In this episode of Weird Studies, an improvised analysis of two pop songs -- Nina Simone's version of James Shelton's "Lilac Wine" and Ghostface Killah's visionary "Underwater" -- becomes the occasion for a deep dive to the weird wellspring of artistic creation. In trying to understand these songs and why they love them so much, your hosts touch on themes such as necromancy, decadence, liebestod , visionary experience, the Muslim image of paradise, the necessity of rifts, Norman Mailer's concept...
Aug 05, 2020•1 hr 5 min•Ep. 79
At the time The Mothman Prophecies ' was released in 1975, and again when he penned an afterword for the 2001 edition, John Keel appeared to have made up his mind about the "ultraterrestrials" that he had tracked and hunted for most of his adult life. They were unconcerned about the welfare of the people whose lives they threw into disarray, he said. They were liars, cheats, and frauds who refused to play fair. They saw good and evil as synonymous and they were dangerous. Like many other explore...
Jul 22, 2020•1 hr 14 min•Ep. 78
"What a fool believes he sees, no wise man can reason away." This line from a Doobie Brothers song is probably one of the most profound in the history of rock-'n'-roll. It is profound for all the reasons (or unreasons) explored in this discussion, which lasers in on just one of the major trumps of the traditional tarot deck, that of the Fool. The Fool is integral to the world, yet stands outside it. The Fool is an idiot but also a sage. The Fool does not know; s/he intuits, improvises a path thr...
Jul 08, 2020•1 hr 9 min•Ep. 77
According to the French philosopher Henri Bergson, there are two ways of knowing the world: through analysis or through intuition. Analysis is our normal mode of apprehension. It involves knowing what's out there through the accumulation and comparison of concepts. Intuition is a direct engagement with the absolute, with the world as it exists before we starting tinkering with it conceptually. Bergson believed that Western metaphysics erred from the get-go when it gave in to the all-too-human ur...
Jun 24, 2020•1 hr 19 min•Ep. 76
When the quarantine began, professors around the world raced to put their classes online, and for the Jacobs School's big undergraduate music history course (M402 represent!) Phil created a series of solo podcasts, many of which have been appearing on the Weird Studies Patreon site. Our patrons seem to be enjoying them, so we thought we'd publish the first one ("The Duke of Ellington") as an off-week bonus for all our listeners, partly as a teaser for the subscriber-only stuff on Patreon and par...
Jun 18, 2020•1 hr 5 min
"You don't find reality only in your own backyard, you know," Stanley Kubrick once told an interviewer. "In fact, sometimes that's the last place you'll find it." Oddly, this episode of Weird Studies begins with Phil Ford hatching the idea of putting a replica of the monolith from 2001 in his backyard. As the ensuing discussion suggests, this would amount to putting reality -- or the Real, as we like to call it -- in the place where it may be least apparent. Perhaps that is what Kubrick did when...
Jun 10, 2020•1 hr 27 min•Ep. 75
In this second part of their exploration of C. G. Jung's essay "On the Relation of Analytical Psychology to Poetry," JF and Phil try to discern the psychological and metaphysical implications of the great Swiss psychologist's theory of art. For one, this involves discussing what Jung meant by archetypes, and how these relate to the artists who bring them forth in artistic works. This in turn leads to a discussion of the emergent artwork as an "autonomous complex," that is, as a self-moving spiri...
May 27, 2020•1 hr 12 min•Ep. 74
This is the first of two conversations that Phil and JF are devoting to C. G. Jung's seminal essay, "On the Relation of Analytical Psychology to Poetry," first delivered in a 1922 lecture. It was in this text that Jung most clearly distilled his thoughts on the power and function of art. In this first part, your hosts focus their energies on Jung's puralistic style, opposing it not just to Freud's monism (which Jung critiques in the paper) but also to the monism of those other two "masters of su...
May 13, 2020•1 hr 5 min•Ep. 73
For over two centuries in early modern Italy, boys were selected for their singing talent castrated before the onset of puberty. The goal was to preserve the qualities of their voice even as they grew into manhood. The procedure resulted in other physiological changes which, combined with an unnaturally high voice, made the castrati the most prodigious singers on the continent. As Martha Feldman shows in her book The Castrato , a masterpiece of cultural history, the castrated singer was such a s...
Apr 29, 2020•1 hr 14 min•Ep. 72
On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the content of any medium is less important than its form . The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of McLuhan's has the ring of an utterance of the Delphic Oracle. As Phil prop...
