Buildings, and the spaces and atmospheres that they enclose, are primarily experienced through seeing them and hearing them. Visions of them are the trajectories and alterations of light that travel within them to the observer. Audition of them is via the patterns of reflected and diffracted sound that repeatedly pass the observer as their energy decays and spreads. Just as buildings have a visual signature (what they look like) so they have an aural one. Each is dynamic: changing how a room is ...
Jul 28, 2020•13 min
This is a composition of field recordings taken at various wind turbine farms over the last year. They are recordings taken as part of a sound project I’m working on which looks at infrastructure; a sonic exploration into the unseen mechanics which underpin our daily lives: Power, transport, sewer systems, communications and supply logistics. The recordings presented here are in a fairly raw state and will be developed and augmented within the wider body of work. However, I think they hold diffe...
Nov 12, 2019•19 min
If the mainstream media (MSM) won't broadcast this, then we will.
Sep 30, 2019•24 min
Sifting through his archive of live recordings, Rutger Zuydervelt (Machinefabriek) chose this performance from 2015 (in a very cold church in Bochum, Germany) as a favourite. As with most of his gigs, the concert was improvised, using an analogue tone generator as the main sound source, a radio, a contact mic, and a selection of pedals. Always a hit-and-miss venture, but always exciting (though at times nerve-wracking for the artist). Photo by Constantly Consuming
May 09, 2019•23 min
Whilst on holiday in Sicily Stuart wanted to capture the sound of the local church bells. Choosing to record at 12 noon every day seemed a reasonable way to record more elaborate bell combinations whilst also fitting in other holiday plans with his travelling companion. An edit of ten minutes from each location is included here, with 12 o’clock being positioned in the middle at five minutes to afford some context of the local area. Sicilian dialect has been used to indicate each day. Church name...
Apr 08, 2019•1 hr
"Between the City and the Forest" collects field recordings made between 2015-2018 in areas around Los Angeles, Mojave, and the Sierra Nevada. The piece features a millipede walking on a tent, many species of birds, treefrogs, electromagnetic and other urban city textures, as well as some websdr recordings. Special thanks to Bill, Laurel, Greg, Russ, and all those I met on the Sound Recording and Analysis Workshop in June 2018.
Feb 28, 2019•13 min
Estonia has a rich and powerful nature orchestra, and this might be because two thirds of the country is covered with forests and bogs which are often almost untouched. Estonian nature sound is sometimes discrete and quiet, sometimes powerful, but it is always magical. This sound piece features the magnificent performance of the orchestra over a period of 24 hours in the spring. The recording opens with a dawn chorus in the Alam Pedja nature reserve. It then travels to the primaeval forest of Ja...
Jan 12, 2019•1 hr 14 min
This recording was made at the Block Gallery in New Cross on May 27th 2018 to mark the closing of the ‘Maquettes’ exhibition. The full text of the reading is available in issue 3 of Satori magazine. Richard Bevan supplied the recording. The photograph is by Rachel Hollings.
Oct 12, 2018•13 min
Through the Night was recorded on June 10th 2018 at Glenshee, Scotland during ‘Murmurations’. Mixed with Rob Aitken, with thanks to Chris Watson + Jez Riley French.
Sep 13, 2018•43 min
An extract from Zachary Paul's live scoring to the 2013 movie "Under the Skin" (dir. Jonathan Glazer, original score by Mica Levi). Recorded live at PLUM, Stories Books and Café, Los Angeles, on Monday 16th July 2018. With thanks to Lena Pozdnyakova and Eldar Tagi at The 2vvo.
Jul 27, 2018•37 min
This recording is made off the back balcony of the Cube Gallery in the village of Moira at around 8:15pm on March 17 (St. Patrick’s Day), 2018. The balcony looked out onto an area of open land, with a Hindu temple on one side and an old Portuguese-style cathedral on the other. I am struck by the merging of layers of sound in this scene — birds and insects, but also sometimes traffic (though the road is distant), voices, power tools and non-power tools, dogs, and various unknown activities. In th...
May 24, 2018•18 min
"You really should hear the frogs," suggested our hosts. They had taken us to their country house on a warm evening in May 2017, situated beside Little River, Beaverdam, Virginia. Late that evening, we were led down the lawn, through the darkness towards the river nearby, a few hundred yards from the house. As we neared the water, we began to hear calls from a large scattered array of frogs, littering the shallows of the near and far banks of the river. Two main species were present; the Green F...
Apr 29, 2018•15 min
Recorded live as part of “Touch presents…” with Philip Jeck and Yann Novak in Amsterdam on 15th March 2018. Play loud!
Mar 15, 2018•23 min
A free in-store performance at Noize after the 1st Mutek Festival. Heavy on sounds from his ‘pop’ album “PostFabricated”, it was accidentally recorded in mono at the event.
