From DigiTiki.com. Now where do you suppose I'm at? Rudy LaPakes. I fool tower. Champs L.I.C.A. Hey, I must be in Paris. Well, Polyboost, Française and Hula Laugh. I'm just gonna stroll down Siegully Baud and look over to Montsuys and the Madame Oisles. It is low, low, low, that side first. No, is it not my ass? Oh, Siemert, Rochevard, Blot, to the Tempals. You are the compete to me. I am the coverage to you. I like you. Welcome to The Quiet Village.
Welcome back for another visit here at The Quiet Village. I am your host, DigiTiki, coming to you direct from DigiTiki.com, broadcasting from deep within the jungly heart of The Quiet Village. And I've got my my tie, but you know what? I probably should have something more French like champagne or apparel or what you call it, some absent. Because I have a wonderful two-parter. Actually, it was going to be one single show, but there was so much material that I actually had enough for two parts.
So we're gonna make it a two-parter. And this is part one of French Polynesian music. And in having back with me, the guy who really educated me about a topic I didn't know anything about with German Polynesian or Hawaiian music. We have back George Ballinrand, who is going to be doing this two-part episode with some wonderful stuff from France. And some French releases. So we're gonna have a really wonderful time. So I hope you enjoy this.
And because I recorded it all at once, I'm gonna release all of these, the both of these episodes together. So welcome, Bojure, to the Quiet Village folks. Get your beret on and sit back and enjoy your champagne because we are going to French Polynesia. Right here on the Quiet Village. Once again, I am here with George Ballinrand Aloha. Bonjour, and Aloha. Bonjour, yes. And I have to say, he's coming to me via satellite from his Tiki Hut, which looks amazing.
I'm honored to be here with you on this episode. Thank you. Well, I'm excited because I'm gonna learn something. And that's fun. So you taught me and the rest of us all about the German Hawaiian stuff, which was new to me. And now we're gonna do French Polynesia, French Polynesian music, right? That's it. French Hawaiian-Sleshe Polynesian-inspired music. I love it. I love it. I love it. Okay. So you wanna kind of give us a little primer.
I mean, we all, we've all heard French Polynesia, but you can kind of give us a primer on it. Well, this is gonna be a convoluted journey. But it's all about French Hawaiian music. We're gonna have music from people from Switzerland. We're gonna have music from a guy, people have originated from Poland, Italy, and some other parts of the world. America, of course, other parts of the world. But it's all related because it's all about Hawaiian-inspired music from France.
Yeah, we've got a lot of music to get through. So let's not delay. Let's get started. I'd like to start this show by playing a tune called Cona Love, released way back in 1958 by Ida Brune. And I'd like to dedicate this song to my best friend Tracy, who introduced me to Caluacona and Hawaii.
Take it away, Ida. Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Oh my gosh, I love that cover. Yeah. That's a beautiful cover. You know, something that's kind of funny is that, here in the United States, we never had singles, seven inches singles with these great artwork pieces.
I can only, I can, other parts of the world. Oh gosh, that's beautiful. That's the thing I've noticed too. There's, you know, when you see an American Hawaiian release like Arthur Lyman or something like that, you find it in Europe or in Japan, it's got a completely different cover. And the cover is cooler than the one over here. Yes. Wow, you know, that's. And they have a lot of, ooh la la album covers that. Oh yeah, I love that. Hey, I'm all about Polynesian boobs.
All right, so let's, let's finish that set. Okay. That last track was a tune called an Applied from 1964 by Jan Marnea. You can see the artwork for that. It's very beautiful. It has a carved teaky that looks a little bit like a Hawaiian coup, probably carved out of burn roots. Yeah, I'm not sure. It's got that Kamehameha like headdress too, which is very cool. I love that. That's a beautiful cover art. It is. That's, that was released on festival records. Okay. Is that one from France or?
Yeah, correct. This was released in France. Okay. Way back in 1964. So the French, I mean, we all, we've all heard the term French Polynesia. So the, you know, just as a quick primer for everybody. There was a lot of Polynesia, especially Tahiti and Borabor and places like that that were French colonies. They still speak French over there. So the French do have a rather long history of a connection to Polynesia.
And by the way, I forgot to mention the sandwich in between Jan Marnea and Ida Brune. We played a track from Stefan Kubiak. He was, his family came from Poland. Poland, okay. So not much is known about him other than he was a composer who composed a lot of classical music. Oh, really? Okay. All right. Very interesting. Okay. I'm digging it. So where do you want to go next? Let's go to a set and we'll start it off with a tune called Pretty Red High Biscuits. This was released in 1976 in France.
I don't believe this is available digitally and this is by a group who's called themselves. I don't know how to pronounce this word, but I'm going to try. Is it left or less? Less what? Levo-Liquies. Take away. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay.
Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay.