BURL BARER RETROSPECTIVE-Burl Barer - podcast episode cover

BURL BARER RETROSPECTIVE-Burl Barer

Jan 09, 20201 hr 33 minEp. 482
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Episode description

Burl Barer definitely is a legendary figure in true crime writing and broadcasting, co-hosting the very first true crime podcast, True Crime Uncensored. He is an Edgar Award winning author and two-time Anthony Award nominee. Burl Barer is the author of 9 truly important true crime books.

In 2000, Murder in the Family was published, In 2004, Broken Doll, In 2008, Mom Said Kill. In 2011, Fatal Beauty, In 2012, Body Count and also Head Shot were published, Man Overboard in 2014, and with co-author Frank C. Girardot Jr., A Taste For Murder was published in 2016 as was Betrayal in Blue. A short story The Alaska Mail-Bomb Conspiracy was also published in 2016.

In this Burl Barer Retrospective we will discuss how his true crime writing career began; his very first case and book; the murder cases that shaped his career, and his incredible personal experiences with psychopaths and serial killers writing these now 9 true crime classics. BURL BARER RETROSPECTIVE-Burl Barer Follow and comment on Facebook-TRUE MURDER: The Most Shocking Killers in True Crime History   https://www.facebook.com/profile.php?id=100064697978510Check out TRUE MURDER PODCAST @ truemurderpodcast.com

Transcript

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Speaker 4

You are now listening to True Murder, the most shocking killers in true crime history and the authors that have written about them. Gaesy, Bundy, Dahmer, The Nightstalker BTK. Every week, another fascinating author talking about the most shocking and infamous killers in true crime history. True Murder with your host, journalist and author Dan Zufanski.

Speaker 3

Good Evening.

Speaker 5

Burrel Bear definitely is a legendary figure in true crime writing and broadcasting, co hosting the very first true crime podcast, True Crime Uncensored. An Edgar Award winning author and two time Anthony Award nominee, Burl Bear is the author of

nine truly important true crime books in two thousand. Murder in the Family was published in two thousand and four, Broken Doll in two thousand and eight, Mom Said Kill in twenty eleven, Fatal Beauty in twenty twelve, Body Count and also Headshot were published Man Overboard in twenty fourteen, and with co author Frank C. Girardo Junior, A Taste for Murder was published in two thousand and sixteen, as was Betrayal in Blue. A short story the Alaska mailbomb

Conspiracy was also published in twenty sixteen. In this Burl Bear retrospective, we will discuss how his true crime writing career began, his very first case in book, the murder cases that shaped his career, and his incredible personal experiences with psychopaths and serial killer writing. These now nine true crime classics. The episode tonight is Burl Bear Retrospective with my special guest, investigative journalist and author and podcaster extraordinaire,

the legendary Burl Bear. Welcome to the program, and thank you very much for agreeing to this program.

Speaker 3

It's always a pleasure and an honor to be on your program, and it's always a pleasure to have you on mind. So I think we'll get along fine.

Speaker 5

It's always an honor and a pleasure to have you on this program True Murder and this first retrospective. I think it's fitting to have somebody of your stature on your importance in the two fives six.

Speaker 3

One en shoes. Yeah, that's by stature. I would point out your chronology had a couple understandable errors in it. Yes, Headshot actually Kave was the first book after Murdering the Family. The date that you have is on the Kensington re released with this snazzy new cover. So I just thought i'd mentioned that, and well, thank you very much. I thought, yeah, now go ahead.

Speaker 5

Berl Murdering the Family nineteen eighty seven, Anchorage, Alaska. A murderous, sociopathic twenty three year old nephew, slaughters's aunt and two of her children. Now this is your first book, As I mentioned, murder in the Family. Tell us what you were doing at that time? How do you how do you manage to become the author of Murder in the Family? Tell us how this happens? How does it come to be?

Speaker 3

Okay, I had just published, right, So I didn't publish it myself, but i'd had the book man Overboard The Counterfeit Resurrection of Phil Champagne published by Northwest Publishing Company, the original hardback edition, which is a true crime book and was Anthony nominated, which showed rather nice and as a true crime book of the year. Didn't win, but it was dominated. And it's as you probably don't, it's a humorous true crime book. At least it is supposed

to be humorous. It's supposed to. My theory was its investigating the true crime discovery with all the rules. There's very very harsh rules at that time in the true crime genre, and so I decided I break them all. I talk, I break the fourth wall. I talked to the characters, I talked to the audience, the reader. I do everything you're not supposed to do. But at the same time, I have very strong journalistic ethics, very strong

professional underpinnings. As I was professional journalist. It was kind of a literary experiment. It certainly did in terms of reviews and critical acclaim much better than I ever imagined. He did not do in sales as good as I hoped, but in terms of respect, it's guarded me a great deal of that, especially from the great Jack Olsen, who was probably the best true crime writer I ever encountered, and he actually sought me out and came and talked to me and told me, how much do you like

the book? We formed a friendship over that, which of course for the lasting impact on me. So it was at what they call the ABA, the American Booksellers Association has their annual conference, and the publisher man Overboard, had a big display for the book. The woman walks up to me and has me because he says, I am

a new agent. I'm Charlotte Dale. Breese and I said, well, pleasure to miss you, miss and a man whatever eventually contacts me and says, Kensington Publishing is looking for an author to write a book about a true crime case in Alaska. And I had one question. I said, is there a check attached? And he said yes, there is, and I said, well, I'm obviously the man for the job. Well, it turned out that the fellow who brought the case to Kensington was an Anchorage police formerged police officer, so

he had kind of the inside track on him. But he wasn't an AUF. He wasn't a writer. They wanted the writer. She knew him and knew me and said, here's your guy. Well, I guess they agreed. They signed me to a contract and I did the book. I hadn't done one before. They told me it had to be one hundred thousand words exactly and had to be

delivered in full on exactly this particular date. Well, coming from a background in radio, if they tell you your Elvis Presley Special has to be fifty nine minutes and thirty seconds and it goes on the air Wednesday the twelfth, it can't be delayed until Thursday, and it can't be forty eight minutes long. Everything has to be exact, and so that's ex altum. On that date of due date they received by a federal express a manuscript was exactly

one hundred thousand words to the letter law. And I get this stumpback from this fabulous editor I had there, Karen Haws. She says, this is the first time I have ever received a manuscript on the exact due date that was exactly one hundred thousand words. Beltcheck, grammar check. You know it needed a line at it because I'm not perfect, of course, But since she hadn't seen that before,

I thought everybody did that. The book is either. I tried to use a lot of action in it, a lot of adverbs and a lot of verbs to give a feeling of forward motion. And I think if you notice at the beginning of the book, that's what kicks off, you know, for so and so the nightmare began on such and such, and I use a lot of forward moving words to try to drag you kicking and screaming

to the first part of the book. And when it gets to the trial, either you're going to slog your way through that or you're not, or you're gonna skip it. I've noticed, I've learned that a lot of true fans don't like trials. They're done interested in that. I find them fascinating, in fact, too fascinating. But we're getting that when we talk about a Headshot, which is essentially a book about that.

Speaker 5

The Yes, Headshot, you're right that this alcoholic Paul Saint Pierre had an urge to kill, along with his brother Chris and a friend Andrew Webb, and the trio terrorize the quiet neighborhood near Tacoma, Washington, with the brutal murder of innocent victims. And that's that's an understatement. How did you come to why headshot? Again? Is this a Pinnacle release? Tell us how you came to a little bit about that headshot?

