Three days late for the beginning of NaNoWriMo 2016, here's a bonus episode about maps. Because nothing says "keep writing" like "hey, let's draw a map now!" Dan and Howard were joined by Maurice Broaddus, Mur Lafferty, and James L. Sutter, who wanted to talk about maps. As Napoleon Bonaparte is rumored to have said prior to invading Russia, "geography is destiny." We talk port dwarves, rolling glaciers, star systems, and more. Liner links: Logarithmic star map Tolkien's map of Middle Earth Cent...
Nov 03, 2016•20 min
Happy Halloween! Darren Shan talks horror with us in this bonus episode, made possible by our Patreon supporters. Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130...
Nov 01, 2016•24 min
Spoiler Alert! If you haven't yet read Ghost Talkers, by Mary Robinette Kowal, this episode will spoil great swathes of book for you. Also, you probably won't get as much out of it. This week's episode is a Project in Depth discussion focusing on Ghost Talkers, by Mary Robinette Kowal. We begin with the difference between the catalog pitch and the pitch given to editors, and how critical that distinction is. Mary then talks to us about the decisions she made while plotting the book, and the thin...
Oct 30, 2016•33 min•Season 11Ep. 44
Our third Elemental Drama episode is a Q&A, featuring Tananarive Due. The questions are from the attendees at the Writing Excuses Workshop and Retreat: Rather than having a protagonist change themselves, can elemental drama have the protagonist change others? What happens when a character refuses to learn, refuses to overcome their flaw(s)? What are the lines between drama and melodrama? Do you have tips for describing body language that communicates character states? Are there cases where y...
Oct 23, 2016•19 min•Season 11Ep. 43
Focusing on elemental drama can be tricky. Remember, elemental drama is basically "character change." A great many stories use character change in some way—it's almost ubiquitous. In this episode we'll pick at the ubiquity, and look at the many different ways in which character change can be featured, and what sort of tools we have at our disposal to make this happen in our stories. Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EX...
Oct 16, 2016•21 min•Season 11Ep. 42
Robin Hobb joined us at GenCon Indy for a discussion of characterization and differentiation. And by "discussion," what we really mean is "we ask Robin all the questions." We learn about Robin's process for creating characters, wrapping stories around them, and making these characters distinctly different from each other. Credits: This episode was recorded by Joel Burnham, and mastered by Alex Jackson, and was made possible by the generous support of the GenCon Indy Writer's Symposium, and the W...
Oct 13, 2016•21 min
Navah Wolfe, an editor at Saga Press, joined us to talk about the manuscripts she would really like to see. Ordinarily we don't encourage people to write to the market, but Navah asked specifically for the opportunity to tell our listeners what she's looking for. As it happens, tracking Navah's wish list as you write is unlikely to send you haring after the latest trend—you're far more likely to develop some new writing skills that will make your work more enjoyable, more fulfilling, and ultimat...
Oct 09, 2016•20 min•Season 11Ep. 41
The word "drama" gets thrown around a lot. What do we mean when we use "drama" as an elemental genre? For us, Elemental Drama focuses on one character's transformation, and how that transformation affects everyone around them. This is a narrow definition of the word, but it's a very useful way to look at books where the character journey is what has us turning pages. We talk about the tools we use to write these stories, and what kinds of things might trip us up. Credits: this episode was record...
Oct 02, 2016•16 min•Season 11Ep. 40
Greg van Eekhout joined us at Phoenix Comic Con for a live-audience Q&A session about Elemental Relationship writing. Here are the questions: What is your favorite way to establish relationships? How do you recover when a relationship starts to feel forced? How do you show a "best friend" relationship? How do you decide the pacing of the romance? Do you try to make the nature of character relationships clear, or do you leave it to subtext? How do you go about writing transsexual relationship...
Sep 25, 2016•20 min•Season 11Ep. 39
We find the elemental relationship in all kinds of stories that are not fundamentally about relationships. The intimate interaction between characters is part of how we define the characters, how we understand who they are as they go on to do the stuff that the story is about. In this episode we'll talk about how to apply the principles of relationship writing to stories whose page-turning impetus comes from somewhere else. Credits: this episode was recorded by Jeff Cools, and mastered by Alex J...
