The Boy and the Heron

In which Daniel and Bo absolutely gush about Miyazaki's so-called final film. Daniel points out it may be Miyazaki's most personal and authentic yet, and Bo breaks down Mahito's grieving journey. Daniel asserts the Grey Heron must be death itself (what CAN'T Edward Cullen do?) and Bo identifies Miyazaki's more subtle depictions of forgiveness and love. Daniel explains that while this is a hot entry to the Ghibli repetoire, Monoke may still hold his personal first place spot.