Beloved The Conference moderator Johanna Koljonen opens the 2024 edition with restating the question Joshua Idehen asked in his performance: How did you get here? The theme of the first day is a wake-up call – a kind of “oh shit” moment that forces us to turn to that scary corner in the room, but to light it up with rationality, with community, with poetry.
British artist Joshua Idehen (he/him) opens The Conference 2024 with a spoken word performance in which he asks the audience “how did you get here”. The electrifying performance is an homage to David Byrne’s 1980 track "Once in a Lifetime", originally performed by Talking Heads.
”We need to move from transaction to relationship.” Nipun Mehta brings us on a transcendental journey to find our compassionate selves. Through the transforming story of his walking pilgrimage across India, Nipun kicks off by sharing his three key values: success, service and stillness. Further life snippets trigger us to ask ourselves fundamental questions such as “Where did you learn to be good?” or “Who must we be to walk towards futures we cannot imagine?” For one thing is certain, Nipun lov...
Johanna Koljonen closes 2023's The Conference with a recap how we as participators have tried to move away from oppositional binaries but also reflects that how these binaries also work as an aid to understand the world. Not only that, we are also able to shift and remix the the meanings of these opposites. Remembering a recent conversation at The Conference where she got to question "what is professionalism?" she suggests that maybe we, when we allows us to be human, discovers a lot useful skil...
Examining the creativity of generative artificial intelligence tools brings up interesting parallels with human cognition. Just as AI systems predict and fill gaps, our brains do so too, drawing from a wide range of learned behaviours, experiences and beliefs. Both entities heavily rely on their training data: AI on diverse datasets, humans on factors like personal histories, culture and upbringing. Of course, creativity is not only a generative optimisation tool developed by our homo-sapien anc...
BITOI stands for Bass is the original instrument. BITOI are exploring the boundaries of the voice and the electric bass. The band is made up of one electric bass player and three vocalists from Denmark and Sweden (Cassius Lambert, Alexandra Shabo, Lise Kroner, Anja Tietze Lahrmann). They are working with an extended electric bass neck to allow quartertones and the lyrics of tracks are based on phonetic pronunciations of bird sounds, leading to a unique sound that transcends borders. Some tracks ...
Q&A from the sessions Tending To Transformation – For Creative Leaders Who Stay With The Trouble with Pernilla Glaser (Author, Educator), Lydia Slaby (Community Leader and Author) and Holley M. Kholi-Murchison (Oratory Glory)
“Are you willing to dig deep and choose what your heart wants in the face of fear?” How can we begin to view the work that we do as a journey towards self-actualisation? Holley began in their own journey of resignation from a toxic workplace, to found Oratory Glory, and has continued to work in spreading stories and helping people find meaning in their life and work. Many people find that they don’t fit into the boxes that those around them expect them to fit in, causing them to shrink themselve...
“Take time to pay attention. Not everything can be solved in 15 minutes, let it take the time it takes” “Stay in the hard and uncomfortable conversations” Lydia Slaby learned the hard way that to live a life that is worthwhile, you need to find space for the heart and the brain. At the end of a long-list of achievements, and on a trajectory towards immense corporate success, Lydia suffered a cancer diagnosis that shifted her understanding of achievement. Moving from the corporate lawyer world, t...
“We all start out as artists”, Pernilla Glaser explains. After all, most of us know how the snow eaten from a mitten tastes. We started out as open for experimentation, doing weird things, feeling and exploring the world and the relationships around us. Pernilla invites us to find ways back into this state, and to put more attention to our heart and not just our brain. The best way of hosting a playdate between the heart and brain is by actually inviting more play into our lives and reminding ou...
Q&A from the session Creative Assemblages – Emerging Alliances to Augment Human Creativity with Kristoffer Ørum (Artist) and Kader Bagli (RISE | Visual Effects Studio)
Kristoffer Ørum finds satisfaction in taking a particular technology that is meant for something else and misusing it. In his current unfinished Instagram project that unfolds over time, the artist uses AI to create a version of history. The generated pictures combine 90s hip-hop culture, the Danish worker movement, fishermen's culture, and the health care system. But the more you look at it, the more you notice its imperfections. That is Kristoffer’s way of imagining and reimagining the past. W...
“We all deserve to be seen in visual languages. We already have the tool, now it’s about taking action” Could merging VFX and AI create a fully represented world? Kader Bagli certainly thinks so. Working at the intersection of creativity, imagination and technology, she is exposed to a lack of diversity on a daily basis. Our current visual storytelling landscape doesn’t celebrate cultural diversity across all layers of society – we are good at marginalising groups instead of normalizing them. Bu...
Q&A from the session Humanity, (AI)mplified – The AI Tools We Use to Be More Human with Laura Herman (Oxford Internet Institute,) Ovetta Sampson (Google) and Charlotte Högberg (Lund University)
How can AI be used for the common good or more precisely in healthcare? Charlotte’s work explores what futures are possible and desirable but also what we are at risk of losing. AI's role in healthcare can have harmful effects but also huge potential benefits. She emphasises the need to raise vital questions and consider consequences. Awareness of nuances, understanding risks and avoiding unethical technology is key because this touches upon high stake decisions (literally about life and death)....
