Otto Dix fought in the First World War for the better part of four years before becoming one of the most important artists of the Weimar era. Marked by the experience, he made monumental, difficult and powerful works about it. Whereas Dix has often been presented as a lone voice of reason and opposition in Germany between the wars, this book locates his work squarely in the mainstream of Weimar society. Informed by recent studies of collective remembrance, of camaraderie, and of the popular, wor...
May 03, 2022•47 min•Ep 11•Transcript available on Metacast What are the rights and wrongs of toppling statues? Sometimes everyone agrees it’s a good idea. After the second world war, for example, the defeat of fascism meant that all over Europe Hitler statues were toppled and destroyed. After the collapse of communism some statues of Stalin actually survived. Just a couple of years ago Black Lives Matter protests led to the hauling down statues of slaveholders and imperialists – for example in the UK a statue of slaver – and philanthropist, Edward Colst...
May 03, 2022•44 min•Ep 11•Transcript available on Metacast Dr. Paul Geary’s Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants (Intellect, 2022) examines the work of four of the world’s leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea. Using ideas from performance studies, cultural studies, philosophy and economics, Dr. Geary explores the creation of the dining experience as a form of multisensory performance. The book examines the construction of the world of the restaurants and their crea...
May 02, 2022•1 hr 11 min•Ep 100•Transcript available on Metacast What can textiles tell us about histories of genocide and the lived experiences of prisoners? In this episode, Dr. Magali-An Berthon discusses the treatment of prisoners at S-21 and how clothes played a role into their imprisonment and dehumanization. She retraces the formation of the textile collection at the Tuol Sleng Genocide Museum, starting with a large pile of clothes on display in the first years of the museum, which was then moved in 1991, before being removed altogether in 2011, and wh...
Apr 22, 2022•35 min•Ep 121•Transcript available on Metacast The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity (Routledge, 2021) examines the visual culture of Japan's transition to modernity, from 1868 to the first decades of the twentieth century. Through this important moment in Japanese history, contributors reflect on Japan's transcultural artistic imagination vis-a-vis the discernment, negotiation, assimilation, and assemblage of diverse aesthetic concepts and visual pursuits. The collected chapters show how new cultural not...
Apr 21, 2022•55 min•Ep 75•Transcript available on Metacast With this book, Emmelyn Butterfield-Rosen brings a new formal and conceptual rubric to the study of turn-of-the-century modernism, transforming our understanding of the era’s canonical works. Butterfield-Rosen analyzes a hitherto unexamined formal phenomenon in European art: how artists departed from conventions for posing the human figure that had long been standard. In the decades around 1900, artists working in different countries and across different media began to present human figures in s...
Apr 21, 2022•1 hr 4 min•Ep 91•Transcript available on Metacast In Media Primitivism: Technological Art in Africa (Duke University Press, 2020) Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film,...
Apr 20, 2022•58 min•Ep 95•Transcript available on Metacast In The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works indi...
Apr 20, 2022•54 min•Ep 95•Transcript available on Metacast Spanning the decades from the rise of photography to the age of the selfie, The Culture of Male Beauty in Britain: From the First Photographs to David Beckham (University of Chicago Press, 2021) traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the at...
Apr 19, 2022•57 min•Ep 52•Transcript available on Metacast Since the late-1990s, the fate of Nazi stolen art has become a cause célèbre. In Belonging and Betrayal: How Jews Made the Art World Modern (Brandeis UP, 2021), Charles Dellheim turns this story on its head by revealing how certain Jewish outsiders came to acquire so many old and modern masterpieces in the first place - and what this reveals about Jews, art, and modernity. This book tells the epic story of the fortunes and misfortunes of a small number of eminent art dealers and collectors who, ...
Apr 19, 2022•2 hr 46 min•Ep 280•Transcript available on Metacast Hilton Judin's book Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital (Routledge, 2021) is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpatio...
