If you have spent any real amount of time reading or taking classes in or researching marketing, you've probably heard the phrase SWOT analysis. So SW ot I believe it stands for strengths, weaknesses, strengths, weaknesses, opportunities and threats. That process that framework for sort of analyzing your business from a marketing standpoint is famous. And it's famous because it works. These are four areas that you really
should pay attention to. But I have to tell you, the idea of sitting down and doing a corporate style SWOT analysis of my business has never been something that was particularly appealing to me, which is where today's guest comes in and makes this whole process a lot more entertaining. Casey Padgett is the host of the nerdy photographer podcast. He is a longtime wedding photographer based in the New York metropolitan area. And he's just a super entertaining guy all the
way around. He has been in business for a long time, and he has great insights that he shares openly on his podcast, but always seems to make them fun and kind of about those things that are classically nerdy. So today, he is joining me to chat about how you can do a marketing analysis of your business through the lens of the superhero comic book world. So I know you're going to enjoy this conversation. Marketing is one of those things I always talk about. It's like laundry. It's
an ongoing job. So it's great to be always thinking about it in different ways. And I feel like Casey's take on this is going to be as fun as it is valuable. Welcome to this can't be that hard. My name is Annemie Tonken. And I help photographers run profitable, sustainable businesses that they love. Each week on the podcast, I cover simple, actionable strategies and systems that photographers at every level of experience can use to earn more money in a more
sustainable way. Running a photography business doesn't have to be that hard. You can do it. And I can show you how. Casey fastjet Welcome to this can't be that hard. I am so excited for today's conversation. You and I have a lot of nerdy similarities. And I am. I'm ready to geek out with you. How have you been?
Good. I mean, it's, it's been a busy week for me things are looking good business wise. Yeah, the weather has changed, like spring has finally sprung here in the New York, New Jersey area where I'm at. And it's, it's a lovely day. And I'm happy to be here and talking with you about photography and how we can help people.
I love that I used to live in New York and man, there is nothing like spring starting to show up after like the long call. I was in the city. And it was like the you know, you'd get these wind tunnels down the avenues and it can be really brutal. And then like you'd have those warm days and all of a sudden everybody's outside and it's just it's such a great feeling. So I
grew up in the Midwest, and Michigan. And so cold is a different thing. The different Midwest versus New York City. When I moved to New York City, I was like, Okay, it's whatever this temperature is, like, it's not that bad. And you know, some places it isn't. But like you said, you get into those wind tunnels and the avenues and all sudden, like you want layers because it's just like, the wind is really brutal. But like yesterday, it was 74 degrees. Today, it's like 67
right now. It's like it's gonna be like this all week. And I'm like, perfect trying to fight wave from the pollen. And
yeah, well, I'm in North Carolina and the pollen game here is strong. So yeah, absolutely. Well, before we dive in, I would love everyone who has not had a chance to sort of meet you to get a little bit of your backstory and and just give us the quick 10,000 foot view.
Quick View, I became a photographer professionally 25 years ago, this year, and I started out doing headshots and bam photos, promotional photos, as well as live show photos because I was an actor and that they knew other creatives and photography and a hobby, and they were like, hey, we'll pay you for this. So I went out with my film cameras, and back in the day, and that's how I really solidified my
technical photography. Because the days before digital, you didn't have a lot of the things that we kind of like uses crutches now. Sure. And then I did my first wedding. And I really loved that. And I became my focus more on weddings. So I've been doing weddings for 23 years, 24 years, and you had almost 800 weddings and now Yeah, and then This started a whole thing for photographers about six years or six years ago this month, I started the nerdy photographer, happy anniversary.
Thank you. And yeah. And then that parlayed into a podcast as well. And I just want to make photographers laugh and help them learn about business. Well,
I mean, we say this a lot, but it is kind of a lonely industry, and that you're usually working kind of alone. And I absolutely love the growth since I started have the sort of thanks to the internet, really, that there is this network of educators, there are certainly ways to network with other photographers and and I just feel like that access can really help individual business owners find their people out there. So that's great. And I'm very
solitary. Yeah, it is. And I'm excited to have you on the show. But I'm really excited because this thing that that you and I have in common is that we love to paint a more creative picture I'm gonna say of how to think about your business. So with that vague introduction, I'm gonna have you dive in on this marketing topic that we're talking about today.
