Midnight Ghost Shows with Chelsey Weber-Smith

Tull's too coolish night of it. Monsters parade of unless. Horrors brought to you. Chelsea whoever smells. My beautiful assistant this evening, Sarah Marshall, will allow me. Perform unspeakable terrors upon her for the entertainment of you, my precious, innocent, sacrificial lambs. Tonight I will be presenting to you. show you an informative look at the history of midnight ghost shows.

campy, ghostly, gory performances that from the nineteen thirties to the nineteen sixties accompanied horror movies and theaters, a combination of a spiritualist seance and a stationary, haunted house. Beware, this show contains descriptions of hella fake violence, and you may not make it out alive of this twisted amusement. Doctor Schlock's Camp of the damned right here in the your wrongabout theatre.

I am thrilled and chilled to the bone to make this unbelievable announcement. Sarah Marshall will be hosting a brand new eight part mini series from the City. Past, the present, and the future of the satanic panic. The podcast is called The Devil You Know and is premiering on. October. Pause for gasps and roaring applause. Let me also remind you.

If you love your wrongabout, you can become a patron at patreon dot com slash your wrongabout or Apple Plus to get bonus episodes every month. Most recently you can learn about the history. History of one of my ex-girlfriends, Elvira, Mistress of the Dark, brought to you by another Mistress of the Dark, but sadly not my ex-girlfriend. Eve Lindley. Oh and For a new bonus episode with another beautiful beast of the underworld, Jamie Loftus.

The year of the Bimbo. May I humbly indulgently recommend previous episodes of your wrongabout co hosted by me last year's Halloween season? The Donner Party. Killer clowns. Oh, and over at my own haunted home, the American Hysteria podcast, you can hear Sarah's presentation on spontaneous Human combustion out on October 20th. The hypnotizing music in this Produced and performed by our resident rat kings, Miranda Zippler, and A. Of Magpie Cinema Club.

Thank you, my fiendish friends, for listening to this unhinged introduction by me, Doctor Schlock, in preparation for my camp. So without further ado, I would like, if I may, to take you on a strange journey into the haunted Historical heart of the Midnight Ghost Show. And remember, anything can happen when the lights go down. You may even discover a ghost sitting right behind. Ha ha ha!

Kittens to American Oh wait, we're on my show. Uh keep it in. What a great mistake. Uh welcome to Your Wrong About. This is definitely my show and not American hysteria. But Kelsey, you and I get together to talk about goblins and ghouls and ghosts so often that it's hard to remember because my house is your house and your house is my house, I hope. Your my house is definitely your house. You make every house a haunted home. Wait, you make every haunted house a haunted home.

You make this haunted house a haunted home. Yeah. There it is. Yeah. Ah. Kelsey, you were here to tell us about the title is Ghost Shows. And I feel like that could go in so many directions. And also you and I have done a ghost show, but for people who are just joining us Hello, welcome. Please sit with us. Kelsey, who are you and what do you do and what do you love?

Well, my name is Chelsea Weber Smith and I host American Hysteria, which is a podcast that covers a lot of similar things to you wrong about. And yeah, I am Here as a massive horror fan, a massive paranormal fan, especially uh drag of the paranormal and Uh, you know, I love haunted houses and what I think we're talking about today is kind of a combination of all the things that I love and all the things that you love. So I am absolutely thrilled to be here.

And Kelsey, you and I have talked a lot about both the idea of ghosts and ways of faking ghosts for entertainment and where the sort of lines between desire and belief and charlatanry get interesting and blurry. We've talked about Houdini recently on your show. Mm-hmm. I love that episode. And we talked about the Cottingley fairies. Yeah. On my show not too long ago. And also we've done kind of a paranormal Christmas show the last couple of years, which we're

recalibrating and making bigger and badder for 2026. But we have done a variety show quite a few times now called A Massive Seance. And I wonder before we get into it, what it was like to approach this topic as somebody who is now Through American hysteria.

And also now in a live setting in these shows that we've been doing and of course in all the other ways of your life that I'm not thinking of, somebody who not only talks about ghost entertainment, but also does ghost entertainment. What what did that make you think about researching this topic today? What a great question, Sarah. Thank you. Thanks. Yeah, I mean, I think what was so much fun about discovering this kind of forgotten piece of horror history was how much it mimicked.

what we did together for our live show. Like It was like we connected on the unified field to borrow David Lynch's term. We really I don't know, we we like channeled something, we conjured something that sort of already existed. Right. And I think we did that because of our love of of camp, our love of drag, our love of kind of the vaudeville spirit. Giving Chelsea an exorcism. I did get an exorcism uh to Fleetwood Mac, so As we all should be. Please keep that on your calendar.

Chelsea guts and exorcism. And it really did feel good. It felt great to be a part of it. I got to have a tambourine. You did. And he and we've talked a lot, especially in this recent Houdini episode, about sort of

the belief in the paranormal or just in things that we can't see or understand that makes charlatanry possible and how dangerous that is. But also, you know, if you look at just like true things we know about the actual universe, you know, that we're we're getting blasted all the time with, you know, atoms being shot out of stars, or I guess subatomic particles if we're talking about neutrinos, because all the things

that I don't even know to mention because I don't know enough about the world that we cannot see or perceive, but st that still exist and are happening to us. I think it's not at all unreasonable to believe that the limits of human perception are not the limits of what exists. And I feel like that tension is going to be with us here today too.

Well, it may be a little bit, but it might be less so than you think. Because what we are talking about today, I will just say that. They're called midnight ghost shows, also midnight spook shows. But what these really were were taking the seance performance and turning it into popular culture entertainment. Oh that's interesting.

So it was like the way that it kind of crossed over from being like there weren't any true believers here. It's like they took something that had true believers and turned it into a true kind of vaudevillian spectacle that people you know, got to enjoy in in a way that had no gray area. So this is kind of the missing link between spiritualism and the haunted house that you and I would go to today. Absolutely perfectly put.

Yep. I love it. Well, where should we begin, Chelsea Weber Smith? Well, I think I'll just kind of start with a few basics. Midnight Ghost Shows, as I said, and also known as midnight spook shows. They were these elaborate late night stage shows that almost always accompanied horror movies. Mm. Oh wow. No. So they either led into or a horror movie ended with the show.

See, and theaters are like, Wh nobody's coming to the movies anymore. It's like try harder and also stop charging nineteen dollars for a pretzel, but you know, a separate issue. Gimmicks people. We need gimmicks. Need gimmicks. Bring back the tingler and also this. Okay, so what period of time are we talking about? And where are we? Okay, so we are very much in America. This is a very American art forum. It did go to other places.

We are so in the middle of America that we're in Missouri, geographically the center, right? They were certainly in Missouri, these ghost shows. But uh they did go overseas or they went to Mexico, but really this was. an American phenomenon and it was in small towns, big towns, the shows traveled around. I mean, you could really go anywhere. And find a ghost show, which is pretty wild considering that you and I, as lovers of this type of history, had no idea about them.

Yes. And also what can you go anywhere in America and find today aside from a dollar general? Yeah. That's a good point. I'm a Dollar Tree man myself. Oh, me too. Dollar General I think just means generally a dollar, and by generally they mean thirteen percent of the time. Whereas Dollar Tree will really get you out of many a jam. It really will. It really will. Wrapping paper especially. This is not sponsored by Dollar Tree. We're just both frugal.

So what I'm gonna say, and you already kind of brought this up, but these shows were basically a combination of a spiritualist seance, a magic show, and a stationary haunted house. God, can we make one please right now? Well let's see. By the end we might My baby needs it. My baby needs the ghost. Mm-hmm. So and this was a massive craze, especially for teenagers, of course. And these were like shows that would have these massive

overflow crowds outside. Like people would just be begging to get in. There was a very riotous atmosphere. Like the Ares tour. Just like the Aeristor, but lots more skeletons. So uh what time period is this? Is this like before movies or as movies are beginning to be born? Cause I know they took a while to do that. So from the early nineteen thirties to the late nineteen sixties. Oh wow. So movies are like fully happening. Like they're competing.

Right. Oh, it cause you were saying these happen before the movies and it's kind of like an opening show, like an opening act for a horror. movie. Yeah. Or it was the closing act. Sometimes it was, yeah, sometimes it came before. So it's not competing as much as holding hands, but even so, it's like the only thing you get to see before a movie now is Maria Menuno. That's true. It's true. Or I guess Nicole Kidman stepping in a puddle with her stiletto heels.

It's such a bad script. I can't believe I love what they did. I mean, it's also perfect. Things can be bad and perfect, like what we're talking about today. Exactly. And I wanna just mention up top here that, you know, a lot of times they come on the show and I give a very kind of detailed history and a sociological analysis of whatever I'm talking about. Today we are going to the ghost show and we are not really talking about its cultural significance, if that's okay with everyone.

I mean, I'll inject cultural theorizing wherever I go without really meaning to. That sounded violent. But yeah, I'm so please take me to the ghost show. You will. All right. I'm gonna be your ghost master. This is a a term that was invented. You're like coming down the grand staircase in the Titanic, you're like, So you wanna go to a real party?

Well, when a ghostmaster would enter, eventually it would be something like uh a giant spider would be lowered and then it would spit out a ball of flame and then within the smoke the ghostmaster would appear. It's fucking awesome. Awesome. Fantastic. Okay, let's all take a second to do you want a giant spider or what would what would you want if we were to put this on? Mm-mm. You're like Sarah, I've lay awake thinking about this for eight days and nights.