Speaker 3

Yeah, kens didn't. I can't talk to you for a minute. Let me slap myself in the face. Okay. Kensington's Pinnacle, through Crime Imprint, signed me to a two book contract. So here I had another book to do, and okay, what do I follow this with? And my editor Karen has said, well, give me some suggestions. And I was

working on a private Eye novel at that time. I said I would write one of those and make myself the hero, because, as you and I both realized, no one else is going to make me the hero of a private Eye novel, So if I was going to be the case, I had to write it myself. The title of that one is Headlock, which sounds awful lot like Headshot, but it's a totally different book from a different publisher, where I'm the hero of this private Eye novel.

While I am writing that novel, I am friends with a great journalist and brilliant fellow named Travis we who appears in the book. As there's a lot of real people in the book. It's a vocal fiction with real people in it. And we did this book and I got great reviews in low sales, and this is typical for a mention of my material. And then he comes to me and says, you know, my uncle Andrew Webb

is in prison for murder. And I said, oh, really, that's fascinating because where I happened to be right where the prisoners. We were in Walla Walla, Washington, where the Washington State prisoners. And because yeah, it's a really a strange story. My mom has every article and all of this and all of that. Sure enough she did. And I looked at this story and I went, this is

really crazy. I mean, this is an insane story. And then when I started looking at the trials and the legal stuff that went on, it was every bit as insane as the people in the crimes and just as bizarre. I've never seen it. Well, I'm sure if I looked hard enough, I'd find plenty of prostitutorial misconduct. But the

prosecutorial misconduct this case was so severe. You had judges standing up from behind their desk and their robes and screaming this case is giving me etc. Headache number eight hundred and fifty three and I can't take it anymore, and storming out of the courtroom. I mean, they were just fed up. So there's like three trials, so what two mistrials, three appeals to the State Supreme Court. Sentencing

documents went missing. After the book was written, I was contacted by Christopher Saint Pierre's attorney saying that Christopher, who should have been out by it by then, was still in prison. Well why is he still in prison? He should have been out, you know, a couple of years ago. And he said, well, he was sentenced to service sentence consecutive. We call it concurrently, but there prisons trying to say yes to service consecutively, which would be built there forever.

I said no, no, no, no, no. He said, well, do you have the sentencing documents? I said, well, it was covered by the Prospect front page article on the paper. It's no secret what his sentencing was. He said, well, where's the actual sentencing document, stamped by the state, signed by the judge. You must have it because we can't find it. And I had a copy of absolutely everything later the case. The State of Washington had never seen anyone get as much material from them as I did

in writing that book. They couldn't believe it. I had to write a van to take all the stuff from the State Supreme Court library or warehouse whatever. It was so much material, and no one could find the sentence documents. And I went through there. No, it's missing from here, missing from everywhere. And that's not a coincidence, that's intentional. And so then they said, well, was there anywhere else you can find it? Well, of course I got the

newspaper articles, but they wouldn't accept that. I tried to get the videotapes, the TV station had videotape to sentencing, but a new company abought the TV station and that tape was erased, and so they would not let this guy out of prison. Despite they even brought the judge and the court reporter back into a courtroom and had them testify as to what the original sentencing was, and the Department of Corrections would not accept that either, and

they kept the guy in prison. The only reason they let him out is he got I believe, multiple clerosis, and they let him out because he was so ill. And he was the one so he had had the least to do with any crime. He's the one who went to the police and said, my brother, and Andrew Webb killed these people and I can't you know, like his KK my mouth said about it. And the prosecutor, in one of his great brilliant moves, said to the press,

the first one through the door gets the deal. Well, the first one through the door was Andrew Webb, the most guilty of them all, and he made a deal with the prosecutor in return for their not being a death penalty, in return for their for him by getting the ability to be paroled, so he didn't get life without parole. He got life with possibility of parole. He would testify against Christopher Saint Pierre at Paul Saint Pierre and implicate them in the murder of these two people.

Then he got upon the stand. He didn't do it, he said, no, actually they didn't. I'm totally responsible. I take full responsibility. I'm the one who slipped the throat of Damon Wells. And that's what the trial was about, that particular murder. And he says, and they had nothing to do with it. They were there, they were shocked, but they did not kill the kid or know I was going to kill him. Well, of course the prosecutor

was outraged because he'd already signed the deal. It was already a done deal, and so he tricked the prosecutor and he actually told the truth when he got up on the stand, and the truth was that the other two guys had nothing to do with the murder of Damon Wells. He was the only one responsible. But even though Christopher Saint Pierre was found guilty of that and then it was overturned, but he was found guilty of the second murder. I mean, it's just a mess, total mess.

But it was a difficult book. To write to work went into that one, and people whither found it absolutely horrifying to read. And I'll tell you the pictures are shocking you. I didn't pick them. Usually i'll pick the photographs of the book. I sent them all in and said someone else is gonna have to pick them. I don't know what was going on with me at the time, but I wasn't available to be helpful in that, and

the regular person just wasn't there. And so there are pictures in there that are so disturbing that I got to warn you. Yeah, I mean, you see pictures of the decomposed body of Damon Wells, and you know, this really horrible stuff, more than I would want to see. So that's the story on that one. And both the books came out at the same time. A Headshot, which is the true crime book about Andrew Webb in the same peers, and Headlock, which is the private eye novel

with me is the hero and feature Travis Webb. All I both come at the same time. Some people, including myself, off and get the titles of the two most confused. Although head Shot sold much better than Headlock. Although Headlock is available in a new edition with a fancy do cover from Wild Blue Press.

Speaker 5

Let's talk about Broken Doll. I know that when I started my true crime journey, I mean I've only been involved not even twenty years in reading true crime. But one of the very first people that I saw and was burbar And the book that I saw, the very first book I saw from you was Broken Doll in nineteen ninety five and Everett Washington, a seven year old Rock Sande Doll was abducted, raped and murdered by Richard Matthew Clark, a trusted family friend. This is an incredibly

disturbing and unforgettable story. Broken Dolls horror fi.

Speaker 3

What's really horrified me was the cover because it says parents worst nightmare and then my name. See aside from that in the book, it's even worse. It is a terrifying story. And what what's really heartbreaking about the whole thing is not only is the rape and murder of Rock Sandal a terrible tragedy, the life of the guy who did it is a terrible tragedy. There is not a happy moment in nick of life in this entire book. I mean, it's just it's just heartbreaking. And the thing

is is that as awful as the crime is. This Richard Matthew Clark is in that classification of what they call situation child molesters, and they are, according to all research, the easiest people to treat. He never received any treatment, never received any counseling after the first time he ever

did something that was questionable. All they did was lock them up in itself as an Homes County jail for twelve months and then let him out and had he and I talked to a situational child molestation experts and they all said the same thing, and that was, Hey, we could have fixed that guy in those twelve months if we would have had therapy to Those are the easiest people to treat, because it's not about any sort of sexual obsession, you know, in their mind, it is

a feeling of extreme powerlessness, and they pick on someone who has no power. It's kind of like a bully, except extreme and his people who been extremely as what they had done to them pretty much what they're going to do to somebody else. Trying to do a role reversal, and when they're feeling extremely powerless, that's the only way. But they're not aware of what they're doing. It's not a conscious thing. But once you're made consciously aware, you know,

it kind of breaks the psycho for some reason. I'm not a doctor, I'm not a psychologist or a psychiatrist, but these people are the ones that are treatable, as opposed to she always say a pedophile who acts on their pedophilia. Most pedophiles never do act on their pedophilia, even afraid to go get help for it because it has such a bad reputations, or just stays. They don't get help and they don't get better, but at least

they don't do anything bad. The situational child molestors can be treated, which would be a great bless in the society because they wouldn't do things like which advands the collected. And once you get past a certain point, you know, then everybody suffers. And he suffered all of his life, and then the family of Roxandele had to suffer. So it was just tragic all the way around. The family

lived very close to me. I was living in Munchaele Teel, Washington, which is right by Everett, and in fact her father who actually lived Matterress a few blocks from me, so it was very easy to stop buying chat with him, and he's got his daughter's face tattooed on his chest,

his arm or whatever. It's just and the detective Herndon, the guy who's got solved the case, who's the youngest fellow ever to become lead detective in ever Washington, and solved the case and was almost immediately devoted back to a driving and beat the cop car for no known reasons. It's peculiar everything. This is one of those I mean, you write through crime books. I was worn by Garry Sea King when we were actually we were in a bus at the UH. This would be aboucher card. When

after that Overboord came out. I was just about to do murdering the family, and I was chatting with him, and of course he already we've been doing for growing for a while, and I told him. He says, well, that piece of advice for your brother. He says, be prepared to cry a lot. He says, it's going to be very emotionally draining. He says, you know you can wind up being hard, you know, cynical whatever, But he says most of us writer types or types send to

be rather mostly sensitive. He says, so be prepared to cry with the family, to be haunted by the images you see, you know, and I can't with murdering the family. I kept picture of Nancy's two kids, their school pictures, you know, Scott's taped to my computer, you know, just top computer while I wrote, so I never forgot what Whoe was writing about.

Speaker 5

Yeah. Absolutely, you have a fascinating story. I mean, all of these books include fascinating stories, but this one is again one that just sticks out a little bit more. This mom said kill just for the heinous nature of this plan, of this plot. Jerry Hymond in two thousand and one terminal cancer. He had hired Barbara Marie Ople as a healthcare provider and housekeeper, and she hatches a plan to have two teens and her own three children to kill hymen. Yeah again, you say you can't be

detached from these stories. You can see why. Maybe somebody could say, well, you have to be detached, you have to be unemotional, but to delve as deep as you have to in this investigation that you undertake to write these books. Yeah, you're the furthest thing from detached.

Speaker 3

Yeah, uh, this is I mean, I can't say, you know, I say this about every one of the books, every one of the stories. Well this is really a strange one. Well, they're all strange. I mean, there's so much true crime around. It's not out only in real life, and people read a lot of true crimes. I think there's more of it going on than there is. To prove that it isn't, all you got to do is watch ideas and see how many times the same crime comes up on the

different programs. You know, there isn't quite enough of enough true crime, none of enough murders that are strange enough to make a show out of. Uh do you want? I mean if I was programming a true crime channel, I would want the same thing they want, or oxygen wants. I want stories they've got something strange to them, you know, a twists to the tale. Because smoking gun, you know, Sally comes in and shoots Joe. That doesn't make a

you know, an half hour or hour TV show. You gotta have the investigation, you gotta have something strange to it. And now, in this particular story, when Mom said kill, the twist of the tale isn't she was hard to solve because it was easy to solve. That wasn't a problem. What's so strange is the fact that the murder took place in the first place, that even happened. What I found particularly fascinating was the relationship between Barbara Ople and

her daughter Heather. Heather did whatever Mom said. That's why I called the book Mom said kill, Mom says kill you go kill. You do whatever Mom says. That was really the dynamic of the relationship. Unfortunately, the mother was no more intellectually or maturely advanced than her daughter. She was essentially one of the kids, except the very bossy one. She was the alpha child. She said she had her own to he say mental limitations. I don't mean such like, ah,

she was crazy. I mean she did actually have her does have limitations, among them being in planning this crime. But she worked on this and Dan. She really was obsessed with killing her employer, who was really a nice guy, nice to her, nice to the kids. Why why did she want to kill him? He had forty thousand dollars or something like that in his bank account. She wanted to get the money, and she forget if she killed him, she could get the money, She could steal the money.

She did not think or plan past the moment when his body hits the ground. If you're going to plan a murder, which is not a bright thing to do, but if you were, hopefully you would, if you wanted to get away with it, you would plan on what you do after you killed the person. You know, if the opening of the book it takes for murder of Frank and I talk about all the different ways to kill somebody and why you're getting get caught every time. You know, it just doesn't work. You know, you're just

not gonna be able to get away with it. She didn't even think about trying to get away with it. She just thought about doing it. So now she's got a dead body on the floor, and it never occurred to her what do I do now? She didn't run away, She just moved two blocks away down to the motel. I mean, I mean, there was just no go what do I do now? Thought? Given to the whole product, it was just going to kill him and I'll have

the money. So it was really to catch him. But it's the whole thing, is that dynamics between the mom and the kids and the little the youngest kid. Timpany had to clean up the blood and the brains, of the wall thot sorry for her. She was after the book came out, she would go into the grocery store nearby where she lived, and what book is plastered has just come out and it is in the number one position there and it's bomb said kill with her mom's picture,

you know, right there on the front. And they kind of freaked her out. So the store, much to my room. I thought the stores should have held firm and kept the book on the shelf. No, they took the book to you know, it could be easier to tell the kid, you know, don't walk over to the book department.

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Speaker 3

That this is a straight strange story.

Speaker 5

You have another story and containing fatal beauty with wealthy Jimmy Jost's law time lover, Ronda Glover claimed after fifteen years that Jost was violent and threatened her and she had killed him in self defense. Oh again. Yeah, but in the court we heard stories and you reported on them of devil worship and sexual perversion.

Speaker 3

And no, I don't know if there's any sexual perversion. There was just a lot of sexual participants. I mean, there was stacked like cord would. I don't know if they qualified as a perversion or not. But she was just a blog talk radio, isn't it so coveryer his kids? I think the technical term for Ronda Glover is he's batshit crazy, nuttier her fruitcake and the interesting thing is all interesting thing if there wasn't an interesting thing about

this case. When I got hold of Rondo, unlike most people who got her by the years, I just got bolder by writing. I said, Ronda, I want you to be able to comment on everything in this book. I want to play to her ego. You know, I'm gonna give you free reign. You can say whatever you want, you can correct it, you can, you know, contradict it everybody. I want you to have full rain on this. And she says, welcome. She says, you know, I've never been

in a mental institution. I've never had the metal problem. People trying to say I'm crazy. Can you get my metal records? I can't get him? Can you get them? Oh? I thought, I'm all right. She could in and out of mental institutions all over life, poor thing, and never had really real comprehensive, ongoing treatment. If she had met she didn't take them. And she I mean she had been diagnosed. And I kid with the phrase I used.

The book is whether they know that she's got a severe mental problem, a psychosis of some sort but not otherwise specified. It was. They could never hold her still long enough, or hold her down long enough to do a thorough enough critigue or examination of exactly what kind of psychosis she had and what was triggering it. On top of that, she was self medicating with massive amounts of methanephetamine cocaine, which wasn't exactly helping her mental state.

Adding to her paranoia, she thought there were demons in the walls that well. Her primary delusion was that her husband and knew were actually wasn't her husband's what kind of her common law husband or longtime boyfriend Jimmy, father of her child, that he and George W. Bush were having homosexual sex with clones in the cave under her house.