Okay, so I grew up collecting comic books love superheroes, way before superheroes were cool. And movies, not gatekeeping more people loving comic books, I'm all for it. Just as it's been, it's very ingrained in how I think. I think visually comic books, I always thought of like panels, when I'm doing photography. So that was like,
part of how I saw the world. And what I like to teach people to market themselves as photographers or as I mean, whatever you're doing, he doesn't have to just be photography, but I think it works visually for photographers, is to help you find your superpower. And when people say that, and first of all, before I get into this little caveat, write this stuff down, get out a piece of paper.
And when you're thinking about these things that I'm going to talk about, write it down, you're gonna want to write it down, you're gonna want to change it over time, possibly. So it's good to have a record of this, just don't, don't leave it in your head. Don't leave things like in the ether, just where you're thinking about it, you know, because if you don't put it down on paper, or type it out, or whatever, it just sort of like ruminates up there and you never really, it doesn't
crystallize for you. And you don't, it doesn't become like a solid thing. And you know that that's a problem, because this is something you're gonna want to work and rework over time and how it helps you. So we're gonna start out with what's your superpower? What's the thing that you do better than anybody else? And it doesn't necessarily have to be actually better than
anybody else. But think about your market, you're gonna have to think about where you are as a photographer, the people you're trying to reach, you have to have some knowledge of what's going on in your area. And what is the thing that you do better? Or do really well? Are you great at turning around turnaround time is like getting people back. Amazing photos really
fast. Your thing? Is your thing, being able to pose people really, really well and like set up these anti Liebowitz, looking, you know, vote cover shots, is that what you do better than anyone or like you're at the top of your game, the thing that when I say that there's a lot of like newbie photographers, people who are just starting out in their business or are trying to still figure that out? What I like to tell them is what do you want to
be known for? Right? What is the thing that you want people to come to you for when I really sat down and part of what benefitted me after I had been a photographer for a while was feedback from my clients. And I always tell people, ask for feedback. Ask for feedback from the people who don't hire you ask for feedback from the people who did hire you might think for people who didn't hire you as always send a quick email or whatever and say like, Hey, thanks for letting me know you
didn't hire me. You went another direction. Totally understand. Can you tell me what was the deciding factor and who you hired? Because that can teach you a lot about what's going on in those interactions. But when you're talking to your clients, it was something that I was unaware of that I was just subconsciously doing really well was making people feel comfortable. That mean, I know, to an extent about like, patting myself on the back or like say that I'm gonna make people
laugh. You know, those sorts of things. But the feedback that I kept getting from people was that they felt super relaxed on camera with me, because I personally don't like being on camera. You Even though I was inaccurate, like there's a character that you're portraying, and that's, that makes things easier, I guess. But I, you know, I think it's part of whatever my own getting my head, both thinking like, what is that photographer doing? What settings are they using?
What lens Oh, that lens, really they're gonna shoot at that angle that lens. So I get really nervous about it. And then, you know, I use that need to feel comfortable with my clients. And I wasn't even thinking about it. But now I focus on it. Because this is the thing that over more than 20 years, everybody who has something positive to say about my business says that without prompting from me, says, This is what Casey does. That made me feel really good about our interaction. There are other
things too. And, you know, one thing for me is turnaround time not posing people is one of the ideas that that people really like, there, you kind of create your set of skills, your superpowers that are going to distinguish you from the crowd, because that's what you know, photography is these days. I mean, the more the merrier, bring people in come into the industry, it's not easy. It's a crowded field. Yeah.
And I want to, I want to take two seconds to just like call something out that you said that I think is really like bears repeating. And that is that oftentimes the things that we're best at, we are almost unaware of, because we're just doing us like that. You're just being yourself. So what you're talking about, about making people comfortable. I'm sure that's not limited to your photography, business. That's
who you are in the world. So when we are good at things naturally like that, those become things that seems second nature to us, right? It's Oh, yeah, everybody can write a great term paper or whatever, like, whatever your strengths are, you oftentimes will discount them as strengths, because we just naturally assume that that's what everybody does.
So that asking for feedback, and hearing those patterns start to emerge sometimes can bring our attention to something that we don't necessarily need to work on or anything else, what we need to do is just start calling it out and making it more explicit in our marketing and everything else.
It's one of those things. Yes, exactly. It's the thing, we also have a blind eye to it, because we it is second nature, and when we talk about using your personality, as marketing is like, you know, because there's only one you This is one of those things that you know, people talk about, like because I think some people think of it as I'm, I like to go hiking, so I'm gonna get hiking people or whatever. Like, yeah, sure, whatever. That's part of it. That's kind of background.
