Mini Crush #125: Emilie Returns!

can't understand that you just have two less names. And you know, you didn't even take my last name for a long time. I didn't care. Yeah, that's why you know I added it on. I wasn't just going to replace my name. I was still the same human being. Are you Well, there's some things have eroded. Well, let's go down that road. Let's start another podcast. Uh mawage. Ways my husband is chipped away at my soul? Yeah, I think that's good. I think Unfortunately, that would be

a limited run series. I was kind of thinking something that would continue forever, which is ways that my wife has chipped away? Can we tell we're fresh off a dust up? Good hashtag quarantine. So here is something that I thought would be fun to start off our mini crush with. I've talked a little bit in the past about your previous job in Hollywood, and I thought it would be neat if people got a little run down

of the production side of filmmaking. Sure, the office side, yeah, I mean, you know, if you don't work on film sets, you might not know. But all the departments have names or's you know, the glamour department, which is here in makeup. I don't think they like be called glam squad anymore. It's out. Yeah, I don't know that they ever liked it, but now like in in current days, Yeah, it's glamour bad. I guess glamor glamours. I don't know that it's bad.

I just don't know that it's perfect. And if you're not perfect here in deep do do so the glam squad job up and then wardrobe, and then there's like the grip department, the electric department, the camera department, Art department, which is all the props and set design, which is the coolest department. It's pretty cool. Yeah, it also worked the longest hours. Yeah, but it's it's cool because it's cool people. It's super cool people, and it's cool work

camera people. I mean, we love our Scottie. But they're uptight. Yeah, you have to be uptight, you seriously, you have to be uptight because yeah, I mean a lot of the jobs are as well, but cameras responsible for the well, especially when there was film, Like if there was a piece of dustin the you know, and then what was it called the trap? No? No, wait, wait, there's a piece of dust in the check check what was it the gate? Gate gate? Uh? And then there's the production department.

And the production department starts at the bottom with the production assistants, which is what I did for a while. That's what everybody does usually unless you know somebody that can get you, but you should do it. Even if you know somebody, they can get you a better job. Production assistant is where you learn how to be on a film set. Yeah, you learn all the departments. But production is when you have your production assistants and you

have your production coordinators, production managers. Depending on the side of the job, there might be a U p M. A unit production manager, their line producers there are that's all still kind of yeah, production department are executive producers. Yeah, and there's also that then the A d S. I mean, I guess that's the assistant director of staff. But that's kind of production to do. Well, they worked hand in hand with Yeah, but why don't you start off until

I would like to hear about three jobs. I would like to hear about production coordinator, production manager, and then uh, the final job that you had, which was producer. Yeah, sure, so production coordinator. Well, it was kind of like I was assistant production coordinator first, and that was kind of, you know, just kind of taking over the workflow of the production coordinator, who's in charge of all of the paperwork basically, well, not all the paperwork on a commercial set.

The production coordinators in charge of all the paperwork, including all the accounting stuff in the film film office accounting. This is getting really boring because I'm kind of I'm seeing your eyes start to glaze. I'll just stick to

film sets. Well, you know, on just quickly, on on TV commercials, the production coordinator will be working closely with the p a s to make sure they know what to be doing at all times, and they will be in charge of things like putting together the notebook for the client, the pre pro book, the production book, and then all the call sheets which is how everyone knows when to show up and the advertising agency. Right, um,

all the call sheets which is explain. Call sheet is a big list of names, phone numbers and all the people who need to be on set that particular day. And then yes exactly and then production is often usually the coordinator and their staff are responsible for calling all the people and letting them know the very um operational job logistics. It's everything. Nothing has the call sheet. You live and die by that call sheet. It's everything and a new one comes out every single day and if

something changes, it often gets republished. This is this is the bible from like the Bible of the schedule for which a production but on film sets, a d s are in charge of the call sheet, right they Yeah, they will work in conjunction with production the production office, which is where the coordinator and the assistant coordinator and production secretary if it's a larger position to kind of

