You see some things are going to happen.
What's going to happen? You?
Welcome to the Occult Rejects this episode.
I got a bunch of us with us tonight, and we've got a very special guest, somebody that I met personally at the Cosmic Summit, so I'm very excited to get him on the show. But before we introduce the guests we will cover, we'll have the other rejects introduce themselves.
We're gonna start with Brooke. What is going on? Brook? How will you?
I'm doing well? Thank you for having me tonight.
I'm happy to be here.
You can find me on Instagram, at darkforda podcast, and wherever you get your podcasts.
I'm excited for tonight's topic.
Thank you, Thank you, and I very much appreciate you making with us. And then we got Tyrone from the Birth of the World. What is going on on it?
What's going on? Everybody?
Everything you can find about me is on rebirth at the word dot com and that's my website. Can buy my book there was best seller. It also can be bought on Amazon. Journey through the Origins of History. Thank you, Hell yeah, go check out that book. It's up on Amazon, and then we got the Podfather himself. We got Ricardo. What is going on, my man?
How are you that name has already reached here?
Okay, yeah, yeah, no, I saw that shit on Twitter. I was like, oh, this is that funny. I love it. The potfolow.
So good evening, everyone, Thank you very much for calling me into this conversation. I'm quite eager to learn from this. Salt Water electros As for me, you can find me at the as the name but there is on the screen on X and I would invite everyone to go and look to Institute Finatophilosophy dot org. But you can find our magazine. You can find possibilities to collaborate with us and bring suggestions. So oh, by the way, you can also look at my books Stardust and The Residents
that you can find on Amazon. Thank you, Nick.
Yeah, of course, of course.
Also, I mean, if you don't mind, I mean, but I think people show us well, go check out Universal Veil.
I mean that you're kind of associated with that, so.
Absolutely, yeah, I mean I want to plug that for you again right now. So, but I came in to hear they were premiering try it own, right now at this moment.
So yes, yes, but definitely go check out that show. Definitely worth check it out.
Absolutely.
Yeah, No, they are really cool. They had me on. They are really awesome women and they're very intelligent. Uh so uh.
And then last but not least, before we get to the guests, we got Bennett. What is going on, sir?
How are you? Hey?
Thanks for having me on. Ben and Tanton from Broadcasting Seeds podcast You can find me wherever podcasts are played and also broadcasting seeds dot com. Also another thing that I've been pushing as a magazine that I'm affiliated with and an editor for, called Strange Knocks Magazine and you can find that through links through at my website or at You're Gonna Love It Gotten Knockers dot com.
I do like it.
Yeah, appreciate you having me on.
Of course, of course, I'm sure I think he's got like ten ASMR channels out there he just won't tell us about yet.
But yeah, yeah, it's it's good on there.
Okay, thank you so much for joining us, my mad I really appreciate it. And finally to the guest himself, like I said, I met this man at the Cosmwick Summit I be totally honest with you. I think I I met you. I think looking that ship up to that Friday, fucking walking up that thing and going to film shit, I think I met you. Yeah, yeah, yeah, I think I met you then and we started talking and we hit it off, and I was like, oh,
this guy's got something to talk about. And I got your information, but please, ah, let everybody know what you deal is. And uh, you know, I guess wherever they can find anything you're talking about if you're on social media whatever.
Yeah, I'm I've been doing work on megalithic structures by myself for a very long time, just kind of as a hobby. I actually was I'm going on a tour with Pravine to Thailand, and I talked to him about a little bit about what I was working on and why I was wanted to go to Thailand and all this, and uh, right before the Cosmic Summit, like a week before, and after talking to him, he told me, hey, maybe you should talk about this at this place called the
Cosmic Summit that he was going to. And I had no idea about it, and since he told me to go, literally booked my tickets the next day. Flew out of North Carolina. I'm from Phoenix, Arizona, and UH ended up meeting everyone, And to be honest, this might sound naive, but I had no idea that there was a huge community around this kind.
Of stuff, this topic.
I was blaying.
I I know about the big names, of course, and that's kind of what I've been following for a long time. But out here i've been in Arizona, I've been pretty pretty isolated. There's very few people, if any, that work on this, and there's plenty of people that are interested in hearing about it, but I didn't really have anyone out here for many years to talk about this subject
in any meaningful way. And so going to the Cosmic Summit, I started talking to everyone just talking about what I've been working on, and it just blew my mind how many people were interested in this and actually trying to do work on it too, And so that's kind of how I got into this. My background is pretty varied. I've had an unusual path. My background is primarily in finance. Originally, I started working at a hedge fund in June of
twenty ten. I was there and I ended up covering Tesla when they ipoed on the stock market for the first time in June twenty ten, and that sent me down a pretty long path, pretty intense path. I spent most of my career as a securities trader at Edward Jones Investments, and over there I covered a lot of tech and I did a.
Variety of trading roles.
But in twenty twenty I transitioned to AI and I focused on computer vision applications in autonomous vehicles or automated vehicles. And I did that for a long time, and now I'm trying I realized that there is probably an overlap in skill sets that is not common, that is useful for understanding megalithic structures around the world, all of them,
in my opinion. And when I started realizing that, I started, instead of applying my skill sets towards automated vehicles, which I did a lot of work in, I wanted to apply it towards this topic instead, because it's just way more fun and a way more interesting problem to solve, in my opinion.
Sounds good. Sounds good. So what made you end up at the Cosmic Summit? I guess that guy, Yeah, yeah, yeah.
Yeah, Pavin Moha and and you know, I'll talk a little bit about this, but I think that India has a lot to offer this topic that most other places in the world don't have. And Pravine is the only person I know that is really taken it, taking the bowl by the horns and tried to show the world how much India has to offer in this regard. So India has a unique advantage. It has the Himalayas to the north, and it is a peninsula, so it's surrounded by oceans towards the south.
And so what that means is that over the.