Right now. You think that that alone would disqualify her from stand being fit to stand trial, But they made her fit to stand trial by giving her Sarah quall or something to calm her down. And then they took her aside and said, listener on it. You can't mention the cave or the clones or the devil, because it's too dangerous if you talk about that it's too dangerous, and she took.

Speaker 5

That to me.

Speaker 3

And if you talk about these demons are going to come kill your kid, or kill you, or kill your mother. And so because it was too dangerous to talk about it in the courtroom, it was never brought up. If it had been brought up, so it might have said, hey, wait a second, what's she doing testifyings obviously nuts, But they had her competence to stand trial. She wasn't really competent to stand try. In my opinion, she wasn't competent to sit trial and a little stand trial. I went

to see her in prison. That was a strange experience. I usually don't go see the murderers or accused the cycle paths in prison. I got enough cyclepaths walk around the streets of Los Angeles. I don't need to go see him in prison. And she's on the other side of the plexa glass. And fortunately I had quite a lot of experience in the people on psychedelics back in the sixties, who have the attention span of a goldfish. Oh look there's a castle. Oh look there's a castle.

That was kind of like dealing with Rondo. If I pissed her off. I could put her in a good mood immediately by going, oh, rond, I got to tell you how brilliant you were to say such and such right away. Her face would light up with a blazing smile and she just you know, you see her puff up like a blowfish, you know. So I could, I hate you word manipulate, but I could at least influence her mood. If I said something that made her mad, you could see it instantly, and that was kind of scary.

But I could, you know, change the channel by what I said. And I did notice how she would modify things depending on what was in the news, like you know, things changed. Oh yes, Jimmy was into that if it was something bad. You know, she always felt that he was in league with the devil. But his face was of the twenty dollar bill, except on the twenty dollar bill, his face that he was wearing a leather gag mask,

you know, s and m stuff. Wish he wasn't, of course, stay it was real peculiar talking to her, And I mean people were very concerned about her her mental state, but it wasn't It's not always easy to get someone with mental health problems and get them help and when she was first arrested, they didn't arrest her for murder. They arrested her on firearms violations. And you want to

talk about, you know, gun control. Hear this woman who has been in and out of mental institutions or mental health facilities all of her life, who is diagnosed as having psychosis, purchasing a weapon, you know, down there at the firing range, practicing on killing this guy. She's even asked the instructor, Okay, let's say I'm upstairs and this guy's coming up the stairs to see me. You know, when I'm in this room, how do I shoot him?

You know, they arrested her on firearms violation because when she filled out the paperwork, she didn't tell the truth. You didn't do a check. They don't take those forms to go check to see if you're honest or not, which is a great boon for the medal. Ell I mean dishonest. She put down false address, she put down a false personal history, and she lied on her firearm registration.

That's a crime. That's what she was arrested for. They didn't want to hurry up and do the murder charges until they already had her in custody similar to Kirby Anthony. When they arrested Kirby Anthony and por Alaska on the Newman murder homicide, if they didn't arrest him for murder, they arrested him because there was a marijuana cigarette the ashtray.

That's why they arrested him. And if I could flash back to that one just for a moment, then in addition to Kirby Anthony having killed Nancy Newman and her two little kids, he also murdered some other people. He murdered Walter Napagie, who was a transsexual in Anchorage, because he didn't know that Walter was Walter and had Walter performed moral sex on him. And then when he figured out that Walller was a guy and not a girl, who murdered him, put him in a wheelbarrow and dumbed

him in an alley. And if the cops mentioned to Kirby that he'd murdered these two little kids, didn't phase him, and they murdered the little kids, but if they mentioned Walter, Kirby would just get furious because it was upsetting, not that he killed anybody, but it's upsetting that that he'd had sex with Walder when Walder was a god. You know, they didn't killing little kids but having sex with Walder. Oh, he was furious about that. He'd also apparently killed a

twelve year old girl allegedly back in Idaho. That's why they went to Alaska to get away from that. Yeah, I had problems.

Speaker 5

Incredible tale. Incredible tale. Uh that became on became a best seller too. That that book was very New York.

Speaker 3

Times bestseller board. Were we surprised about that? Uh? That that was on the part of the last thing I expected as a you know, a paper mass market paperback true crime book. And my first you know, she always a serious one. Good Man Over was humorous, My first serious one, my first one for Kensington, was going to be a New York Times bestseller. I would never believe you. And when, of course they didn't believe it. They didn't

believe it. They weren't prepared for it. When I first hit the New York Times bestseller list, it was the same week we ran out of books because it sold so many so fast, they didn't have any more books to sell, so it was on its way up. The next week it would have been the top ten best sellers. It was just on the edge there. You know, it made the list, but it would have been even higher if they'd had more books to sell. They didn't drop

back down. And I don't know why. If it was a New York Times bestseller, it must have been the title, because people don't know what a book if they like a book it on till after they buy and read it. So it must have been a combination of the title and the description on the back. I guess once people read it, they recommended it to other people, got a lot of great reviews, and they look on Amazon and people say how much it bothered them to read it, but they read it anyway.

Speaker 5

Well, you know, doing you know, doing this, doing this show the I did an interview about Murder in the Family till much later, So just a few years ago I read Murder in the Family, so I had the

perspective of reading it. And now when you say this is my very first book, they were impressed because your writing was impressive and jack Olson giving you the accolades that he did, Like you say, jack Olson, When I first read true Crime, I read jack Olson and jack Olson yeah, absolutely, and the stories too, and you and you inherited that same ability through Pinnacle and through just where you were geographically at the time, and because of the author that you were, you were able to get

stories that resonate that are just just by the description on some of these books, you are compelled to pick up that book.

Speaker 3

Yeah, I don't want to read that one.

Speaker 5

You know.

Speaker 3

The thing is that, you know, true crime, here's a female driven genre, majority of books about by women, and you're really marketing to women, which is somewhat problematic on some of the books because like portrayal them blue and I think maybe there I'm almost tempted to change the title and change the cover on that and put his wife's picture on the front with the headline my husband was the second most corrupt copy of the history of

the n MIPD. And I think it's so better because we even say the introduction to that book, which I don't even talk about later, but as long as we're on the topic, we say by the introduction that this is a you know, a cop story is a male driven story. Lots of testosterone here. You know, the guys can tell you dates and times and places and cadavers, but the women of the emotional barometer, you know, what's

going on? And so we start the book story wise with the Kenyurell's wife, you know, in home alone with her and the kids and the dog, and all these policemen hiding in the books just set me crazy. Did into her house and arrested in her and she don't know what the hell is going on.

Speaker 5

You know.

Speaker 3

We started from her perspective, and we had her on the show talking about it too, And that was one of our most downloaded shows because I have that title. My husband, that jerk who I love with all my heart, was like, what were the most corrupt cops the NYPD?

Speaker 5

Anyway, if you talk about betrayal in Blue too, where while we're on the subject, we might as well talk about that because after Pinnacle decided not to pursue true crime the way they were, they were that they were the premiere independent especially true crime book destination in America and world wide Canada, of all kinds of international places. They were really the the true crime book.

Speaker 3

And Berkeley were putting on one a month.

Speaker 5

And they were embracing a lot of the stories that I think the true crime well, I know the true crime audience was looking for. As we saw when the true crime podcast explosion happened. People weren't so adverse to hearing about gore. Whether it's a female audience that primarily reads true crime books, they were not so hesitant to read details. That's what now I think Pinnacle was tapping into that. There was the same stories that you and

I would would read. These the women were reading and and enjoying and and not batting an eye at all the details, even at.

