Dead Kids
Dead Kids, also known as Strange Behaviour, is a 50s paranoia-tinged slasher film shot in New Zealand and featuring a great cast and soundtrack

Dead Kids, also known as Strange Behaviour, is a 50s paranoia-tinged slasher film shot in New Zealand and featuring a great cast and soundtrack
The Child is a strange little film featuring zombies odd children and a whole lot of dubbing.
Brutes And Savages is an unpleasant Mondo rip-off. The story behind who made it though is fascinating.
Lewis Jackson created a festive horror classic that was ignored for years, until John Waters brought it to the public's attention
An Italian sexploitation film with some lofty ambitions. Some times it even gets close to reaching some of them
Obscure film from Bob Bliss, the early 1970s. It's a rape revenge thriller, sort of
David Cronenberg's Rabid expands on themes already covered in Shivers but exapands its scope. Mixing sex, disease and death into a heady outbreak movie.
An early Charles Band film, which also features Demi Moore is a 3D horror that mixes Mad Max with creature feature
George A Romero's Night Of The Living Dead is quite a popular horror film form 1968. Don't know if you've heard of it? No?
"The world’s first erotic kung fu classic" Also known as Firecracker from 1981. Literally features a woman fighting until her clothes come off
You know, for a film about a man with split personalities who goes around killing bored housewives after having sex with them, this is fairly well shot,
The story of Harry Preston, writer of 90 books and script-writer and director of this low bidget horror (which made money for Sony but not the film-makers), is probably more interesting than the slasher movie.
Also known as Escape From Hell, this is a sleazy slice of Women In Prison sexploitation.
Can we make. Mancspolitation a thing? Welcome to the amazing world of Cliff Twemlow
Is this Dario Argento's best film? Also known as Profondo Rosso this is a glorious slice of giallo and deeply beautiful too
Better known as Alice Sweet Alice or Holy Terror, this is a better slasher than a lot of films on the video nasties list and the best from film-maker Alfred Sole. Sole had been excommunicated from the Church, his response is this angry film, rallying against hypocrisy
Cheer up, Jess. It's not that bad, you know
This sombre character piece from 1977 is an interesting edition to the list and is actually based on a true story
We heard you like cannibal and zombie movies so we've put cannibals in your zombie movie, or zombies in your cannibal movie. Whichever you prefer.
We introduce the films of Norman J Warren and look at one of his more interesting efforts. Terror is a number of murder set pieces linked together with a witchy plot
We return to the world of Paul Naschy with this 1974 Spanish giallo, which received the unfortunate title of The House Of Psychotic Women in the US.
Also known as Schoolgirls In Chains. This debut feature from Don Jones is a better shot film than you'd expect, but it's still pretty sleazy
James Glickenhaus created his first film with money from an inheritance and plenty of belief. It's an odd film which shows that he was still learning to be a filmmaker. That said, without this film their wouldn't be his next film, The Exterminator.
A grindhouse classic from 1980 is actually two Japanese film's re-dubbed and edited to make one blood soaked classic. Welcome the Lone Wolf and Cub to the Video Nasties Podcast
Don't call it a comeback. The Video Nasties Podcast returns to look at the Section 3 list. But first an explanation of what Section 3 Video Nasties actually are, why it's taken so long to cover them and the plan going forward. God help us all.
Introducing the latest podcast from Christopher Brown. All about horror, cinema and storytelling.
1985 to 1999 in about 30 minutes plus a fond farewell
Our last film on the video nasties list is a seminal arthouse film with a very notorious cover.
This ultra low-budget zombie movie features some cheeky swiping of Goblin music and a load of footage grabbed from all over the place
This bleak slasher movie is a bit like a turbo-charged version of Psycho. Although Norman Bates doesn’t normally use a blowtorch to make his point.