Apr 19, 2022•28 min•Ep 71•Transcript available on Metacast In Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia (University of Texas Press, 2022), Anadelia Romo argues that visual images were central to the shift from emulating Europe to valuing Brazil’s own local culture, which took place from the late 19th to the early 20th century. The book focuses on Salvador, Bahia, a city in the northeast of Brazil known for its rich Black culture, history of slavery, and tourism industry. Using print culture associated with tourism, Romo s...
Apr 13, 2022•1 hr 6 min•Ep 153•Transcript available on Metacast American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Jo...
Apr 12, 2022•1 hr 12 min•Ep 1184•Transcript available on Metacast Kim talks with Pardis about Theodor Adorno’s concept of the autonomous work of art, as articulated in his Aesthetic Theory, and The Dialectic of Enlightenment (with help from Max Horkheimer). Pardis Dabashi is an assistant professor of English at the University of Nevada, Reno, where she specializes in 20th-Century literature and Film studies. Starbucks Christmas Blend is one of her many guilty pleasures. Adorno would be upset. Image source: Witches dancing in forest, in the Compedium Maleficaru...
Apr 12, 2022•13 min•Ep 8•Transcript available on Metacast For better or worse, artists write. But why would a visual artist write a novel? How should such a novel be experienced? How does the artist’s novel compare or compete with literary fiction as we know it? David Maroto, the author of The Artist's Novel: A New Medium (Mousse Publishing, 2020) considers the proliferation of artists writing novels as a sign of the emergence of a new medium. Artists engaging in this new medium do so in order to address artistic issues by means of novelistic devices, ...
Apr 11, 2022•1 hr 14 min•Ep 93•Transcript available on Metacast It can be easy to think of the recent history of India—especially for those who aren’t from there—as a straight line, from the Mughal Empire, through the British Empire, to independent India. That, of course, is hugely simplistic, missing the mess of competing polities, interests, and people that made up Indian history over the last few centuries. Manu Pillai’s False Allies: India’s Maharajahs in the Age of Ravi Varma (Juggernaut, 2021), looks at a few of these political actors: the Maharajas of...
Apr 07, 2022•50 min•Ep 77•Transcript available on Metacast In this episode Saronik asks Kim about the aura. The idea comes from Walter Benjamin’s 1935 essay “The Work of Art in the Age of Mechanical Reproduction.” Besides the central text, the episode references Benjamin’s 1940 essay, “On the Concept of History” in which the Angel of History appears. We also talk about Oscar Wilde’s 1891 essay “The Soul of Man Under Socialism.” And make a passing mention of the British artist Banksy. The image is a photograph that Kim took of a painting of peaches in an...
Apr 04, 2022•11 min•Ep 2•Transcript available on Metacast Dr. Lucy Donkin’s Standing on Holy Ground in the Middle Ages (Cornell University Press, 2022) illuminates how the floor surface shaped the ways in which people in Medieval Western Europe and beyond experienced sacred spaces. The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. “The ground beneath our feet goes unnoticed for the most part. Yet it guides our steps and shapes our identity ...
Apr 01, 2022•1 hr 10 min•Ep 1175•Transcript available on Metacast According to the definition offered by Tate on the occasion of the exhibition Surrealism Without Borders, Surrealism “aims to revolutionise human experience. It balances a rational vision of life with one that asserts the power of the unconscious and dreams.” Surrealism, therefore, produces images and artefacts that are rooted outside the real and that evade rational description. For many artists, however, the practice of Surrealist art took on an explicitly political and therefore practical dim...
Mar 31, 2022•1 hr 20 min•Ep 92•Transcript available on Metacast I spoke with Hannah Star Rogers, one of the editors of the Routledge Handbook of Art, Science, and Technology Studies (Routledge, 2021). Art and science work is experiencing a dramatic rise coincident with burgeoning Science and Technology Studies (STS) interest in this area. Science has played the role of muse for the arts, inspiring imaginative reconfigurations of scientific themes and exploring their cultural resonance. Conversely, the arts are often deployed in the service of science communi...