Speaker 3

The murder. You know, you can put murder in the title makes a big difference too. They like, they like murders, but a lot of it is relationship murders and like murdering the family.

Speaker 5

Uh.

Speaker 3

And you know, women tend to be more relationship tuned in than the guys are for the most part. Sure, and so I mean we want to know. Uh. There's also the element that they use in news. I'm sure they do in Canada the United States, And it's real typical of Erica. Does all the newscasts have something to make you feel better or more fortunate than somebody else? You know, I'm not as screwed up as that person.

Well I got it better than them. And almost all the news nightly newscasts will have one little tidbit of that and something to be afraid of and then a happy story about an animal. Uh a little format uh. And so you read these stories about husbands who kill their wives, wives and kill their husbands, and some real sick ones like lovers who kill their own brothers and sisters.

You know, weird stuff. Make it off on it or got what's that one that our very flowers did about the couple that travel around on their van picking up sex slaves and kill will you know not? The second places murders. That's what it was called. Wonder where they hold? These people come from glad. I don't know them, but you know when when I started doing my podcast through Crime Uncensored with the Great U, Late Great Don Woldman, Yes, this is going to be interesting because it was on

Outlaw Radio, which is heavy, heavy, heavy male. As I said, it was like for men eighteen to twenty five with a good chance of doing twenty five to thirty. We smoke, we drink, we interrupt as the slogan, you know, so like a bunch of bozos and if I could do it, if I gonna do it. Matt allens Bur wants to do a show which just before mine, what do you want to do? Well, I just had true crime books come out, and we'll do a true crime show. And on the last Don Woldman is an attorney with me.

He was a regular mad show too, and so maybe we get men interested in true crime if we do it skew towards the male audience, joking around, being rude. You know, now people probably look at us and go, guy, what a bunch of eight? Oh these guys are? You know, because it's not so many truth crime podcasts where people are responsible professionals. We may be professionals acting you're responsible. But there was a method to our madness, and that

was to try to get guys into paging. We started well, we always off our show joking around, and then gradually as the show progresses, as a rule, it becomes more serious because his crimes are serious. But we always have that kind of joking guy sitting around in a bar approach, because that's how the show began and that's why the show actually does take place. Get a bar in Matt

Allen's backyard with the light and applause. It looks exactly like a you know, eighteen seventy six Staventa style bar saloon complete with swinging doors and real alcohol which I don't indulge in.

Speaker 5

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Speaker 3

Now.

Speaker 5

Burrell we in every author's career, especially in true crime, an author has the opportunity, we won't say misfortune, but the opportunity to experience a serial killer. In body count in Spokane, Washington, first thirteen but fifteen women murdered, and Robert more than probably yes, Robert many.

Speaker 3

Twenty five or thirty altogether. If you take other countries into account.

Speaker 5

Yeah, this was a respected father of five and a helicopter pilot who served in Desert Storm. So this was a complete surprise. But this is the psychopath, the serial killer that Robert Lee Jates Yates Junior was, And your incredible story Body Count, the book about Robert Lee Yates.

Speaker 3

J Yeah, that was a book. I'll tell you that. You know the process of writing these. You've you've written one of my favorite and most deserving truth life books. You know the show We Dance Murderers Trophy Kill. You're familiar with that, and you know what it's like to write a book. And it's not easy. You may get it wrapped up at it, but each one has its own emotional personality. When you're writing it, it's never the same. It's everyone is his own gauntlet that you got to run,

you know. Uh, And sometimes it's it's difficult as well. I mean, I remember when Mike Taylor Hamilton, the chief executive editor of Kensington and Pinnacle True Crime, called me up when I was writing the one was Rond the Glover Fatal Beauty. Yeah, and I was having a horrible time with that one. I thought that was going to be the easiest one to write. It was the most difficult. And she said, you're drowning in this manuscript dunchet. I said, I sure am, she says, and she told me what

the mistake was, what I had done wrong. I had read the reviews on Amazon or my other books. She always warned me not to do that, says, don't read the reviews. And I read the reviews because you always remember the bad ones. And the bad ones the ones that don't like my books are the ones that I don't know why they buy them. They don't like them, But are the ones that don't like trials. They don't

like the legal process. And the only say that stupid thing, Oh, he just put in a bunch of trial transcripts, which no author does that. It just shows up ignorant they are. As One of the hardest things for true come mother to do is to take something from a trial transcript and modify it and use it. And structurists who can actually be used in the book. There's no such thing as as taking til transcripts and putting you in the book for filler. No, it kisses me off when they

say that anyway. So I was purposely avoiding anything they had to do with the legal procedures because I had so many complaints on people who don't like my books about that. She said, there's a piece of advice. Remember this. You write books for people who like your books, not those who don't. Duh yea. I went, oh, okay, I'll write it for people who like my books, and that

helped with BodyCount. There was no legal stuff. Everything was sealed, everything was no The only legal stuff was the the disagreements or the ripoff between Spokane or Stephens County I guess and Pierce County is they had a deal. There were originally then taking the death penalty off the table if he would reveal where the bodies were buried, this sort of thing, and then Pierce County pulled out of

the deal and sentenced him to death. But the judge Rightley rule, he had already been sentenced to five hundred and some years in prison, so after he served the five hundred some years, then you can kill him. So that worked out well. He is a model prisoner because he was very good in the military, so they never have any problems with him. The model prisoner is just fine.

And you know, I did an update on that book for the addition you mentioned doing with the stanzy cover, kind of a purple cover with a girl standing by a river or something. Uh, that's the updated edition. Oh there is an updated e book addition too. But the uh they thought originally and they had these giant billboards of his victims. Well turns out the first three or four people on that billboard weren't his victims at all.

They were the victims of another serial killer, the called the Riverside killer, and their the old method by which they were killed and all the bodies were dumped and all that stuff, which was entirely different than Robert Lee Yates. They finally we've caught the suspect. There's a DNA improved and the DNA testing improved to discover they already had that person in a custody on a weapons violation, except it was a woman who used to be a guy.

The guy had gone Taiwan and the Philippines and some place, had gender reassignment surgery and came back to Spokane as a woman. And it not killed anybody. Since I think the defense used what I didn't do what he did. We just happened to have the same body. I guess that was kind of strange, but I knew some of the victims of his Pokane serial killer. My daughter went to school with his kids. We lived in the same town more than once, and we both lived in Walla Walla, Washington.

The batter living college place with the suburb. Worked at the prison. Interesting in the illustrations, he worked at Washington State Penitentiary as a corrections officer. And they take the pictures of the employees the same place to take the pictures of the prisoners. And so you see his picture, don't say you know Robert le Yates corrections officer. Next to that, I put the picture of Robert Lee Yate's prisoner. He used to be a corrections officer the penitentiary. Now he's a prisoner.

Speaker 2

Uh.

Speaker 3

Yeah, he moved out of town. The first people he murdered were friends of my family. Wow. And they were very cooperative in the doing the book the Olivers and uh and then I knew, uh Marla who he murdered, and Darling this sister is Marlon and Darla Darla is the one that was murdered. Met her several times with my friend Arthur, and uh, that was just it was all too strange, and he was. I mean, no one would ever suspect Robert Lee Yates to being a serial killer.

And that's the thing, is the only time I've ever heard of people going, oh, that guy's a serial killer was my daughter and her friend was standing in line to see interview with a vampire. And the standing in line and the guy behind him was the Green Killer, and they're going, dude, guy's creepy, but he's a greed River killer.

