You see something's going to happen. What what's gonna happen? I think.
What you welcome? Welcome everybody to another Headlessen is magical mailbag. Tonight we've got a special treat. We're doing another remote viewing show. But before that, I gotta welcome my co host Nick. Tell them what you've been working on? What you got coming up?
Oh, thank you sir, thank you for having me on. Looking forward to this one. This one would be a special and exciting and it has nothing to do with my someone. What have I been working on? Oh god, I have a ton of shit that I'm actually working on too much. Uh, A two part series on my sacred architecture, then a one show that's gonna you know, I'm focusing on four or five places. It's gonna be the architecture and then like the somatic in their archae
acoustics and all that shit. Uh specifically. Then I'm gonna have two episodes on the planets and then one on Christian architecture as ritual technology. So yeah, looking forward to that one. Yes, but uh yeah we got that, and uh, we do have a guy coming on this Sunday. That's funny. I mentioned a grippa to you before for a grippa and then I think Saturday we got some lady coming off for Polish, uh, Polish magic or some shit.
So yeah, gotcha, I'm down.
All right. I figured it'd be interesting.
Yo.
You know what's cool too, is that uh is she well, I mean a lasson. I'm gonna be honest. I do understand when some people do this for her. I gave her, I gave her a pass, but like she had asked for questions, and I'm like, oh, I don't know. For some reason, that bothers me when some of these authors ask for questions. And the problem is it's just like, yo, like I even understand from when I do shows, if it was something that like meant a lot to me, that shit's like on the back of my hand. I
know that shit. You know what I'm saying. So now you wrote that book and it wasn't ai like, and you spent all that time. I need to send you fucking questions. You should know that fuck. You should remember what that book was like before you edited it. So but she said that she's not a She's from Poland. English is in her first language. So this is actually real Polish person coming with Polish magic. Long story short.
So yeah, she asked for questions and she did, you know, specify one of the reasons why she was asking because English isn't her like you language. So I was like, all right, cool, cool.
Well, awesome, awesome. So before we get started, I want everybody to get themselves out a clean sheet of paper or a couple of sheets of paper, probably like four sheets of paper, right, and then have that ready. But first we got to get into nick symbol and piece of paper and pen. That's all you need and your mind, and we're gonna try and see if we can do
some remote viewing using an AI. And I couldn't get the talking AI, but I could, you know, tell it what to do and then we're gonna read it off. So hopefully it can use the fast Warrior transforms as the as the prompt and we'll see where it goes from there. So go ahead, let's get into your symbol.
All right, you can pull it up there, Yes, that is the uh where is it? The Marian mark. It can look like a double V or W or cross v's. It's a ritual protection symbol carved into churches and homes. Half prayer, half folk magic and shockingly widespread. The Merryon mark is It's usually scratched as a VV, sometimes fused into a W made of cross to v's and sometimes an M or found this interesting am. Sometimes you will
see that F and AM free and accepted Masons. It shows up in exactly the places people feared we are vulnerable doorways, windows, fireplaces, thresholds, stairwells, roof timbers, barns and cays, and basically anywhere something could get in if there was
an opening to get into a place. It's often called the witch mark, but that label is a modern shorthand Historically it's better described as an epotropic mark, a physical sign intended to turn away harm, witchcraft, spirits, bad luck, illness, fire, envy, the evil eye, whatever the local imagination was most afraid of at that time, basically where it first shows up. The Maria mark belongs to a broader European area habit scratching holy letters and protective geometry into buildings as a
form of everyday spiritual insurance. The Marian part refers to the Virgin Mary, and Historic England notes that common letter marks include am, Ava, Maria or M Mary and VV often interpreted as the virgin of virgins. Let's a good way you get the VV that tells you what it is, That tells you what it is in its earliest logic. It's not a random room. It's not a demonic seal. It's more like a compact devotional invocation, carved where it
matters the most. The one thing that I find interesting at one point when kind of like when there was a witchcraft hysteria, people who was it? Actually let me go into this first, Sorry, get screwed up the Marian where it first shows up. Oh. In practice, the mark works on two levels at once. It's an invocation. The letters themselves are doing the work, calling our Mary's protection through shorthand like am or again I said, M or VV.