Course of its entire history, it has been relatively it's a relatively untouched civilization, and it's an ancient civilization too, long running, long standing civilization, continuously going. And I'm not saying there wasn't any war, but in general, relative to other places in the world, it was relatively untouched. And so megalithic structure is in India exist all over the place. There's tons of them, not well over hundreds, maybe even thousands,
and there's all different types. And you can call them temples, you can call them tombs, you can call them.
Whatever you want. But these structures are insane. Oh Hi William.
I actually saw your your show here with Nick, and you mentioned something really good about language that I might talk about a little later. So India has these megalithic structures all over the place, and they're really well preserved. Everywhere else in the world, these megalithic structures are usually heavily destroyed, eroded, they've been picked away, they're taking looted and all this stuff. But India they're not that heavily
destroyed by comparison, and there's so many of them. And India has its own form of hieroglyphs.
It's a it's.
These like heavily ornately carved design and statues all across their buildings, adorned everywhere. Every square inch of these temples and whatever you want to call them is usually adorned with intricate architecture, intricate design, and that's the Indian form of higheroglyphs, and they tell a really powerful story. Pravian Mohan is the person that I've seen that has really
tried to demonstrate this to the world. I'm not going to be able to do anywhere near as much work on it as he is, but I hope to start to bring together a lot of different understandings from different places, because I think now is the time to start solving what all these megalithic structures all around the world are about by trying to reverse engineer their function.
And I think that what we're.
Going to find is that these megalithic structures are related in some way and they share patterns that overlap each other. And I'll try to demonstrate a little bit about that. But the point is that we may not be able to solve everything from these megalithic structures on an isolated basis, just what the evidence is on the ground because of
how destroyed or looted or whatever they are. But if we can start realizing that these megalithic structures all over the world are related, maybe we can start cross pollinating understanding from one and apply it to another. And since there's so many examples of this all over the world, I think that this is an area that is ripe to be kind of like exploited, and I think that India has quite a lot to offer because of this.
There are numerous structures that represent megalithic construction that are impossible to build even with modern technology. One that's like really not as well known that I think everyone should
know about is Kailasa Temple in India. If you haven't seen Colossa Temple, for Vi Mohan has a great video on it, but you can watch any Colossa Temple is this enormous temple structure built out of one giant mountainside, one stone that builds the entire complex, and it's carved from the top down in the salt, which is near the same hardness as granite.
And it's just impossible to build today.
We can't do it, not even close, let alone however many hundreds or thousands of years ago. And so I want to start trying to bring some of that into the conversation, cross pollinating understandings from others and applying them well.
I would not say that it is impossible to build today in terms of general architecture, but it is impossible to build today in terms of fine art that we encountered at the same time. So we will take more time than we could today possibly afford to create set the thing right. So it's incredible that in a primitive time they could find people to do that job and be as perfect as it was. So that's the fascinating part to me that regard, so to.
Bring in a little bit of finance, one of the things is is we have to start really looking at what the narrative around all these tombs or temples really is implying. Because, Okay, sure, maybe if you put an extreme amount of effort with primitive tools and an infinite amount of time and so on, you might be able to eventually do something like this. However, there's so many of these structures all over the world, and you have to really start understanding the economics at the time period
of what the narratives are implying. So, for example, in Egypt, the current narrative for the Giza plateau is that it was a national project and a massive labor force was dedicated to this task for about thirty years. Now, to put some numbers behind this, just to get a little bit of a flavor of what I'm talking about, In Egypt alone, there's more than one hundred and thirty known
pyramids there. Sudan also has hundreds of pyramids, so together between them, three to four hundred pyramids between those two countries.
And then these pyramid structures are all over the world.
In Mexico you have hundreds of known pyramids, maybe thousands if you include the ones we don't know about. South America riddled with pyramids all over the place, Asia riddled with pyramids all over the place. I've heard about many in Europe that I don't know too much about. But these things are all literally thousands of just pyramid structures alone, nothing else, just pyramid structures alone. And now you add in on top of that all the other megalithic structures
that are not pyramids, like angkor watt Kailash Temple. I'm going to talk a little bit about taj Mahal today and many others around the world. There are so many of these heavily engineered, highly sophisticated, multidisciplinary megalithic structures that are demonstrating deep understanding of principles across a numerous subjects all in one. This is not a coincidence. There's no
such thing as thousands of coincidences. And so every major civilization around the world, every major continent I'm not sure about Antarctica, every single one is demonstrating that they had advanced knowledge and ability to build these structures repeatedly. And so what I was saying about the finance and economic side of it. It's not like you just become an advanced civilization and you get to stay that way for free. You have to really understand what the economics of that
narrative is implying. It's true that you are dedicating a massive labor force of highly skilled workers. They have to be artisan workers to be able to pull off the engineering in these structures, and you do that for an extended period of time, like thirty years just for one project, and then repeat that again and again for the one hundred and thirty pyramids whatever in Egypt and so on and all the other ones. This is exactly how you
collapse a civilization. If none of these structures generate any kind of economic or practical utility to the society, this is going to destroy the civilization. It's not free to just be a civilization and expected to just go on like that. Especially for the history of Egypt where they're talking about these things, where it lasted for thousands and thousands of years. No such civilization can dedicate the labor force and the economics behind it to these tasks for no economic utility at all.
That would that's not sustainable.
That's a good point, I guess, well, I'm not sure that the if we talk about megaliths and not pyramids, I'm not sure that there is an economical factor there, because the benefit are enormous in terms of the pyramids, I would say, and what you're saying, I would say that coincidence explaining for starts, and that you are right in terms of the workforce, because if you look to Thailand alone, you find countless sights with this replicated statues
of women of men dancing. The sculpture goes around, you can see the back of the sculpture that is coming from the rock. So it backs the question how many workers they have, how many sculptures they had, because who can replicate such a thing constantly, like ten figures that are exactly the same. We would need a robot to do that today, to have that kind of precision. It's not that we couldn't do it, it's just we don't find technology in their time to be able to do that.