Speaker 1

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Speaker 7

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Speaker 3

Wow, but usually you don't get that. You know, it's like the last person you'd ever think of. And that was the case with him.

Speaker 5

You hooked up and with Frank Girardo Frank z Girardo Junior. Tell us a little bit about this collaboration, this co authoring and a taste for murder.

Speaker 3

Oh yeah, it was great fun. I don't mean the case is great fun because a guy winds up being dead. But working with Frank, people ask how does that process work? Especially on Betrayal and Blue where it was three of us, Kenyrell and Frank and myself. Uh, well, here's here's the here's the real, untold story. I used to live in the Pacific Northwest, and I had lots of contacts up there. If I wanted to know about this or that, I

could always know where. I could go talk to this guy and the prosecute his office, and I could talk to this cop. And you know, because I lived there. And so I was like, you know, homeboy. When I came down in the southern California, I'm not in that position anymore. I didn't know anybody, and I don't have those contacts and go to those relationships. But I'd had this uh, uh friend Gerardo on my show, uh, talking about his book about this the fake Rockefeller guy, and uh,

because I was really impressed. Uh. The guy's a brilliant journalist who won lots of awards, a great personality and knows everybody because he's been here. I mean even I editor in the pasting to start news. You know, the guy's connected, and the guy knows that A right great writer, and so uh, it's time for me to write another book and going wow. I called them Frank and I said I I'm bro Beart. You remember, of course knew

who I was, and so you want to do a book? Uh, he goes, yeah, sure so uh so we we did start doing some stuff together. And uh even some of the stuff we did which isn't necessarily very good, like the short, little, quick and dirties we did. Uh uh, this is really gonna upset somebody. We did a quick and dirty little booklet on the uh main wing of Williams murder, where she murders her husband and her and her kids. She chops him up with a samurai swords and sat down and wrote him a suicide note. No,

we's gonna buy that. Uh you know what's start of following focus. It's real short, you know, but he was one of the first people on the scene. He was on the scene before the cops were. Frank was. So we wrote that up and we made more money and that say itself for like a buck, right, because it's a little booklet. We made more money off of that than any other in an entire year than we did have any other true crime book in my catalog. It

doesn't have that good reviews, you know. I mean, that's some good reviews, but that's where we made our money. Very strange, but because it was on uh, Deadly Sins, Yeah, Manly Williams, Deadly Sins, and which I was on, you know, with Darren Cavanoak, one of our friends, a great guy. Originally that was going to be a book that Darren and I were going to do, and it didn't go through go through as a book, so he turned into a TV series and it's been nice enough to have

me on every a couple of times every year. But so I got old the Frank and he found that case that we did for a Taste for a Taste for Murder, and he had all the contacts and everything, and the way he explains how we worked, I thought it was pretty clever. We did an event at the Pasadena Library and a lot of people showed up and he sold some books and he answered all sorts of questions and he says, you know, he's also a musician, plays guitar. He says, it's like being in a band.

He says that do an album. He says, he goes in like he's the rhythm section. He lays down the bass and drums, and then I come in and I do lead guitar right, And I mean we've done two full length books together and we've never written in the same room. We've never been in the same place at the same time. I'll write what I write and send it to him and he'll make a couple of notes suggestions, send it back and they'll do the same. We just

go back and forth with not sitting right together. We just kind of he writes his stuff, I write mine, and why he is he's mine. I make a couple of notes, he makes a couple of notes, and that's how we do it.

Speaker 5

Well, it makes people take collaboration.

Speaker 3

Well, yeah, it works real well. You know, uh after he doesn't have to sit here and watch me pretend to type, and I don't have to watch him pretend to type. And you know, we read it when he's got it, and hopefully he'll polish mine up and I'll polish his up. And what works not just fine. Plus we made a decision that I thought was smart thing to do. You know, when I was with Tensington Figure and I said, when I first had man over, there

was lots of rules to true crime. One of them is he had to come into one hundred thousand words if the story only took sixty two thousand to tell. It just makes any difference you still hat to cover over with one hundred thousand words. Also, he had to stick to the facts. He could could yac yack at the audience. You know, you couldn't have had to be

just like Joe Friday. Just the facts, ma'am. Yeah, Well, we decided listen, if we were sitting with our friends, if we were sitting with Dan Zebanski, and we're gonna tell Dana's story, you know, whether he's leading him back in a chair, sits on the edge of his seat. He likes hearing true crime stories, and we're gonna tell him one, and we're gonna tell him one to have him entertained and amused and aggravated and everything else. But

we're gonna tell it the way we tell it. Someone else may tell it differently, but it is the way we tell it, and we just assume he's gonna like it because he likes stories and we like telling stories. And that's how we approached it. And you know, of all the compliments we got on the book, that's the biggest compliment we got the way it's written, the style, because we wrote it just as if we were sitting

here with you telling you the story. Yeah, and people appreciated that, and we work absolutely that is one more word than it took to tell the story. We just got to tell the story the way we tell the story, and that's it, and that's exactly.

Speaker 5

What we do. Well, your books too, they do explore things. And there are other authors that talk about this, but they are rare. But people an author says, there has to be more to this story. Again the facts certainly, and again it's not an editorial excuse or reason just to editorialize, but there obviously is something to be right from each one of these stories.

Speaker 3

Well, Jack only and that any true crime book that doesn't get into the house or you're going to go, why and what can we do about it? Is pornography. And pornography doesn't mean sexual. Pornography means appealing to the lowest bases, common denominator here and so in every one of my books. But he says, we've been overboard, and it was kind of pretty obvious. Uh. There as the author's commentary at the end where we delve into the how do how do we deal with this? How do

we resolve these problems. How do you know, UH, what is the why and the where for of this?

Speaker 5

You know?

Speaker 3

What can we do about it? You know? And based on the research, whether astonishing things about uh, A taste for murder was the story of the woman who did the murder of her life until you know again once again it was an incest. Uh. And her sister had said to me, you know, Grandpa was having sex with all of us, but he stopped with the rest of us about the time he usually stopped that sort of thing. Well,

I was shocked to hear that. I didn't know there was a time you usually stop having sex with your grandkids. I didn't know there was a time when you started. I mean, that just blew my mind. But I went and looked it up. You know, I had to do all scholarly research on multigenerational incests. And yes, there is a typical time that it starts, at a typical time that it ends. If you're going to do it three years.

After three years of having sex with your grandkids, you usually stop and go on to a new grand kids. But Grandpa didn't stop with her. Grandpa kept it up all the way until she was eighteen and she had two abortions from being pregnant with Grandpa's kids when she

was in high school. So there you go. But we had to do a lot of research and some of the research and you learn things when you do research like this that when you learn it seems so obvious you wonder why didn't that ever cross my mind before. For example, if a kid, a little kid sexually molested, you feel real sorry for him. Say the kids sexually molests, he's thirteen, fourteen, fifteen or she or he either won, but once in about sixteen seventy, you know, she self

feels self feeling sorry for him. And the real problem is is that sex feels good, which means psychologically or mentally maybe going no no, no no, but your body's going yes, yes, yes yes. And one of the biggest problems the victims of sexual abuse face is that as bad as it was, they enjoyed it physically, and the guilt and shame that they have for feeling what is perfectly natural to feel in a physical SA situation is

horrifying and really screws them up. That's why there are only and I know you got we got total the time left. Tell me there are two responses to to be a sexual violation or brother sister incests, or father daughter and sister, grandfather child incests. Either you become as cold as winter and anchorage and sexless, or you become what appears to be incredibly promiscuous and have just tons of sex for those sorts of people. I think, well, what that sounds strange? Why would that be? Didn't occur

to me either until I read the research. It's very simple. And I talked to this one woman who she had everybody in her family was poking the poor girl, her father, her uncle's, her cousins, everybody. She says. Being a sex worker, she says, she gets to decide who does what, nobody else. She's the one who says yes or no, nobody else.