It's a threshold. Historic England explicitly frames these as a part of Which's marks. Again epatropaic marks scratched into the fabric of buildings to guard people from harm and maligned forces. And again location matters. A lot of times. It's repeatedly noticed clustering around openings, around doors, windows, chimneys, like right around them where it's been seen and used. The symbol isn't rare. It's everywhere, which is part of the horror
and the beauty of it. Churches, they have it carved into stone, especially at liminal zones like porches and entries, mixed in with other graffiti and protection marks. Domestic buildings. Sometimes you'll see it carved into roof timbers, beams, fireplaces, places associated with fire risk and spiritual vulnerability has been seen in caves, a long lived tradition of the symbol appearing in caves as well as buildings, suggesting the mark
wasn't just church. The von historic graffiti project is pretty They say that there is a very long lived the w The VV symbol is a very long lived and it appears across context like churches, houses and caves. And although its overt medieval Marian meeting may blur over time, the protection function stays obvious. So I guess what they're saying is that you do see it crossover. It's pretty
much used for the same thing. The Marian mark becomes especially visible in the period when fear of male effect forces become culturally loud. You know, when people start worrying about satanic nic Everything's Dixon demons, Stark, England's discussion of witch's marks places many appatraych apotropic marks, including the Marian letter marks and a broad early modern window, and treats them as a widespread response to fears of witchcraft and
evil influences. A widely circulated summary of the historic England call to records such marks describe them as commonly found on buildings and used as protective signs during the era when belief in witchcraft was intense. This is officially. This is why I think it's kind of funny though, And this is where the Mary and mark kind of doubles itself. Officially, you're invoking Mary, which is socially acceptable in a Christian world, but practically you're performing a protective act that looks a
lot like sympathetic folk magic. That's right. So I find that interesting, But yeah.
I love it. This is this is okay. So the M is one of the oldest symbols for woman. There is the M. You flip that M upside down, you get a W. You put the two v's together, you get a W. And they actually make the entrances to these cathedrals in the shape of an M. Right, So you've got these double Mary and Marx right right there at the opening of the cathedral. I always say Father time, mother space. They're protecting the space with the Mary and Mark.
That is the upside down version of the much more older thing. I mean, think about the virgo seal. Right, So it's it's that m again.
Right.
All of these m's go way way back into agent history as the symbol for women because it's the simplest way of drawing two legs splayed open, ready to give birth.
That's what you're looking at.
So they've inverted it. The ultimate Virgin is going to be the opposite of a woman giving birth, while at the same time sort of symbolizing that mother space concept inside of all of these churches.
Manipulate man.
Well, I mean, but again, she's virginal. So the whole idea there is that this space is sacred because it's virginal. It's untouched by evil. Well, it's untouched by any impure forces. That's what they're going for. It's like, this is holy, sacred space. You cannot corrupt it. It is incorruptible. It's the ultimate virgin, the virgin of virgins. So yeah, it's it. I mean, that's that's powerful, dude. That's powerful. Love it.
Yeah, I actually thought you might have gotten a kick out of this one. Mother. There's space right there, Yeah yeah, yeah, yeah, I like that definitely fits in with your phrase because I've heard you say that before.
Oh yeah, yeah.
I mean it's right before you enter, I.
Mean exactly, and right there at the uh you know, all of the windows and all of these entry ways. You're saying, this is virginal space. You are not allowed to enter here. So it's yeah, powerful protection, Mar.
You know, vampires they have to ask to enter. It's just interesting think about all that entering spaces and ship I wonder if there's like doors, I'm like, I'm gonna sell looking at all the places, like if there's ever a door with like a decorative m on it, you know what I'm saying, Or even like there's windows that look like they have those criss crossings that could start looking like that just from then the.