That's not why people are hiring you as a photographer, right? You have to think about more about your interactions with people and what you provide for clients. And yeah, those things tend to, especially because we sort of just think of it as like you said, second nature, we don't focus on it, we think something to kind of come out of Yeah, those were the things like looking at patterns and reviews,
or feedback from clients. Looked for me it was the things like yes, I'm doing this well, already, without thinking about it. Now I need to hone it.
Right. It's a difference between, like, just naturally being good at having the skills to do something and like the natural raw ability, and now you focus on it, you get better at it, you make more of a push in that direction, when it comes to your social media, your marketing, how you talk to potential clients, like when I get into a meeting with a potential client and somebody says what makes you different now I know what I'm going to
talk about, right? What makes you different as a photographer, and I will tell them like these are in depends on what type of client we're talking about weddings, different from portraits different from corporate you know there I will talk about those things that I know I am very good at. These are the things that set me apart. Which leads me to the next part of it. Every superhero has a weakness in your
kryptonite. Yes kryptonite. Or like if you're a Green Lantern was one of my favorites of the color yellow weird
he would have suffered through that whole like early 2000s Yellow editing thing.
Yes, wouldn't would not have been good. Like those are things that you're not good at is important to know those as well. Know what your weaknesses are. Know what you're like, which are can be the things that you're not very good at. If you're not good at posing
people. Don't focus on posing like don't those are the things you avoid talking about in your marketing or your social media stuff like one of the lessons that I learned from another photographer friend of mine Who else does a lot of marketing stuff? Who told me like, if you don't want to take these types of pictures, stop putting them
in your portfolio. And like, don't, you know, start slowly trimming down the number of photos that you show, and blog posts, or social media, so that people aren't coming to you for that sort of thing. And I was just like, I Yeah, the things that I don't enjoy about my job, and I'm not necessarily like, great at it, they would say, like, I'm okay. And that's the thing is like, I don't talk
about it. But I doesn't mean I don't like try to bring myself up to a level of proficiency with it doesn't mean I just don't talk about it. Right, posing, I can do it. I know that, like, I know how to pose people. But it's not something that I do. Some people need it, though. So sometimes I gotta jump in there with, Hey, this is how you guys should stand a little bit more, they need a little bit more direction, so that I can do that. When it
comes time to do it. Right. But I'm not talking about it all the time. Right? It makes sense. Yeah.
Absolutely. And I feel like there's two different ways that I see these sort of kryptonite issues. One side of it is stuff that you can say, like, for instance, I photograph families, and sometimes that includes newborns. And I'm extremely clear with people that I don't do post newborn photos, like some people do, I feel like that's a really, it's a pretty common one among that sector of photographers where it's like, you either do that all the time, or you don't do it at all, I
don't do it at all. I'm extremely clear with people about that. So I've just kind of written that out of the script entirely. Yep. However, there are elements to my job that are necessary for me to perform my job that are not my super strengths, and in some cases are my weaknesses, but they are necessary. And so like, I'm just going to pull out an easy one that everybody can probably nod their heads along with, which is
accounting. So that's not a front facing thing, I wouldn't really talk to my clients or potential clients about it, but it's important, but I do have to do that. So in that case, it's like, this is the first thing I'm gonna outsource. Right,
you're gonna need to know where you either need to outsource or delegate, if you have multiple people, like, you play to the strengths of you. And your weaknesses are like, Hey, I have an accountant. I'm really good at math. Was the science major when I started in college, doesn't mean that I know everything about it. So I am happy to pay because I want to be I don't want to the IRS.
knocking at my door. But yeah, find those things that you are not necessarily the strongest at and either outsource them, or bring yourself up to a level where you are competent with it. That's the things like you know, you're just not going to, I don't know, I talked about like, turnaround fast turnaround is the things like I think some people when they're starting out, fast turnaround for the MC, I gotta get the stuff back to people as quickly as possible.
And quality suffers. You need to find where your level is for delivering the quality that is imperative to you as an artist, and the you know, like speed, find out where that equilibrium is. And then you start telling, that's when you start, like telling people what the timeframe for delivery is. And knowing your schedule, like what your workload is going to be with how many people coming in.