She is in control of her body, her sexual life, not anybody else, so that every time she says yes, it's her decision, not somebody else's, and it's her reclaiming of her own body and her own sexuality, not being controlled by somebody else. That had occurred to me, you know, maybe it occurs to everybody else. That had can cross my mind. But all the research says, yep, that's what

that's about. And there's no middle ground. It's like, if you're a victim of racial or religious prejudice, or if people pick on you for being Canadian, only h only two possible responses. Either you're going to become just like the people who pick on you, be just as prejudice against others, or you're going to be a champion of acceptance and inclusion. No middle ground, and there's no if you know, either you're going to be just as prejudice as they were, or you're going to be a champion

of inclusion. And that's the way it is. And you know, for some reason, my brain just clicked into the channel of how important it is in any country in Canada, the United States, any country in terms of its civilization and functionality, functionality to have a well informed population, a well educated, well informed population, and a well informed electric.

One of the great tools to destroy a civilization or to manipulate is to have an ill informed or misinformed or uninformed population, what they call the low information voter. The people are ignorant, they'll just fall for just about anything. And there's always been kind of a general plan in the United States, which I found rather shocking considering down here. It was always said it was the taper ships on the backbone of America. Is a well informed electorate is

the backbone of a democracy. Well, a lot of effort have been put into not having a well informed electorate. Because they're well informed, You've got some real problems. They're going to see right through your bs. You know, Now, what do you do? Uh So, a lot of the mocking of the well educated, all those ivory tailer intellectuals, although, you know, putting down the well educated, mocking them. I can remember we had a guy running from president back

in the United States years ago, Headlight Stevenson. I was a kid at the time, but I remember what people complained about him was he was too smart, he was too well educated. Yeah, yeah, a kind falls into the same category here with you know, I'm glad people are still learning to read so they can buy our books.

Speaker 5

Absolutely. You know, Betrayal in Blue, which was released in twenty sixteen, the shocking memoir of the scandal that rocked the NYPD in the story of cops Dowd and Kenny Murrel. You worked with Frank Girardo and this Kenny Urrel, this bad cop from the seventy fifth Precinct, This is an

incredible collaboration between you. But it also demonstrates the ability for you to get a journalist and author of Frank Girardo's stature to co author, but also to be able to get And I think this is an important part of all the books that you have, is that the respect you have as a journalist, and this is evident when you get to talk to this Kenny Urrel and

he gives you the information. It's on Netflix. But the book that you have, Betrayal in Blue, really gets to the character of this Kenny Urrel and to tell the truth about the NYPD. I think this is where you, with True Crime Uncensored, had stuff that nobody else had, stuff like this bad cops finally opening their mouth and

telling the truth. This is a powerful book, Betrayal and Blue, but it also again indicates and demonstrates the ability for you to have that respect for people to say, yes, I will tell burrobar I will let.

Speaker 3

Work a strange thing and it is true. And now, in fact, I have a letter from a retired Secret Service agent, Lyle Workman, like a letter of recommendation. And in that letter, which was written about probably twenty years ago, he says, for some reason, people will talk to Burro Bear and they will tell him openly, tell him things they will not share with anybody else. They won't share

with the reporters, they won't shall with the attorneys. But for some reason they will tell Burrol Beert, and thank god they do. And there's some other people that would have the same thing. Susan Murphy Milano had the same and it was blessed with the same gift. People would talk to her. I don't know why it is, but I'm happy about it.

Speaker 5

Well, you have a background that really is not of you know, you have a background as an elite. You didn't spend all your time in school. You were. You have a background in radio and sales and marketing in music, so you obviously were. By the time that you were writing True Crime, you had already established the ways to communicate with people and all kinds of people, which was the real benefit later on.

Speaker 3

That's true, as I often joke about it as if it were for having a double life, i'd have no life at all. And and Parboy I live with here. She always mositors. I don't want to meet any more of your friends. She meets some of these people that I know is that terrified were shocked by you know, because I know people from all social strata. Some of them I wouldn't bring home. Some of them I would gladly bring home. Oh and some of me bring home

as the culture shock. But I could transition between all levels levels of not all, but say most levels of American culture very fairly easily. Although I may appear out of place. I can tell you a strange story. I wound up one night in a particular location of people that you would not necessarily feel are percent comfortable around, and the TV was on and it was who Wants

to Be a Millionaire? And I'm watching that while there's other things going on in the house, and there's other woman say she's gonna watched it too, And it just happened to be by sheer coincidence. I happen to know they answered every question they asked, and so they're going on and I go, D, C, A, whatever, while there's other bizarre crinal behaviors aating place. And we get all done and anyone lady looks at me, he says, what

the hell are you doing here? Any One who could add just what have you been sitting that, sure, you'd be a millionaire. Now what the hell are you doing sitting in this room for criminals? And I said, that's a good question. I can't really tell you, but I mean I was perfectly comfortable. I hadn't been so willing to play the game that was on TV, they probably wouldn't have been so suspicious of me like I had Lie Stevens in the room.

Speaker 5

Your books are imbued with your personality. But also what's important, I think for the listener to understand is that if your books didn't have this tone, the tone of that law enforcement would approve of. You're on the right side of the law despite your understanding and comprehension of criminals. Like we mentioned, you understand when somebody is insane rather

than psychopathic killer. Regardless of what the court has determined and the prosecution wants to put forward at a trial, well you'll preservative books.

Speaker 3

I mean, a good law enforcement officer, if they're going to catch the bad guys, they're not going to be able to do unless they can think like a criminal. And that is one of the first things I noticed that people who do not understand how criminals think make

all sorts of assumptions that are just absurd. It's like listen to conservatives and liberals talk about each other and neither one knows what they're talking about, making all sorts of assumptions that just to the product of someone's bizarre imagination or assumptions. Know, that's not how those people think. No, that's not what they're up to, you know. But I

can think like a criminal real easy. It's not difficult for me to have a criminal mind, and I'm not out to catch anybody, and I could keep a seat good as well as the next criminal. Oh and I guess what reason people though they're safe with me unless it's murder or child molesting. You know, that's a different story. And people have visually got the brains have to tell me. If they've killed somebody, there's no station limitations on that.

But anything else I'll tell people right up front. Hey, long as we're talking about anything from seven years ago and beyond, long as it's not murder, you could tell me anything. You know, you don't have to worry about anything. I'm talking about.

Speaker 5

The true I'm talking about the tone from law enforcement itself, though, in that you have the respect from law enforcement that you're not going to put out something that's irresponsible factually whatsoever. And you also have this reputation of having the tone to be on the right side of the fence here, not having undo again just presenting the facts, but your opinion. The end result of your books, the tone is appreciated by law enforcement.

