Episode 537: Wheel of Scholarly Communication Topics - podcast episode cover

Episode 537: Wheel of Scholarly Communication Topics

Oct 28, 20221 hr
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Episode description

Guest: Jenny Townes of Emory Libraries.

First broadcast October 28 2022.

Playlist, Transcript

"Let's spin the wheel!"

 

Transcript

[MUSIC PLAYING]

JENNIFER TOWNES

The most overwhelming thing right now is probably managing Open Access Week. All the details are done. The past couple of weeks have been-- I've kind of felt like my hair's been on fire. But we've got a nice slate of activities, including an open access author's reception that'll be very nice on Thursday of Open Access Week.

FRED RASCOE

And keeping with the open theme, will it be open bar?

JENNIFER TOWNES

I think we are actually bringing wine in, so yes. [LAUGHS] And cupcakes. We're having cupcakes as well.

FRED RASCOE

That's a definition of open access I can get on board with.

[LAUGHS]

[MUSIC PLAYING]

FRED RASCOE

CHARLIE BENNETT

You are listening to WREK Atlanta. And this is Lost in the Stacks, the Research Library Rock'n'Roll Radio Show. I'm Charlie Bennett in the virtual studio with Fred Rascoe and Marlee Givens. Each week on Lost in the Stacks, we pick a theme and then use it to create a mix of music and library talk. Whichever you're here for, we hope you dig it.

FRED RASCOE

Our show today is called wheel of scholarly communication topics.

CHARLIE BENNETT

I said pick a theme, Fred. This title sounds like a cop out, like maybe you didn't have a specific theme or title in mind.

FRED RASCOE

Oh, what gave you that idea? Oh, OK, well, it kind of is, but that's because there were a lot of topics that our guest could talk about, and I just couldn't narrow it down to one.

MARLEE GIVENS

And that guest is Jenny Townes, the Open Access Librarian at Emory University. Regular listeners may remember when she was on the show before, back when she was at Georgia College. CHARLIE BENNETT: Ah, Georgia College. Because Fred was a little indecisive, let's say, in picking a single topic, what we'll do today is put all the topics on a wheel of fortune, give it a spin, and discuss whatever the wheel lands on. This could go a lot of different ways.

FRED RASCOE

Yeah, we'll pull it together. Our songs today are all about what any open access librarian is familiar with, and that would be slow progress, heading in the right direction, advocating for change, even when change comes in very small increments. Any librarian working in scholarly communication is familiar with these challenges, and it can get overwhelming. So let's start with "Overwhelming" by Wombo right here on Lost in the Stacks.

[MUSIC - WOMBO, "OVERWHELMING]

LYRICS

(SINGING) All my life, it feels so overwhelming.

MARLEE GIVENS

That was "Overwhelming" by Wombo, and this is Lost in the Stacks. As we said before, this interview is going to cover a wide variety of scholarly communication topics chosen at random. So first, let's meet our guest.

JENNIFER TOWNES

My name is Jennifer Townes, and I am the Open Access Librarian at Emory University.

FRED RASCOE

And a returning guest to the show. Welcome back.

JENNIFER TOWNES

Thank you.

FRED RASCOE

Jenny, so glad to have you back. Last time you were on, you talked about disasters in libraries. This time, we've got a whole new thing for you.

JENNIFER TOWNES

Oh, yes, yes.

FRED RASCOE

You're a open access librarian, and it's a relatively new job for you, right?

JENNIFER TOWNES

Yes. This is actually a new position at Emory, so they created it just this year.

FRED RASCOE

OK. And you've been on the job six months?

JENNIFER TOWNES

Yep.

FRED RASCOE

OK. So still pretty new. So when we were talking about having you on to talk about your position, there were just too many topics that we thought about talking about, too many things to discuss. And I know that you said, Fred, just pick something, and we'll talk about it. But I couldn't pick. And so I'm hoping that today you'll help me play a little game called "Wheel of Scholarly Communication Topics."

JENNIFER TOWNES

Fantastic. Yes.

FRED RASCOE

All right. Because I know even though this is a new position for you, you've been a scholarly communication librarian before with Georgia College. You've been in this field a while, so there's lots of topics that a lot about. And I know anytime you start on a new job, you're tackling a whole lot of stuff, so let's just get spinning. I have a wheel here. I'm going to spin it. Here we go. I've put on all the possible topics in little slots on this wheel. I'm going to spin it.