And that's the puzzle. And in fact, another point that you present is that the timeframe is too short even for our means today, so it will take exponential more time to create any of these structures and we'll have the economical factor on top of it, which I think back then was not as constraining as it is today because if we consider it as a global effort, what purpose is there your question, and it is a very good one, For what purpose will we create something that
generates nothing? It must generate something, right, But it doesn't mean he has to be economical in my perspective.
Yeah, And the argument I'm making is that it's fine as a one off to do megalithic structures, and maybe you can invest your society into this one time, two times, ten times. But to do it in a repeated fashion over and over again, for that's where it becomes catastrophic, because that doesn't generate any progress. And it also doesn't line up with the idea that this is a culture that values technological progress, because if they were valuing technological progress,
they would be applying it for practical purposes. If they were purely valuing technological progress and only to build these structures, they're pigeonholing themselves first of all, in their technology. And it like humans are curious people in general. It's not like when you learn something you only want to apply it exactly one way. And only one way, and you
don't want to apply that concept to anything else. The value of advanced understanding is the ability to apply it in more than one way and be able to demonstrate control over that. And also you're right that like if again, given enough time and given enough people, given enough resources,
you can effectively do infinitely anything. But the issue is that they're doing They're carving all these ornate structures into really hard stone, like for example, Kylost Temple, Colossa temples carved out of Assault, which is near the near granite in terms of its hardness. And they're not just carving major structures, they're also carving fine minute detail for the structures. And they're even, like you were saying, carving behind the statue to carve out the negative space behind it.
They can make chains out of the stone, even chains.
Yeah, they made chains out of it too. Yeah, all
kinds of crazy stuff I've seen. And so this is where it becomes really hard to believe that this is the only meaning that the only way that they applied their advanced skill was for non practical purposes, and that there was no practical application for these same advanced skills, and the other part of it is that in order to build these structures it requires advanced understanding and many subjects, not just one civil engineering for sure, and coreing and
all this, but also they're demonstrating over and over again that they understood polar alignment, because these structures are aligned perfectly to polar north and southeast west. So they have demonstrated that they understand somewhat what is magnetism and why it might matter. And they put these things on magnetic lay lines and like again one off maybe, but again and again and again. This is where coincidences can't happen. They didn't just accidentally do that precisely.
And we're part of.
The engineering argument here is that precision is not an accident, maybe as a one off, but precision is not consistently an accident.
Precision is effort.
It is extreme effort, especially at the degree of precision that they're going for, in order to achieve precision.
At that high at that high.
Skill level, that have to be done intentionally that you can't you don't get to do that by accident, over and over again.
So I would say, in my research in terms of megobids that I think can be applied to pyramids, can be applied to the temples that you are speaking. I find that the disciplines necessary start with geomancy, start with the recognition of fault lines and underwater underground waterways. Then you have the knowledge of the tilloric lines. Then you have the mineralogy that you specifically choose for specifically purpose
in statistically places of the construction itself. Then you have astronomical knowledge that get takes thousands of years because you take it it's how many years for one degree? I don't know if it's eighty eight years for each each degree on the sky.
Seventy years you're talking about the.
Seventy two seventy two, right, seventy years seventy two years for just one degree of the sky, So it would require multiplied ad for the.
And again you're demonstrating that they understood this back then.
Sure. And then you need to understand second geometry. And then you need to understand acoustics, because all of them display most of them display knowledge of acoustics and resonates. So on this alone we have here a vast way of multidisciplinary knowledge that we today do not possess. So we are really discovering it today.
I also want to say this is understood in academia, but maybe it's worth saying there is one layer of difficulty that is theory, and that can be hard, but applying theory in practice in the real world is at minimum ten times harder than.
The theory of it.
So what I want to say is that it's one thing to just understand something.
It's a way.
Exponentially higher degree of difficulty to understand something and then apply that understanding in the real world in a practical way.
That is a way harder task.
And so that's also I think relevant, is that not only do they understand these concepts, but they understood them well enough to apply them and pre plan them and make structures that had to be pre planned in order to achieve those results. And you mentioned a lot of different subjects, and these subjects are copy like. The understanding of these subjects appears to be universal because acoustics, the geometry, astronomy,
the civil engineering, and so on and so on. These things are not understandings that were confined to a specific civilization. These things are demonstrated and applied across numerous civils independent civilizations, which means that they were all able to get to that level of achievement somehow, And supposedly a lot of these civilizations never talk to each other.
And.
Or maybe they were learning by osmosis too. I guess anything is possible.
I mean, in Egypt, it's insane that there's I mean, there's there's all sorts of evidence. I've been there twice, to the Great Pyramids, and then some of the museums around Giza, and then Alexandria, well it's not called Alexandria anymore, but there's certain stones that are like I guess you would call them cast offs, where it shows like how did they build this? Like I mean like right, and this is kind of what we're delving into, but there they didn't build it the way that they are telling
us period, or that the narrative says, right. I mean, there's all kinds of etchings that look like just saws, lasers, all kinds of stuff, and there's all kinds of evidence for that, even cit in museums, and like you can walk up and literally touch it where there's a partially cut line that is just still a tat.
I don't even know how to describe it.
I have to find a picture, but it looks like a circular saw the cut the thing, but there's like remnants of that where it wasn't chiseled off. It's unbelievable anyway.
Yeah, that's a lot Vanderwick's work, I think.
Yeah, he also talks a lot about this where there's plenty of tools like but again it's impossible to have thousands of coincidences. There's plenty of evidence of machine tools.
Right, and for them to just I'm just reiterating on your point where the fact that I mean, there's what five main things that they say that these megalithic structures are for, and whether it's funerary, astronomical, you know stuff which which we know right, ritual, ceremonies, territorial, tribal, and cultural technical cool, right, but why are they building them? And that's what I'm here today.
Yeah, So that's what I'm trying to do. And so.