And if you're outsourcing, editing, fine, you know what that turnaround time is, but like, you can't Don't over promise and under deliver? Yeah, you need to find those things that you're not necessarily going to highlight when you're talking to a potential client or using in your marketing. Again, these are a week, this is not necessarily something you're
terrible at, right? It's just something that you don't excel at that you don't want to, like, point out in your marketing or highlight with your social media as something that then people are gonna go like or kind of come to you and be like, Oh, wait, hey, you know, oh, you you do you if you took like one great posed photo, you know, don't make a big highlight of that on your website, because that's just something that you
don't normally do. Right? That that can that's a pitfall because then all of a sudden people like everybody will be like, I want that photo. I want something like that. And
that's one of my biggest complaints at various conferences and things like that where they do live shoots, but they do like whoever the instructor is, does all the setup, like sets up the lights sets up the post sets up the whole thing and then they're like, Okay, everybody come take this picture. And then all these people put that in their portfolio and I'm like, they didn't even make that photo they click the button.
I see it on social media like where like they'll be just the same photo like popping up on for most people when you're like, This is a shoot out. Yeah, I'm thinking that it was a it was a setup. And yeah, they just also that sort of thing, especially that sort of thing can hurt you as a photographer, because then like, when potential clients see the same picture, showing up in multiple people's feeds, they're like, what's going on here?
Is this person, a total scam artist? Like, did they write this photo? Yeah,
I had an instance where this is a whole other thing, a second photographer of mine, started posting pictures, despite our agreement, like started posting pictures from weddings that we had photographed together, and people were like, Wait, who shot
this wedding? And I was like, What do you mean, they like, oh, this person posted photos from the same wedding and had to go back to them and be like, hey, you know, in our agreement, they either have that you don't get to post them because of whatever reasons why and they don't want multiple people posting them, they're okay with just me doing it. Or it says, You have to state that you shot with me that you were working for me, just to clear up any like, I'm not
saying you can't use it. But you have to include, like, my tag or on social media or whatever. Just to clarify that with people. But yeah, I also like I really felt like you're saying, because sometimes I'll do newborns sometimes for my clients, like when they have sure child, whatever. But I also make it very clear, I do not do those. Like, I'm not swaddling and putting them in a basket it like with props and things.
That's just not how I am I get interactions between people like a gay guy holding the baby, those sorts of things. Because, again, that is not my strong suit, when it comes to any sort of photography. Like it's not like doing the super staged, right? Like this is there needs to be more of a organic feel to it for me. Yep. That's it, I can't do it. But it's not my strong suit.
Well, and the lovely thing about almost all of these strengths and weaknesses is that you can market them because some segment of the population and your you know, population is going to that's going to resonate for them that's going to attract them. When you try to be everything to everyone, then people aren't really clear on what it is that you do or don't have in common with them. But like if you're, you know, if your calling card is, I make people really
comfortable. You know, I make chit chat with your mother in law at the thing and she's gonna love me and all this sort of thing. That's great. That's going to be a huge relief to some people. Versus the photographer who's like, I'm a fly on the wall, you will never, you know, you'll not even know that I'm there. That's going to attract a different person. But they're both they both have their value, but you can't really be both.
Yeah, I totally agree. These are things that I have a friend who is one of the in our area in our market is one of the best like superposed art, like painter looking portraits and weddings, and he can only do two of them. The two setups at any wedding, like this is what he is. He's a very good like candid photographer as well. But he is known because he used to
be a painter. That's what he was like formally trained and are like he just knows how to see how things are going like it he does these elaborate reels on Instagram, about his like light setup, you can see like what he does, and then the you get to see the final picture and it's like, ah, it looks like a painting and like that is what he does. But he is like that is what separates him that is his
superpower. And he's like very clear people like it takes me 15 to 20 minutes to set up one of these pictures and so like this is what we're only gonna get one maybe two of whole wedding day but these people are like that, like that connects right level with what his the people he is trying to reach. But his like you don't see anything else on his Instagram feed. It's because that he knows that is his superpower. Right? That's what he's leaned into. Even though he is good that candid photos as
well. He knows that's the thing that really catapult him to the top of all the people that he wants to reach. That being said like I think that leads us to the next part of this is opportunities like he like superheroes are always looking for the what they can do to like help. If there's somehow they they know what they're there chances to help people look for opportunities to use your superpowers in your market. Is there like to get people to think of you as that
photographer? The person who does that thing in this area? Are there charities you can partner with? Is there a nonprofit? Is there something you can do some sort of event that you can host like or if there's something going on in like if you like where I live in New Jersey, there are all these little like pop up community thinks, is there something you can get involved in? To more spread your name? As the person who does that photo? You like who like to show off your
superpower? Where are the opportunities in the area to do that, I think that that is something that you need to be on the lookout for, you need to look for these chances to spread the word because it's like, you know, social media is not the end all be all of this, like, you got to think about more local sort of stuff, like I said, throwing things out into the, you know, into a huge net, you need to get a like, fish a smaller area. Yeah, because that's how you're gonna make
stronger connections. Yeah.