I know that I would maybe I think I would want like a skeleton to be lowered down that was like wearing my outfit and then like a you know, like a sudden expl I think an explosion would be fun. I think fire and flame. And then from where the skeleton lay, or when the where the skeleton was, I would appear in my really cool outfit. So Goshas had basically two phases. And we'll get into both of them. But the early kind of nineteen thirties.

to early 1940s was very seance focused, very ghost focused, very paranormal focused. And then from the 40s to the 50s and into the 60s, It was much more focused on like horror and gore and like just a bloody crazy night. Uh so we will, you know, explore both of them. A plotty crazy nine. Bloody crazy nine. Um I'm so bad at accents, famously. No, we well we're gonna it's funny'cause we're both trying to imitate the people who raised us and are doing a worse job. and you're just like, no way.

That's very true.

Okay, so here's some of the titles of these midnight ghosts, all right? Okay. Doctor Silkini's Asylum of the French. Horrors. Dr. Silky Nees. Doctor Dracula's Den of Living Nightmares. Raymond's Zombie Jamboree. Campy Camper doesn't that sound like a song from like nineteen sixty two? It definitely does. We have Dr. Sin in the house of the living dead. Doctor Satan's shrieks in the night.

A lot of doctors. Are they like medical doctors? Or are they is Doctor Satan have a doctorate in the humanities? I'm gonna explain that to you in one second. Okay, so we've got Dr. Evil's Terrors of the Unknown and a personal favorite of mine, Dr. Banshee's Chasm of Spasms. I'll take you to Dr. Bankshe's casinless passage. So as you noticed, Sarah, a lot of these characters who were largely magicians that kind of took on this new project of doing a midnight ghost show.

Okay, interesting. Yeah, magician's got a magician. They got to. And so they kind of went with this kind of mad scientist doctor vibe. Oh interesting. Like kind of I. E. Dr. Frankenstein a little bit. Okay, yeah. And Frankenstein came out like what, nineteen thirty-one, thirty-two, like the movie to be clear. Yeah. So like pretty concurrent. Yeah. Yeah. Yeah. And Frankenstein and his monster will play a role. Oh good.

If they weren't mad scientists, Hey. Often played kind of an Indian guru type, uh, which was of course extremely problematic because every single one of them was a white man. We're like it's the fifties. We gotta find a way to be racist even if it Wouldn't even come up without us trying really hard to do it. I also I feel like you're I'm this is something you're gonna get to momentarily, but this makes me think of the Rocky Horror Picture Show. Well Don't you even I would like, if I may

Don't you even talk about it yet. Okay, perfect. Don't you even talk about it. Don't you say rocky horror pictures?

Uh, we will definitely have a Rocky horror moment. So I just thought it would be worth explaining that part of the reason, the main reason that people in these ghost shows kind of portrayed this Indian guru archetype was that magic in India, like stage magic, was pretty superior to American stage magic. Oh, really? Yeah. Yeah, even looking at Houdini, he had a period of time where he pretended to be, you know, this Indian magician.

It's probably why he called himself Houdini now that I think about it. Don't you love the world in the sense that like there are so many things you wonder about and then there are things that you didn't even get around to wondering about? Cause never in my life have I had time Or been pointed in the direction of being like, What was stage magic like in India and nineteen? You know I guess. See, do you know how long horseshoe crabs have been around? Mm-hmm. No I don't I can't say I do.

Do you wanna guess? And and I'll tell you as a clue that they're known as a living fossil. Because they are unchanged from, you know, how they were when they first existed long ago. But how long, Chelsea? Damn, no friggin' evolution? I mean look, I'm not a horseshoe crab scientist, but they've been a they've been with us. You sound like you are.

And they they've been with us and they've been horseshoe crabs for a very long time. And I want you to tell me how how long of a time you guessed that could possibly be. A hundred million years. Four hundred and forty five million years. Damn. How old's the earth? Sound off in the comments. Uh six thousand years according to some people. But um But what about the horseshoe crabs, you guys? And I mean I

A, isn't it amazing to think that if you're looking look at a picture of a horseshoe crab, look at a crab right now. Yes. But if you're looking at that, you're looking at something that you could have looked at. at a time in history when we don't really know what anything really looked like. You know? It's pretty crazy. We know a lot, but like we don't know really what color a lot of things were. There's a lot we don't know from the fossil record, but we know what horseshoe crabs looked like.

Wow. Again, not a crabologist. And I know they're not crabs. They're actually more closely related to uh spiders. Wow, you do sound like a crab expert compared to me. Well I We didn't get excited about horseshoe crabs in the last few days and keep thinking about them. I guess that is true. Just to say that like when the world feels impossibly bleak, like, hey, you're not wrong. Like, look, I'm not gonna lie to you.

But B, there are so many things that we haven't even gotten around to learning yet. And I guess I guess I don't know. Thank you to the horseshoe crabs. Crabs, we need your wisdom now. Horseshoe crabs, we need you now more than ever. How many fascist governments have you faced? Oh boy. All of'em. Every single one. God, okay. All right. So now that we've figured that out. I guess I had to tell you, Chelsea. No, I love the crabs. This is perfect. Every crab is a glamorous woman.

Crab is a glamorous woman. Although what's nice is that they've also been around for several hundred million years before anyone was thinking about gender and I like that too. God, non binary icons. Non binary survivors. That's true. Okay. So I think that an important place to really start here is.

Sarah, would you like to give us since we have covered this quite a few times on both our shows, I don't wanna go into ver like a whole lot of detail, but would you like to give us kind of your like quick and dirty rundown? of like spiritualist seances and that movement.

Yes. And I will say it also I'll start out by saying that everything I'm saying I learned from you. Great. I learned it by watching you. And that essentially the spiritualist movement in your conceptualization of it, which I agree with. is connected in a big way to the rise of technology like the telegraph and to the period immediately following the American Civil War when suddenly

We have technology that allows us to directly communicate with people who aren't there. And also everyone knows someone who has died and died pretty traumatically. And we're, you know, a big portion of An entire generation, um, if not multiple generations, has been wiped out. So the way that we have talked about it in the past, the sort of collective grief plus these

changes in communication technology that are happening faster than the human brain can keep up with them. I can't imagine that that might remind me of anything that's happening right now. Causes, you know, I a lot of things, but partly the birth Of this new massive cultural movement, which is really more of a religious movement than anything having to do with entertainment at the time, where

Suddenly there is essentially a belief system called spiritualism, which involves, you know, ideas about the afterlife that people go to this place called Summerland where they get to attend lectures and it sounds basically just like Carlton or something. Time and energy, both making careers as spiritualists who hold seances and also going to seances. I mean, and also if you look at sort of conservative Christianity and especially charismatic.

elements within American Christianity. There's so much about American Protestantism in the past hundred years that is about the search for ecstatic experience.

Right. And I think that we start seeing this in spiritualism too, where people are going in order to try and communicate with the people that they've lost or to reach the other side, but it also becomes a place where you can go see a beautiful seance conducting woman who is allowed socially because she's possessed to make out with everyone regardless of gender. The most important part, yes. What what do you want to add that I m might have missed in that run through?

So yeah, I think that was a a fantastic walkthrough, Sarah. I think the only things I'll add is kind of A float through. Exactly. Is what made the seances kind of what they were. And that was that mediums as they hosted, you know, and tried to speak with the dead and and channel the dead, there would also be a lot of parlor tricks. That's where that term comes from. Shit. We didn't even get to that in all of our conversations about it. That's it.'Cause they're where do you do a stance?

Why are there not enough seances in America? Because the parlor has been replaced with the T V room. Get it together, you guys. Dude, that's my conspiracy theory. Well, I mean now the TV room is where we go to commune with people who aren't there. That's a great point. That's a great point. And boy, do I love TV. Me too. You know what I love even more? Watching people trying to get me mad on TikTok and succeeding.

I'm just I'm like a fish who's like, oh, there's a worm swimming in the ocean. I'm gonna get that. You're just a powder keg. Yeah. Is that what you mean? Living in a powder keg and giving off sparks. So, yes, as these mediums were, you know, trying to commune with the dead, there were also these parlor tricks happening where. Yeah. Like you would see, and this is kind of the the stuff you've seen in movies, the images you that would come to mind when you think of an old school seance.

My favorite being the others. Yes, exactly. But like, you know, the table would float. There would be objects floating around the room. Entities would walk around and touch the people who were in the seance, which they called the sitters.

Now I've seen this in movies and my favorite examples are the others and also um the changeling, which the others is referencing in this scene where someone's doing automatic writing where you're kind of moving your hand across the page and the ghost kind of steps inside you and starts writing with your hand. Did that really happen? Yeah, that was automatic writing was definitely part of part of the whole thing.

And it's and something like that I find compelling'cause it's something that like A person could just be writing that, so it really is based on the strength of either the performance or I think You know, the person being able to go into some kind of a genuine trance state and even if nothing supernatural is happening technically to be able to maybe express something that they couldn't with their conscious mind.

Totally, totally. And today, kind of the part of the seance we're focusing on are those parlor tricks, right? Are those floating instruments, are those ghostly apparitions? Oh the spirit trumpet, if you will. The spirit trumpet is one of them where people would listen and hear ghosts only through the trumpet. And there were all of these.

parlor tricks. There were people who were helping the seance happen. The medium was essentially a magician that was getting people to believe in the paranormal by tricking them with, you know, fake shit. And it was uh it was very entertaining for people. There were believers. There were also people who went to seances. especially toward the latter part of the movement,'cause, you know, it began the mid eighteen hundreds and really lasted until the nineteen twenties. So

As we got farther along, you know, the the religious aspects started to fall away and the entertainment aspect started to really rise to the forefront. And so when we're in the 1920s, These mediums who are still kind of peddling the idea that they are somehow connected to, you know, the great beyond. We start to see them being debunked by people like. Harry Houdini. Right. There you go. Here we go. Very sexy man to be debunked by.

Very sexy. And again, if you want to learn about more about that, we just had an American hysteria episode that Sarah co hosted with me with Tim Harford from Cautionary Tales. Such a joy. I loved getting to do that with you. Yeah, it was great. We learned so much more about Houdini than we knew and we love Houdini, that dreamy learned that Houdini was a mommy's boy and we love to see it. We love to see it. Uh most of the time. Some of the time. Yes.