This is a good kind of launching platform because what I'm trying to do is a form of pattern recognition. And what I'm seeing is that there are various concepts that are copied and pasted in various ways across these megalithic structures, and what I'm trying to achieve is I'm trying to find the base primitives, what is the most fundamental, most primitive step one functional purpose of megalithic structures, because
it doesn't make sense that these things are tombs. And so I'm going to start what I'm going to get into what I'm talking about today, but what i want to demonstrate is these patterns of similarity between megalithic structures. And so maybe this will be a good place for
me to start. I can start share screening if you want, and I'm going to start repping by I'm going to start by wrapping Arizona because for how common and frequent pyramid structures and other megalithic structures are in the world, it's surprising how few, if any, megalithic structures are in America. There's no really known pyramids, even though in Mexico there's tons of them, and we know that in Arizona and the Grand Canyon. Arizona and Grand Canyon used to be
part of Mexico long ago. And so what I want to start doing is start attacking the narrative that is going on right now, and the Grand Canyon demonstrates some suspicious activity, some signs of things that don't match the narrative. And so if you don't know, the current mainstream narrative of the Grand Canyon is that the Grand Canyon was carved out by massive water flow over millions of years.
And what we see elsewhere in Arizona, everywhere else in Arizona except the Grand Canyon, what we see is patterns of water erosion that are consistent with heavy rainfall. And at the Cosmic Summit, Randall Carlson talked a little bit about this in his presentation and he demonstrated around the Arizona except for the Grand Canyon, everywhere else in Arizona you see heavy rainfall water erosion patterns and this is characterized by smooth edges, rounded shapes.
And irregular grooves.
And what we see at the Grand Canyon is not that. So this picture that I'm showing here is taken from the South Rim and this picture is just to demonstrate a few of the things that do not line up with.
Heavy rainfall.
And that's the let's see which screen you can see my mouse?
Right?
Yeah, so over here you're going to see flat shapes.
I think you can see the mouth.
Can you see my mouth? It was.
Okay, I'm sorry, I'm blowing.
What you see is flat surfaces. You see rectangular shapes. The water erosion grooves are vertical, if not perfectly vertical, but roughly vertical, and you see consistent regularity. These intervals are consistent, and you also see them in parallel lines over and over again. Now to kind of contrast that, I want to show what water erosion looks like with heavy rainfall. So this is the sphinx, and the perimeter wall of the sphinx is what we classically understand is
the water erosion pattern for heavy rainfall. So again you see smooth edges, you see rounded shapes, irregular grooves that are not in regular interval, and they're also angled quite a lot. So this is what we classically understand would be heavy rainfall. And every major civilization, every major religion, even they all have a story of a big flood story, a big, huge flood happened somewhere, and we even have
some idea of what maybe that timeline is. We have at least the Younger drive hypothesis that demonstrates that maybe that could be where a big flood event maybe happen or something like that. But again the narrative in the Grand Canyon is that this was created over millions of years.
This Grand Canyon was created over millions of years. So something is odd about that, because if there was a massive flood that happened all over the world and everywhere else in Arizona is showing the smooth edges, rounded shapes and all this heavy rainfall water erosion patterns, but we're not seeing it in the Grand Canyon, even though this is supposed to be millions of years old, and the younger dryest is supposed to be ten twelve thousand BCS,
something like this that's supposed to be relatively recent in history. Now we also see at the Grand Canyon a variety of these pyramid structures, these pyramid looking shapes. And now something that is inconsistent with again the narrative is if you had a structure like this pyramid sticking out whatever this is, let's just say it was a rock at one point, just some random rock, big rock sticking out, and it was bombarded by water in the same direction
of travel over and over and over again. The type of erosion pattern that you would expect would be more of a teardrop shape. You would not expect to see a flat edge, then straight edges on the sides, and then somehow it carves out the back flat as well. And then of course why would it create a step pattern specifically here but not do that anywhere else around it. Now, these pyramid structures at the Grand Canyon are not unusual.
Uh.
You actually see these pyramid structures more than once, multiple times. In fact, I think there are dozens of them that are known. And the other thing is, I just want to show you just real quick. Here's someone that I posted on my ax. You also see all kinds of megalithic structures. Are not megalithic, but you see massive rectangular cut walks at the Grand Canyon as well, and hikers will find these things all over the place and they kind of look like they're arranged, and.
Yoh, sheesh. I think when you play the video it ends up cutting into your audio for some reason.
Yeah, oh, I'm sorry.
Yeah, No, it's a weird thing that's been happening recently.
Okay, well that's really all I wanted to show with that.
Anyway, the point I wanted to convey is that it's not uncommon to see this stuff, and so this is starting to become really suspicious. It doesn't line up with the narrative, especially to see rectangular blocks like that all the time, and just add a little flavor text. When you go to the Grand Canyon, your pads are really well pre defined, and the majority of the Grand Canyon, which has roads all through it, road systems all through it, most of it is blocked off for reasons that don't
seem to make any sense. And when you have hikers that go to maybe the wrong place in the Grand Canyon, it's pretty common to see black Hawk helicopters flying around there, and there's plenty of videos of this over and over again all over YouTube. So again and again we're seeing things that don't seem to make any sense relative to the narrative.
So I also want to.
Demonstrate that there is a water is a really common feature at megalithic structures. So it's there are water reservoirs all around the Geeze at pyramids and then Encore Watt right here shows artificial water reservoirs. I think one side of this water reservoir is like a mile long, and Encore Watt the area surrounding it has artificially created water channels all throughout. It's covered in water channels in Peru or sorry, in South America, including Peru. All over South America,
you'll see the same thing, water channels all over the place. Mexico, I think they're starting to believe that there are underground water channels. And of course I'm going to say this wrong, can never pronounce it taot toakan. They're also that pyramid structure. Also they know that there's a water table underneath it as well, and you can and you're going to see this over and over again. I'm gonna when I talk about the taj Mahal, it'll also be there as well.
Sound well, yeah, not only underground, but yes, underground waterways and in the case of Anco and reservoirs and all all kinds of things. And and the central point here is that water is a common element for megalithic structures. They're commonly found by them. And so again, what I'm trying to achieve here is I'm trying to find patterns of similarity and start figuring out if there's a way to solve from other megalithic structures and apply those understandings.