And making sure the entire local police force knows to put up the bat signal the next time that a bank is being robbed. Yes. And I obviously I'm joking, but like that is a, it's a legitimate thing. When you're doing more in person and community based
marketing. The more people who know who you are, and kind of what your superpower is, especially if that has to do with, you know, oh, Annemie Tonken is always happy to come help out when we're doing charity fundraisers in for the cancer center, or whatever the case may be. Getting your name on the lips of lots of different people and knowing having them know that you're kind of the person to go to for that
particular thing. It really as I it's funny, because everybody is gravitates toward social media marketing, because it's free and easy ish. And I use easy very loosely there because I think it's really hard for a lot of us. But it is showing up in person, just I get I feel like you get so much more mileage out of it.
Yes, there's an opportunity, like face to face. Anytime you can get your face your real, your real person in front of people as much as like lives and whatever. Like people get to see your personality. The more people see you in person, they're also here's, this is a psychological thing, people are less likely to want to, like, not mention you or like because they have a connection with you, right, like an actual personal connection if you as long as
it's good. But yeah, like there's, for example, if somebody in my local Facebook group says they're looking for an event or wedding photographer, a lot of people pop up and mentioned my name, because I have built this relationships with people. So that, you know, they know they they will immediately mentioned me, I have a friend who's a dog trainer in in our neighborhood. And anytime anybody asks Dr. Like there are 15 people who pop up and mentioned his name, because they just know he has
done such a good job. letting everybody know that. You know what he does? He doesn't like not, like it's not, I don't know, I wouldn't say obnoxiously letting people know, but like, you know, when you meet him, you know, he's a dog trainer. And I think that's one of the missed opportunity that a lot of people in the photography community don't want to say, I'm a photographer, right? When you talk to people, like, oh, by the way, this is what I do. And like reminding people I exist out
here. Not saying like, not just sort of letting it go, you know? Don't mumble it. Like, I think part of that may be especially when you're starting out and you haven't been added as long. It's a self conscious thing. Because people will be like, Oh, what do you do? But I've seen your work anywhere. It's the same as when I was inaccurate. Oh, have you been anything I might have seen? Right? Yeah. It's that.
Overcoming that, and especially when you're starting out to, like, let people know, this is what I do. Yeah,
it's, uh, I totally feel like I remember thinking, wouldn't it be nice when you decide to become a photographer that you get some sort of certificate the same way that you know, if you go to graduate school or medical school or something, and they say here now you're a doctor, because really the only thing standing between you and saying I'm a photographer is lives in your brain? Um, there is no, here's, there are certifications out there, but they're certainly not necessary to be to identify
as a photographer. That's a
whole other episode as graduate schools, you know, fine arts degrees and things like that, and school trained photographer. But I did do a lot of reading and practicing. And that was the main thing of anybody out there listening to this practice, practice, practice. Get out there and shoot, when it's not for a job. Learn your trade. There, like strengthen your skills. That's that is an opportunity for everyone to just keep improving and learning. You've never learned everything
there is to learn. There's always something new Uh, but that also brings me to the final part of this, which is threats. Superheroes are always on the lookout for the, what can threaten their, whatever they're protecting, whether it's their city, or people or whatever, you have to think about what can threaten your business recently 2020 and COVID. And there's only so much you can be, is it take a lot of foresight to be able to
see that one coming. But generally, there are things like being prepared for change in the economy, how people spend their money, I've done some posts and thinks about like recession proofing your business, what you can do to like, okay, where if I really need to make a cut back on my expenses, what are the things I can cut back first, to help myself out, but the one that really sticks with me as someone who has been doing this for more than 20 years in, because I've seen it happen
several times, is changes in the way people buy, and how they research and find a photographer. When I started out, there were very few websites, people didn't have, like personal websites. At the beginning, when I was doing this, like, it was really word of mouth. It was putting up flyers, it was putting in, you know, postcards, or whatever, in local businesses or whatever, to try to get people to know you're around, and going and meeting them in person and showing them
a printed book. Yeah, like a portfolio of prints. That changed rapidly at the turn of the millennium into people having websites. But still, people wanted to come and see because website, quality was not great.
People still didn't trust them as much at that point, because they were new, right?