In general. Yeah. Like anything, you can take it in the wrong direction. Yeah, that's right. Looking at you, Ronald Reagan. Oh Ronnie. Ronnie and his maddy.

So as I kind of mentioned, midnight ghost shows are basically the pop culturalization of these seances that at the end we're held in theaters, like we're on stage, right? We're about to watch the blob, like it's no secret that this is entertainment. Yes, and I think there were some hangers on, you know, there was some like sense that even in the twenties these things were real. But once

people like Houdini were able to really display how their tricks worked. It just kind of was the death knell for for spiritualism as a actual kind of cultural force. Well, and also I imagine that like'cause obviously as someone who hosts a show called You're Wrong About, I began it in the spirit of like once you give people the facts, they'll

Be like, oh no, I behaved in error. Thank you for telling me. And you know what? A lot of people do. And they're the people who like the shows that we do. And so like the fact that those people have not seized control of the country doesn't mean that you don't exist and that you're not out there. Helping each other through this. But Very true. But But, but.

butt. And it's a big juicy butt. A lot of other people are kind of immune to facts and logic. And I feel like what I would hazard as a hypothesis is that the nature of seance has changed, partly because people wised up to a degree and saw parlor tricks in the cold light of day and were like, Oh, how silly of me. And also just that, you know, too many mediums got too comfortable bilking people and behaving in bad faith. Yeah.

And that that gets noticed. But also I imagine that the structure of society changes and that going to a theater instead of somebody's parlor became just more in line with the way people were living their lives. Does that sound reasonable to you? Yeah, I I totally think so. I think so. And I mean just d by virtue of it being on a stage really changes, you know, versus being in a parlor. Or'cause you're no longer a participant, which is interesting.

It is interesting. And I would say also that, you know, we were seeing actual congressional hearings that Houdini was speaking at against. Spiritualists. Which speaks to the scale of this as well, that this was a national issue to that level. I mean spiritualism was massive. I realize that we invent problems to have hearings about today, but in general in the past, I think they have been about real things.

Yeah, absolutely. And uh I think that once we get to our Bennett Go show, we have everyone kind of being in on this joke. It is camp, it is comedy, it is vaudeville. And As we have mentioned, the universal monster movies and horror movies in general were becoming really popular in the early 1930s as people were going through all this. Really awful economic devastation. What we do know about times of depression, perhaps more economic than personal. They do go together. They do.

It is depressing to have hungry children. That's it's very depressing. But regardless of that, people usually will shell out for cheap entertainment, right? That's That doesn't usually die when we have tough economic times. Right. It's bars and and shows. Yeah. That's very interesting. It's interesting. I mean, I again I don't I'm not an economist. I'm not a cribologist.

But I think that luxuries and cheap entertainments tend to do well in recessions because people who are super rich are gonna stay rich. and keep doing what they're doing. Yeah. And people who are struggling and who are getting squeezed are gonna alleviate that how we can. And God knows horror movies do the job pretty well for a lot of us. Oh God, don't they? God only knows where I'd be without them for that matter.

Well and to speak of the universal monster movies for a second, what comes to mind for me is we have Frankenstein in like what, thirty one, thirty two, James Wales Frankenstein, wonderful, amazing movie. We've got the Bride of Frankenstein, and we also get Claude Raigs was the invisible man, and that's an amazing movie. Mm-hmm. Yep. And we have like Dracula as well. Yes, Bella Lugosi. I never drink wine. Who will make an appearance later on. Yeah. Mm-hmm. Mm-hmm.

Little Edwood is watching with glee.

Exactly. So, you know, we have kind of the audience ready to go. So what we need is the showman and we have these movie theaters that are Still, of course, looking for more income, especially during this time. And so these magicians.

kind of had the idea to create these shows that were a supplement to the movies and happened at midnight, which meant that it wouldn't interfere at all with the movies that they were showing. So it would just be automatically more money. So So after the movies, you would like stay later?

Yeah, exactly. Okay. Okay. Have you ever been to a uh they they at least used to do this at the Clinton Street Theater in Portland where at the end of uh showing the Rocky Horror Picture show, the cabaret says, This isn't Ferris Bueller, so go the fuck home. But in this case, you would be correct. Yep. Exactly. So it's kind of widely believed that the first guy to really create the Midnight Ghost Show was a guy named Elwyn Charles Peck. And he went by Elwyn, E-L-W-Y-N. That was his stage name.

I like him already. And his show was Elwyn's Midnight Spook Party. And he actually started it in nineteen twenty nine. Yeah. Right, he probably did. I don't have any intel on his sexuality, unfortunately. Right. We know nothing about his life, but this is my theory.

So if you want to head to the document, you can look at a poster of one of his shows that I think would be fun for you to describe. Ooh. Oh and it's uh okay. Take us there. So actually I feel like it's Elwyn like El Cid or something. That's pretty good too. Elwyn. Okay, so I guess read this poster. Don't be a sissy. I will. Speak for yourself. Come on down to the spook party tonight. Spooks, ghosts, shivers, shudders, thrills. Yeah.

We have a Nosferatu Max Shrek looking face. Nosferatu has also come out recently, I would think. We have a maiden being carried. She's in a swoon, like that lady at the in the uh Edward Gorian mystery animation. And then in the top left hand corner, is that or is that not SpongeBob? It does look a little like sponge.

I mean not literally, but he really looks like SpongeBob. Oh, and then someone has written on a blackboard, you will die, which is the best way to pack them in. In person, on the stage. El win midnight spook party. This is a midnight show and requires a separate admission. So you couldn't even stay after the movie. That's great. Yep. You have to buy your way in.

Mystery, laughs, thrills, table raising, ghostly spirits, slate writing, rappings, talking skulls. And I will point out that we also had rappings in our show. And kind of talking skulls a little bit. that quote ghosts sometimes leave the stage, come into the audience, and sit with you, but you'll love it. On the screen, the vampire bat, Faye Ray, Lionel Atwill, balcony 25 cents, lower floor 40 cents.

Make up a spook party. If you come alone, you'll be afraid to walk home. No children's tickets sold. It's too scary. Okay. Beautiful. The amount of information on that poster is very impressive to me. Like if you have questions, they manage to answer them, but in like a fun, ghosty way. I really love it. It's great. It's great. I really want to make shirts of some of these posters. Stay tuned. We should also have our next show posters be like. that. Yeah, absolutely.

And you say if you come alone you'll be afraid to walk home. Bring your friends. But you won't be afraid when we do it in Portland, because nothing bad is actually happening there. Well, okay, here look, to address Portland, my hometown, which I love so much and which at this moment is perhaps being attacked by the National Guard like Kent State.

There are bad things happening in Portland. But you know who they're happening to? Vulnerable people who are the people that bad things always happen to. People who are likely to be victims of hate crimes, unhoused people, people dealing with addiction and not

getting the resources that the city has but is not using on them, or who are just, you know, the victims of a city being unwilling to put their effort into the right places or not having the capacity. You know, it's both these things are true. And so yes, bad things happen in a city without that being generally the fault of the people that they're happening to. And also Portland is a yes, frequently annoying and also beautiful, wonderful city full of

people who I adore. And if you walk around my neighborhood, you will see lots of fruit trees and lots of fruit that has been set out for people to take. And that is also going on at any time and people are growing their Yeah. Still, we shouldn't be able to be, but we are. You're t somehow y we persevere. Yes. Very well said, Sarah. Anyway, very walkable town, very lovely to be in, but yes, when we do the massive sance again, bring your friends or you'll be scared to go home alone.

As I mentioned, the show often started with a horror movie, and usually kind of a schlocky bee horror movie, the best, of course. One of Fay Rey's other movies in this case. So after that, you know, like opening the show, which it often was, there was like an after horror glow, right? There's this like you're kind of primed'cause you get in that mood where everything's a little creepy and scary.

Yeah. And also horror movies at this time are like seventy five minutes long, you know, so you're not particularly tired. I mean a lot of them are that length now. We always want a tight ninety when we can get it. Another great movie of this time is Island of Lost Souls. You should watch that if you haven't. Okay. So we've just seen a horror movie. We've read this amazing poster. Like I am like amped up. I am ready for anything basically.

You should be. So at this point the host comes on, whether he explodes from a spider or not. There are many things to enter, but Regardless, there would be this kind of, you know, monologue about how the theater was home to a host of ghosts. And, you know, you might just see them tonight. Oh my God, we did that at our show. I see what you're saying. Yes. Wow.

So the opening of the show would be very seance-esque. So they would be doing the tricks, like what we call the spirit cabinet, which was kind of a place where a lot of paranormal things would come out from in the seance. Like the spirit secretary of the interior. Exactly, exactly. So a lot of times I would open seemingly by a paranormal hand and then things like a handkerchief would be held by the ghostmaster and then kind of fly off his hand and float around the stage.

Nice. You know, someone in the audience would be asked to come on stage and help with the spirit slate trick, which is, you know, they'd put chalk slates together and when they pulled them apart, they would have, you know, Or Magician, you know, one of the two. So, you know, you're kind of seeing how there's these magic tricks, kind of simplistic magic tricks, but kind of turned into this.

Seancey vibe and mimicking what a lot of people already had some reference to. So here's one that I liked. Sometimes they would place skull on a bench and it would answer questions by clacking its jaws once for yes, twice for no. Oh my god. Wouldn't that be amazing? I wanna see that on the Drew Barrymore show. Oh, me too. Me too. She she'd do it. She'd do it for Halloween. She would, and you know what? That skull would feel very comfortable.