And so what I'm trying to build. The argument for is that water must be a significant and important element of the functional purpose behind megal many of these megalithic structures. So, uh, before I get into to the pyramids, I want to rep Arizona just a little bit more.
I like this picture. This is also from the South.
Rim, and again here you can kind of see a step pattern, a step pyramid pattern showing and even over here you kind of see it looks like there's a pathway coming out of whatever this structure used to be.
But I don't like this picture because of this.
I like this picture because it demonstrates two types of water erosion in the same picture. So the top half shows the water erosion that is stereotypical and commonly seen and demonstrated at the Grand Canyon, which is the If you zoom in, you'll see again regularly spaced intervals of rectangular shapes and this step pattern and these vertical lines, and of course these are parallel. And if you can take a picture basically anywhere and the Grand you'll see this.
Everything back here is that miles and miles and miles of these parallel lines, which is hard to do in nature. But what you see towards the bottom. Is you get away from that, You go back to those rounded edges, smooth edges of rounded shapes, irregular grooves. You get away from the flat rectangles and the hard and the hard shapes, these hard shapes, you don't see them at the bottom.
And what's really interesting that flips all of this on its head is that the water erosion from heavy rainfall is found towards the bottom, which is supposed to be relatively recent in history. But this water erosion pattern is not at the top, which the erosion pattern that's at the top is supposed to be the oldest water erosion that occurs. So this really flips on its head. Why is there recent water erosion patterns at the bottom but not at the top. And so that's really where things
get super suspicious. And here's just another picture to demonstrate that these pyramid structures are not uncommon in the Grand Canyon. There's dozens of them that are known. And again, hard hard shapes, square shapes, rectangular hard edges, corners, and so on.
Why is it that you think, though, that pyramids are absent when we discuss America, Why is that not part of the official narrative do you think.
I don't.
Actually, I don't have a good answer for that. I wanna, I wanna maybe so something that's a little controversial in Peru. I wasn't really going to say this. In Peru, you see that they have this whole area that's just gray and all the megalithic structures. The land is just gray for miles, stretches in every direction, and you see the outlines of megalithic structures. It almost looks like some sort of nuclear bomb went off and destroyed everything.
They actually say. They actually say Peru has some the pyramids are older than the ones in Egypt. There's actually evidence that says that it's pretty interesting.
Yeah, and I understand that there's lots of megalithic structures that aren't completely destroyed, but I'm talking specifically about the area in Peru where it's just gray and it just looks like you only see the outlines of them and nothing else. In Hinduism, the Mahabadata one of the main the three main religious texts. They give kind of an explanation of what could have happened there.
And this is going to be super controversial. I'm not trying to die on this.
Hill.
That's why I'm not really saying about anything about it. But what I can say is that there are murals in South America inside the temples that show the god Shiva flying around on the cloud, and they show it more than one time, blue skin somebody that looks just like Shiva in the murals, And why would there be any cross pollination of this idea?
How they even know about Shiva?
Right?
And so to kind of answer your qruestion, Brook, I think ended what is described in Hinduism is that there was a big war and this war ended up collapsing some of the civilizations out in you know, the western world or the South America, North America, and I think it didn't really develop is my guess of how that
all happened. And there is some evidence of this because there's huge population drop offs, and in particular Indian populations dropped off during the time period that it suggested in the Mahabadata.
I mean with with it comes to strut stone pyramids, but there was huge earthwork pyramids built later obviously right in the Mississippian cultures and the in places like that down in Louisiana, and uh, you know, well all through the Mississippi Valley and there's huge pyramids there, but they're not stone, they're not Yeah, they call the mounds, but at the end of the day, some of them are bigger, you know, at their base than even like Giza.
So yeah, and you have to take in consideration that the land used to build those mounds is not local correct, it's rough.
A lot of it's brought in right from vast far distances. So either way, you know, it's almost like it was a reset, almost or something.
And I agree that there is plenty there probably is going to be megalithic structures in America that are not classically described that way. What I'm trying to get is, I'm trying to focus on things that demonstrate engineering as conventionally understood by today. And I would hope that we eventually solve all that other stuff. But things that have more pre defined shape and demonstrate clear engineering are easier to reverse engineer. But when it's a big dirt mound,
that becomes really hard to reverse engineer. But I agree that hopefully someday we end up getting those types of answers. And again, what I'm trying to do here, I'm going to talk about features.
That are a little bit more advanced.
But the crux of what I'm trying to say is that these structures, in their true function, are multifunctional and have demonstrated multiple disciplines.
That we already know about.
And I'm trying to find the base primitive what is step one? And if we can find step one, we can then build the rest of our understanding on top of that. But right now it's kind of just this haphazard. You know, people are measuring and detailing things that they find here and there, but there isn't a cohesive way of bringing it all together and being able to tell a story around what's actually happening yet, And so this is the this is the I.
Haven't read my book yet. Yeah.
Well yeah, as I said, as of the Cosmic Summit, that was the first time I even knew that there was a large community around this. So i have to admit I'm very new to this. And I've also never really had many people to talk to about this.
So a lot of this is stuff.
That I've been ruminating about in my head for years, and I've been wanting to talk to people about it just to see if anything I've been working on makes any sense, And so this is I mean, I'm I'm
hoping to get some feedback as well. I know I'm going to have things wrong, but again I'm trying to just make a good faith effort in finding what the similarities, what are the patterns that overlap between all these different megalithic structures, and whether that actually means something, because in my opinion, thousands of coincidences don't just happen by accident.
Sure, and I'm merely suggested because I base all of it in science, so there is no speculation there. There's a few, but when there are, I explain that I'm speculating, and still I base it and provide many sources to where I'm finding the information. So that's the only reason that I suggested it. But I can say to you with no problem.
Oh please, I mean I highly recommend it.
I highly recommend it.
Oh please do I would love to read it. Yeah.