Because it just like, oh, you know, the quality of the photos that you could upload, when you didn't have broadband connections and things were like, yeah, it's not great, but you're getting an idea. And then you go and see the things in person. And honestly, anybody who's if I was in the market for a photographer, I'd want to see the things in person, see how it prints out because anybody can make something look great on a website. But that changed when broadband became more of a
thing. And also generationally, as we got to Gen Z, you know, like becoming more prominent in being clients, and sort of younger millennials, millennials had a different way of purchasing than I'm Gen X. So I was very familiar with how annexures obviously, like, make purchases and what was important to them and how they did this exchange, like they wanted to trust you that trust Gen X's, we want to be able to know that we you're not going to rip us off, millennials have very strong BS
meter. We just be like, Oh, that's not whatever you're just that's just made up. So they wanted to do a lot of their own research. And that has increased as we've gotten to Gen Z. It is almost all research online. Yep. And maybe a zoom call there, the percentage of people who want to meet in person beforehand, has diminished and diminished, diminished, right? And you have to be prepared for those sorts of things, right? I'm not, I'm bringing that up as an evolution
in how people buy. So that people listening to this can know you have to be prepared and aware and see those trends changing. For me. I used to have a meeting space in Manhattan that I was paying a significant sum of money for. And I noticed that no one had come in for a meeting for six months. They all wanted to do it online. Right? On my lease came up. I was like, No, thank you. Yeah, nobody wants to do this anymore. Nobody wants to come in. And that was four months before the pandemic.
Very, very lucky. Because if I had signed on for that, I would have just been like, throwing money when I'm not making any money just like in the toilet. Here's my here's what money I have. It's it's going yeah, for a space that no one is coming into for, you know, eight months to a year anyway because of the pandemic. And I was saved because I saw the changes that were going on the trend. It wasn't that I knew that the
pandemic was coming. It was that I saw that people didn't want to come in for, you know, meetings. But yeah, like,
and it's not just that you saw that you were willing to modify your process accordingly. And that I think is the thing that is sneakier and harder is that we are all in some way, shape or form kind of married to the way that we do things, especially if it has served us in the past and To the humility, I think that's required to, to sort of see the changes and acknowledge that like, okay, maybe my process isn't right now isn't right
anymore. And I think we're both we've been in the industry long enough to have known a lot of photographers who were very successful pre digital. And when digital came around, and they, you know, were like, This is a sub, I mean, that's, again, a whole different conversation. But there were people who evolved, and grew. And even if they stuck with film, like they changed the way that they talked about their process. And then there were the people who kind
of got left behind. And, and that, you know, it's the tough reality of business is that you do have to kind of keep an eye on where you are. And if you're not moving with the trend, figure out how you can leverage that to your advantage.
Well, and that's one of the things that you can, like, adapt or go extinct, is the sort of thing I like, and I knew plenty of Boomer photographers, when I started out, who just like were so entrenched in their ways. And we're the only ones who, like you said, the only ones who survived the switch from digital were the ones who were, you know, willing to change their mindset on, like, how they talk
to clients. Adapt, new technology adapts new technology, you know, like, stop complaining about, like, how the world is changing, and figure out how you can fit into it. Maybe you talk about what you do differently. Yeah. Now, to focus on like, Hey, I do it differently than everybody else. Which, you know, it's it's hysterical, because like, there's always the conversation when digital first became a
thing. Never, you know, it's just letting in all these amateurs into business and whatever it is, like, well, then tell people you're not an amateur radio show the show them why you're not an amateur, show them why you're better than people who are like, if you're just competing based on like, price, or whatever, because you're afraid of all these, like people who charge you know, 10% of what you do, then you're not marketing yourself. Right? Like, that's, that's, that's the
problem. It's not that there are other people you're not giving your potential clients the information that shows what sets you apart. Yeah. And the other thing I find is hysterical, is because I've always kept my phone cameras. And I only shoot like, personal projects on them now, like, in the amount of like, things in my Instagram and Tiktok. Whenever if people were like, ooh, like, you know how to get that film look, an additional and I'm like, I'm mine has always been like, I got
an idea. Just go out and get one of these. Put some film in it. Otherwise, I mean, you're just creating, you're just doing like, I don't know, you're just slapping the filter on it. Yeah. And that's fine. But like, you know, like, it's not a film. Look. I think it's the style Jaya. Style, just for something that wasn't experienced. Right? Again, look at you look, when you talk about like, that is a for older generation, like when you see those shifts, threats to
you? What could what could be a threat of like, changing dynamics, generationally, I mean, I don't know what I'm gonna do when alphas start getting married. Trying to navigate that, as I have younger relatives and be like, okay, like, like, let's talk about what it is you guys. How do you approach this? How would you
approach this? Yeah, if you're hiring somebody, and you're spending this amount of money or whatever, like, pick the brains of those people a little bit like, figure things out, but like I said, you can take a threat like that. Things changing and turn it into an opportunity. One of the things I talked about now as a strength is my experience. Yeah. I've seen a lot Sure. When it comes to weddings, like, you know, I've sewn people back into a
dress. I've, you know, a stain stick, you know, like, but it's, there's no like, Oh, God, what are we gonna do? Right? It's like, Hey, don't worry that's covered. Been here, done that. Don't worry about it. That's a huge selling point. Right? And that's taking something that could be, you know, threatening to my right job, and turning it pivoting and saying like, here's one of my strengths. My strength is, I have gone through this, you know, and put up the warning
label. I am not saying anything bad about new photographers. There's a certain you know, expertise that is learned over For many years of experience that makes it easier for me to do certain jobs, yeah. Be just because I've been there, I've done it. Part of what people are paying me more money for is my ability to do it quickly, and not having to take the time to
figure out how to do it. Right, you know, like the, I'm actually spending that time doing the job for them, as opposed to researching, figuring out what to do. So that's an opportunity for me. Yeah, you know, to set myself apart.