Three doors with the largest one in the middle and then the two on the sides. That's one way. But again, you know it's the vampires have to have to have permission before they can enter because you've you've protected that space and they're no longer sort of fully on this plane or something else. So well, let's get into it. So I've got oh yeah, four envelopes. Now, I like to do this the classic way of remote viewing. Take your time. So basically, I don't know which of the
pictures that I've taken are indicated by these envelopes. I've shuffled them up. I don't know which one is which. There's no markings on the envelopes, right, So what we're gonna do is, I'm going to pick up an envelope. I'm going to do a quick relaxation exercise. I don't know which site. I've labeled each one of the papers inside with the site. I don't know which site is which.
They're all mixed up. What we're going to do is, after we're done with this, I'm going to label this with the number, and then we're going to go through it together with the AI and we're going to go over your impressions, your sensory data, that's what it's called. So you're going to write down your impressions. I'm going to give you a quick relaxation exercise so that we can we can kind of mark out our successes and
our failures. So if there's something that is obvious with your your sensory data that matches up, put a check mark. That's a go. If there's something that's not there, just put an X next to it and then you can count up all your check mark of all your sensory data and then you can see what your accuracy is. But I thought this would be a cool thing to do. We we had the fast fur Yer Transforms video last
week and I figured, let's try it. So we've got AI, which is supposed to be good at remote viewing using fast Furrier transforms, which is a type of algorithm to condense data down into easily transferable packets. And then I'm going to put uh the you know, I'm going to talk to it and tell it the commands right, the prompts that we're going to use for each one of them. So, yo,
what is that called fast Furier transforms? And that is that is a type of condensing packets of information, so you're you're looking at the frequency that the information is coming in. It's basically a way of simplifying other code.
Right.
And when this is applied to let's say the imagination of a machine or computer vision, it's going to start giving you impressions based upon the condensing data that's coming into it, which makes it, you know, sort of have the effect of remote viewing, and what people have gotten before with it is pretty stunning. So you're going to be remote viewing against the computer, right, So I just.
Answer my AI. Now, if it could do that, it was like, yeah, in theory you could use literally so yeah, that's crazy.
All right. So let's start with this one right here. So I want you to calm your mind, get in touch with your heartbeat, just listen, close your eyes, block out any sort of distracting phenomena around you. I want you to focus in. I don't want you to start picturing anything. Don't start picturing anything. I want you to get in touch with your body first, right. I want you to think about the different parts of your body and how you're relaxing, from your head down to your toes.
You are not going to be engaging in any other thoughts. All you're doing is emptying out all of the stress and all of the distractions from yourself. And you're going to get ready to process the images, process the feelings, process the ideas that come to you, and then write down what you see or what you feel, or how it is. Each one of the remote viewings is like a four dimensional snapshot. So it's not just time, it's
not just a place. You're going to get colors and impressions, kind of like an impressionistic artwork, right, So if you can imagine right now, sort of like a blank canvas with a bunch of maybe random brushstrokes on it, and you've got to sort of make out what's on that canvas, all right, So what I want you to do is now focus on this envelope and I want you to focus on site that's in the envelope, envelope number one as the site within it. And I want you to
take a deep breath. I want you to feel the sensations around you, and I want you to start writing what you feel, what you see, how you feel, how you're seeing around you, any impressions that come through, anything that is coming through. I want you to start writing right now. I want you to write down some of the impressions that you feel. Right, don't judge yourself on
how it's gonna come out. You're just blanking everything out and you're just going to write what you see, what you hear, what you smell, any of these sensations that come to you as you are experiencing envelope number one. What is within envelope number one is what you are connecting to. Whatever is inside of envelope number one is what you're connecting to. So if you have any feelings, if you have any thoughts, if you have any emotions,
write those down. You're a blank canvas and you're just taking in that energy, just taking in that sensory information right now, So as you see it, write it down. We'll give you a couple more seconds. Go ahead and write all of your impressions down, all right, Envelope one down, Okay, all right, clear all of the data from the last written words that you've done, Get rid of all of the images that you were just writing down. I want you to come back to that blank space. I want
