. And I was like, you owe me an apology. Yeah, yeah, like the early stuff in particular, like is there a song called um It's like the name of a of a city like Berlin, Vienna, Vienna. That song is awesome. It's

just crazy child. You know, you're so ambitious for juvenile very such a great song. I know him all Noll. He was my first big crush, didn't he do for the longest time? Sure, but like he made like a real doo woppie record or for the longest man, for the longest time I didn't realize for the longest time was Billy Joel. And it just sounded like a like a girl group hit or something, you know what I mean. Yeah, that was owed to his youth in the in the

those groups from his youth. Not my favorite record, but um, you know I had plenty of hits. That's a good song, though, Dude, let me see Garret Keels Let's finish up Stevie Knicks played by Hilary Duff. I could see that if she's still around, and Hugh Jackman is David Bowie, Nick Kelly says,

Emma Stone for Stevie Knicks. Nah, h Billy Joel kind of looks like Paul Gmtti these days, but that would be buck Wild, That's what Nick Kelly says, buck Wild, Billy Joel, Dean Norris Hank from Breaking Bad maybe as old Billy Joel, Stevie Nicks, David Spade. This is from Austin Devsky. By the way, it's good to an Austin. Tilda Swint's getting a lot of votes and all, so that must have been bandied about online. Oh, had certainly

been discussed. Yeah, another vote for Michael Keaton, This from Steph Shannon for Billy Joel, Another vote for Gaga, another road for Tilda Swinton. Why is everyone saying the same people? It's just in the zeitgeist. Man, I don't know. Christine Davis Baker says, uh, younger version Rommy Malick. Now, he can't do he's way too square jawed, and he did Freddie Mercury. He can't do too. You can't be Freddie Mercury. And Billy Joel, Stevie Nicks, Glowy create Grace Moretts. Yeah,

Grihese Witherspoon is an older Stevie Knicks. And then Robert Sheehan from Umbrella Academy for David Bowie. Do you know him? I know Umbrella Academy. I don't know the names of the actors super well. Oh okay, I'm looking at him. He's he's got a face that could work. Let me see which one is. He's Irish? Oh yeah, yeah, he's

he's the guy that makes ghosts. Uh. And I recommend Umbrella Academy a lot Chuck if you haven't, if you want that kind of like an adult weird superhero barn Yeah, full full, full porn um, but also Doom Patrol which is on um HBO Max Now, which is another Brendan Fraser's and he plays like a robot guy. You don't see his face very much except for when the first very first scene and the rest of his in a robot suit. Check that out for sure, that's good stuff.

Let me see Angela Coxes and Natasha Leone for Stevie, Alexander scars Guard for Bowie, and Adam Sandler for Billy Joel. Hey, it's not the worst idea. Actually, everyone's saying Billy Lord, that is interesting because I agree with you. I don't think she's the spitting image, but I wonder what it is in the zeitgeist of Lord. I think it may be is because she's been and like there's so many of those seasons of American Horror Story, like oh Ship.

You know what Stevie Nicks was in American Horror Story. She was in with the Witch season of American Horror Story, and Billy Lord's character was very like close with her, and they kind of dressed something that makes that might be why people are saying that. Zack Pointer says Billy Joel Genre. No, yeah, they got the same eyes. Stevie Nicks, Emma Watson, I could see that. David Bowie, Don Dane Dehn. I don't know who that is. Oh sure, I know that guy, the guy with the sort of the creepy

ice blue eyes. I think he was. Was he it? No? No, it was Bill Scarce guard right right right? Who? I believe at least one person dropped for a Bowie. Um, and I like him. I like him a lot. Uh. Someone here recommends uh ansel l Gort. Oh, he's the guy from Baby Driver. Yeah for Billy Joel way too handsome, Lily James for Stevie Nicks. And Eddie Redmain for Bowie. That's from Scott Christopher Ledford. Not too bad. Alright, let's finish up here with a couple of more. I'm looking

for different people here. Uh, let me see Miley Cyrus for Stevie Knicks. That's from Angela Martin Cluck. I think a lot of people would revolt against that decision for reasons other than you know, her acting ability. She's divisive, nol. I'm wrong about Billy Lord being in this season with Stevie Knicks. But Stevie Knicks definitely was in a season of American Horror Story, and Billy Lord's in almost every

season of it. But it appears that she was not in the season that Stevie Knicks was in, which is super strange. I don't understand the internet. All right, Keith Edward here has a new one for Billy Joel as someone I don't know but is pretty great looking for this role. Ben Platt with two teas. Look up that guy. He very much could be a young Billy Joel. Yeah, that's good casting right there. What's the name again, Ben Platt? This is coming from Keith Edward. I'm picking up. Put

your laying down there, buddy. Uh And he says, Billy Lord is Stevie Nicks and Janet McTeer is David Bowie. Interesting, Stevie Nicks, Millie, Bobby Brown. That's from our buddy, the Danger Oven. She's too young. Bradley Cooper's Billy Joel. Oh, Gail, what are you talking about? Bradley Cooper can't play Billy Joel. You can do whatever. He wants. He's eight ft dollar than Billy. Joel is billy. Joel is short man, He's a little guy. They're all short and roll. You ever

been to the Rock and Roll Hall of Fame? And actually, are you saying all rock stars are short? Most? Really? Yeah? I mean I have a theory. I don't think it's own, this theory, but it's is. You know, you're a little little person and you don't grow up playing sports necessarily, So what do you do to get chicks? You turn to that piano with a guitar. Walk through the Rock and Roll Hall of Fame. There's a section with clothing,

actual clothing. Mick, Jagger, Prince, You're walking around looking at all these Springsteen they're real clothes, and it looks like you're walking through the children's section of a department store. I can make Jaggers pants look like a ten year old should wear them. That's us and Prince, all of them. They're little. Rare is the six ft rock star? All right? No,

that's all I got. Good casting, everybody? Oh yeah, very good, well done, And uh, if you don't have anything else, then I think we'll just sign off for this week. I look forward to seeing you again, though in the near future all I hope. So take care and don't get covid. Okay, that goes for everybody. Stay well, wash your hands, wear a goddamn mask. For more podcasts for my heart Radio, visit the I heart Radio app, Apple Podcasts, or wherever you listen to your favorite shows.