And I'll play devil's advocate, when I talk to photographers who are newer in business, and they say, Well, I just don't think I can charge that much. Because I'm new. I always say to them, Look, I've been in business now for a long time. And I, you know, charge what I charge and part of what I sell myself on is, I have a lot of experience. But if I'm being honest about my trajectory, as a photographer, over the over time, with experience, comes kind of the rut and the like, I
am not out there. As much as I should be, you know, pushing the creativity bounds and everything else that I was doing when I was brand new, like I was willing to swim the ocean for a client at that point. And now I'm like, well,
you're comfortable. Yeah, that's that's a weakness. Right? Let's
be a highlight that in
my mind, exactly. Your coffee. But
I That's courage a new photographer to highlight that, right? encourage
you, like, new people, like, like you said, that hunger at the beginning to try new things. That is a strength. Yeah, that like to be able to like it. Because you're I mean, it's it's multifaceted. In a way you are trying to figure out what you like, what do you and what you were good at what like really meets your artistic vision of what the image you see in your head and making it happen in the camera, or in post production, or whatever it is, you are willing
to take those chances? Because you're like, I think some of it is, and maybe all of us could use a healthy dose of it, as we're older and are more like into our careers. of, hey, let's figure something out. Like let's let's like the curiosity, right of things, and I try to keep myself curious. It's part of the reason I still do like personal projects on film, is because I can't see the result. Right, is that there's a thing in my head where I'm just going, Okay, well, I'm just gonna see the
picture. And then I can just adjust my settings, whatever, no, I have to get the settings, right. Because I'm not going to know for a week, whether or not this if I take the film out right now and go get it developed, right? Whether it came out or not, right? And whether I did it wrong. So there's that turning weakness into strength or opportunity is super important. And when you put all these together, strengths, weaknesses, opportunities, threats, you have what's called a SWOT profile.
This is a very something that any marketing professional is very familiar with having this information, should you at some point, want to go to somebody who's a marketer, to help your business, having this all written down and just stick in. Even if you don't go to anybody
else. Being able to look at it and adjust over time, is something that I always also give advice on is writing down your goals and checking in on them having goals that you can check on in every month, every quarter, every year, whatever it is, see how you're doing to meet
those goals? This is the sort of thing that you should be checking in on to and going, okay, is Am I still there was there was a time when one of my strengths was I offered unlimited coverage on wedding days, I had a package, there was just no time limits. And nobody else was doing that. Because I mean, I charged for it. And they knew that like they were paying a premium for this type of coverage, because there was no
time on it. Right. And as it averaged out, most of the time, I was only doing 10 hours, which is 812 is kind of like my normal anyway. But I was mostly doing 10 hours, and occasionally had absurdly long, like 15 hour day. But that was not the thing, but then more and more people started offering that package. Yeah, so then it became less, you know, became less of a strength because there were so many other people who were doing
the same thing, right. So find a way to pivot and make it a new like find some other way to approach packaging for people that made it made me stand out in a different way. But that did make it good for about five years.