Sep 18, 2016•20 min•Season 11Ep. 38
Live from Phoenix Comic Con, Gama Martinez joins us for a discussion of casting your book. This is the process by which you create a cast of characters for your story ahead of creating the story itself, allowing you to stay ahead of your default decisions for who will step into the scene next. Credits: this episode was recorded live at Phoenix Comic Con by Jeff Cools, and mastered by Alex Jackson Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://mast...
Sep 11, 2016•18 min•Season 11Ep. 37
In elemental relationship stories the primary page-turning driver is the relationship between two or three characters ¹. In this episode we discuss ways in which we can write character relationships—parent/child, buddy-cop, romance, and more—to be compelling. Credits: this episode was recorded by Jeff Cools, and mastered by Alex Jackson ¹We're differentiating "Relationship" from "Ensemble" because in our elemental genre model the elemental ensemble story is quite a bit different from the element...
Sep 04, 2016•17 min•Season 11Ep. 36
For our third Elemental Humor episode Victoria Schwab joins us as we field questions taken from our audience at Phoenix Comic-Con. Here are the questions: How do you add humor to a serious story without breaking the tension? How do I move beyond the "Dad jokes" and into properly funny writing? When is humor necessary in horror? Where is the line between a comedic book, and a book that uses humor as a subgenre. How do you make dialog sound natural, while still sounding funny? Credits: this episod...
Aug 28, 2016•22 min•Season 11Ep. 35
Humor is present as an element, at least to some degree, in a substantial amount of the media we consume. In this episode we discuss some stylistic tools for applying humor to our work, and how these tools can best be employed. WX Trivia: Episode 11.34 represents a pair of firsts for us here at Writing Excuses. It's the first time we've had to resort to having Howard record a fresh intro to replace some missing minutes It's the first time we've had a graphic novel as the Book of the Week. Credit...
Aug 21, 2016•22 min•Season 11Ep. 34
Victoria Schwab, who also writes as V.E. Schwab, joined us in Phoenix to talk about crossover fiction—in this context the term means books that target a given demographic but which have a much broader appeal, or books which straddle the line between age demographics. We discuss some good crossover examples, and how some of the boundaries work, and then we cover some of the techniques we use when writing crossover works. Credits: this episode was recorded live at Phoenix Comic Con by Jeff Cools, ...
Aug 14, 2016•21 min•Season 11Ep. 33
"Talking about humor is the least funny thing you can do." —Howard Tayler You have been warned! and with that out of the way... What is the driving force that gets readers to turn pages in a book that is primarily a work of humor? More importantly, how do we as writers get that driver into our books? We cover this, and provide some starting points for writers seeking to improve their humor writing, along with a bunch of neat techniques, and (as apparent from the liner notes) a long example for d...
Aug 07, 2016•23 min•Season 11Ep. 32
Trina Marie Phillips joined us at Phoenix Comic Con to talk about her work as a futurist. Futurism, for those unfamiliar with our use of the term here, is related to science fiction, but it remains rooted in existing technology and trends, then seeks to be predictive in useful ways. Liner Notes: Trina mentioned some online resources (and a four-year educational program!) for those interested in working as futurists: PSFK Labs The Creators Project Singularity Hub ASU's School for the Future of In...
Jul 31, 2016•17 min•Season 11Ep. 31
We fielded the following questions about the "Thriller" elemental genre from listeners on Facebook and Twitter: How do I build tension consistently through my story? How do you maintain tension during dialog? When do you not use a cliffhanger? Do you ever picture your scenes as if they were in a movie? How much elemental thriller is too much for a book that isn't a thriller? What's the tipping point where you've switched genres? What do you do when the tension in your story peaks too early? Cred...
Jul 24, 2016•21 min•Season 11Ep. 30
Thrillers are, by their very nature, page-turners. In this episode we look at the thriller element as part of a story whose principal driver is one of the other elemental genres. We consider some examples of blended-with-thrill stories, and then drill down a bit and look at how we can incorporate this in our own work. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https:/...
Jul 17, 2016•20 min•Season 11Ep. 29
Alyssa Wong, Campbell Award nominee and Nebula Award winner, joins us to talk about impostor syndrome. This is the frame of mind that many successful writers suffer from, in which they worry that they're not really good enough at writing to be enjoying their success. Worse, this mindset can prevent us from continuing to create. Many of us suffer from this, and we have some strategies to cope with it. Credits: This episode was recorded by Jeff Cools, and mastered by Alex Jackson. Our Sponsors: * ...