She would probably cry. Yeah. Into its skull. Into the skull skull. Yeah. It's gonna be okay with it. It's all right. Sometimes, you know, again, tables would float, light bulbs would float. There was one trick that people just loved for some reason where two pans would float in the air and one had water in it and then it would pour the water into another floating pan. I I I would honestly lose my mind if I saw that happen. So I guess that trick's for you.

Well,'cause it's like it's you feel like it's tricky to balance something that well. Like even if you're a ghost, you'd be like, Oh, oh, oh, oh, I'm losing my balance.

Uh-huh. Uh-huh. And uh I won't be really revealing these tricks, how they work, because I don't know. And that's more fun. And also there's a magician's code. Exactly, exactly. I'm not here to break it. I'm not here to be hunted down by Roving bands of magicians. Mm-mm. Another gag that I liked that also kind of reminded me of our live show was that they would ask for two audience volunteers, a man and a woman.

and the man would be tied with his wrists to two posts that were tightened by the woman, and then there would be kind of a screen put in front of him and he would be illuminated from behind. And it was kind of like an Austin Powers thing. You remember this scene, right? Oh the like b the shadow puppet piece. Yeah. Wow, I had not thought of that in such a long time. I loved those movies when they came out.

Oh yeah, they're I'm I haven't watched them in a while, but I have a feeling I would still enjoy them very much. But yes, the Austin Powers thing is like you can't really see them and their shadows look like they're doing all these sexual things, but they're really not and it's very funny. Which again, Rocky Horror Picture Show. Yeah, I mean it's a total direct ripoff of Rocky Horror, which is great. It's amazing.

So anyway, this man would be, you know, his his shadow would be illuminated on this blind that had been pulled down and suddenly you'd see his jacket and vest and shirt fly off his body and float around behind the screen. But the man appeared not to move, which I think is just kind of sexy and fun.

I mean the thing is there's just and I I think of this whenever people bring up conspiracy theories where they're like, What possible explanation could there be except this specific thing I'm afraid of and it's my trans child. Right. Where uh with so many things, including magic, or just like, I don't know, when you're eating something and you're like, What's in this? How is this prepared? I can't imagine and it's like, Yeah, because

a lot of what we're able to do and how we perceive the world comes down to the knowledge base and the skills base that we have. And so I as a lay person could not begin to imagine how that could happen. And so part of my brain is like, Even if I don't believe in ghosts and I know I'm here for thrills, kills and spells. Like that.

This is a little bit eerie, you know. And if I'm a magician, then like I know I can think of probably a couple different ways off the top of my head that that's doable. But until you have that experience. experience level, like if you're forced to fill in the blank with something from your general knowledge base, you might just come up with nothing. No, I think that's that's exactly right. It's a very good point. Thanks.

So another gag I thought you would really like involved a floating skull. I love a floating sky. Of course, of course. What could be better? So the ghostmaster would stand in front of the stage's black curtain and suddenly a skull would float. from behind the curtain, right? He's standing kind of in front of the stage, which I learned is called the skirt of the stage, the part in front of the curtain, which was great. So a skull would kind of float out from between the two curtains.

Right up to where he was standing. And then when he turned to see the skull, it would like fly back between the curtains like it was kind of shy, you know? Oh. Oh yeah, still makes you get shy. 'Cause they're not used to not having hair. They feel self conscious. Hey, you know, or a body, I guess. Yeah, our skin. More skins, or eyes. And this would happen like a few times. This gag would happen. That's really cute.

It's very cute. And then eventually it would stop and hover in the middle of the stage until the showman kind of opened his hand out and then it would shoot out really fast toward the other side of the stage. Which I just think is a lovely, lovely little image. Yeah, I love that. And again, it's like especially in an atmosphere where like you control the lighting, you know, you have a certain amount of stagecraft, then like

I'm sure there were a few different ways to do this and make it very convincing from an audience perspective. But also it's like Absolutely. As an audience member, like unless you're a total dick, you're not trying that hard to poke holes in it. You know, you just want to have a good time.

Well, exactly. And like when people were c selected from the audience, you know, a lot of times they were planted stooges. Yeah. But a lot of times they were people from the audience. And if you've ever been to a fair, like a state fair, and watched the hypnotist. At least that's a thing at the Washington State Fair where a hypnotist kind of brings people on stage uh and hypnotizes them and everybody kind of does what he says. Well also you're if you're being observed by so many other people.

Yes, that's kind of what it is. It's like this need to please the audience. But at the same time, like the ghostmaster might be like. Hey, like, do this when I say this. Just kind of whisper to them and they were thrilled to do it. You know, I mean, people want to perform. Right,'cause you get to be a part of it. Yeah. So it was like a very audience participation based show as well, which uh I think is part of its appeal is like the like, ooh, will I be chosen?

Right. And then you've just seen a horror movie and now you get to sort of like have a little taste of not the real thing, but a more embodied version of it maybe.

Yeah, exactly. So now we're gonna get into the very most important part of the ghost show, the kind of finale that all of this would lead up to, and it is called the blackout. Oh, oh boy. So when the blackout came, it would only last a handful of minutes, but every light in the theater would be cut. Okay, I thought you were gonna say seconds. It's a handful of minutes. That's amazing. And also probably impossible today from a liability perspective, sadly.

Whee you're telling me. Yep. Very, very true. But yes, every light would be cut and it would plunge the theater into like an absolute and total darkness. And that was really important. Like they would ask that all the exit signs, that every source of light be covered to get it as pitch black as humanly possible. Yeah, it's like the ending of Wait Until Dark.

Yep. And so as soon as that darkness fell in the theater instantly, it would be like shit just started like popping the fuck off. All right.

Oh my God. Yeah. I want to go. I would be too scared to walk home. That's very scary. It is. So as soon as the lights were cut, you know, all these ghostmasters and their assistants, they created like uh atmospheric soundscapes using pre-recorded tape.

music boxes that they played into microphones. There was like the classic thunder sounds and blood curdling screams and wolves howling and, you know, people moaning and evil laughter. All things you would expect from your typical kind of Halloween soundtrack.

Again, like the I we've talked in these shows about um House on Haunted Hill, the William Castle movie.'Cause Castle was kind of known as Master of the Gimmick. And I'm sure you've thought about this too, that as you're talking, I'm like, oh

Like yeah, he definitely did great stuff. He did the tingler. Mm-hmm. Um, and he I'm sure like innovated it. But like the idea of a theater gimmick would have been so familiar at this point. And one of my favorite horror movie things, like of any movie, is that house on Haunted Hill opens with a few seconds of pure darkness and like just the sounds of shrieks and cackling and stuff. And it would be so unnerving in a theater. And now I see it

Yeah, and again, like this doesn't mean that he's a hack. It means that he was adapting something and preserving it so that people like me could see it, where there would have been such a tradition of sitting in a dark theater hearing screaming and cackling and stuff. Yeah. And I mean William Castle was absolutely inspired by these ghost shows. I mean, there's no question about that. Job William Castle. Yeah. Keeping it alive. We need a new William Castle and it is us.

I'm sure there are people out there doing this, so There are lots of little castles and I'm so happy that everyone is out there making skeletons zoom around. Yeah, please let us know if you do that,'cause I'd love to to hear about it. Okay, so everything's black. Creepy sounds are playing. Prior to this blackout, there would have been a kind of like

suggestive speech about all the things that might happen in the dark, right? So it would be like, oh yeah. You'll you will see ghosts, you'll feel their hands. You know, so he might say something like, Don't turn around if you feel cold, clammy hands clutching you or something crawling up your leg. Worms and spiders will fall from the ceiling or get loose on the ground. So then as soon as the lights went out. They have somebody like thr throwing popcorn at the audience telling them.

Yes, that's exactly right. Oh really? So Literally popcorn? Literally. They would toss out popcorn kernels more. They toss out rice. So, you know, you'd be primed. to kind of experience what you're feeling as the horrors described to you. Um sometimes they'd throw out just wet strings that felt like worms. Perfect. They'd shoot water guns out into the audience.

at the Frankenstein place. And this is exactly I mean it has to have been where the rocket Yeah. Well in that like I think about this a lot. Like you and I exist in twenty twenty five, right? But like We were born in the eighties. We were raised by people from different decades, you know. I was raised by by boomers and my dad was actually a bit older than that. And you were raised by different people with sort of different experiences of history.

And so the moment you're living in you're also bringing all the times you've lived in and to a somewhat lesser extent the times that the people who you know and who raised you have lived in. And so it you know, the Rocky Horror picture show coming out in nineteen seventy five. It feels like it would have been like within very easy reach of human memory to think of a time when people did that at that kind of movie. Absolutely. 'Cause as I if you don't know.

Uh, and Kelsey you can speak more to this. The Rocky Horror Picture Show is what it is, not just because it was a movie, but because it became this cabaret theater experience that has persisted now for fifty years. Yeah, this is actually the 50th anniversary of Rocky Horror. So let's say a hearty, happy birthday to what is my favorite film. Happy birthday to you. Happy birthday to you. And then there's meatloaf under the table.

Yep, exactly. That's perfect. So in addition to all that, sometimes they'd throw cook noodles into the audience, like from the balconies, which I really love. Just like when you're having like a neighborhood party for kids and you have them like stick their fingers in peeled grapes and stuff. Yes. And the kind of creation of the modern haunted house, as we know it, is sort of happening concurrently. And I think these two things are feeding each other.

Right. And you've done shows on that. Yeah, we did one we did a Halloween episode on your show last year that was kind of a history of Halloween and then we have a episode called Haunted Attractions that really kind of takes us all through the history of of the Halloween haunted house and it's a lot of fun. So another thing that they would do is I love this. They would take two long poles

And hold them kind of at opposite ends of the stage. There'd be a rope tied between them, and then they'd drape wet mop strings all across the poem. pull them across over the audience's faces. I would lose it. I know. I know. Other times they use silk thread and they had told the audience it was spider webs on their faces. That's where I would freak out. Scream, you know this, you've gone through a haunted house with me. I would scream so much.