Mar 30, 2022•45 min•Ep 312•Transcript available on Metacast In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically crea...
Mar 30, 2022•52 min•Ep 592•Transcript available on Metacast Antarcticness: Inspirations and Imaginaries (UCL Press, 2022) edited by Ilan Kelman Antarcticness joins disciplines, communication approaches, and ideas to explore meanings and depictions of Antarctica. Personal and professional words in poetry and prose, plus images, present and represent Antarctica, as presumed and as imagined, alongside what is experienced around the continent and by those watching from afar. These understandings explain how the Antarctic is viewed and managed while identifyi...
Mar 29, 2022•44 min•Ep 55•Transcript available on Metacast France, officially, is a secular nation. Yet Catholicism is undeniably a monumental presence, defining the temporal and spatial rhythms of Paris. At the same time, it often fades into the background as nothing more than “heritage.” In a creative inversion, Elayne Oliphant asks in The Privilege of Being Banal what, exactly, is hiding in plain sight? Could the banality of Catholicism actually be a kind of hidden power? Exploring the violent histories and alternate trajectories effaced through this...
Mar 25, 2022•56 min•Ep 148•Transcript available on Metacast Michael Vanhartingsveldt is a contributing columnist at Buddhistdoor Global. He works full-time at the Los Angeles Country Museum of Art. He did his masters in East Asian Art Business at Sotheby’s Institute of Art, and he also works as a lecturer for the Japan Foundation. Michael collaborates on "Carving the Divine TV" with filmmaker Yujiro Seki. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm...
Mar 25, 2022•52 min•Ep 47•Transcript available on Metacast The Mongol period (1206-1368) marked a major turning point of exchange - culturally, politically, and artistically - across Eurasia. The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. In In Mongol Court Dress, Identity Formation, and Global Exchange (Routledge, 2020), Eiren Shea investigates how a group of newly-confederated tribes from t...
Mar 25, 2022•55 min•Ep 91•Transcript available on Metacast Funny music is often dismissed as light and irrelevant, but Weird Al Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. In this book, for the first time, the parodies, original compositions, and polka medleys of the Weird Al universe finally receive their due respect. In Weird Al, Seriously, musicologist Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s co...
Mar 17, 2022•54 min•Ep 140•Transcript available on Metacast Born and raised in Japan, Yujiro Seki discovered his passion for filmmaking when he was in high school. Yujiro earned a BA Degree in Film from the University of California, Berkeley. His forthcoming documentary film, "Carving the Divine," offers a rare and intimate look into the life and artistic process of modern-day Būshi – practitioners of a 1400 year lineage of woodcarving that’s at the beating heart of Japanese, Mahayana Buddhism. Learn more about your ad choices. Visit megaphone.fm/adchoic...
Mar 16, 2022•36 min•Ep 37•Transcript available on Metacast The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show in Permanent Crisis: The Humanities in a Disenchanted Age (U Chicago Press, 2021), this crisis isn’t new—in fact, it’s as old as the huma...
Mar 14, 2022•56 min•Ep 138•Transcript available on Metacast Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as ‘mass art’, they tend to forget that architecture, before cinema, was the only existing ‘mass art’. In Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou (Routledge, 2021), Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture. Building art puts...
Mar 11, 2022•26 min•Ep 69•Transcript available on Metacast “Not a whisper. / Never laughter. / Buster, thank you / for disaster.” So wrote graduate student Dana Stevens, who would go on to become Slate’s resident film critic and podcaster. Her love affair with Buster Keaton – strictly platonic, as their “first sustained encounter” was decades after the actor’s passing in 1966 – began at a cinematheque in Alsace. But Stevens’ book about actor-director-gag man-stunt virtuoso Buster Keaton, Camera Man: Buster Keaton, The Dawn of Cinema, and the Invention o...
Mar 09, 2022•56 min•Ep 111•Transcript available on Metacast 