Apr 15, 2020•1 hr 26 min•Ep. 71
James Curcio is an American multidisciplinary artist and nonfiction writer whose works include the novels Join My Cult , The Party at the World's End , and the upcoming Tales from When I Had a Face . Recently, Curcio edited Masks: Bowie and Artists of Artifice , an anthology of essays by various thinkers and artists on the complex interplay of fact and fiction, self and other, in the life of the modern creator of artistic works. David Bowie's career, from the early experimentations to the great ...
Apr 01, 2020•1 hr 17 min•Ep. 70
What is there to say about the COVID-19 virus that hasn't already been said, over and over again, all around the world, in quaratined houses and on TV and social media and countless Zoom chats ... what can we say that you haven't heard? Well, probably nothing. But we are now at the point where we realize that the real importance of the things we say is not their content, but the mere fact of saying them. As Marshall McLuhan said, the medium is the message, and at a time when we have been driven ...
Mar 25, 2020•1 hr•Ep. 69
In preparation for an upcoming special episode on living in the early days of the Covid-19 Pandemic, here's Phil Ford reading an essay William James wrote on his experience of the 1906 San Francisco Earthquake. REFERENCES William James, "On Some Mental Effects of the Earthquake" Learn more about your ad choices. Visit megaphone.fm/adchoices...
Mar 23, 2020•23 min
In 1979, the American psychologist James Hillman published The Dream and the Underworld , a polemical meditation on the nature of dreams. Rejecting the orthodoxies of both Freud and Jung, Hillman argued that the the "nightworld" of dream should not play second fiddle to the "dayworld" of waking life, because in the soul as on earth, day and night are equally essential, and equally real. To reduce a dream to a message or interpretation is to fail the dream. In order for dreams to do their work on...
Mar 18, 2020•1 hr 16 min•Ep. 68
On the night before this episode of Weird Studies was released, a bunch of folks on the Internet performed a collective magickal working. Prompted by the paranormal investigator Greg Newkirk, they watched the final episode of the documentary series Hellier at the same time -- 10:48 PM EST -- in order to see what would happen. Listeners who are familiar with this series, of which Newkirk is both a protagonist and a producer, will recall that the last episode features an elaborate attempt at gate ...
Mar 04, 2020•1 hr 24 min•Ep. 67
In the paper discussed in this episode, Phil Ford coins the term "diviner's time" to denote a particular feeling that will be familiar to anyone who has engaged in divinatory or magical practice, namely the feeling that it all means something, that the universe, with all its chaos and randomness, nevertheless contains -- or is itself -- a kind of music. This episode goes deep down the rabbit hole as Phil and JF try to wrap their heads around conceptions of time, causality, and meaning that are v...
Feb 19, 2020•1 hr 32 min•Ep. 66
B. W. Powe is a Canadian poet, novelist, essayist and professor at York University, in Toronto. His work, though it covers an immense range of topics from politics and poetics to magic and technology, proceeds from a mystical apprehension of the universe as the locus of magical operations, the site of experiments in cosmic becoming. In his various books and essays, Powe continues a uniquely Canadian form of the visionary tradition whose luminaries include his former teachers Marshall McLuhan and...
Feb 05, 2020•1 hr 20 min•Ep. 65
In her National Book Award acceptance speech in 2014, Ursula K. Le Guin intimated that, far from being superseded by digital technology, fantastic fiction has never been more important than it is about to become. Soon, she prophesied, "we will need writers who can remember freedom -- poets, visionaries, realists of a larger reality." In this episode, Phil and JF plumb the prophetic depths of one of her most famous books, A Wizard of Earthsea . A discussion of the novel's style and lore leads us ...
Jan 22, 2020•1 hr 19 min•Ep. 64
At its simplest, what Colin Wilson calls Faculty X is "simply that latent power in human beings possess to reach beyond the present." Yet its existence is evinced in all those phenomena that modernity files under "supernatural" or "occult." As difficult to explain as it is impossible to omit from any honest survey of human existence, the occult haunts the modern, not just as a vestige of the past but also, perhaps, as a promise from a time to come. For Wilson, magic isn't the living fossil the a...
Jan 08, 2020•1 hr 20 min•Ep. 63
The 1947 British film Black Narcissus is many things: an allegory of the end of empire, a chilling ghost story with nary a spook in sight, a psychological romance, and a meditation on the nature of the divine. Its weirdness is as undeniable as it is difficult to locate. On the surface, the story is straightforward: five nuns are tasked with opening a convent in the former seraglio of a dead potentate in the Himalayas. But on a deeper level, there is a lot more going on, as Phil and JF discover i...