[SPINNER FLIPPING]

FRED RASCOE

And the will comes up with Transformative Agreements at Emory. Oh, so six months in, you're diving into that.

JENNIFER TOWNES

Oh, yes.

FRED RASCOE

Tell us about-- well, first, I mean, we've talked about transformative agreements on the show before, but we might just need a real quick refresher for new listeners.

JENNIFER TOWNES

Sure. Transformative agreements, to boil it down, is any agreement that you have with a publisher that tries to move the needle from subscription to publishing open access. So for example, you have things called read and publish agreements.

And basically-- there's a lot more to it-- but basically, it means that you as a librarian, whomever is funding this initiative is making an agreement with the publisher that authors from your institution will be able to publish with that publisher open access with no APCs. And again, that's very basic. There's a lot more to it. But in general, that's what that means.

FRED RASCOE

Right. So instead of relying on having a library subscription to have access to a scholarly article produced at your institution, anyone can access it because you've engaged in one of these transformative agreements.

JENNIFER TOWNES

Exactly.

FRED RASCOE

OK. So what is that like at Emory, tackling that in your new job?

JENNIFER TOWNES

Sure. Emory is in year one of its very first transformative agreement, and that is with Cambridge University Press. And what that means is that starting in January-- January 1, 2022, authors from Emory who would like to publish something open access are able to do so through Cambridge University Press. Now, that requires authors to want to publish something through a Cambridge Journal. And that's been pretty popular.

So far, we've had-- I'm trying to think of the number-- I want to say around 20 articles so far published through this agreement. Don't quote me on that. I can't remember exactly how many. But the process is automatic. Basically, if you're publishing through a Cambridge University Press Journal, pretty much all you have to do is check a box that says, Yes, I want this to be open access. So it's very little effort on the part of Emory Researchers Publishing.

And they will also retroactively do some.

FRED RASCOE

The author still has to choose?

JENNIFER TOWNES

The author does still have to choose. One nice thing that that's been happening now because we just reached the end of our fiscal year, so we're getting all of our reports in is Cambridge has contacted me saying we have some authors from Emory who published with us who didn't check that box. Do you want us to go contact them and see if they want to do that? So that's really nice that we're able to retroactively do that.

FRED RASCOE

So what is your role in this? Are you going to authors and saying, hey, maybe you should check that box? Is that what your role is at Emory?

JENNIFER TOWNES

Kind of. I'm still getting involved with the administration of this particular agreement. But through some of the other work that I'm doing around our Emory authors trying to fund their APCs, often, I suggest, if you want to just bypass this entire APC funding process, go to Cambridge University Press. Here is a link to all of their journals. As an Emory researcher, as an Emory author, you can take advantage of this agreement.

FRED RASCOE

So what's the response when you do your outreach to faculty authors?

JENNIFER TOWNES

Most of them are real appreciative. They think it's pretty great. The people that I have corresponded with saying we can't fund this article for your APC, but in the future, go to Cambridge University-- a lot of them say, oh, I hadn't even heard of that. I will definitely do that in the future. And a few of them say, oh, yeah, I've heard of Cambridge. That seems like a reputable publisher. Maybe I should go do that. So overwhelmingly, it's been positive.

FRED RASCOE

Do you have strong feelings about whether the transformative agreements perpetuate publishers and publishing companies being in control of scholarly communication?

JENNIFER TOWNES

Personally, I feel like this is-- that this is along the right path, but we're still pretty far away from having what I consider to be the best of the best, which would be a completely open access landscape. Whether it's scholarly publishing, or social media, or anything like that, personally, I feel like everything should be open and available, without barriers. Transformative agreements, in my opinion, are a step along that path.

However, it's still putting a lot of control into the hands of publishers, and I'm not 100% comfortable with that. But it does make things easier for researchers. It makes things easier for them to consider publishing something open access. And depending on the agreement that you can negotiate with the publisher, it can be not as expensive for the library in general.

[BELL DINGS]

FRED RASCOE

Well, that bell tells me that we are at the end of topic number one.

JENNIFER TOWNES

All right.

FRED RASCOE

You still going to hang in there for a couple more topics?

JENNIFER TOWNES

Oh, yeah. Ready for round two.

FRED RASCOE

OK, well, we'll get back to round two just right after a break.