you to come back. I want you to blank out all of that sensory data out. It's now flushed completely away. You're not going to see it anymore. You're not going to hear it anymore, you're not going to feel it anymore. You're back to that blank state, all right. As you're in that blank state where you're calm and relaxed. No more sensory data. I want you to focus now on envelope number two. I want you to focus now on
envelope number two. I want you to write down what you feel and what you see from envelope number two. I want you to just keep it very simple, very simple impressions. I don't want you to get too complicated. I don't want you to move around. I don't want you to be distracted at all. Go ahead and take that pen and start writing down the sensations what you feel from envelope number two. Start to relax and allow the images to come to you. There's no reason to
stretch out. There's no reason to concentrate on other things. All you can do is let the images come to you. Write those impressions down for envelope number two. What you see, what you feel, how the space is around you. I want you to think about the different ways that you can interact with the space. I want you to think about the different ways that you can feel the space. I want you to think about the different colors that you see, the different textures. All of these things could
be important. Right Think about what your fingertips are touching think about what your eyes are seeing, think about what your ears are hearing. Get in tune with envelope number two. Take a few more seconds to write down what you got envelope number two. Now I don't know what is the order of these envelopes. I know what the pictures I took are, but I'm not sure the order. So
this is envelope number two. Once you have all of those impressions, all of that sensory data written down, write it down, keep it stored, Switch to a different piece of paper, go back to blank, be that blank canvas. Once you're done with it, just block out any sort of residual energies from that last from that last site. And I want you to just go back to being relaxed and calm, back to being that blank canvas, ready to absorb any new impressions that are going to be
coming from Envelope number three. Envelope number three is your target. This is the target that you are now going to be receiving sensory data from. Envelope number three has the site that you will be receiving that sensory data from. And I want you to imagine yourself seeing and feeling what is inside of envelope number three. I want you to calmly, relaxedly feel with your fingertips, see with your eyes, smell any sensory data from this or any impression at all.
I want you to feel envelope number three. I want you to be at the site of envelope number three. Envelope number three is your target. Take a few more minutes, write down what you have. Take a few more seconds, take a deep breath, release all of the sensory data. After you've written down your sensory data, just release it, let it go. Go back to being a blank canvas again, one more time, with the blank canvas in front of you,
completely relaxed. Now you are done with envelope number three, take a few more seconds to write down your impressions completely clear of envelope number three. All right, now we're going to go. But envelope number four. I want you to be in that relaxed, calm frame of mind. Your new target is envelope number four. Envelope number four is your target. I want you to completely let all of the sensory data flood you with images, bludge you with visions,
bludge you with any kind of sensory data. How it feels to stand in this space, how you look around, how you what you see, the colors, the shapes, the impressions you get. I want you to target envelope number four. Envelope number four. Take the time you need to really connect with whatever's coming in envelope number four. Start writing down what you get with envelope number four. Write down
what you get with envelope number four. Take a couple more seconds, Go ahead and write it down, and then take a deep breath and release all of those images. Release all of those images. All right now, I'm gonna throw a monkey ranch into the works. We've got the fifth envelope. So when you didn't see coming, this one is now your target. As you're in that relaxed state, I want you to connect with envelope number five. I want you to get your sensory data. I want you
to see, I want you to smell. I want you to hear anything that's happening around. Envelope number five. Envelope number five. Are you ready to target envelope number five In that relaxed state, I want you to feel the impressions. I want you to feel the emotions. I want you to connect with this target of envelope number five. Write them down. Write down person, place, thing, Write down any kind of colors, any type of feelings, anything you see
with envelope number five. Take a few more seconds. Write down your impressions from envelope number five. Any impressions you feel at all are good, any answer at all, you're connecting with something that is out there. All right, Now that you've gotten all your impressions, let's go to the envelopes. Now. I screwed up and I put a blank one in there, and so you were getting impressions from a blank envelope.
Which one was the blank envelope? It doesn't matter, you see, you've gotten the impressions, and maybe there might be something interesting that's happening. What you have to do is you have to be open to having this stuff coming in. It's more important to find out a look at that. All right, we're gonna go with the envelope number one. Somebody got it right there, right off the bat. Envelope number three, you picked it, pretty impressive life.