Dec 18, 2019•1 hr 34 min•Ep. 62
The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconced our modern, common-life construal of thinigs. It must become fantastic and incorporate aspects of "nature" that feel "supernatural" from a modern standpoint. Jonathan Demme's screen adaptation of The Silence of the Lambs is a powerful example. The film oscillates undecidably be...
Dec 04, 2019•1 hr 7 min•Ep. 61
Somebody once said, "No prophet is welcome in his own country." Whether this was true in the case of jazz musician and composer Sun Ra depends on whom you ask. With most, the dictum probably bears out. But there are those who can make out certain patterns in Ra's life and work, patterns that place him among the true mystics and prophets. Of course, these people already believe in mysticism and prophecy, but Sun Ra's total devotion to his myth does not leave much wiggle room on this front. He is ...
Nov 20, 2019•1 hr 26 min•Ep. 60
"Perhaps the truth depends on a walk around a lake." This line from Wallace Stevens' "Notes Toward a Supreme Fiction" captures something of the mysteries of walking. It points to the undeniable yet baffling relationship between walking and thinking, between putting one foot in front of the other and uncovering the secret of the soul and world. In this episode, JF and Phil exchange ideas about the weirdness of this thing most humans did on most days for most of world history. The conversation ran...
Nov 06, 2019•1 hr 20 min•Ep. 59
What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are supposed to think and feel in its presence. Cast in in this mold, the critic is an arbiter, not just of taste, but also of sense and meaning. The American art critic Dave Hickey categorically rejects this interpretation, which he says gives off a mild stench of fascism. For Hick...
Oct 23, 2019•1 hr 1 min•Ep. 58
Raiders of the Lost Ark is more than a Hollywood movie made in the summer blockbuster mold. As Phil says in his intro to this popping Weird Studies episode, the film is "a Trojan horse of the Weird, easy to let in but once inside, apt to take over." This conversation sees him and JF discuss a movie we dismiss at our own risk, a cinematic masterpiece replete with enigmas that reach back to the foundations of Western civilization. What does the Ark of the Covenant signify? What does it contain? Wh...
Oct 09, 2019•1 hr 31 min•Ep. 57
The German poet and philosopher Jean Gebser's major work, The Ever-Present Origin , is a monumental study of the evolution of consciousness from prehistory to posthistory. For Gebser, consciousness adopts different "structures" at different times and in different contexts, and each structure reveals certain facets of reality while potentially occluding others. An integral human being is one who can utilize all of the structures according to the moment or situation. As Gebserian scholar Jeremy Jo...
Sep 25, 2019•1 hr 19 min•Ep. 56
No survey of weird literature would be complete without mentioning Algernon Blackwood (1869-1951). As with all masters of the genre, Blackwood's take on the weird is singular: here, it isn't the cold reaches of outer space that elicit in us a nihilistic frisson , but the vast expanses of our own planet's wild places -- especially the northern woods. In his story "The Wendigo," Blackwood combines the beliefs of the Indigenous peoples of the Eastern Woodlands with the folktales of his native Brita...
Sep 11, 2019•1 hr 23 min•Ep. 55
"All things feel," Pythagoas said. Panpsychism, the belief that consciousnes is a property of all things and not limited to the human brain, is back in vogue -- with good reason. The problem of how inert matter could give rise to subjectivity and feeling has proved insoluble under the dominant assumptions of a hard materialism. Recently, the American filmmaker Errol Morris presented his own brand of panpsychism in a long-form essay entitled, "The Pianist and the Lobster," published in the New Yo...
Aug 28, 2019•1 hr 18 min•Ep. 54
William Gibson's Pattern Recognition was published in 2003, in the wake of 9/11. You would think that a novel about the early Internet's effects on the collective psyche would feel dated today. But Gibson's insight into the deeper implications of digital culture and soul-rending consumerism are such that we are still catching up with Cayce Pollard, the novel's protagonist, as she journeys into the hypermodern underworld, searching for the secrets of art, time, and death. In this episode, JF and ...
Aug 14, 2019•1 hr 3 min•Ep. 53
The idea that beauty might denote an actual quality of the world, something outside the human frame, is one of the great taboos of modern intellectual thought. Beauty, we are almost universally told, is a cultural contrivance rooted in politics and history, an illusion that exists only in human heads, for human reasons. On this view, a world without us would be a world without beauty. But in this episode Phil and JF explore two texts, by James Hillman and Peter Schjeldahl, that dare to challenge...
Jul 31, 2019•1 hr 16 min•Ep. 52