"Data is the love language of machine learning, but we must remember that it is not true." We all create data. And all data is created by people. Ovetta Sampson wants us to remember this, both in order to centre humanity but also to clarify the vulnerabilities of data. We are biased, so the data we create is infused with biases as well. Whether it is by the sin of omission or the use of inequitable variables, traumatised datasets manifest in real world situations such as applying for a bank loan...
“What would you make if you did not have to generate it?” Global platforms like Instagram and Tik Tok enable creatives to show their work to wider audiences. However, these platforms also operate using algorithms that determine which content appears in users' feeds and what remains unseen. This dynamic has significant implications: firstly, algorithms replace the work that elite institutions such as museums and art galleries traditionally have done. We tend to explore what grabs our attention in...
Q&A from the session Doing Equity – Tools for Making Diversity, Equity and Inclusion more...Inclusive with Peter Bilak (Typotheque), Caroline Bollen (TU Delft) and Dr. Nighat Arif (BBC, NHS)
“What happens when you don’t have the words to describe the symptoms?” In the last installment of the ‘Doing Equity’ session, Dr. Nighat Arif, the resident doctor of BBC and ITV presents an uplifting talk that reiterates the importance of raising awareness and in normalizing discussions of female health within the Black and Asian communities in the UK. From menstruation to menopause as well as breast cancer – she states that there are still a lot of stigmas and shame attached to talking about th...
“Empathy is the balance between identification and differentiation” In this session ‘Doing Equity’, we dive into the aspects and practices that can be adopted in order to materialize equity in different settings. An interdisciplinary researcher at Delft University of Technology, Caroline Bollen whose research focus revolves around how to best understand empathy in a society where communication is more and more mediated by technologies. Through dissecting what empathy connotes in multiple definit...
“I wish there were governments who paid for this” Peter Bil'ak is a well-known name within the narrow field of typography and type design. Having worked for many years digiitising handwritten scripts from South Asian regions, he shares some of the implications of digitally missing and incomplete alphabets. While the global population is growing very quickly, the number of spoken languages is simultaneously shrinking. As education and other systems become standardised, languages that aren’t even ...
Q&A from the session Setting Stories Free – How We Tell The Tales That Move Us with Priyanka Borpujari (Award-winning journalist), Bjarke Calvin, Sophia Jörgensen, Iben Völund (Duckling), Building a legacy for 21st-century journalists Marie Kilg (Deutsche Welle).
“Our world is connected by stories” says Bjarke Calvin. For him stories are not just a way to share information but a way of nurturing human connection. So what to do with the fact that news stories we interact with are more and more defined by social media? Tech-giants that dominate the media space, do not foster storytelling as their primary goal is generating advertisements. . To free stories from the linear, centralised format that we are currently trapped in, we need to hack the current sys...
Anic is not like any other writer. Anic is the first non-human columnist and while Anic is not a human they still have parents. “We saw ourselves comfortable in the role of parents, as we wanted to grant Anic as much independence as possible but we still had to create certain rules that had to be maintained.” Marie Kilg is one these parents and her collaborators created Anic as a sort of an investigation looking at what it would mean if an AI writes articles, in her talk she shared their learnin...
“In every conflict the first thing to go is truth, and the first killed victim is the messenger.” “Editors are not interested in mundane stories because we have stopped listening entirely” Who decides which stories get to be told? Who defines what an important story actually is? Priyanka Borjupari shares stories of her experiences as a journalist in all parts of the world, and her views on how storytelling affects the way that we view what’s important and what is not. Many aspects of our world, ...
Q&A from the session Memory in The Machine – The Tools We Use to Archive Us with Carl Öhman (Uppsala University) and Neef Rehman (Creative technologist, Isometric)
“The anthropomorphisation of AI is not the way to go. It is more interesting to look at how that impacts our interaction and perception of time.” What does time look like for machines? Do machines understand time the way humans perceive it? And what happens when we rely on machines that have their own view of the world and on us? Neef Rehman discusses how the concept of time is unique to us and shaped by the people around us. But in an era of increasing interdependence, time as we know it — flui...
“The data of the dead is more than individual user history, it is the heritage of the 21st century.” By the end of this century, Facebook will host 5 billion profiles of deceased people - and therefore have access to data of more people who are dead than alive. That poses an urgent question: What do we do with the digital dead? Since the agricultural revolution and the settlement of humans, the dead have been around us. They are a portal to our past, and we continue to feel connected to them. Du...
“Injustice it’s not rooted in computing. It’s been happening for hundreds of years and it’s still being imposed through centuries in violence through colonialism.” “Before seeking new design solutions, we look for what is already working at the community level”. This is one of the 10 principles for design justice that Costanza-Chock presents in her keynote, which is essential listening for middle-class gender-normative designers. We might be blind to the burdens imparted on less privileged indiv...
BITOI stands for Bass is the original instrument. BITOI are exploring the boundaries of the voice and the electric bass. The band is made up of one electric bass player and three vocalists from Denmark and Sweden (Cassius Lambert, Alexandra Shabo, Lise Kroner, Anja Tietze Lahrmann). They are working with an extended electric bass neck to allow quartertones and the lyrics of tracks are based on phonetic pronunciations of bird sounds, leading to a unique sound that transcends borders. Some tracks ...