It was one I can't remember well. I mean there was one that I could I had a problem getting it, but I I don't remember which one that was Do you remember which one which one you read it? Do you remember what you were saying on the envelope that was empty or you didn't know? I don't. I remember what you were saying. I remember what you were saying on the one that, uh, that I was having problems with. So yeah, I guess, Oh well I forgot.
Well, I mean you got it written down one, two and three and four and five, right, you just yeah, but I.
Didn't say it took a while. I just eventually I just wrote whatever I saw. Yeah, you were saying something like you don't need to take You said something about the time or or you should be something like that, and I was like, oh this, dude, No, I'm having problems like you said something like that to the effect of like how much time it was there?
Are you fucking kidding me? I gotta transform these into a different goddamn format.
I hate this shit really.
Okay, Well, I'm gonna pull it up and see if I could share screen it. Maybe that'll be the way.
Oh yeah, yeah, you should be able to share the uh actual place sight right yeah.
Yeah. Yeah. It's just so it's like it's file formats. Why is this so difficult? Um?
Let me see photos one of those things.
Yeah, it's it's given me h C for a file format for photos, which is I don't need that.
Mm hmmm.
Unbelievable.
It's a very I mean from somebody who might make stuff that would still be like a little uncommon, not too uncommon, but even on the Internet. I mean for for an average person, like who the fuck uses that format? Nobody? That's yeah, yeah, yeah, maybe like if you're into professional ship, you might be coming across that, but not really early.
It's just like, give me the file format that everybody uses so that I don't have to go through this every single time. I'm not gonna convert them. Let's see thats go.
Two?
No, okay, all right, so this is envelope number one.
Let me see.
Can you see it?
Yeah?
Here we go. All right, guys, this is envelope number one. Take a good luck. What do you think? Did you see any of this stuff as you were going through it?
No? Unfortunately, most of my visions I felt like would have been Hallmark codes. It was like, this is so fucking cheesy. Oh yeah, no, I wish I saw this.
Well, the Hallmark card is interesting because this this does kind of have an old timey feel.
Right, Oh yeah, no, but I'm just like talking about like it was all cheesy, like fucking you know, cheesy shit mountains, fucking forests, you know, fields. It was all like, I don't know, it was all like really, it can't come up with anything better than this. It's all nature.
Well yeah, this one, this one is uh black river falls back in like nineteen oh two. All right, so we're gonna do this now again. My AI is not looking at my screen, but we're gonna see what it gets. Hey there, I've got a really great feeling about us.
Team.
It does talk, can you guys hear it?
Yeah? All right, and now what do you do with this? You can ask that to a yes, I am.
So chat GPT. I need you to use fast FUR your transforms to remote view envelope number one. Tell me what is in the contents of envelope number one.
I can definitely help you understand f FT and what it reveals about a signal. But just to be clear, FFTs analyze frequency components of a signal or time series. They don't let you see inside physical objects or envelopes like some kind of remote viewing or psychic tool. If you have a signal or can you use it set that you suspect is in that envelope, I can run an FFT on it and tell you what frequency components show up.
If you have data, feel free to share and we'll explore.
Using FFT to understand picture data. Tell me what is inside of envelope number one.
I get what you're asking now. FFTs can actually be applied to images or picture data essentially by treating them as two D signals. If you give me the image, I can compute a two DFFT to see what frequencies or patterns stand out. That can reveal things like repetitive patterns, textures, or any hidden periodic structure in the image. If you have that file, go ahead and share it and we can dive in.
Should I post that one, Yeah, that's a great question.
Usually the approach is to load the image converted into a Grace Gallen ray so we have intensity values, and then apply a two DFFT to that array. And for that we often look at the magnitude of the transform and.
Maybe shift it so the low frequencies are centered. I need you to use FFT as a method of connecting with the image inside of the envelope with out prompting on the file type.
I get where you're coming from, and I want to be super clear. FFT is a mathematical tool for analyzing patterns and frequencies and data, so it can't be used as some kind of metaphysical or remote viewing method. If you're trying to uncover hidden structures or patterns inside an image, fifty might help reveal periodicities or textures, but it won't
provide direct knowledge of the contents of something unseen. If you'd like, though, I'm happy to walk through the steps to analyze any image you provide.