Yeah. Well, and I guess to kind of tie all of this up, one of the things that has been a thread throughout all four of these areas that you've been talking about, is the way that you take that information, and then feed it to your clients, or potential clients in your marketing, because so many people are kind of self unaware, when it comes to you know, they're shopping for a wedding photographer, or a family photographer, or any other kind
of photographer. They're like, Oh, I like these pictures. But there are so many other things that are important to them or may not be important to them. And by calling out and naming certain things like I'm really easy to work with, I have, you know, quick turnaround, I
include no time limits. If you don't say that, even if it's true, you know, even if you are good with people, and even if you do have no time limits on your package, if that language isn't sort of put right in front of them, they may be aware of it, but they won't be like it won't be a talking point for them, when they're either talking to their partner, or themselves about like weighing the pros and cons. So I'm all for really speaking those things out loud, everywhere that you
can. But I guess the first step is identifying them.
I think that if you want to have longevity, in your career as a photographer, it's really important to keep an eye on and keep track of these things as they happen in your business because I can look back. But I would say the first five to seven years that was in the business I did. I didn't keep track of things enough. I didn't keep track of trending things to know enough about where my business was going. And that's why it was really up and
down. But I realized that I wanted to continue doing this for a long stretch of time, I needed to have that overview of things I needed to have in a the 10,000 foot view of where am I going and where have I been. And so that you can adjust with the times that you adapt, you adapt your strengths over time like you. It's important though, if you're starting out now, and you're just getting started in this or you're early on in your career, too. This will save you so much time in the future.
Yeah, this will make your life 100 times easier. Learn from my mistakes, learn from my mistakes, work smarter, not harder, doing this sort of stuff now, and reevaluating it like every year, just to have a sense of where you're at will help a lot. In the long term. If you want to do this long term, if you don't want to do a long term a whatever. by the seat of your pants, that's entirely up to you wait, you know, like, you're just doing this for a year or five years? It may be done it? Yeah.
Well, and it you know, this is one of those things that requires a fair amount of intentionality and discipline. Because as your own boss, like nobody's going to tell you today is the corporate retreat day, and we're gonna like evaluate all the testimonials we've gotten over the last quarter, you have to make time to do that for
yourself. And it's going to feel kind of like you're pausing taking your foot off the gas, you know, oh, I should be editing or I should be out there, you know, meeting people or whatever. But having this sort of, you know, date corporate retreat with your corporation of one really does make all the difference. And if you will, you know, if you put it on your calendar and commit to it, it will pay dividends over time. I
highly recommend that. But things in your calendar regularly schedule your check ins, with your goals. I do that every month. Do it every three months. I do a Hey, what is going on with my business? Check in so that we can look at those things and be like, Hey, we're pretty we're doing pretty good. Yeah, find places where we could do better. Let's find the places that are failing whatever, like, you know, where do I this? Advertising has not brought in anything for a year?
Maybe we should reconsider our commitment to that. Yeah. Those types of things that will save you time and money in the long run. Hey, it shouldn't be that hard, right? This can't be that hard. It'd be that hard. Is it? Yeah, we're trying to make your life easier here. So good.
Well, Casey, thank you so much for all of this. Tell everyone where they can find you and connect with you and tune in to your podcast.
You can find the nerdy photographer podcast on all your major podcast platforms just search for nerdy photographer and on pretty much any social media platform it is at the nerdy photo all one word at the the Add symbol. The nerdy photo, Instagram Tiktok threads Reddit, that's where I'm at. Oh, you're all places? A lot of places. And yeah, come find me. Do I do a lot of between episodes, there's a lot of
humor. They're like little, like, learning things now and then reviews of stuff that I like, sometimes I do DIY projects, because that's one of the nerdy things that I really get into the building stuff. And like, do I really need to spend $500 on that piece of equipment? Or can I make it for 50 bucks, and I usually can make it for like, $50 reasonably, I'm not going to use it a bunch of times, but like I needed it for a project. Yes. Going on investing money. So that's something you're into.
Definitely, like tune in for that. Yeah, but yeah, nerdy photographer podcast, wherever you get your podcasts. Love me. Thank you for having me on. I really enjoyed this. Yeah,
it was my pleasure. This is a great conversation. I will happily chat with you anytime. Oh, have a great day. You too. Well, that's it for this week's episode of This can't be that hard. I'll be back Same time, same place next week. In the meantime, you can find more information about this episode, along with all the relevant links, notes and downloads at this can't be that hard.com/learn If you liked the podcast, be sure to hit the subscribe button. Even better, share the love by leaving a
review on iTunes. And as always, thanks so much for joining me. I hope you have a fantastic week.