CHARLIE BENNETT

We'll be back with another spin on the Wheel of Scholarly Communication Topics after a music set.

FRED RASCOE

File is set under HN64.c72.

[MUSIC PLAYING]

FRED RASCOE

CHARLIE BENNETT

You just heard "Who Pays" by The Varukers. I think that's how you say it. And we started that set with "Little Steps" by Nostalgia 77-- songs about slow progress and who pays for it.

[MUSIC PLAYING]

CHARLIE BENNETT

FRED RASCOE

We are back with open access librarian Jenny Townes from Emory University Libraries. And today, we are playing "Wheel of Scholarly Communication Topics." This is a fun game.

JENNIFER TOWNES

Yes, it is.

FRED RASCOE

All right, so your new job-- Open Access Librarian-- and you're tackling a lot. So we're just putting up all the topics that you could possibly talk about on to my giant wheel here. And we'll just spin it and talk about the next topic that comes up. So give the wheel one more spin here.

[SPINNER FLIPPING]

FRED RASCOE

And the topic-- Managing APCs at Emory. OK

JENNIFER TOWNES

All right.

FRED RASCOE

So yeah, you and I both know what APCs are. Just for new listeners, we might need to refresh memories there on what an APC is.

JENNIFER TOWNES

Sure. APC stands for Article Processing Charge. And what those are is if you are a researcher, if you're an author and you want to publish something in a journal and you would like your particular article to be open access, very often, that journal will charge you an article processing charge.

FRED RASCOE

So at Emory, I think there is a fund to help authors with that.

JENNIFER TOWNES

Yes.

FRED RASCOE

Is that something that you're working with?

JENNIFER TOWNES

Yes. I manage that fund. And it's called the Emory Open Access Publishing Fund. And we fund around-- last year we had around 60 articles funded, I believe. And we are working on our next fiscal year, which started in September. And so we're working on a whole new crop of fund recipients.

FRED RASCOE

I know APCs can vary from publisher to publisher, but is 60 about a usual number per year? Or do you have an idea since you've only been there about six months?

JENNIFER TOWNES

I went and looked back through our records, and this particular fund has grown fairly exponentially throughout the years. We started with funding-- I believe it was three articles. And we've grown a lot in a short time. Last year was very big. The year before that, slightly smaller. But we've gotten a lot of interest.

FRED RASCOE

And for listeners who might not know, these APCs often run into the four figures. JENNIFER TOWNES: Yes, yes, very often. So a fund can be depleted pretty quickly.

JENNIFER TOWNES

Yes.

FRED RASCOE

So in your handling of this APC fund, what does that mean? Do authors have to come to you, cap in hand, and say, please put some money in here, so I can publish where I want to. How does that work?

JENNIFER TOWNES

Sure. We have a fairly well publicized application process. And it's out on the web through our Scholarly Communications Office department website. And one can go there and click on the link and view the guidelines. And if they decide that their need meets the guidelines, all they do is click on a link and fill out a funding request. And that application is pretty short. It's short and sweet. You just check some boxes, fill in some information. That comes directly to me.

And it's on a first come, first serve basis. And basically, if your need meets all of our guidelines, there's no reason for us not to fund it.

FRED RASCOE

What kind of guidelines are in place? Is it where they publish or what the research is on?

JENNIFER TOWNES

It's not subjective in terms of what the research is. Basically, you must be affiliated with Emory. You must publish in an open access journal. It cannot be a hybrid journal. And a hybrid journal would be a journal where some things are behind a paywall, and everything else is open access.

FRED RASCOE

Right. Journal has to be exclusively open access.

JENNIFER TOWNES

Exclusively open access, yes. And we use the Directory of Open Access Journals. And if it's a book as well, we use the Directory of Open Access Books to Judge whether something is fully open access or not. And you must have research that, if it was grant funded, it is funded by a grant that does not allow for open access publishing within the grant itself. And that's usually the sticking point.

So if you have an NSF-funded project that you would like to publish on, the NSF actually allows for open access publishing to be written into the grant. So unfortunately, we can't fund those.

FRED RASCOE

Right. That does sound like a sticking point. So if an author comes in and says, hey, the National Science Foundation funded my research, they gave me $100,000, you can say to them, well, actually, your grant says you can take 4,000 of that hundred and whatever thousand you got and use it for article processing charges. And therefore, you're not getting any of Emory's money. Is that right?