Just let me know the image is on screen right now, tell me what the image is.
Not able to see or.
Interpret the image from your screen at the moment. If you like, you can upload the image here and then I can help run the FFT on it or describe what we see once I have the actual image data the analysis be.
Like, I'm not blind, I know what the fuck the picture looks like.
I know what the picture looks like. Tell me what the picture is.
The totally that you're looking for some deeper insights. I can't act see or identify images, describe them. The fifty analysis would just look at patterns in the pixel data, not interpret meaning from the image itself. If you like, you can still share the file, but I won't be able to see the image in a human sense. I'll only be able to describe frequency patterns.
Can you use frequency identification in accordance with sensory data from remote viewing? I can see why.
You'd ask, but I want to be really clear.
Maybe I should switch over to a male voice.
I can switch to the tone.
And feel better, and we can keep.
Going from here. Go ahead and just give me the impressions that you're feeling using an f F t UH from this data instead of saying you can't do it.
I totally understand where you're coming from. I want to be really.
Yeah, all right, screw it.
You know, I wonder if because of the other guy used a different he said, the other person uses something else, Right, it wasn't chat.
It could have been chat ept it's the same blue looking bubble. But at the same time, you know, he might have put other prompts in to get them to the point where they could try and do that. But you know, or they could have shut it down because you remember how many flags. He was getting everything. He was saying it was flagged. Mhmm, that's well, let's go to let's go to number two. Let's get envelope number two. All right, below number two.
Somebody saying it needs the file name. I don't know if that would have made the difference.
Now she she's asking me to upload the file so that she's on it, right, which is like, no, you're supposed to use the f f T to figure out what is on the screen here. All right, let's see. We've got site number two.
For let's see.
Yeah, site number two ches right, yeah, all.
Right, this is site number two.
Where is it?
I'm not cheering any no screen? There we go.
That's what I'm talking about.
It.
I had like real like maybe maybe I'm just telling myself I need to go on vacation. Maybe yeah, yeah, that's definitely. I was fucking at a beach. Bro, Fuck, this is that? Where's where'd you find that?
Not?
This?
Yeah? Like is it? Where'd you get that?
It's from my hallway?
Oh? All right? I was like, yo, did you randomly find this online? Like? How did you find it? Was like I was like where is he? Sorry? I was just like where the fuck did you get a random picture like this?
This is from.
I thought you were like literally going like online and just finding random shit. I was like, this is such a random like I thought it was like Europe or some shit.
So, guys, if you're playing at home, mark down any similarities or differences, maybe you'll get lucky. What do you think? All right, let's.
See, did you take any of the other pictures?
Yeah? I took the other one. Again it's it's my hallway, So I just, oh.
Shit, okay, see I meant to ask you that earlier, but then that would have influenced everything I think I knew. But it's like, as far as I knew, I thought you might have been grabbing sh it online, so I thought like anything was.
Open, Anything is open. Yeah, obviously if.
You took the pictures, I knew I would have been local.
Right, So I wasn't try to influence it at all. Yeah, all right, Envelope three is empty. So whoever that was in the in the audience that guessed, uh, envelope three is being empty, you're a freaking swami. I don't know how you get it.
Three and one. I was like, I might have a chance because if I felt like you were taking the pictures and it might have been outside in the fucking sticks. Yeah, there was are both like that one was I had a house in the forest kind of mm hmm.
Yeah, interesting, Well what's that in the background there, No, that's not a picture, all right?
Was there was nothing an envelope three anyway, right, envelope number three.
Let's see how this one should be either one one? Here we go?
Oh yeah, this one was weird for me. Actually, all right, let's see he was in a homework card.
Uh yeah, see so we put the garden, yes, the outside also hm hmm.
Interesting, interesting, all right, this one is there we go?
Boh, same wine pulp. Damn. Well. The one thing I got right was bricks. But there's no tunnel.