Jul 10, 2016•26 min•Season 11Ep. 28
Let's get this out of the way up front: in the syntax of elemental genres, the phrase "the element of thriller" is clunky. But we'll say it anyway. We discuss the difference between the drivers in thrillers, horror stories, and mysteries, and use the elemental genre tools to assist in the differentiation. We also cover the tools we use to develop and maintain the tension that is so critical in a thriller. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sp...
Jul 03, 2016•17 min•Season 11Ep. 27
In this episode we field some questions about elemental mystery. Here they are! How do you balance between two mysteries in the same story? What types of mysteries can fit well as sub-plots? What do you do when beta readers figure out the mystery really early? In the MICE quotient, are mysteries all "Idea" stories? How do you write a protagonist who is smarter than you are? How do you make sure your genius protagonist is still experiencing an interesting struggle? How do you make a kidnap victim...
Jun 26, 2016•19 min•Season 11Ep. 26
Per our Elemental Genre theme, this week we further explore elemental mystery. Elemental mystery can be found in any work in which our curiosity is what keeps us turning pages. The type of satisfaction we feel at the reveal may also reveal the elemental genre in which the element of mystery has been embedded. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://mastercl...
Jun 19, 2016•17 min•Season 11Ep. 25
We talk a lot about "raising the stakes" in our writing. When we say "stakes," we're referring to the things that keep our characters involved in the conflict, rather than just walking away and doing something else. We dig into what this really means, and how everyone in the story must be driven by things that they have at stake. Liner Notes: in this episode we refer to the three character-development "sliders" model set forth in WX 9.13. Credits: This episode was recorded by Jeff Cools, and mas...
Jun 12, 2016•19 min•Season 11Ep. 24
Mystery may well be the most common element in use, at least in some form or another, across the many bookshelf genres comprising "fiction." We discuss the driving force of elemental mystery, how to evoke those feelings in the reader, and the importance of being able to write mystery effectively. Liner Notes: we mentioned Episode 7.10 in which Mary and Dan interviewed David Brin. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out HomeSe...
Jun 05, 2016•19 min•Season 11Ep. 23
Shannon Hale joins us at LTUE for a live-audience session in which we explore gender biases, and extrapolate from there to our many other unconscious biases. Our unconscious biases are not just the things that we consider to be "just the way things are," or "common sense." They're the things we don't even see, much less consider, and the obvious challenge for us as writers is to find those biases, and then to dig into them and really understand them. Our goal is to be able to write beyond them, ...
May 29, 2016•21 min•Season 11Ep. 22
Steve Diamond joins us for our third and final Elemental Horror episode as we field your questions about this particular building block. Here are the questions we selected from your submissions: If I want to make peanut butter terrifying without being silly, how do I do that? What is your personal line between horror and "gore-nography?" How do you avoid going too far with graphic elements? Soundtracks are huge for horror movies. How do you set the mood without this tool? What's the best way for...
May 22, 2016•21 min•Season 11Ep. 21
Steve Diamond joins us again to talk horror, this time about using elemental horror as part of our stories' elemental ensemble. We discuss how the sense of dread can be a page-turning motivation, and how it can complement the other "keep on reading" motivations we set out to invoke. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out...
May 15, 2016•22 min•Season 11Ep. 20
How do we go about describing the clothing our characters are wearing? How do we use that to add depth to our story? What are the common mistakes that writers make when they start dressing their characters? Rebecca McKinney joined us on stage at LTUE to address all this. Liner Notes: We mentioned some resources for those wanting to get clothing right in their work: Reader's Digest Complete Guide to Sewing Historic Costume for the Stage, by Lucy Barton The International Costumers' Guild Fashion S...
May 08, 2016•19 min•Season 11Ep. 19
Steve Diamond joins us to kick off our month on the elemental genre of horror. We explore the emotional components that readers seek from horror, and then drill down into the ways that we can create those reactions in our readers. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out HomeServe: https://www.homeserve.com * Check out MasterClass: https://masterclass.com/EXCUSES * Check out Talkiatry: https://Talkiatry.com/WX * If you’re stru...
May 01, 2016•22 min•Season 11Ep. 18