JENNIFER TOWNES

Exactly, yeah. We are a fund of last resort. So if there is anything else that you either could have done or could do right now, then technically, you don't meet the guidelines.

FRED RASCOE

So just in the last few minutes of this segment, how do you personally feel about APCs? JENNIFER TOWNES: Personally, I feel that APCs are an end run around trying to make things open access and access in terms of free of charge. And I'm not a fan. I'm not a fan of APCs. I feel like that there is-- surely there is a better way out there, and it's simply moving costs around, like a shell game. Instead of the library paying the cost, it's the author paying the cost.

But now with funds like this, the library is still paying the cost. So it's difficult. We want things to be open access. We still have to play this game with publishers. But in the future, I would really like to see APCs either severely diminished or go away entirely.

[BELL DINGS]

FRED RASCOE

All right. Well, once again, as you can hear, we've reached the end of our "Wheel of Scholarly Communication Topic" segment, speaking of playing games, by the way. So we've got time for one more round after a break. Can you stick around and play one more time?

JENNIFER TOWNES

Absolutely.

FRED RASCOE

Awesome. Great contestant. Thanks, Jenny.

[LAUGHTER]

MARLEE GIVENS

We'll be back for one more round with Jenny Townes of the Emory University Library on the left side of the hour.

ALEX MCGEE

Hi. This is Dr. Frasier Crane. I'm listening. Oh, no. Wait.

[MUSIC PLAYING]

ALEX MCGEE

Hi. This is Alex McGee. I am the University Archivist, and you are listening to Lost in the Stacks, the Research Library Rock'n'Roll Radio Show on WREK Atlanta. CHARLIE BENNETT: Our show today is called "Wheel of Scholarly Communication Topics." And our guest Jenny Townes has been a great sport playing along with our goofy format today. Jenny has been working in scholarly communication librarianship for years. But her new job at Emory is specifically called Open Access Librarian.

We wanted to find out what she thought of having that very specific title. So Fred asked her about it.

[MUSIC PLAYING]

ALEX MCGEE

FRED RASCOE

What does it mean to be an open access librarian? What does it mean to you?

JENNIFER TOWNES

To me, it means being an advocate, first and foremost, primarily being an advocate for all things open. The open access landscape is vast, and it can be extremely confusing, especially because even we as professionals have not been great at having a single definition for open.

So acting as an advocate for the Emory campus in helping faculty choose open educational resources from developing a program of open education practices at Emory all the way down to managing our open access publishing fund, these are all different ways that I can be an advocate for all things open for the Emory community. CHARLIE BENNETT: Titles may change, but the job often remains the same. File this set under VK555.B74.

[MUSIC - CRAZY HORSE, "85 EL PASO'S"]

LYRICS

(SINGING) Well, if you had half a heart you couldn't do this thing to me. [MUSIC - RICHARD AND LINDA THOMPSON, "WHEN I GET TO THE BORDER"]

MARLEE GIVENS

That was "When I Get to the Border" by Richard and Linda Thompson. And before that, we heard "85 El Paso's" buy Crazy Horse-- songs about trying to adjust course and head in the right direction.

[MUSIC PLAYING]

FRED RASCOE

We're back with Jenny Townes, Open Access Librarian at Emory University Libraries here in Atlanta. And we are playing "Wheel of Scholarly Communication Topics." We just couldn't pick a single theme for the whole interview. So sorry. I'm just asking you to talk about all these different things, Jenny. JENNIFER TOWNES: That is just fine. OK. So all right, of all the potential topics, I've got them on my wheel. We'll give the wheel one last spin.

[SPINNER FLIPPING]

FRED RASCOE

And it comes up to-- no whammies, no whammies, no whammies-- comes up to committee work. OK.

JENNIFER TOWNES

All right.

FRED RASCOE

And you just started a new job at Emory, Well, you're six months in. And that's always-- even though you're an experienced librarian, you've been in it for years, any time you start a new job, you're thrown into all kinds of service to the profession, scholarship, and things like that. This is one of those service things. Can you talk a little bit about some of the committee work that you're doing right now?

JENNIFER TOWNES

Sure. I've recently become the Co-Chair of the Association of Southeastern Research Library's Scholarly Communication Interest Group, which is absolutely a mouthful.

