Blues Sixths
Chances are good that when Jimi Hendrix was playing timeless blues intros like the one presented in Ex. 1-which is similar to the opening notes of Red House - he wasn't consciously thinking, I'm now fretting the interval of a major sixth for two beats and then moving it down a half-step. But like great blues players before and after him, Hendrix used intervals of major or minor sixths all the time because these grips- when played with passion and conviction-have a mesmerizing, open sound. While ...