get them copied and you know organized. But the a d S handle that on a film set, right and it will have the call sheet will also list the weather for the shoot day, will list the sunrise and sunset, the shot list, the shot list or will list any notes. If you have stunts that day, or animals on set, or anything unusual or different, it will list that as well, and basically anything you need to know about that job

that just that day. It's usually an eight and a half by fourteen piece of paper on film sets because there are a lot more people. It's a very detailed, sometimes double sided piece of paper that everybody's expected to have on them at all times. So let me ask you, this is it when you list the cast on the call sheet. Do you just throw them on there in

any order? No, of course not principles. Well, so the cast, you know, they have an order that and I was part of this actually on a couple of movies there. Um credits are negotiated by their agents. So a lot of times as we're doing the cast list, you know, I'm like that, change move him up, move them down. It's very incredibly detail, but it's always listed like the top principle on down. Extras are at the bottom of

the very first name on the call sheet. Yeah, would be Jennifer Aniston or Brad Pitt, whoever, the very key person or finally in the case of stuff, you should know. I was on the call sheet first. Oh yeah. So then and if it's two leads that are like co anchors, then it's by alphabetical order, right yeah. Or in our case, Josh probably made a stake terns or something. Yeah, burn um, all right, So that's the call sheet, and the production coordinator works with the p A s to put that

all together, but it ultimately falls on the coordinator. Well, no, the call sheet in a film is a d S. Well yeah, but I was talking about my world, which is commercial, Yeah, exactly. And it's interesting how different it is because there's just a lot more paperwork in movies. You know, we're dealing with insurance certificates and constant inflow and outflow of equipment and cars and helping all the different departments kind of manage all of their paperwork and flow.

And then there's like, you know, it's the nerve center. Department is the nerve center. Yeah, it's operation usually if something is not where it should be. Oh yeah. I was on a job once where I was the production manager and the coordinator. It was this guy had to get in Florida. He did not call the talent. We were on a job. You know, he was a coordinator. He did not call the talent. He that there's a long story about why that happened, but he sucked up. Basically,

we are in the talent is out of Tampa. We're in Orlando, just shooting this one day. And but it was like a comedy of airs, like the no one checked, everyone was late, and no one asked. It was just somehow like it's very unusual the military. Yeah, very much on the tight clock. Yeah, but the producer walked in and goes, where's the talent? And I looked at him and his face went white, and my face went white, because, honestly, that's my responsibility. I don't think I ever worked with

them again because of that. You know, like he told me, I said, did you call the talent? He said yes, he meant the extras. Who one of his girlfriends was one of them? That's what he was focused on. I almost murdered him on the spot. Yeah. You said something very important there too, which is you may not have ever worked with him again. Um, the film industry is

very much a meritocracy. I mean you can get uh, you can get jobs through friends and stuff, but after that you're on your own, you're and you're only as good as your last job. If you funk up, you can do ten great jobs in a row. If you funk up like that on one, you're on the bench for a while. Yeah, it's a very like make or break.

It's a tight crew that you work with a lot, and you really screw up, you may not be on the bench for the next job, but they may be like, hey, listen, yeah, like you will get it talking to like that ship can't happen again, or we can't keep hiring. Yeah. Usually though from the top down, I mean everyone is I mean, people can try to cover for each other, but yeah, you don't want to be covering for people in your department all the time either. But you know it's really funny,

is I never had any of those conversations. People are nice you and then they just don't call you again. Like that's film industry. You don't have to have those tough conversations, you know, like you can just like be like, oops, lost your number. It's interesting. I was thinking more along the lines of when I had my tight commercial crew with Yes Andrew and Andrew that I always worked with Yees. So if you messed up, obviously I would get a talking to you. But if you're new and you screw up,

then it's like I'm not bringing that person back your host. Yeah, but it's cool that it's a meritocracy. To some degree, I wish there was a little bit more kindness in you know, like making a mistake was akin to death. Well, everything's money, of course. It all comes down to money every day, you know, like it could have cost us.