I know and it would be wonderful. And everyone was screaming. In fact, it's like as soon as the lights went out, it was a perfect opportunity for all of the kind of my Mischievous people in the audience to start like tapping on their friends' shoulders or like grabbing their ankles. And the Ghostmasters loved this. Well, and I mean, I just feel like if you have not gone and screamed in like a haunted house or in something like this, or just like had the opportunity to like

be screaming with a group of people who are also screaming. You really should. I think that people need screaming more than many of us realize today. I mean, the haunted house for me is truly like the most cathartic part of my year is my haunted house marathon in in the fall. Mm. So okay, so then all of that's kind of happening, but what also happens pretty early on in those few minutes is suddenly there would be a massive like

flash bulb flash that would go off from the stage. Which not only like was frightening, right? Because it's shocking. Yeah. But it would also kind of blind the audience momentarily. Right. And that would give a chance for kind of things to go into place and the performers were told to kind of close their eyes so they wouldn't have that effect, which is cool.

But the reason, the main reason for this was that they had used like luminous paint on a bunch of different things like objects, decorations, actors. An old Seance favorite. Yep. And the flash from these flash bulbs would charge the paint instantaneously. Right. Yes. It's brilliant. It was usually phosphorus paint, but sometimes it was radium paint. So that's another episode, I'm sure. Yeah, boy, we sure were putting radium in a lot of stuff for a while. Shouldn't have done that. Glowing shit.

It's almost like we need federal agencies that determine the safety and efficacy of things before we start putting them in our bodies. But you know, whatever. Sounds gay, sir. And also, yeah, I mean why do that when you can just, you know, invent a fake cause of autism because your self imposed deadline ran out and because rather than creating a society that helps support the needs of people with autism, we're gonna just treat I'm like monster. That's uh that's what we're doing every day.

And you know what? Look, if you wanna see a monster, go to a ghost show. Don't do it at your at your job. That's all I'm gonna say. More ghost shows for this country, please. Unless your job is our job or a ghostmaster job.

Okay, so this luminous paint would be put on balloons, like it would make faces on balloons that would then kind of drop from the balconies or get kind of tossed out into the audience. It'd be sprayed on cheesecloth ghosts. That were mounted on poles and like zooming around over the audience. Oh Kelsey, we love a cheesecloth ghost. I won't say more, but boy do we. Find out more about that at our live show. The performers

would kind of go out into the audience as ghosts glowing, right? But I think my favorite way that the paint was used is this way. And I'm going to read a quote. from a man recalling his time as a boy at one of these ghost shows. I'm gonna read it like a little uh like a boy though,'cause it's funnier. Okay. Yeah. Maybe with a little newsies accent if you have one in your pocket you've been wanting to use. We'll see.

One Halloween, when I was a boy, the largest theater in town staged a midnight show advertising that ghosts would appear in the audience sitting right next to you. That fascinated me. The theatre marquee also promised a horror movie and a stage show featuring a spooky musician. I could understand that kind of stuff, but how could a ghost suddenly appear in the seat next to mine? Phew, I found out.

The only place a kid might get a penny candy bar was in a downtown pool room, and that's where magic struck. A stranger asked us if we'd like to see the Halloween show at the Majestic. He said we'd only have to do a little work to earn admission.

Oh boy, I love it. As instructed, we appeared at the theater thirty minutes early. Backstage something greasy was wiped on our hands and faces, and we were ordered to sit in the auditorium, widely separated. We received no explanation of what we were supposed to be doing, so we were bewildered. But it didn't matter. That is a very late call time. But it didn't matter because we were also in free. You guessed it. The greasy stuff was phosphorus.

After the crowd came in and the lights went on, I glowed in the dark. I wasn't sitting next to a ghost. I was a ghost. What? I didn't catch on until a woman leaned into my face and said, My God, kid, what happened to you? Then I saw my friends shining in other rows and I realized I was in show business. Oh my god, I love it. I waved my ghostly hands in the air and said boo and laughed menacingly. People were so frightened they giggled. It was marvelous. Oh my god.

Isn't that just absolutely fucking lovely? Yes, it's perfect. And like, uh I yes, I love every I love everything about that stuff. Would you how would this go if it if they asked you in a pool room when you were looking for a candy bar? What would you have done? At this moment or when I was like eleven. Let's go with when you were eleven.

Oh boy. Um, I would have probably been a pool in a pool room with my dad probably because he would be having a beer. Sure. And I would be like, no, I'm a big scaredy cat at this time in my life. That's okay. Ask someone else, but today I would be very jazzed.

Also, I do think that like just out of like general social anxiety and like burnout, like I do I always complain about this. I don't leave the house enough. I don't leave the house enough at night. Like I do find it difficult to just like show up for the thing and see what happens and I feel like this is good validation of like just just go ahead and do it because sometimes you you're you wanna see a ghost and you are the ghost and who could see that coming? It's

Yeah. Yeah. I mean if it w would have been me I think we know what would have happened. I would have been Yes, you would have you would have been the most legendary ghost that they ever had and they would have talked about you for years and been like, Where is that kid? I wonder what they're up to now. I mean back then you could just get a job as a child. They'd be like, come on tour with us, kid. Yeah. Oh, you would have joined the ghost show circus. Oh yeah. Oh yeah. Oh yeah.

So another thing they use were called spook paddles and they were also, you know For when the ghosts need a good spanking. Yeah. Exactly. Oh what I should say actually before that. A fun fact is that they really stopped doing the kid luminosity trick because people kept getting punched in the face because they were so scared. Like the kids. The kids were getting it. Well, Yeah.

And also you have to assume that like at some point in time there's a good chance that they used radium for that as well. And you know, it's we know now that you're not supposed to do that. Yep, and we can hope that maybe just a little radium that night didn't hurt them. That would be nice. That would be nice.

mean, I mean, to speak to just like America is a country founded on the almost religious belief that if we love companies, they will love us back. Like the Radium Girls famously, I mean, there's a wonderful book about this. It's called The Radium Girls, but they died so painfully and became ill so quickly because they were painting, you know, things like

clock faces that used radium in order to glow in the dark and they were told to lick the points of their paint brushes to make them pointier. And it's like, I fe you just feel like things wouldn't have been a so bad if they'd spent a few pennies on like Just a tool that they could just a g a glass of water, maybe? Why did they have to lick them? You know? So the amount of radium that people were putting inside their bodies and I think also taking as a health tonic.

God. Again, there's a reason why you And the blob starts like this. There's a lot of monster movies about this theme. I think for a good reason. Like there's a reason the American people can't be trusted to just start putting glowing things inside of our mouths as soon as we see them. I know we want to, but we really shouldn't. We need to be protected from ourselves.

It's it's very, very reasonable. Yeah. So there were lots of other gimmicks that happened that would make it look like ghost bats spiders' eyeballs were running around, you know, in the theater. Also like the power of suggestion is never stronger than when it's dark, I think. Oh, absolutely. You know, the audience would do so much of it for you, which is just good economics. Absolutely, absolutely. So that is how a typical blackout would go in the beginning. Okay.

By the 1940s, as these, you know, more seance-oriented shows turned more into horror-oriented shows. there would be sometimes a monster that would be loosed in the theater. And we'll get into that as well. Yes. Okay. No rocket. So as the shows were uh evolving, teenagers really became the main audience. And this is, you know, because we know what kind of the the changes brought by World War Two. There was just a a little bit more focus on the teenager.

Well and teenagers have access to the automobile. Right. Yeah. A lot for them acting as consumers. Yes, they really become consumers in this time. And many had never seen a stage show, right? They had been going to the movies as kids, but the stage had really started to die out. Vaudeville was dying out tragically, right? So teenagers, of course, famously have kind of a short attention span and they want shit to go hard.

Right. So they needed more transgressive content than a ghostly seance. They needed horror. And if they didn't get enough horror, they were known to trash the theater. in anger, kind of like our recent incident with the Minecraft movies. Yeah, although that wasn't about not enough horror, right? That was just like a meme or something. It was just a meme basically.

You must trash a theater, at least do it because you're disappointed you didn't get enough horror. Like, even then I don't endorse it, but I can understand. Yes, exactly. Do you know what movie I would have tracked a theater after was the I don't care that I'm spoiling this. That French movie High Tension from twenty years ago where you think that this like cute lesbian is like chasing down a trucker who's abducted her friend.

and killed her whole family. And then it turns out that she is the trucker because lesbians are murderers. It was incredible. And you're like, how is she chasing the guy in the truck who'd abducted her friend? Like who was driving the other car? Yeah. It's a good one. There are five people out there right now who were also personally victimized by high tension and are just as mad as I am to this day.

Well one time well when I was a kid I would have trashed the theater but this was a home video incident and it was that I got a home video version of uh a little princess and for whatever reason it was the one that had the locket that was The locket, I remember that. It came with a locket like under the plastic of the VHS clamshell case, you guys.

It was awesome. Yeah. And but there was something wrong with my VHS. So it stopped right before you find out if they take the other girl who lived in the attic, you know, the one she becomes friends with that like when she gets adopted. Oh yeah. Yeah. So like sh she gets adopted, but I didn't know that because my VHS cut off and I thought that was the end of the movie. And I was like, take her, take her with you. And uh

Yeah. And I didn't find out until I was like in my twenties that that wasn't the end of the movie. This is like my mom when I was a child in order to try and get me to read Jane Eyre because she really believed I was gonna read Jane Eyre when I was like nine and like trust me, that was not gonna happen. Sure. She withheld the real ending of Jane Eyre from me until I was in college. I would be like what

What's Chain Eyre about? She's like, well, she runs away when she finds out Rochester has a secret wife, and then she meets Sin Jin and you know, and then they get married and it's a marriage of companionship rather than love and she gets an inheritance. And I was like, Well, that sounds awful. I'm not reading that. And then we watched like a masterpiece theater

of Jane Eyre in like two thousand seven where it got to the real ending, which if you don't know what it is, I'll keep my mom's agenda going and not tell you. And I was like, Mom, I would have read it if I knew that See, they underestimate us. We won They don't know what we want. They fuck us up, our mom and dad.