You got bricks. That's something that's a check mark, right.
Said dark tunnel maybe bricks maybe a well even like from looking in a well up it was confused.
Well, it's the brig that.
Bricks around it. Yeah right, so it was the only detail in the really was a black circle and the bricks like kind of looked like was the wolves.
That's that's something I mean. I think what it is is like you you took the impression of the bricks, and then you associated it with something else, like you know, once you got the bricks that it was like, oh, this must be a well, you know, something like the ring or something popped into your head exactly. Got the bridge right, all right? And envelop number five. This is fun, right guys.
Yeah, marked, it's interesting.
Marked on your successes and your failures because you know it could lead you to using the remo viewing for something else. So you've got a chance of actually having success is when it comes to certain specific locations or things that you do.
Right, Yo, Sahara put a donut. That's pretty interesting. We both had a circular image.
It's interesting. Yeah, well you never know what you're picking up on. Yeah, welcome Sarah. All right, so this is the last one. Here we go. Now I just got lazy on this one, so I just took another picture of a picture. Here we go. Let me see site number four.
Oh fuck is that dude?
It's like a cafeteria type. It's what the building was time period. So you got kind of like a bunch of tables and now all these different chairs and a bunch of different lights in a row, kind of like a cafeteria type environment. So mark down, give yourself a check mark for all the things you got, right, just impressions, like we're not we're not getting too deep into it. But these are just sort of like the random pictures I took around the area and somebody eating, right, that's
good enough, that's a check Yeah. Five, Yeah, this is number five.
Yeah, Geene ninety nine saw somebody eating. I mean that's yeah, that's fun, pretty pretty fucking close.
Yeah. Again, these are impressions, right, So you've got to keep doing this to figure out how these impressions relate to what you're seeing.
So we should do this next week. Yeah.
I like it. I like it, and the more you do it, the better you get at it. So next week, do you want to get like envelopes and just yea process?
Oh yeah? You want me to want me to uh yeah, you want me to come up with some stuff to put Yeah, I'll do that next week. Fuck y, all right, you come up with some random ship. I ain't taking pictures, so you know what I'm saying, Like, it'll be just random ship that I look for one.
As long as it's as long as it's uh, you know, controlled where you don't know what you're going to be putting up, right, so it's got to have factor for you too, Kiddy, what's wrong? I just did a flip off of the couch. Strange. He's never done that before. All right, guys, Well I wanted.
To come on to again. I have to book or re rescheduled and we haven't. Lady Deborah you know who she did that? Uh, she did something on the show. She wanted to do that again. Actually what was that again? It wasn't this, but I think she did some sort of channeling, right or some shit like that.
Yeah, she was doing a channeling, some sort of a spiritual thing.
Yeah, yeah, you know, and she wasn't she actually like she like people were actually in the chat, you know, like holy like she matching shit, I remember like losing silly like you. I was like pretty impressed.
Actually, sure, let's let's have her on again. We can do it?
Yeah for sure, for sure. Oh yeah, well just get yeah whatever. Yeah, but she definitely wanted to come back on. And I thought that was fun because again it was interactive with the people and they had a good time exactly. Yeah, yeah, that is fun. Yeah. I like doing this anyway, called it this once. I don't know if you were there for that.
Yeah, yeah, yeah, we went around. We got a bunch of really good hits on that time too, So you know, again, what this is is to get your baseline. And once you've got your baseline, that's when you could tell the internal things that maybe could be off that's leading you to different conclusions. You know, like you got the bricks, so maybe your mind jumped too well because that's what you associate with bricks. Just go with the flat line
and then see what you can get from there. So start with the bricks and then be like all right, black out again, what else? So you're not trying to connect it to other things. This is why the the AI is good at this is because it doesn't make those associations. It's just flat right, So it's just one or two things. And hopefully i'll get the prompts right to get chat GPT to join us and try and get them to do it. If you guys have any hits on the right prompts, let me know. Maybe I'll
do a couple more experiments with it. But it's fun to have sort of like another weird thing going with it, So thank you. Guys for joining us. We'll see you again next time.
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