Fortunately somehow that day ended up being okay. But an hour behind can cost tens of thousands of dollars, which is a huge piece of a budget, it is, And especially if there's anything special going on that day, if you have some special uh car yeah, that you only have for three hours. Yeah, like or god forbid of talent, like a big talent stress on a set, you were literally thinking every minute that we're not shooting something. It's costing his money. Yeah, and the tensions run high. Yeah,

it's like that. Every sports figure we ever worked with, well well aways had him for an hour and then they were always three hours late, you know, and like

and it doesn't matter. You're there for your day and you stay until you're done, and you but if you're not ready when they get there and you don't get the shot, like the crew is who pays for story with Tequille O'Neal, remind me did the still photo shoot with Hello O'Neal one time, and the job was he was supposed to show up at like three and to get ready to shoot sunset at like six, And he showed up at one and said, I'm here, everybody, let's do it. I got to pick up my daughter at

school at two third. You can't be mad at that. Well, you can't do anything, yeahel So could get on the phone and yell at his agents, but it was just like all right, let's redo everything. Yeah, yeah, And he was great. He was an awesome to work with. It they high power talent can throw your world upside down. Puff daddy, Remember that job he took over. I did a film shoot for Dream, his girl band. I was a music video and he had a part in it.

Well yeah he produced them. Yeah, yes, they were on his label and he had like a part in the middle and showed up super late. We were there all night and he kept us and once he got going, it was he ran the show. It was like a twenty four hour day. It was brutal on that job because I actually did a run to his house. Oh that's right, I actually stood in I've been in Puffy's house, like whatever house he was living in at the time. Yeah,

I've been in that house. That's where he did everything out of Yeah, that had I just remembered big art and white leather couches. Yeah, a lot of carpet. It was the nineties. Yeah. Yeah, I don't know if he was Puffy at the time. He was Puffy, that's that's what That's what they called him. He was p Diddy at that point, but he that was what he was professionally.

But that's why I called and still in my mind is Puffy because that's what everyone called him that you know, like that worked with him, of course you did obviously, So then you ended up eventually being a producer for largely for music videos. Largely for music videos. Yeah, at that level, because they're all kinds of producers. Yeah, it's interesting because it's a I mean, it's still logistics and

it kind of depends on the director. Yes, so all the budget is my problem, like and also finding things that directors insists exists that usually don't exist. But if they don't, if I can't find them, and that's my fault. Oh yeah, like I know it's a thing. Yeah, Or show me a picture, like I know, this is here somewhere in California. And it was like, you know, we have three days and two dollars and then what happens. You go on and you send like four people in

a goose chase. They finally get in there like oh we moved into yeah, we don't want that one. Oh my god. So many times. And you know, music videos, unlike films, it's a really quick prep time. Music videos. It didn't matter how much money you had, it was never enough. And I worked on music videos when they actually had decent budgets. I was doing like half million dollar music videos. And that was when, you know, the norm for like a big artist like Britney Spears at

the time. This was the late nineties. You know, those were like million plus dollar budgets. So the big job I was on, like the medium big jobs. So you know, we had a decent budget, but it's still you have like a three to five day prep day, you know, and that's when everything a prep week. You pull everything out of your butt, And I will say because I went from commercials to music videos and then back to commercials,

music videos were a lot more challenging. And it was funny because the music video Cruise I never got the respect of the film Cruise, But I'm like music video cruise were more scrappy. They were more you know, like they worked longer hours. Yeah, it was like for whatever reason, that was kind of like tier two in the short production stuff. But I was like, I would hire a music video person any day because they are used to pulling stuff out of their asses. So those Yeah, budget

was huge. I was like I had to be on everybody about every single number that came through because, like I said, they were constantly we're up against it because no matter how much money we had, you know, somebody

needed something. And a lot of times there was a lot of extravagance too, you know the writers of Yeah, Yeah, there was one what was that job where you just ran back and forth to the liquor store and to the restaurant Wycliff job where I've made a lot of runs to the store for because you know, he comes with his crew with yeah, with his Usually the artists themselves are pretty cool. It's the crew that. Yeah, his posse kind of like, yeah, they want all the stuff

you were you kept getting. Yeah, special day, I get it. Yeah. So I got a lot of peach snops on that job. Yeah, and a lot of In south central l A. There was a soul food place, yes to back and forth. Chuck was in his car the entire job. Yeah, it's like really good career. Yeah, soul Food. That was a cool job because and it's so much fun being a p A sometimes because you find yourself in the middle of the situation that you don't have a lot of responsibility in that moment, so you can just sort of

be there. And the White Cliff one, I was right there in the middle of Hollywood Athletic Club. I'm so not cool, So I don't know what this is really called, but like the rap battles where they're improvising raps. Yeah, I was right there in the middle of White Cliff and like his guys and thing and this this uh, this woman came in and who was part of his group, and she just like shut it down off the dome rapping, and that's that's so amazing, right there in the middle

of it. And I was just like this is like the coolest thing I've ever gotten to witness. Yeah, yeah, that was a really fun job. Hollywood Athletic Club right in the middle of Hollywood Boulevard. We did a job here in Atlanta with t I where this this was a tense day. That was a crazy day. They wanted to and did, in fact jump a car Mercedes through a plate glass window. I lost some years off my

life that day. Yeah, that was a tough one. That was on Beauford Highway Atlanta three one one, which was like the there it was the atlant in a car version of what the one was in Los Angeles, and that guy came with me and basically saved my life, the guy from the hydraulics and like the big rims, yeah, the specialty cars. Yeah, they put it through the window. And then the one someone tried to tell me it was total enough, was like no, no, no, no, you

can repaint that. Those were crazy jobs because on any given day, like we did a lot of hip hop videos and yeah, like someone could just say like I want to Tiger tomorrow. Yeah, and it's like and you get him a tiger, like you figure it out because there's no telling them, No Tiger. We did some rock stuff. I did quite a bit of rock in l A that was like, remember, oh yeah, I forgot about that. A lot of those hooba stank like those nineties unforgivable. We did an alien ant farm one that was fun

of correct. Oh yeah, I spent that was one. I spent my entire prep negotiating with this guy because we had to get him for this video. It was like a movie spoof, yeah, Maria. Yeah. So, But like as a producer, that's you know, it's you do what you have to do. So I end up dealing with some of the higher level like negotiations, and that's another thing. Producers negotiate all of the fees, talent, you know, all of that stuff. Some of it comes set, but negotiating

equipment deals. And I got pet Maria's shortening. He did, yes, he sipped started yeah all day long. I also remember the one for the Zoo Lander movie. Oh my god, that was another crazy one, powamount five thousand, with Danny Boy who came in with his grills looking crazy. Right. That's where we shot in an abandoned tunnel. An abandoned subway tunnel was being kind of dangerous because the not

just fumes. The our department had left a generator, a gas power generator in the back of the subway tunnel that was sealed off, so it was basically just filling up with fumes. So we show up and everybody we had to pas drover on getting gas masks from all over Los Angeles. We eventually got shut down by the fire department and had to move it out. I mean it was like, I have so many of these stories.

They all just like, these things happen, and you know, everyone's there, and like we said to time is money, And remember Ben Stiller was there. Yeah, a little monkey boy. Yeah he's a little a little but everyone's walking into this, you know, this hall of noxious fumes with like this insane set and lights and the like. You're in charge of making sure people are safe. Yeah, there's a safe environment. Um, it's why it's a very fine line that you walk. Yeah.

I remember my pim saying you can't go in there without a gas mass I'm like, we don't have them for everybody. I can't be I can't put one on and not have them for the rest of the crew. With two pas just driving around buying gas mass from like every hardware store. And then I remember at the end we got kicked out and the director. The director is usually I mean it's stressful, but once they're there, they kind of get in the groove and he just

he called it in the round. He just put everybody in this like weird stuff and just shot the rest of the video. It was fine. It always ends up looking fine. Yeah. What song was that? Oh, Frankie goes to Hollywood Relaxed. I can never hear that song again. Well that's the other thing is you get play back and you hear this. Oh yeah, yeah, I know every single one of those songs, like all the lyrics by heart, still from listening to him for three days in a row.