And in fact, after the last podcast I did, I got some people that sent me some of the work that also tailors into what I've been talking about. So it's also given me a little confidence that, like, even if I'm not exactly right, but I might be directionally right what other people are working on. So I'll get into saltwater electrolysis. But I want to introduce some concepts ahead of time and allow them to apply as I go through this. So I'm gonna wrap Arizona a little
bit more. There's a place here in Phoenix called the Arizona Builtmore Hotel. And in this hotel there's a room called the Aztec Room. And you may have heard of the famous architect Frankloid Right, Frankloyd Wright has constructed a lot of buildings or helped design a lot of buildings in Phoenix, and the Aztec Room was one of the rooms that he helped design. And he was very into ancient archaeology. He studied the Pyramids, he studied Kitchnitza, he
studied all these things. And I want to introduce what happened in this Aztech room. So in the as Tech Room in the center, there's this structure on the ceiling, and if you stand underneath this structure and you talk normally, it will sound.
Like you're talking through a loud speaker. And around that structure on.
The ceiling are these beams all the way around it in a circle pattern. And these beams, I want to make the argument appear to be related to acoustic tuning. In fact, I think that these beams are about sound amplification. And so again, if you stand in the middle of the room and you talk normally underneath this structure with these beams all the way around it, that it sounds like you're talking through a loud speaker.
Now, I want to.
Introduce this design and remember this because this will come up again when I talk about the Grand Chamber in the Pyramids. But I just want to demons show that this has been demonstrated in real life. So acoustics is another Like you said before, acoustics is another common aspect of megalithic.
Structures all over the world.
There are many structures that demonstrate advanced understanding of acoustics and have applied that understanding. And I want to play this video and he's going to be able to explain it better than me. So I'm just going to play this video, hopefully with sound. Let me know if the sound comes through.
Yeah. When I hear the birds, no.
No sound, bro no sound, no sound.
Reproduce the sound of a bird that is typical of the area.
Yes, yes, yeah, I've seen this something like this before.
Okay, So I mean everyone here is familiar. So if you haven't seen it, you can look up this video. It's very short and it demonstrates what this is. And what I'm trying to say here is that in order to achieve that exact result where it sounds like a bird, this is highly precise. If you change the spacing on these steps, or make a mistake with these steps the spacing on these steps, it'll alter the sound and it
won't sound like that. So in order to achieve that result on all four sides, I do have to do that intentionally. This is where I'm making the argument that precision is not an accident decision.
Sorry, but I've thought that about like with some of the pyramids where they say it like lacks any art inside, because I have wondered it's like once you saw chiseling into shit, you're going to change Like it's not the same anymore. Like if you were trying to use somatics or frequencies or whatever. I mean, that could change things.
Yeah, And one of the big problems is that if they've cleaned out the inside of the keys of pyramids, the copper pyramids, So a lot of evidence is probably lost, But this is just to say that acoustics is a common thing, and the megalithic structures all over the world have this some sort of acoustic tuning as an significant element of their construction. And this is another one of those patterns where multiple independent civilizations, multiple have demonstrated the
application of understanding acoustics in their engine. And this has to be pre planned. You can't accidentally achieve this kind of precision, and you have to know that that's what you're doing in order to achieve it.
Yeah, it's clearly intentional. And to me, this is just they it's just child play. This this sound of the birds them, it's just they knew this technology so well that this was just a trick, the party tricks. It's the least important of the acoustic effects that this pyramid has.
Yeah, well that was pil because I know we can do this, so we'll just do that, you know what I'm saying.
Yeah, right right, Even even if the point was just for fun, the fact that they did this for fun makes it even more ridiculous. But they hould this off like it's nothing for them.
Now today it's like our biggerccoplish accomplishments like a fire meme or some shit.
So I want to introduce saltwater electrolysis, or another way of saying it is sea water electrolysis. And this is actually a really simple reaction. It's all you need is to run an electric current through salt water. And what
electrolysis does is it breaks apart the elements inside. So salt is sodium, chloride and ACL and water is H two zero And if you run an electric current through it at sufficient voltage, then you'll break apart the sodium and the chloride, and you'll break apart the hydrogen from the oxygen. You'll break apart at least one hydrogen from the Oh. Now, if you were to continue this reaction,
there is a second step that happens after some time. Now, depending on the conditions, what can happen is that this hydrogen gas that's emitted from the salt water electrolysis can merge with the chlorine or combined with the chlorine, and
it'll form hydrochloric acid. And why that's significant is because Christopher Dunn's team has found hydrochloric acid residue inside one of the shafts of the Coffer pyramid and hydrochloric and in just to iterate for Christopher Dunn, Christopher Dunn's belief is that they were pouring chemicals into the shafts to generate the chemical reactions needed and then they plugged them. But in my opinion, they weren't pouring chemicals down the shafts.
All the chemicals that they needed were created inside just with salt water or seawater. And the benefit of doing saltwater electrolysis is that you also create sodium hydroxide and sodium so you're creating the important aspects here. You're creating hydrogen gas, chlorine gas, sodium hydroxide, so chlorine gas you know from pools, this is a great way to kill my organisms by chlorinating water. So bubbling chlorine gas through
the water is a form of water treatment. Sodium hydroxide is also a known detergent, and this is also another way of cleaning the water. So what I'm trying to argue here is that if you're an advanced civilization need capable of building all these heavily engineered structures, and you have strong understanding not just in theory but in practice, that they've demonstrated of how to apply all these skills.
While this civilization will also be thinking about needing fresh water and so saltwater electrolysis is actually a really easy way to filter water.
Or at least clean it up.
Now, if you allow the react, this is a slow reaction. By the way, it takes more than twenty four hours to go to the second step. So this thing that's demonstrated on the screen is the first step, but if you want it to progress into the second step, you would need about more than twenty four hours for the hydrogen gas and the chlorine gas to combine. The sodium hydroxide will form pretty quickly.
If I may, how do you see the electric current being introduced and what metals we use to produce that current?
So this is this is going to be controversial, but I need to build the argument that the boxes that we find inside these megalithic structures all over the world, including the pyramids, are part of an electrical system. And the smoking gun for this is that Pravian Mohan has a video of Anchor Wat that shows copper wires coming out of one of these ornate boxes at anchor Watt. Now this video was recently taken down by YouTube, though, but he told me that he's going to post it again about next week.