FRED RASCOE

It doesn't have a cool initialization or acronym or anything?

JENNIFER TOWNES

In my brain, I just call it ASRLSCIG. But I don't think that that's something that anyone else would be--

FRED RASCOE

Yeah, it doesn't quite trip off the tongue, I guess.

JENNIFER TOWNES

No. [LAUGHS] My co-chair is Elaine Walker, who is the Scholarly Communication Librarian at University of Alabama. So we've had our first couple of meetings. And talking with her and outgoing chairs Devin Soper and Rachel Caldwell, we've developed a slate of activities for the next year. And we'll be continuing with some things that listeners might be familiar with, such as community calls.

And we're also going to try some new things, such as creating a directory of copyright and scholarly communication training.

FRED RASCOE

Ah, OK. So sort of putting together a bunch of free and open resources for anyone who needs to learn more?

JENNIFER TOWNES

Yes, yes.

FRED RASCOE

Oh, OK. Nice. I do quite enjoy the ASRL presentations. And I believe I've been on the community calls as well, at least some of them.

JENNIFER TOWNES

Great.

FRED RASCOE

So what drew you in to being a-- not just a part of this interest group, but co-chair? Were you volunteered? Or did you just decide that's something you wanted to do? JENNIFER TOWNES: Yeah, I volunteered. ASRL is a group that has really been helpful to me when I was starting off at Georgia College as a scholar communication librarian.

And Georgia College is not a member of ASRL but the community calls that are open and available to everyone and a lot of the scholarly communication interest group resources were extremely helpful when I was first starting out as a scholarly communication librarian. And I wanted to give back.

And when I got to Emory-- Emory is a member of ASRL-- I saw the call for volunteers for a chair to go out over an email listserv, and I thought this would be an excellent way to give back and to also be involved. So what are you looking most forward to in your-- I guess, it's a one-year position, or is it multiyear?

JENNIFER TOWNES

I believe, it is a two-year position.

FRED RASCOE

Two-year position?

JENNIFER TOWNES

Yeah.

FRED RASCOE

What are you most looking forward to over the next couple of years?

JENNIFER TOWNES

I'm really looking forward to making connections with other ASRL librarians, particularly ones working with open access transformative agreements, as we just talked about, and forming a network of people, network of other professionals that I can talk to and who I can help along the path and who can help me as well. And one of the things that I'm particularly looking forward to with our slate of activities is the Scholarly Communication Unconference, which does go by SCUNC, S-C-U-N-C.

FRED RASCOE

There's some great acronyms that you're giving me today.

JENNIFER TOWNES

Absolutely.

FRED RASCOE

SCIG and SCUNC-- yeah.

JENNIFER TOWNES

Yeah.

[LAUGHTER]

JENNIFER TOWNES

That has been in-person in years past. But of course, the pandemic necessitated a virtual conference, I believe, for the past two years. But we are looking towards possibly having an in-person Unconference in spring of next year, SO spring 2023. And we're just in the beginning of planning stages for that.

FRED RASCOE

Unconference, for those who may not have heard the term-- pretty much everyone's familiar with what a conference is and going out of town to go to a conference. Unconference might be a new term to some.

JENNIFER TOWNES

Yeah. If you've heard of THATCamps, T-H-A-T, THATCamps-- so basically, it's like that. It's a day of a crowdsourced agenda that is set the day of with flexible scheduling. You go into the Unconference with the ability to get up and move around. If you've gotten everything you need out of the discussion but the discussion is not over, it's OK to get up and move to another session. And when you arrive, whether it's virtual or in-person, it's crowdsourced.

Everyone puts in ideas for how the day is going to go. And usually, votes are taken. Different rooms are set up, and it's extremely flexible, extremely on the fly, and usually very, very current.

FRED RASCOE

So you don't necessarily show up with a paper about the latest scholarly communication research in your hand, ready to present? JENNIFER TOWNES: Not necessarily, no. All right. So what other kinds of service work or committee work do you see yourself getting involved with now that you moved from Georgia College to Emory?

JENNIFER TOWNES

I'm really looking forward to doing some diversity, equity, and inclusion committee work. Emory is extraordinarily committed to those types of initiatives, and I'm really looking forward to working with the DEI committee at Emory. I've already joined that, and I've been sitting in on a couple of meetings. And it's something that is near and dear to my heart, so that's one of the things I'm looking forward to.