All right, Well that was fun. I think we should move on because it was a nice little Producing commercials though, is much different. It's much more boring. You're dealing with the client a lot. And what is the best job in the industry still photo shoots? Oh god, I know,

I remember being on one. I did one and the producer was running I was like the coordinator and the producer was running around like a chicken with her head cut off, so stressed out and I was like, a girl, this is nothing, because I was like, if you are stressed out like it was, yea, it's like done at two pm. She wanted to go shopping after. I'm like, I'm going home. This is I've never been off this early in my life. Good stuff. Yeah, we should do

more of these tales from production tales. That's what we'll call this. All right, so we're gonna move on. I asked the movie crush page for theater. Oh, I'm fairly bad at this. Well we'll see. I think we've done this before with you, right, yes, this time, I kind of I want you to feel safe here. I want you to feel comfortable. So I asked for eighties teen movie haikus. Alright, this is in your wheelhouse. It totally is. So we're gonna start off with Derek Speedy. Welcome to

the show, Derek. I don't think i've seen you here before. I don't know that you're gonna get this one actually, because it's not the eighties, not quite the eighties. A love letter to John Hughes. A love letter to John Hughes. You checking his Math starring Emma Stone. I didn't see this one. I don't think you did either, was that easy a it was look at you movies? No, I did not see it, but I remember, Um, I remember, that's that's what put her on the map. Oh yeah,

and I remember the promise. But I think, however, for whatever reason I did, I didn't know it was an homage of sorts of John Hughes. I might want to see that. It's about a girl who I think. Lets a rumor start that she's her virginity has been taken, but it's not true. Am I getting this wrong? Yeah? But that's the one that put her on the map. Should call the easy b mm hmm, okay, Culver Matthew one of our oldest friends with the backwards name here.

We shouldn't be Matthew Culver. That's funny, uh, socias and Greaser's I mean, hey, look, it's a young Tom Cruise stay Gold pony board the Outsiders. Even's kind enough to put social pronunciation because it's spelled sos yeah, socks socks Greasers. Our old friend in Japan, Zack Pointer, says this this is not an eighties teen movie, by the way, Zack parents die, alle falling in some waste makes clown Dark Knight Safe City, Dark Knight? Is that Batman? Batman? I

didn't see the spelling. Now, all right, this isn't exactly a teen movie either, but very eighties. Madison's not a name? Is that a tale? Before he was big? Big? No? Again before? Did you just say the last word that I said? Yeah, but that's also the name of the movie. I was like before he was big, before he was big, but he was a little in big. Oh no, he got big and big. Never mind that other kid was little, never mind that movie big. Say it again, Madison's not

a name? Is that a tale? This from Paul Stevens. By the way, t A I L or t A L E T A I L good? Good question? Is that a tale? See? This isn't even a hi ku five all? What was that? What was five? All? And now says tale? I'm gonna have to put give people reminders that what a hiku? What the form is? That's splash? Madison was the mermaids? Oh right, Hans before he was big? Oh that's a good one. Yea. I didn't get that. Yeah, that's all wrong? Is not a name? Six? Is that

a tale? Six? Four? Six? Five? Paul's just free Freestyland I think some people think I just means anything. Maybe he's a tale before he was buh, like Braby adds syllables to things, let me see here. Or old friend Vanessa Lopez, he you've met Hi Vanessa. Find Willie's rich stuff, criminals, kids and ice cream. We never say die goonies. We finally showed that to Ruby. Yes, yeah you did. It was great. Yeah, all the stuff that should have been

horrifying to her. She kind of was not horrified by, kind of one over her head, kind of wondering about drastic park. I think is too scary e T. I think had I think she can handle it to that's it's not scary. It's just I think she'll be sad. Oh my god, I was just sterical. I'm still you t would still tear me up. Really yeah, um, I remember that. I was reading about goonies though, and it's so funny, like you know, like what age is appropriate.