I my mom also miscalculated speaking of ghosts because she decided to introduce me to the book by like putting me in my bath when I was like could not have been older than seven. And we had like my parents remodeled in the eighties, so they had this big jacuzzi tub and I was only allowed to be in like, I don't know, 18 inches of water so I didn't drown. And so I remember just being like mostly cold.

and like unimmersed and listening to Dame Wendy Hiller read the opening of Jane Eyre, which is about Jane being locked in a room where somebody died and having a ghost bother her. And I was just like, I feel like I'm being visited by a ghost right now. Yeah. Also my mom, like, a lot of the time it it paid off. Like she gets

Gave me Leonard Cohen's first album when I turned fourteen, as if that was a thing that everyone did when their daughter turned fourteen. Mm-hmm. And that worked out great. The JN Eyre thing was just too early. It's okay, Mom. I love it now.

Be a mom. Okay, so now that we're in the horror shows, I'm gonna kind of set some of the different scenes that you might see at these ghost shows. Okay. And I guess it's important to say that these tricks, because they're magic tricks, basically. would be kind of repurposed in different ways by the different ghost masters that were out there, right? You can imagine these tricks done with just different circumstances and characters. Mm-hmm. So in one,

Scantily clad women. There were lots of scantily clad women in this era. You know, I don't think the word scantily is used for any other context except for the cladness of a woman. It's very true. It's very true. So she would be chased around by a man in a gorilla suit. And then she would kind of faint and then the d gorilla would grab her and drag her to the table and lay her on the table. And then the gorilla would start ripping off her arms and legs and throwing them into the audience.

Oh no. Well I thought you were gonna say clothes, so you know No, no. I like that I mean I okay, I I guess I'll choose dismemberment over sexual violence, although I didn't expect to have to make that choice today. You know, I know, I know. I like I said, we're not getting into we're not getting too deep into the into the political issues here.

Yep. But the point is people liked it. So we h we can learn from that, I suppose. Yeah. That I mean, that is an impressive trick though, right? Just from a misdirection perspective. It is. And then like she'd be covered in a sheet and the blood would soak through the sheet. And then eventually the showman would shoot the gorilla with a pistol and it would die on stage. So God. It's kind of like a very low butt. It's like your cousin does a sueded version of King Kong. Absolutely.

I also like how I'm like, how barbaric today we merely pretend to saw women in half. Well, there'll be there'll be a little of that soon. Okay, so in one problematic skit called Jungle Voodoo. uh a young woman would appear in a leopard skin costume and do a sexy dance to the beat of drums off stage, which is totally fine and not not awful at all. And then As she danced, a large net would be lowered on to her

And then two performers dressed as safari hunters grabbed her while she was in the net and struggling and like, oh let me go. And then the net would be hoisted up. and an incantation would be said by the ghost masters, a flash of lightning would strike, and then the net would fall, and the young woman would have disappeared, and inside were the bones of a skeleton. Wow. Wow. I know.

It's so interesting that so much of this is like, what if we could use magic to kill Well it's definitely a a theme that is occurring in the ghost. show. Yeah. It is also like I mean, speaking of horror like showing the things we can't speak out loud, it's just I r I welcome it for so many reasons and partly as a fossil record of the themes that we didn't have the courage to admit to.

Yeah. In a more conscious way, and how so many of the monster movies of their fifties are are like, you know, starting with King Kong, if not earlier, are like, What about when the monster picks up a hot woman and carries her away? And it's like, what are what are we what's that? What are we saying with that? Hmm. Interesting. Uh yeah, I mean there is again, there are so many things to pick apart here and it it's all deserving of analysis uh perhaps another time.

Although to quote the kid in the cider house rules, uh King Kong, much like Aunt Ronald Reagan, just wants his mother, perhaps. Hey, you know? stomped on a lot of people to get to her though. So that's very true. So another skit would involve a man performing as a hunchback. There were many hunchback performers because of Frankenstein, right? Right.

Well and I feel like the hunchback of of Notre Dame is actually like there was a uh I think a Long Cheney movie of that that had been very popular. So I feel like that would even be in the Zeitgeist. Mm-hmm. Mm-hmm. Mm. And of course people do love Richard the Third. Okay, anyway So okay. Another one, yeah, would be this hunchback would find again, usually a female volunteer from the audience. Yeah.

Yeah. And then would hypnotize her, put her on this wooden table. And I'm guessing that this was usually a stooge, right? A a stoogette, maybe we'll say. Yeah. Yes. And uh she'd be laid out on that wooden table and they'd bring out a full-sized buzz saw, okay? And then they would they would cut her head off with the buzz saw.

the ghostmaster, in this case Raymond was his name, would, you know, grab her severed head and there would just be blood pouring off the table. He'd grab her head, run into the audience with the head raised over his head, And then he would jump on the theater seats, kind of like Roberto Benini did when he won that Oscar. And then he'd like on the armrests, he'd run across everyone, like sta you know, jumping over everybody's legs.

He'd run into the lobby up in the balcony and he would raise the head above his, you know, he'd raise the bloody head up and then walk along the edge of the balcony and then jump down from the main floor and then he'd run back on stage and announce. And now, ladies and gentlemen, someone is about to die. It could be you. And then the blackout sequence would happen right then.

Okay. I mean that is a strong opening. I do just to do a little bit on themes. It's interesting that we have to align women murdering with disabled people. That's very true. It's very Right. And like I'm not trying to cancel ghost shows, but like again, I guess to point like the monster movie and e I mean, even King Kong, if you see it.

as uh and I hate to hand one to Tarantino, but he believes King Kong is an allegory for slavery, and I don't think he's wrong about that. I think there's like a lot of interesting racialized subtext, especially if you watch the whole movie. And so this idea that monsters

in these scenarios, both on stage and in movies at the time are representing what sort of white male patriarchal America is trying to disown is like, not me, not that. That's what wants to victimize women. I simply marry them to death. Yeah. Yep. Yep. Yep. No, that's very, very true. And I do like your point of like this being almost some kind of id that's acting out on stage, right? I spent a lot of money on that English degree. I gotta use it somehow.

So yeah, I mean there were many other versions of a similar thing, like where King Kong They had kind of a format. Yeah, they had a format and it was, you know, usually some kind of violent, bloody thing. Sometimes, you know, a a woman might be pulled from the audience or something and and thrown off the balcony using a dummy and misdirection and you know

Pretty good. I mean, not that what you give the public is what they always want or what everybody wants. Uh God knows they tell you that. But I feel like one of my short, I think maybe analyses of why we see so much violence against women in media is and s especially sexualized violence, is, you know, not all men, not all women, but if we're gonna generalize for a second.

Men like it because they like it. Sure. And women like it because it's thought provoking to see an allegory of the thing that you're going through anyway. That's Very true. And sometimes it even makes you realize how bad life is. So here's a an interesting one, all right. This seems kind of uh unique, but there were definitely, you know, in addition to this violence.

Um there was definitely like a sexual element to some of these shows. There was a lot of um you know, hypnotizing of women. There was a lot of again those. Kind of scantily clad outfits and uh dances and kind of even even burlesque once in a while. But here's kind of a fun one.

So in one kind of climactic scene that would happen before the blackout, there would be two women on stage, and these were assistants, and one would be playing a corpse that was lying on a satin couch, and then there would be another woman who was kind of praying beside her. Then suddenly the lighting would change, and the one playing the corpse, the woman would sit up, and you would see from the new angle that half of her was a hot blonde, and half of her was Satan.

Which is a pretty cool thing. Right? Very cool. Although who's to say Satan isn't a hot blonde, frankly? I mean, quite frankly. Uh, and then she stood up and did kind of like this sexy dance that made it look like she was being seduced by the satanic half of her body while the other woman was kind of trying to pull her and save her. And then the Satan half of the first. Women will do anything to have an excuse to grab our own boobs, honestly.

It's true, and have a little les out time.'Cause then the Satan half tore off the woman's black dress revealing. Again, a scantily clad body. And then the blackout came and everything went fucking ape shit as it always did. So Beautiful. Yeah, it's uh quite a That's stripping in a way that i can even please uh very scary Christians because it's not you taking your clothes off. It's about the danger of Satan. It's educational.

And I'm wondering if that's part of why they did it that way. I don't know. I think so. Yeah let's let's let's go with it. Yeah, it's a fun premise. So you'll remember, you know, that we've had some universal monster movies involved in these shows. And they really did start just explicitly using

Dracula and Frankenstein, especially. Yeah. And there would be kind of a situation maybe where Frankenstein's creation would be being assembled on. Made out of parts of all the women they tore apart earlier. Yeah, exactly. We were making a really cute Frankenstein, a non binary Frankenstein. And then they would be like, Sparks like very much that Rocky horror scene where they're making Rocky with kind of goofy gadgets and uh practical effects.

And then suddenly the creature would sit up and throw off the sheet and there he was, Frankenstein's creation. Not Frankenstein, okay. Monster. And then he would go out into the audience and choose a teenage boy. So Hmm. At least we've got a boy on stage that will be brutalized. So they would then cover his head with a bag, and the ghostmaster would just chop his head right off. Blood would be pouring on the table. What a head cutting off, I'm surprised. I really felt confident about that trick.

They really liked that trick because there would because there would be blood everywhere. And then they'd get to what else but grab the head and run out into the audience and kind of kick off the blood. Yeah. Yeah. And you kick off that the most important part of the show. So there were always kind of these lead ins to that moment, right, that were the most uh extreme. part. I wanna see like full head football, you know?