[BELL DINGS]

FRED RASCOE

Well, Jenny, as you can hear, time is up on our last segment.

JENNIFER TOWNES

Oh.

FRED RASCOE

This was fun. I enjoyed this format, just hopping around over the three segments just kind of randomly. And so I appreciate you taking the time to do that. Thanks for joining us. JENNIFER TOWNES: I appreciate it. Thank you.

MARLEE GIVENS

Our guest today was Jenny Townes, Open Access Librarian at Emory University.

FRED RASCOE

File this set under PN1992.8.Q5.

[MUSIC - GRAPEFRUIT, "ANOTHER GAME"]

LYRICS

We will tell you what to say.

[MUSIC - GOLDEN SHOULDERS, "THE COMMITTEE"]

LYRICS

(SINGING) Our way of life must be preserved.

CHARLIE BENNETT

You Just heard "Another Game" by Grapefruit and before that, "The Committee" by Golden Shoulders-- songs about group dynamics and advocating for change.

[MUSIC PLAYING]

CHARLIE BENNETT

This episode was called, awkwardly, "Wheel of Scholarly Communication Topics." Fred, have you got a way to wrap this thing up?

FRED RASCOE

Oh, sure. Jenny was unperturbed by my silly and awkward game show premise. And she even volunteered to do it again sometime. So I asked her to give us a preview of what topics she might want to be on the wheel next time.

[MUSIC PLAYING]

FRED RASCOE

What topics should we put on the wheel for next time?

JENNIFER TOWNES

Oh, gosh, the scholarly communications wheel of topics must be enormous, must look like a bicycle tire at this point.

[LAUGHTER]

JENNIFER TOWNES

Maybe copyright, maybe the types of trainings that scholarly communications librarians can access.

FRED RASCOE

Right, for sure. Open educational resources, probably another one. JENNIFER TOWNES: Yes, absolutely. I would even include open educational practices as an umbrella term because that involves a lot of things. Subvention funds, such as the tone monograph agreement that a couple of different libraries have signed on to. The scholarship, I mean, even just a review, like scholarship in the field that's coming out now. That'd be a wheel on its own. JENNIFER TOWNES: Oh, my goodness. Yeah.

[LAUGHS]

FRED RASCOE

OK. Well, we'll put all of those into the hopper for next time.

JENNIFER TOWNES

All right, sounds good.

[MUSIC PLAYING]

JENNIFER TOWNES

CHARLIE BENNETT

Thank you for the sneak peek at our future episode featuring Jenny Townes.

FRED RASCOE

We could also get Wendy to do a wheel of archives topics.

CHARLIE BENNETT

Oh, I like it.

MARLEE GIVENS

Yeah, or we could do library instruction topics.

CHARLIE BENNETT

All right. You know what? I'm convinced. This all sounds good to me. Just because we're rock and roll radio show doesn't mean we can't have a little game show-ish content now and then. So let's spin the wheel roll the credits.

[MUSIC - "WHEEL OF FORTUNE" THEME SONG]

CHARLIE BENNETT

MARLEE GIVENS: Lost in the Stacks is a collaboration between WREK Atlanta and the Georgia Tech Library, written and produced by Charlie Bennett, Fred Rascoe, Marlee Givens, and Wendy Hagenmaier. Today's show was edited and assembled, well, by me. And I left nothing to chance.

MARLEE GIVENS

Legal counsel and a compilation of favorite vintage game show theme songs were provided by the Burrus Intellectual Property Law Group in Atlanta, Georgia.

FRED RASCOE

I got this strange urge to buy a vowel. Special thanks to Jenny for being on the show, for playing along with my corny idea, and thanks, as always, to each and every one of you for listening.

CHARLIE BENNETT

Find us online at lostinthestacks.org. And you can subscribe to our podcast pretty much anywhere you get your audio fix.

MARLEE GIVENS

On next week's show, we talk about storytelling in the academy, featuring a former guest who is also a former colleague.

FRED RASCOE

It's time for our last song today. I had fun with today's wheel-spinning show. I hope you did too. So let's close with a song about having a good time just spinning around. This is "Spinning" by Grae, right here on Lost in the Stacks. Have a great weekend, everybody.

[MUSIC - GRAE, "SPINNING"]

FRED RASCOE

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