Some people were like, my fourteen year old can't see that, and I was like, oh, come on, like you can't get the puritanical web. Well, plus that means you're fourteen year old is weird? Yeah? Well no, it means their parents are weird well in making. Yeah, that's exactly all right. Let me see here. Okay, here's a good one. Is from tab Allen. Welcome tab Tab that's name. It's the frog Brothers. Whoa, that's a bloody bathtub here, Nanook, good boy. I don't think I saw this, but I know this.

You have Frog Brothers should give it away? It is but I can't place it. And Nanook obviously was a dog. Well, let me tell this. The Frogs were the Corries? Oh was it? Um um lost boys? Yes, I watched that semi recently. This is great our old friend me and al Data says sinister Croquet. I know fights over red hair, scrunch eese lick it up, heathers, lick it up. That's one of your faces. Such a damage you get that? Can anyone tell me why I smoke these things? Because

you're an idiot, that's why. Oh yeah, um, let me see we're go with our old and Melinda bac new kid gets beat up, wax on wax off paint the fence, the crane for the wind kid. It could have also been lucas. That was that's what it's of. My initial thought, speaking of Corey. Yeah, wait, he wasn't new though. Yeah, Kate kid Boy Lucas was a great movie. It was such a sweet movie. Sweet cret Corey Han, Yeah, young Onona, Carrie green Um, Courtney Thorne Smith was the girlfriend. Yeah,

m this juice is delicious. Thank you, you're welcome my morning juice. What's in this? Um? Carrot, celery, apple and a lot of ginger. Yeah, and sometimes cut comber, but we didn't have it, and greens if I haven't, but I didn't have it. You're gonna get this. This is from our old pout Ian Braithwaite. Great name, Ski to get the girl? Stop motion, Hamburger? Eat, where's my two daughters? Better off? Dad? I was funny. I was thinking Ski to get the girl. I want my two dollars. Mm hmmm.

Something down here is kicking my allergies up. It did that last time too. That's very interesting for the show though my allergies. I wanted to let you know I'm starting to sniffle. All right, here's a good one from Sean McFarland. It was a flare gun. Could you describe the ruckus? Hey, smoke up, Johnny, Oh, come on, no animal house, no Reck's Club. Remember Anthony Michaelholl had a gunner's locker. It was a player gun and then oh

I heard a ruckets. Could you describe the rockets, sir? Yeah, okay, that was he got cigarettes for Christmas from his dad. That was, yeah, Christmas, the carton of cigarettes. That's good, good, good, Stumper Bart. You know that's my least favor of like the I, which is four or five. Well, I had a little romance at the end, but you were much more some kind of one. I'm kind of wonderful all day long. Yeah, yeah, I mean I like to Broakfast Club.

I've seen it a million times, but paint it's probably third on that list for you, right, it gets some kind of wonderful than sixteen Candles before sixteen Candles interesting, even though that ah the crushiest of all crushes and movies. Jake, Jake, Jake, let me see if I don't know, if you know that movie, um cleaning a Cube. I'm going to read that just for fun. I would have not gotten that one Dockheads, our old friend, his brother is dead. Christian

Slater grinding rails? Is that Tony Hawk Christians Later? What happened to that guy? Oh? He was a Mr Robot terms of endearment. Definitely not a teen movie. Let me see here, Let's do a couple of more. Okay, here we go. This is from Michael Anton Kawanski. Welcome to the show. Michael bring watermelon train on log over water finish with a lift. Dirty Dancing had me about I carried a watermelon. That's so good and we just crushed out all over again on Jennifer Gray on a Red Oaks.

I'm sure you've already talked about that, right, I've talked too much about such comfort food turned a lot of people onto it. Yeah, a lot of people have been watching it and said, yeah, the same thing it's it's been. It was exactly what we needed. And I wish there were three more seasons because I didn't stop needing it when when we finished watching it. Let's do another Goonies one just for fun. This is from her old pal Rick down here. It's our time, our time down here.