Yes, yes. Uh and eventually Dr. Silchini, as we mentioned before, he would get a cease and desist letter from Universal Studios because they were like, you can't do this.

Which I I I was wondering about the legality of this because it's like you have a character I assume it's the likeness, right? Because Frankenstein's Monster Goes Back to Mary Shelley and like that book came out what end of the eighteenth century, start of the nineteenth? But then the sort of like Boris Karloff version, I guess, would be the thing that Universal owns. Yeah. And then I wonder about like what I mean.

what are the legal ramifications of like putting Frankenstein's monster on stuff to this day? Because he ends up on everything. Like are we still paying Universal for that? If you're in Frankenstein law, let us know. Yeah, or in I guess uh what is it when they it's like a common Yeah, the public domain. And that happens for literature after ninety five ninety five years after publication. But it never happens for movies? I don't I don't know how it works for movies. I know

That there are some movies that they accidentally left the copyright logo out of. Like for example, Charade. They just like forgot to put it in. And so there's many terrible transfers of Charade. But yeah, I don't know. It's uh Uh we gotta do an episode later on Frankenstein Law. Let's put that on the shelf too. Okay, great. Pop pop it in. It's a normal brain on the shelf there.

So basically Universal and Dr. Silchini and kind of from there, the ghost shows in general, reached an agreement where they would promote the new films from Universal and pay a small fee, right? You cut off my head, I cut off yours. Yeah, I mean it you know, it really everyone won at that point. And even an extension of that, like as some of these universal monster movie stars.

started to no longer be getting work in horror, they would go on tour with these ghost shows as special guests. So like Bella Legosi went, Glenn Strange went. And you know, it was just a great another kind of just celebrity gimmick. It's an early Comic Con kind of a thing. Yeah, exactly. And actually this is a total aside and we're not gonna get into it, but Jimmy Stewart got his start as an assistant for Midnight Go Shows. Yeah, he did. Yeah, right.

Well, well well, mister Silkini, I I just don't feel right about cutting that pretty young girl's head off. Maybe he didn't do the cutting. I can't say. I don't know. I think he was actually a little on the earlier side. He was in charge of mixing the phosphorus or something. I think he was more on the seance era, but I I can't tell you, I'm not sure.

Write me a play about that. I know, right? So that's gonna draw to a close a little bit of what the Go Show was like, because at this point the market's getting saturated, right? More and more people are trying to do them and a lot of them are just cheap imitators. It's not what it was before. People are losing interest.

uh the audiences are becoming rowdier. They're like vandalizing everything and they're throwing shit on stage, throwing bottles and like nails, and they even are sometimes breaking screens. Uh one time a teenager literally blew up his movie seat with a homemade bomb and the shrapnel from it hit a girl in the leg and luckily she wasn't too injured, but it did like draw blood. Jesus. Yeah. Yeah. That's pretty terrifying.

we're getting like into yeah, we're getting into the late 50s, you know, into the 60s. And and teenagers, it's just an it's a new breed. Yeah. Television's here. Guess what? There's a deer outside my window right now. Oh. That's nice. It's a... really different thing to what we're talking. I'm out. We'll see. It's full. It's full.

So it's interesting that teenagers ultimately become too destructive for the ghost show. And not to point all the blame at teenagers. I'm sure some adults were just getting rowdy and being like, It was the teens. But yeah, I'm sure. I'm going to have to. the increasingly the I I wonder too about just like media sort of pushing these kind of old time theatrics into corniness and maybe giving them less power to terrifying.

That's definitely true. And then, you know, we also have people moving from the cities to the suburbs. after World War Two. We have television coming in the nineteen fifties, so people wanna watch movies at home. They don't need to go out to the theater and all that rigamarole. You know, we start to see like Alfred Hitchcock presents on CBS. We start to see

uh screen gems, create shock theater using all the universal monster movie classics. We see even like former ghostmasters becoming late night horror movie hosts like Doctor Evil, which is funny. He was uh he became a host and then, you know, people like Vampira, all these local horror movie hosts were coming out and it just kind of adapted, right? It again kind of transformed itself. It was still campy, it was still comedic, it was still drag, but it was happening on TV.

Right. Or yeah, a little bit later, but you know, in the sixties we have Rod Sterling in the Twilight Zone and that's like a very scary story on contemporary themes delivered conveniently to your very own living room. There you go, there you go. And you know, there was another thing that you mentioned that was one of the most massive changes.

in teenage culture of all time, and that is the car, right? So at this time, because teenagers are driving around in cars but still want entertainment, we get The Drive In Movie. Hm, there you go. So I and I guess there's like less I would imagine just for many reasons, but partly because you can't control lighting. There's less capacity for that kind of theatrics there and for the kind of vaudevillianness.

Exactly. They would perform mostly on like makeshift stages in front of the big movie screens, or they're they would like drive a flatbed truck in and park it in front, or they'd just stand on top of the concession stand, which is pretty sick. That was pretty good. Yeah. Yeah. And really they just kept doing the same kind of violent picks that were just less complicated. It would be like, hey kid, come on stage, I'm gonna chop your head off and replace it with a dummy head.

But the thing of being in the pitch dark screaming together, it seems like got lost. That's gone. And also everyone's in their own individual vehicle, you know? Right. It's so interesting'cause I'm used to being to just like you know only being able to see drive ins through extreme nostalgia. It's interesting to think of them as the new fangled thing that's running out the old fashioned ghost show. Yeah. I mean they were called passion pits, right? That was the nickname for them.

Oh wow, right. People had other stuff to do. Yeah. And like, you know, people wanted to get scared so that they could f cuddle up, right? They wanted to kind of have this excuse to year ago and it was far away and it was so much better than it is today. Speaking of Milo. Yes. Speaking of our patron saint, I don't know, did he turn out to be a bad man? I don't know. Can't remember.

Yeah, but i but we you know, when Eddie didn't love his teddy they said he was an awful kid, but when he threatened your life with a switchblade knife What a guy. What a guy. Makes you cry. On by this. I did Yeah. So yeah. There would just be like a lot of guillotine tricks where kids' heads were cut off and replaced with dummy heads and blood spurting out and

you know, people all close to the stage would be covered in red liquid and uh beautiful. You know, they would have Frankenstein show up and Frankenstein might you know, get shot in the eye f with a gun and blood would squirt out and then he'd bump into a coffin covered in chains and the chains would fall and Dracula would pop out and he'd go into the audience and bring her on stage. That would be fun. But man, you get fake blood all over the wrong kid's convertible and then his dad sues you.

Seriously, seriously. You know, but then it would be like, yeah, like a woman's head would get cut off and it was just and then monsters would run around and and it it it just people enjoyed it, but it wasn't working. It just it couldn't it wasn't gonna last. Yeah.'Cause it there are things that like arise organically and it seems like this did in the sort of theater setting and then you try and port it over, you know, it's like

So many things that we tried to make happen on a Zoom and just were not really zoomable. And like you know, you do it while you have to and you do it when you have to, but yeah, it just feels like not the right environment for the ghost show to thrive in. Yes. And so, you know, slowly we just kind of forgot about the ghost show. Mm. Until a little ghost named Chelsea Weber Smith came along to remind us. I feel like uh

It's worth kind of zooming all the way back to the beginning to talk about some of the publicity stunts that they use to promote these shows because I love a good publicity stunt. I love gimmicks, famously, all frills, all gimmicks is me. So one of the things that they would do is they would find a local kid and they'd ask the kid to dress up as a ghost and protest outside the theater. Perfect.

It would be like the ghost master is unfair to ghosts and uh you know, so that was that was cute. That would get people's attention. Uh, that's cute. We should do that for our show. Absolutely. I we there is a lot to discuss here. I wonder how dark we're allowed to make the theater and for how long? That's what I'm saying. If we can throw spaghetti at people at all. He's still lit.

I know. I don't know. We want to make sure we treat them with respect. Yeah. Yeah. No, not the audience. Like we don't need to treat you with respect. I mean the staff. Yes, yes, of course. So sometimes the ghostmasters would hold press conferences from coffins for photo ops. You love talking about anyone who gets in a coffin on purpose. I do. And I am want to hear about every single instance of it from you. I know.

They would uh local drugstores, department stores would agree to display coffins and signs in their show windows. Beautiful. There was one New York-based showman who created a street parade to promote his ghost show that included a horse-drawn hearse. And then he was there behind riding in a limo and he had a walking band playing as well in kind of this parade like.

setting that sang this song that I don't know the melody, but the lyrics went, It ain't no sin to take off your skin and dance around in your bones. Oh my god. That's perfect. Sometimes I don't really know how this worked, but showmen would drive cars around blindfolded and it would attract like thousands of people and he'd be like, come to our ghost show. And uh they, you know, they used a lot of

skeletons and they just put them all over the theater. When people were coming in to see other movies, there'd be like artificial graves and fake grass and vases of flowers and these just like what I imagine were just such beautiful. tableaus in the in the lobbies of these theaters. I love it.

They'd do this really classic shit with the ambulances parked outside. They'd have stretchers outside. They'd have, you know, nurses, people dressed as nurses standing outside the theater. And again, they'd have hearses parked out front and uh You know, anything that was like you might die for reason. Yeah.

Yeah. Which I think there's just like a a sense of fun, especially if you're in kind of an interwar period of like the fun being that you're pretending and you like you're in so much more danger than you are. You know, like how the classic Disney rides generally start with the premise that we're gonna take a little ride. Oh no, we're all gonna die. Like in the Pirates of the Caribbean ride, they're like, You are going to die. And then you can see a bunch of pirates. Yeah.

And then the other thing they did, which is what I would have been first in line for, were the giveaway gimmicks. Cause I love merch. I'm a merch hound. So they would maybe give you like a die cut. skull mast, which was, you know, basically a cardboard mask with a elastic string attached to it. You remember those maybe from the nineties. Oh yeah. It was like kind of a cheap promotional thing, I think, a lot even then. Yeah.