Speaker 3

Yeah, that is a challenge. And on the Robert Lee Yates. When I went to Spokane, I was preceded there by what's his name. He wrote a book about the same case, the guy from the OJ trial, Furman Mark Furman, and he had pissed the cops out there so bad that when I showed up, they already didn't like me because he had written the true crime book and it was so wrong, so filled with errors and just absurd mistakes,

and I mean, it's just beyond the beyond. And they were afraid that I'd be just as inaccurate, just as ridiculous and offensive to them as he was. Fortunately I wasn't, but they really put me through the ringer on that book. I mean, it took me almost like a year. A year I have to get the pictures, which aren't that good anyway, from them when they had them sitting on the desk, but they wouldn't give them to me because made me wait. You know, there's also little games that

went on. But I do got to compliment the guys that helped me out on that because they were great. The homicide task Force wasn't easy, but they were so mad at Furman for what he's the way. You know, he had a radio show and he talked about him like the reason he wrote his entire book was to show that he knew more than they did. But just as the book was about to come out, they caught

the killer. And then he calls them up and goes, oh, tell me how you did it, and he said totally a trick he could do in a half number rope. They wouldn't tell him anything. Then I showed up and had to convince him that I wasn't him. So that can be a problem if you get the police bat at you. Absolutely.

Speaker 5

Now these books you were published with from Pinnacle and now with Wild Blue Press as of late, both very very fine publishers that that specialize, I think in the real true crime author and the dedicated sophisticated true crime reader. Can you tell us a little bit about the process with I know with Kensington Press, how much they were involved in helping these books get to the end result that they were. As I mentioned, now true crime classics.

Speaker 3

Yeah, well, you don't know it's going to be a true crime classic until enough time goes by. Stay with films, you don't know what's going to be a classic film until years later. And say, how did I become my pre eminent position of the true crime world? And simply by staying alive and reaching this age and we're writing enough books. Kevin Haws, who have must compliments, I'm tired now.

Speaker 5

She was.

Speaker 3

I've had good editors. She is, beyond a doubt, the best editor I've ever had in the publishing world. I cannot say enough wonderful things about it. We had like a vulcan mind meld. I was right all night until six thirty in the morning. We would be nine thirty New York Times. Then I would call her and tell her what I'd worked on and send it to her. And it was just like for like psychic connection. We could just tell what We're on the same page. Literally.

It was fantastic to work with her, and the process of picking a case to do, I just said to her, I'd say, here are four different cases i'd like to do. Pick the one you want, and then she'd say, okay, how about this one. What was funny is I'd get the either of her. Michael Hamilton sent me the message one time that said, you did a lot of books about blue collar criminals. But the market has changed. Things

have gotten bad, the economy has gone to hell. So people want to read books about rich people with a lot of drugs who do stupid stuff. So that's why we did Fatal Beauty. So see if you can find some good look at people with a lot of money and a lot of drugs and a lot of sex, and preferably a wood shipper. Well I never find the woodschipper.

But you know, there's market research. Like there's a difference between a magazine and the newspaper USA today, which looks like a newspaper, it's not a newspaper, have you ever seen it? In reality, it's a magazine because the magazine they find out what you want to read and then they print it. Newspaper just prints whatever the news is.

Magazines print what you want to read, and same thing research instead of what kind of true with clime books you want to read With the economy is good, you want to read about people who are lower economically life, those low lives, they're just scumbags. When the economy is bad and you're not one of those low lives, you want to read about rich people who were bad. It's

pretty simple to figure out. Everyone's always looking for someone to be better than you know, like I said on the news, there's always a little clip of someone who can feel better then, because your lives better than theirs, you know, as part of this whole sales strategy, you know, meeting that need of feeling better than somebody else. I don't don't need that myself. I just want to feel better than me, But you go ahead.

Speaker 5

I very much like other literary forms, other magazines, books, things have gone through eras of more popularity just because of the nature of the criminals and the crimes. And I guess better crime solving then people. You know, serial killers running around for fifteen or twenty years unsolved, so we know the history of America and where the police caught up. I guess to some of these people, this is what would be now I guess considered true crime classics.

But also because of the crimes themselves, and the criminals. You know, not to go anicize or anything, but very unique in terms of now when we have the spree killer, we have the one off killer. We have the people that are in a big rush to get famous, not these other people that were so steady.

Speaker 3

Yeah, hey can I I'll top this guy's head off and says with the eyeballs you can write a book, I'll be famous. But I mean, who thought of that? Well, we know who thought of that, But I mean, it's just that just amazed me that kind of stuff went down.

Speaker 5

It's really Yeah, it's a really amazing, Burl that you were in the right position at the very very right time, with all the right intentions and all the skills, and you put together this collection nine truly important truth Well.

Speaker 3

We got another one coming. I got some more coming. I'm not done yet. I got one coming out real soon. That's said by yours Hansen truly called as a three volume set American Panther. The very first one is called Stealing Manhattan, and it's the never before told story of the greatest untold true crime story in American history, involving the biggest mega heightst over a billion dollars in diamonds, gyms, precious stones and cash stolen from the Diamond District of

New York. And yes, they got away with it, and everyone was in on it, the security companies, the safe manufacturing companies, everybody, and the guy who planned it all got away with everything, never went to prison. He's retired or to the europe environment to go fishing with him. Incredible story and it's all true. Got that coming out, and that's gonna be three volumes out because the story is so incredible it takes three books to tell it.

The East part is an adventure under itself, and then Frank and I have one that we're starting that will boil your mind you want to. I mean, the fact that this even took place is astonishing. You have members of the Russian mafia who are going to prison, sworn in as federal agents so they can arrest people to lower their prison time. And figure, g if we could arrest somebody for murder, that will really lower our prison time.

And so the allegedly frame a retarded kid for murder to reduce their prison sentences.

Speaker 5

Wow, wow wow.

Speaker 3

And I got all the info on that, and in fact, we've already got some TV film interests in that. So it's a true story. And Frank and I are just about to start on that one. So we've got some more great stuff coming.

Speaker 5

We're not done yet, absolutely no, absolutely not. I'm not surprised at all. You're very prolific and and so is Frank, and so we will be looking forward collectively to Black Panther and American Panther.

Speaker 3

Yeah, Stealing Manhattan is the actual title of the first volume. Stealing Manhattan the title of the of the one Frank and I are doing, but we haven't go over the title yet. But usually titles when Kensington and Kensington would come up with the titles. The original title of Headshot was head in the Bucket. We didn't know what to call it the bucket.

Speaker 5

Yeah, the Glory Days, Pinnacle really had their finger on the pulse.

Speaker 3

Yeah, they want to do a lot of true crime. Yeah, I don't know they're still doing it.

Speaker 5

Well, there's less less authors anyway, certainly. Well, I want to thank you, Yeah, that is. I want to thank you so much for joining me for the Burrow Bear retrospective. It's been an absolute pleasure, even just touching on some of the stories that comprise the nine Again, classic true crime books. And as you say, more to come, I want to thank you very much Burl for coming home to talk. Thank yous for having me tell us a little bit about true crime on sensor just before I let you go.

Speaker 3

Okay. True Crime on Censored is live every Saturday two pm Pacific time on outlaur RadioLIVE dot com. And then you can listen to it on iTunes and Spotify in about thirteen other format where we're delivery systems. I use Spotify a lot. People use iTunes to listen to it. And if you find it irritating and aggravating and childish, that's okay. Uh. We have some really good guests like Dan's and Pants. He got Steven singular this week, so

we're gonna have a good time. We're doing a career of retrospective on him, so we'll teach him a lesson him and his wife. Uh, thank you very much, Frank, have a good time. Thank you very much, brou good night, good night,

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