Beware one eyed Willie's traps. They never say die. There's a bunch of Gooonies one. Here's another one. There's two more. I'm gonna read all these. Derek Speedy practice piano or you might lose ground in your quest to keep your home nice. And then oh, Derek did a bunch of Goonies ones. He did another one, find a treasure map Let's do the truffle shuffle because I love you so so sweet? That was so sweet. Still gotta watch our I don't know if you guys have been watching the

Josh Gads Reunited apart? Yeah, YouTube. I watched Ghostbusters, and I watched Splash, I watched Back to the Future, and I kind of scrubbed through Goonies. So we're gonna we're gonna do that, all right, We're gonna finish up here with uh. Actually, I need to find this. This is on the movie Crushers page. I stole this. I'm borrowing this from Nathan ben Zeal. What's a good name, Nathan? So Nathan, Oh, he's labled to say, conversation starter with

a little part. Nathan said, this, is there a movie that you think? It's a very simple question. Is universally loved? That's tough? Universally Et? Certainly? Who hates Et? You're dead inside? Yeah? I think that's probably on there. Dave knappss Forrest Gump. A lot of people hate Forrest Gump and any crowd said, and nope, my husband hates. Yeah, a lot of people hate it. Like you've got to get you know, around, your head around Tom Hanks doing the thing that no

one's awd to do anymore. Jesse Cole says this, I think The Princess Bride comes pretty closet. Amy Crouch, whose husband hates Forrest Gump, says, pretty sure, there's no absolutely university love movie. There's always someone who doesn't like it. I think what she meant is there's always some asshole. Yes, of course, there's always some asshole, and they're all on the internet, easy to find. Lawrence is a good point,

and he said some come close. Shaw Sank, for example, I don't know a lot of people who did not like, Oh, it's so good, and Shawshank has enough grit. That's so it's not fluff, you know, like, although I would hardly call et fluffy. It had some grit too, but like it's a serious enough movie with a very lovable ending. Uh Yvan Bodette, one of our old friends is back to the Future. I don't know a lot of people.

Oh it's so fun. It's such a fun movie, I thought, Ruby, but she Oh, I think she would think it was really fun. She's just on the cusp. Yeah, we're right there. Oh yeah. In the next couple of years we could revisit all the movies and we we finally watched Pattings and everyone after it was very sweet. We're gonna watch the sequel on our next movie night. It was a

very very yeah, fun, just well made movie, thoroughly and tried. Honestly, though she loves television so much, she'll pretty much watch any thing. That's true. Yeah, I mean she's watched. She was watching that horror movie that I did, Dan Bush's movie, and she just kept saying, tell me what I needed. And now she when she sees me watching a movie, she says, is it scary? I want to watch it? Oh yeah, she's not afraid. Jennifer Mudge, one of her

old friends. The Mudge says, I don't think I've ever heard of anyone not liking Ghostbusters or League of their Own, And if that person is out there, they would be wrong. Yeah, your opinion is wrong. Yeah. Do you not like a League of their Own? It's so so great? Wonder I hear dogs? Yeah, somebody, Oh my god, every time I know, they're like, they're not here, but they're in the house. I have to go find them. Barbara Why says I think rush Hour was a universal buddy movie. I never

saw that, so I don't know. Did I see rush Hour? I don't know, of course not. I don't think so. Annie Murphy it was Jackie chan And in my mind that seems that No, no, I wasn't. Just in my mind. That's why I pictured on the Uh. Erica Renee Bossart says the Notebook and then hey, the party pooper turns out to be Amy Crouch. She says, you know I love the Netbook, No shame. Uh. Don Lazano, one of our oldest of friends is et of course. Emily Simon says Jaws. Hey, you know what I say. Yes, I

still haven't seen it at all. It's I mean, I've seen enough parts of it that I feel like I've seen the whole thing like seven times. It's about his journey and the adventure in the story. All are you may explaining Jaws to me? No, I'm I'm just I just I wonder how he works. Uh, Matthew that the treaty says groundhog Day, I didn't love Groundhog Day. Really yeah, well Cambra Matthew says, my wife hates it. I didn't hate it. I just didn't love it. Like I saw it once, I was like, all right, I get it

the same thing every day. Yeah, good premise. More votes for the Princess Bride for sure. Samuel Bett says, dances with Wolves. I don't think that's universal kill meat. I think the big deal is that everyone saw was that Kevin Costner, Mel Gibson. It was Mel Costiner. Yeah, we saw his ass. I think that was the big I think I think there was. But yeah, we got a bunch of Jaws in here, Skip dances Jaws as well, and a bunch of votes for a Wizard of Oz,