But what I'm trying to say here is that these.
More patterns of similarity between megalithic structures. We find boxes, heavily engineered boxes, different kinds, in different places. But so many of these heavily engineered boxes exist all over the world, all over the place. Taota Khan, the Giza Pyramids, the Serrapm, which is something I will talk about in a minute, and Korwat has one, the taj Mahal has two, and
so on and so on so again. And one of the other issues with these boxes is that they referred to as tombs, and that's where they're supposed to bury human remains, but we never find human remains in these boxes. And the other problem with these boxes is that they're often incorrectly sized and vary in size by a wide
amount a large amount. For example, the ones in the Serrapim are close to fifteen feet long, but the ones in the Pyramids, if I recall correctly, are around five feet long or so, and both of them are incorrectly.
To be for human or human roomains.
So what I'm trying to build the argument for is that the electrical current is likely coming from these boxes. But another thing that we also know is that Christopher Dunn's team has drilled a hole into the pyramids and
he's found that they're filled with quartz sand. And we know about the pso electric effect is probably commonly understood right now, but just to quickly iterate, it is a concept that is understood with watches and even torches that if you strike at quartz crystal, it will generate an electric spark. And this is well understood and it's very simple, and so what there is an advantage here? Let me go to this little diagram here.
You know, I want to ask this real quick.
I'm gonna know forgetting about it is something I wanted to bring up before, and probably from Ricardo too, and you she should make anybody who knows this. Back in the day when I used to do like rituals and stuff, they used to use a lot of Egyptian deities, and you.
Know, sometimes you.
Give them offerings. I used to make Natron because that was something that supposedly they used the rituals. So I was like, all right, I'll make that and that consists of just baking soda and salt and you basically cook it. Now I'm wondering, like would that make any combination that you guys actually think would beautiful and shit like this, like like like maybe they're understanding why they actually made that stuff, Like.
I mean, you're talking about substances that are really good at disinfecting, Yeah, which is similar to what I'm talking about. That's, in my opinion, the initial So step one treating water. You want to get rid of all the microorganisms, you want to clean it out, you want to eliminate all the pollution. And I'm going to make the argument that there are numerous features within the pyramids that demonstrate that this is the initial step. It's not the only thing,
and there's more things that happened. But step one. What is step one? I think you need a filter water, and I think that what they're doing with this water is they're also moving it to the other pyramids. And so we also know that the etymology for the word chemistry comes from Egypt. Egypt used to be called Kempti or kemi. There's multiple names. I'm sorry, commit, commit, Yeah, sorry, commit, And so this is the etymology for the word chemistry, and I think Land of chem has done on his channel.
He's done a lot of really good work showing that the southern pyramid is generating ammonia or creating ammonia, which is really useful for fertilizer. And so another big supporting feature is that the arid sands around these pyramids. This is a relatively newer feature. This area we know. And this is what this is not an opinion. It's understood that the entire area surrounding the pyramids, the Geza Pyramids, was lush and green, had lots of vegetation, very very different than what it is now.
And so.
Again, an advanced civilization that demonstrates a lot of understanding would be able to understand that ammonia.
Is useful for fertilizer.
And so I'm, in my opinion, once they're done treating this water and filtering it, they're sending this water to the other pyramids and using this water to do further things. And I think that's part of where Land of Kem basically picks it up and runs with it from there. So what I want to demonstrate is how salt water or seawater same thing. Seawater electrolysis will would occur.
In the pyramids.
So we know that there's water reservoirs all around the Geza Pairment and the Giza Plateau, and there is a water reservoir right here on the outside of the descending shaft, just one of many, and this would just be a gravity fed system where water would pour down from the reservoir to the subterranean chamber, and then you could keep filling this pyramid up up to the same height level
as the water is on the outside. So, for example, if the water reservoir on the outside is above this entrance and above the Queen's chamber or around the Queen's chamber, then just purely with the gravity alone and nothing else, you can fill up to here at least with water, and that would just be off the water reservoir alone. And we know that there was a branch from the
Nile River that came near these near these pyramids. Also, Christopher Dunn's team has also found seashells and clams down here in the subterranean chambers, and we have evidence of salt deposits all throughout the subterranean chamber and all the way up into the Queen's chamber as well. Salt deposits common, very common. In fact, in the subterranean chamber. In the old pictures, it looks like it's caked on there pretty hard.
So there's a lot of evidence to suggest that water was flowing through this area, and also the current narrative just to establish that as well. The current narrative is that this was a mistake, effectively the subterranean chamber, and that they abandoned this and they instead decided to be
build the Queen's Chamber. But just on the surface alone, that doesn't make any sense because, first of all, if they were trying to build something that was a toom, why did they build it underground instead of in the like were in the construction of the pyramid. And then on top of that, if this was a mistake, then why did they build this ascending shaft right here going all the way from that quote unquote mistake to the
actual real thing. And so, in my opinion, what happening is you have ambient temperature water coming down into the descending shaft, and then what I think is happening here in the subterranean chamber is that the water is being heated and the hot water will be the one that rises up into this well shaft over here, and there's something called a countercyclical vortex.
There's shaping on this.
I don't want to get too much into this because when I talked to Randall Carlson about it, he kind of didn't want to talk about it for some reason. I think he's kind of gotten a lot of criticism for his like vortex thing, and maybe he doesn't want to talk about it. But in my opinion, what's happening here is that there's a countercyclical vortex where cold water is going in one way in a vortex, and then hot water is spinning counter to that going the other way.
And so if you have clockwise rotation right to left for the cold water, and then for the hot water on the outside of the cold water counterclockwise rotation going the other way, you'll have a system that will be able to feed specifically hot water right here at this division into the well shaft going up. And this will combine heat and just a gravity fed system to fill up into this chamber. So heating it is just the first step. It's just to get water going, and it's
to kind of get rid of the pollutants. That's why I think there's this what do you call this the pit? I think they call this the pit. So it makes sense because this process is.