Feb 27, 2018•26 min
It was 1995; a cold fall day with heavy fog just north of the San Francisco Bay between the Bay Bridge and Jenner in Northern California. I had a spaced pair of B&K 4003 omni-directional microphones with me to capture bay backgrounds. Due to the fog I was able to capture a variety of horns throughout the day. The piece is a collage of these horn backgrounds along with a freight container ship horn from the Port of Los Angeles. The discovery of hearing these together was a happenstance while ...
Jan 30, 2018•6 min
Edited 31st December 6-8AM GMT.
Dec 30, 2017•10 min
Performance recorded from the desk, live at Iklectik Art Lab, London, on 21st May 2016. With thanks to Eduard Solaz, who took the photo.
Nov 29, 2017•30 min
Recorded from 10:00 to 10:25 on the day of the partial eclipse (approx 65%) at UCLA Court of Sciences, California.
Aug 20, 2017•5 min
This is a two channel recording of a live solo performance using the Moog guitar plus stuff. The set was improvised and only the second time Id performed solo with the Moog (the first being the night before in Swansea). The gig was at the Brunswick Club in Bristol which houses several arts groups including BEEF (Bristol Experimental Expanded Film) who, via sound and video artist Kathy Hinde, had invited me to perform. When I arrived in Bristol and gave the taxi driver the address, he told me tha...
Jun 27, 2017•32 min
On the edge of the jungle, where the Amazon Rainforest begins in southern Venezuela, where the Gran Sabana ends, humans are still trying to enter a world dominated by nature. Trees, rivers, animals and insects extend to the horizon, and the sounds reach our ears to remind us of their empire.
May 19, 2017•45 min
This crepuscular recording was made from 4:45am on the 14th December 2016 in the south Indian city of Kochi. I was there to play Drifting, a performance at Vasco da Gama Square, for Convening #2 hosted by the TBA21 Academy on the following day.
Apr 10, 2017•38 min
Live at Human Resources, Los Angeles, February 18, 2017 1. Geneva Skeen - Pop Song 16:48 2. Sarah Rara - Separating the Air 20:12. For the closing of Yann Novaks exhibition Repose,Novak invited Geneva Skeen and Sarah Rara to perform inside/alongside his installation. Each artist's performance was accompanied by the sound of Novaks installation demonstrated here via a room-recording from the event. Skeens Pop Song is a temporal response to Novaks drone work, and a cultural response to our times. ...
Mar 23, 2017•37 min
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Oct 13, 2016•1 hr
Victorian acoustician Herman Helmholtz studied sound and sensation in the 1800s; through his research he developed the Helmholtz Resonator, this object, usually made from glass or brass, is tuned to a specific resonant frequency and used to demonstrate the principle of acoustic resonance. Helmholtz writes about using these tuned devices to listen to sustained pitches from musical instruments. He also accounts hearing waterfalls, the howling wind and horse drawn carriages through his handheld res...
Sep 11, 2016•21 min
As part of the Touch Conference series of events which took place on the west coast of USA April-May 2016. With thanks to Brooke Wentz.
May 09, 2016•17 min
As part of the Touch Conference series of events which took place on the west coast of USA April-May 2016. With thanks to Andrew Freid.
May 09, 2016•20 min
As part of the Touch Conference series of events which took place on the west coast of USA April-May 2016 Recorded by Jake Muir. With thanks to Steve Peters and Vance Galloway.
May 09, 2016•24 min
If ever there was a reason for 333 to break its own rules, this is it: the 33rd anniversary of the very first Touch release. So we skip our proverbial anonymous random modus operandi just this once. We even managed to produce proper liner notes to a 3-track extravaganza. And just this once, we -are- naming our sources. This special edition of Touch Radio is a quasi-random mash-up of prior editions: 3, 24, and 33, finely sliced into 3 hit singles in the making, each a good 3 minutes and 33 second...
Jan 25, 2016•11 min
Ever the archivist at heart, my father, Francisco Alvelos, had the foresight of recording the national radio and television broadcasts of the Portuguese "Carnation" Revolution as it unfolded on the 25th of April, 1974. Just audio, that is: home video was still years away, as was colour TV I was then seven years old, and remember an afternoon without school, the radio hosting strange voices, a still image on the TV set. By dinner time TV broadcast had been restored and some very serious-looking m...
Jan 25, 2016•26 min
Over 18 people have died as over 40 inches of snow fell on the eastern seaboard of the United States. It was the second largest in New York City, where over 29 inches fell, since 1869... This recording was made in Williamsburg, Brooklyn using a Zoom iQ6 microphone and iPad Air 2. Photo: Dave Knapik
Jan 23, 2016•25 min