David Mills and some other people. Um, Princess Bride. J Rude says, Princess Bride again. So I think those are on the list, don't you know? Yeah? It was it of Oz. I could see not aging super well. Okay, um, I haven't seen it in about twenty years, though, I guess we'll be watching it soon. Sound of Music? Who could hate this? Son of music? Gingris says, I hate there you go? Uh? Sound of Music? Yes, great, it's

just it's delightful. Yeah, if you go back in the I'll set in World War two, like you know, got meat, Yeah, got Julie Andrews, and it's got Switzerland, got great. It's got Christopher Plumber. It's not to like a Christopher yet he has right handsome. Actually, Jennifer Sawyer says terminator to what was the Christopher Plumber movie where he plays the oh the one with you and McGregor beginners. Oh, that was so good that again, I haven't seen that in

a while. That was so good, so wonderful. All right, well, I think that about wraps it up on this one. I'm trying to see, Oh, here we go. Stephanie Holmes Mills says, Roman Holiday, Parasite, Jojo Rabbit, Braveheart, Titanic and and all be all empar strikes back. But she spanned some genres, like some decades and genres. I think parasite most people love that. But there are a lot of people that were like foreign film for both pick or

what do you call can those people fall off? The fall off with Florida, sorry, Florida fall off the flatter edge of the flatter Braveheart. You know, I didn't really love Braveheart. Actually, tell me love Titanic was Braveheart. Mug upson. Okay, finally we have to give him his du after all. A great person. Yeah, he's a really he's a really delightful human being, he adds a lot. Our new friend tab Allen says, into the Spider Verse, that's pretty great. Yeah.

I don't know a lot of people that are like, yeah, yeah, it's great because you wouldn't go see it if it wasn't like, you wouldn't just take a chance into the Spider Verse. Yeah, you're probably in the wheelhouse that Yeah, let me see our friend, Zack Pointer says Princess Bride or to Toro, that's the one that we need to see with Ruby. It's the Japanese animation film that's sort of legendary and supposedly just like one of the best things ever made. I've never heard of this. That's that's

on the list too. I think Paddington too. And to Toro, Sophie von Bergen says, The Incredibles. We love the Incredibles And to those Disney animated films, they're yeah, they're except the ones that are sad and depressing, sad at some point the Incredibles didn't get terribly sad. Robert Eldridge says Big. I love Beg, Biggest great, hard pressed to find someone like nah, yeah, but of course someone is naw. But yes, universally, I'm going to give the five percent of the naysayers

just don't even count. Yeah. Joe Foster says Big as well. Although and this is a good point today. On a comment, Kanem true X says Biggs romance is super disturbing and problematic. Now you know it's it's you gotta kind of check your brain at the door. Were at that movie because it's a woman having an affair with a young boy. She did a noise young boy. It's I know, but come on, people, through today's lens, there's a lot of things that are we don't want to go down that road.

Do you want to talk about cancel culture? Yeah, i'd really love too. That's one of my favorite topics. Alright, Nuance is dead. I think we should wrap up with our final comment Nuances dead. Thanks for being on. Yeah, this is fun. I think this's repaired our marriage for the morning, and thank goodness for our whole household because our animals care deeply yeah, I feeling we're gonna open that door and that will be all right. Let's play place a wager and say who's outside the door? One

dog and two cats? Which dog? Charlie because the scraping, what's the reveal we're gonna see? Hold on, sho, take a picture. No, that's right, Charlie and one cat, oh, the black and white one. And there's all right. Thanks everyone for listening. And I think we'll be back in with Noel next week and and he's gonna come in for some mini crushes soon, so you know that to look forward to. And thanks for listening, say good bye bye,

thanks for having me do. For more podcasts for my heart Radio, visit the I Heart Radio app, Apple Podcasts, or wherever you listen to your favorite shows.