Oh yeah. Oh yeah. Feels like something you'd actually get at McDonald's or something during Halloween. They really popped off on Halloween. McDonald's did. Yeah. Well in McDonald's like they used to give out videos, I remember. Again, they're like, Meh, why won't people come to our restaurant? It's like, Give people stuff. I d you used to be better. Don't you remember? We do.

Peeny peeny babies, say it with me. So sometimes they would hand out faint pills, and that would be like a single candy pill that you were supposed to take if you had a heart attack. That's so freaking cute. I know. Oh, my. God. They would give you faint checks that if you fainted, you would get into another movie free. Which again just like encourages you to faint and then make the show look scary. It's true. It's true. For a measly what I don't know what it costs.

Yes. Twenty five cents in the balcony, forty cents in the front row. Yeah. Exactly. So you could also get a faint pass. That would be like if you passed out, you would have this card that you put your name and address on so that they could take you to the hospital or take you home after you fainted. Again, this was before Stranger Danger.

It's just nice to have a business even if it's a even if it's for a stunt, it's nice to have a business promise to take care of you if you faint because they don't even do that at clinics now, I don't think. Really? Colin Uber. Leave me alone. They'd have like these optical illusion, like magic eye cards that they would hand out.

you know, that would change. You know, you remember those, right? You like turn it one way, it was one thing, you turn it another. Oh yeah. Or if you like cross your eyes, it'll look different, you know. Yeah. Like the kind of thing that uh Riker's always showing you at the start of Beyond Belief. Yes, exactly. Exactly that. Uh they would sometimes give out ID bracelets, which is what I most want is a Go Show ID bracelet. I don't know where they are. Again, if you've got one, please.

Um, you know, then it started to be like rubber shrunken heads. Cause there was a lot of I didn't get into it, but there was a lot of shrunken head content. Like they would, you know, it was very problematic. There was like a witch doctor theme for sure. Sure. Which again we can yeah, of course, but which we can See little hints of you know I mean also mid sanctuary I think that was kind of a fascination for It was, yeah.

American w white people in a way that again just reveals sort of how wild and racist our culture is. But uh there's like all you know, that's the kind of thing where there are these little footnotes left behind, like uh, you know, in Betelgeuse in that case. Yeah, you can take a little ride on the old Disney jungle cruise and and really experience that in the modern era. Um and then, you know, they'd hand out rubber spiders, rubber snakes.

just anything that that a kid would really enjoy having. And um I imagine there was a lot of collecting going on with that. And that that's really nice. I really like I really like that. It feels like you could really have a community around those objects.

you're more likely to want to go out if you're uh you know, you might get little toys or you might get a novelty item or you might faint, you know, that's like very compelling compared to today where they're like, well, it's bigger than at home and also you can't eat any of your own food or talk to people. So And so, you know, as I mentioned, they slowly died out and by the early 70s, they virtually did not exist. At all anymore, but then in nineteen seventy five. Mm-hmm.

A little film called The Rocky Horror Picture Show came out and fucking tanked in the American box office. It did not do well. Because Americans do not understand camp historically. No, no, we're not great at it. Didn't did better in the UK. But famously, as we know, once theater started showing it.

at midnight, then it started to really take off. And it was really a direct call back to the ghost shows that had happened before at the late night double feature picture show, you know, kind of the By R K O, wa uh uh oh I wanna go. Exactly. And you know, there's just this all of the campiness was there. all of the violence but done in like a very tongue in cheek comedic way is there. You know, it even the shadows as we talked about, like the shadow trick is in there. Man. Yeah, I love that.

And a cult following developed around these midnight shows. And just like they did in the ghost shows, people would throw things on stage. You know, we'd throw rice during the wedding. They would bring newspapers to put over their head when it rained and people would, you know, shoot water guns out into the audience. And, you know, there's so many so many elements to Rocky horror that are interactive and that make the movie come alive and become something else entirely.

You know what's a joke I have always loved and remembered is Janet saying, Oh, I don't like men with a lot of muscles. Do you remember what the audience callback to that is supposed to be or it sometimes it is. No, what is it? Because again, this is something that like started, I believe, pretty improvisationally and then it became kind of a script and like a ritual that people did. But when I at

thirteen or fourteen saw this at the Clinton Street Theater. Big rite of passage. I was wearing a bag. A little homemade Magenta costume. Uh, when Janet says that, you're supposed to shout, Yeah, just one big one. And uh boy did she. It's so good. It's so good. It's so good. It definitely took on a raunchier tone for sure once it was I mean, because it was 1975. It was the nineteen seventies by then. So, you know, all bets were were kind of off.

There were a lot of sweet transvestites um who didn't have any other place to express that. And I feel like we've talked about this elsewhere. We did a Yorgood about Roggy War picture show and it's like it's nobody's job to love it. And I, you know, I know that they're exists very reasonably the argument that Frankenfurter is a transphobic character. And I won't argue against that, but also I'll say that in nineteen seventy five, and for a long time,

you would just take whatever representation you could get. And also that you know, this kind of A theatrical experience is also proof of the fact that the media we love isn't necessarily because we want to emulate everything about it, but because the characters and the story are able and the campiness are able to bring us together to find the people that we need in our lives.

Yeah, there's absolutely like anything so much that you can critique fairly. But what I think is the most important is the fact that it created a community. It created a common experience. And the ghost shows did that as well, right? It it was this ability to go to one place with a bunch of strangers and experience what I would consider an ecstatic. kind of spiritual experience, at least in my version. Yeah.

I also think in addition to Rocky horror, these must have been really influential on walkthrough haunted houses that were developing around this same time. You know, by the 70s, we really have it happen. 'Cause this would kind of be the thing that you would look to for inspiration. Yeah, right. Exactly. And these were just really stationary haunted houses.

That you could transform into into a walkthrough eventually. Yeah. So everything that we know about Halloween, everything that we experience when we go through a haunted house, when we watch midnight movies and experience horror, like So much of that is brought to you by our Midnight Go shows. And I think that learning about this has been so much fun for me and and and so incredible because, you know, maybe no heads were cut off and probably that's for the best.

But so many aspects of this did happen in our live show and we did arrive to them just through maybe like the the trickle down understanding Yeah, through emulating the media that we knew. But I think there's also to speak of the unified field, there is There's a a very strong internal logic and a sense if you've, you know, done a little bit of work on stage, maybe in your life or been an audience member, because you get a good sense of it then too.

that I mean, one of the real things happening as a theater is the energy that the people bring into it. And it's your job to kind of sculpt and facilitate that energy taking the shape that will transform the night into something bigger than the sum of its parts. And that is very much a spirit that you welcome in. And it's a spirit that everybody brings in when they they come in and and sit down. Absolutely. And also to call back to our corn mazes episode is a haunted house not a labyrinth.

Mm, absolut yes, absolutely. I would call it a labyrinth. You know, in in the best case when people really fucking give a shit about their haunted house and don't just make a terrible excuse. For a haunted house and that's a different that that that's a different axe I have to grind. Don't cut off anyone's head with it. Oh my god. We did the same joke. But yeah, I mean I think yeah, again, it's like there are many, many things about this that we could really dive into and critique.

Yeah. And also many things we can explore more in a joyful way. I know. And it's like th this thing is transforming during the post war years into something more brutal after we experience this really brutal war. You know, there are lots of interesting sociological perspectives and I encourage everyone to to do that thinking out there. Uh, but this was really my attempt at bringing you some Halloween content. I love it. And just getting to experience what one of these shows was like.

Oh, I just want you to turn off the lights and throw spaghetti at me, and then I'll'cause that's that's the Halloween of my dreams. I can make that happen. Chelsea, thank you so much. Everyone who doesn't listen to American hysteria really should, especially on a long dark drive, um, because there are some episodes that have genuinely scared the pants off of me while educating me at the same time. And your show is

so good in so many ways, but one one thing I want people to know if they don't is that you are so good at creating that theatrical experience like inside of a person's brain while they're listening. It's so immersive and I love just like the ghost mastering that you're able to do um in audio makes me so happy and so scared sometimes. That is an incredible compliment. Thank you so much for that, Sarah. We we really try.

I remember listening, I forget which episode, I think it had to do with UFOs, but it was beautifully sound designed as well. And I listened to it while I was at a cabin um by Mount Hood and I slept with the lights on afterwards. I think that was our alien abduction series. Yeah. It's a it's a freaky one. Yeah. I was just like, I am gonna just lie here stiff as a board until I pass right out, every light was on.

Amazing. Well, I would like to also encourage people to to come over to our show for our Halloween episode on Bloody. Mary. Speaking of things that have made Yeah, if you want some real social commentary I'll be going hard. Heck yeah. Sarah Thank you for giving me this platform. As soon as I started researching, I was thinking about making it one of our main fully produced episodes, and I was like, there's no way I cannot bring this to Sarah Marshall. I just knew that I needed to deliver this.

bloody head right to your hands and and I I'm just very grateful to you. And I love it so. I will take it home and treasure it and I will feed it spaghetti. Maybe. Thank you, Sarah. But wait. A way to stave off the hysteria is by subscribing now. The Devil You Know Sarah's new eight part mini series out on october twentieth. This episode was brought to you by John. Camp of the Damned Created.

Me, Chelsea Weber Smith, and thank you to my astonishing assistant, Sarah Marshall, for allowing me to grace this sadistic stage for you. The editor and producer of You're Wrong About is The Zickler. The music you heard in this episode was also crazy. 'With magician, I mean musician AJ McKinney. Yeah. Magpie Cinema Club. And make sure you're not sure. American His scary. I mean Hysteria wherever it is. Next time when the lights go out and the ghosts rise from their graves. Who sit beside?

Ha ha ha.