Going to have a lot of.
What do you call it, like particulates, residue pollutants. This that a lot of nonsense. It's not what you need. So you need somewhere to dump it. And so if you heat the water, you'll just the only thing that'll make it back up is the hot water, and maybe the salt water will make it, but a lot of
the larger particulates of clams, all that stuff. The reason why we only see the clams here and not up here is because they have this whole section here as an initial filtering mechanism, and the only function of this is just to generate heat and dump the remains.
How is the heat generated?
So that part I don't have a good answer for. But we do know that there's this construction on the side. There's this side room that looks like it's engineered as well. Yeah, so underwater heat. So one more thing about these boxes. So we have evidence in the Queen's chamber and in the King's chamber of a massive explosion.
That's occurred.
And when you look at the box that's in the Queen's chamber, that box, which I'm going to say, is initially a granite box, multi ton granite box. What it was originally, that box looks like a charcoal brick today. And you have to kind of think if every other box everywhere else in Egypt is this giant, heavily engineered granite box. This is not going to be the only one in Egypt.
That's not.
So what I'm getting at is I don't know how to solve the boxes in its entirety. What I'm trying to say is principles and solved by the principles alone, and then fill in the pieces.
If I may let me just give you might not have this piece of information. So first of all, in order to puifyde the water, what we find in megalytic sites is that the purification was done by residents alone. So I give you the example of the Osiris cheft. This is right next to the pyramid, and you find three vertical chefs that are not connected to anything. They were left blocked. You have three different levels and at
the bottom level you find water. That water is completely pure, although it's filled with litter, it has rotten wood in, it has debris, and it's absolutely pure. Why because the resonance of the site. And it's the only autonomous site that I've studied so far that doesn't need the introduction of artificial sound into it. It creates own sound by the three additional shafts that are not connected. So what happens is is the creation of what is called by
science now today as easy water. It was known by the ancients as living water. So this living water, because of the sound, creates exagonal molecules. These exagonal molecules creates surface contact in all sites, which means there is no space for impurities. So in terms of purifying water, you
don't need anything more than sound itself. So let me just say this in terms of the salt water that you speak, it's very easy to explain because around from four thousand BC to thirty six hunderd BC, there is this event that cause the great flood in the Middle East that is called the Burkle Crater. So when this happened, and this is a multi impact site all over the world, but the known is the Burkele Crater. You have one and the Atlantic two in the Pacific and they all
happen more or less in the same time frame. That caused multiple floods all around the world. It cause months of rain, It caused weeks of boiling rain at first, and then cold rain after that caused all these events. So that salt water is why you find the clamshells, not only only on the three first levels of the casing stones, as you find those clams and those fossils that are relatively modern compared to what we're supposed to found inside the pyramids itself. So I'm not saying you're wrong.
I'm saying that there is very good scientific data that can explain all of those factors that you are described.
So I agree, and I understand about the cimatics, and I'll talk about cimatics as well to help create easy water also, just to add on to that, and something that I want to talk about a little later is that infrared is also capable of structuring water crystalline structure of water, and I believe in the Kaffer Pyramid both of these principles are.
Being applied as well.
Now I do know I have heard about maybe what you were alluding to is that there's a large discussion about how the pyramids might be tuned to the frequency of the Earth.
I don't want to bring it up right now.
But what I'm going to be discussing a little bit later is that, in my opinion, the pyramids are trying to dampen all energetic noise, and they do that in a variety of ways. I want to set up saltwater electrolysis first, and then the next thing I'll talk about is the various elements that we know about that create a dampening effect for energetic noise in various aspects. So I do, and I also do agree that cymatics is a good way of removing pollution from water, and this
has been demonstrated. And infrared can also influence the crystalline structure of water, and it has also been demonstrated as a way of removing pollution from water, and some tangential evidence scientific evidence. It is well understood and heavily published that infrared light therapy on the human body generates health benefits of various kinds. And the human body is also
overwhelmingly composed of water. And one more feature of easy water that is I think also significant that is relevant to the Coffer pyramids is that if you.
Create if you create a crystalline.
Structure for water where the bonds of hydrogen are close together and the oxygen and hydrogen are on opposite sides, you can create a diepole in easy water as well. And so this is significant because it can create a direction and it allows water to have both a positive and a negative end. And this is why it's very difficult right now with given information or known information, in my opinion, it's difficult to solve right now exactly what
the boxes are doing. But I think it's sufficient enough to say right now that these boxes all around the world are part of an electrical system. And I think that when we're building the foundation for understanding what these are, I want to start with the base primitives. And the first step that is not well accepted is the idea that electricity exists anywhere in these structures. And so before we get too deep into theory, just want to make
sure that we hit all the primitives. And again more evidence of why we know that they're under that these civilizations understood electricity, or at least understood magnetism. It's because of how they positioned these megalithic structures on polar north and south perfectly over and over and over again, demonstrating again that they understood this principle.
So, in my opinion, where.
The electric current actually starts to play a role is in the Queen's Chamber, in the subterranean chamber. I'm a mathematical person, and so to me it is order of operations matters a lot, and it is significant to me that things happen in a sequence and not all at once. And so I think that there is a functional reason
for a step by step process. And I will also show a little bit more evidence when I get to the Grand Chamber of a step by step process where order of operations matters, and that this sequence is part of the function functional purpose of the pyramids. So what we know in the Queen's Chamber is that there's salt deposits all over here as well.
And the argument that I want to make is.
That this is where electrolysis on the salt water begins, and that this is where the reactions will begin. And some hard evidence that we found is that they have Chris Christopher Dun's team has already found hydrochloric acid in one of these shafts.
I think it's a south shaft over here.
Now, hydrochlora edit could have been added to increase the efficiency of the system too.
You mean, like they were pouring hydrochloric acid.
Down at certain points, they could if they didn't understand the technology, they could start adding that to increase the output. According to your theory, because other product classic would increase the efficiency of the system.
So one of the other things that's also being created is the sodium hydroxide. And if you allow this reaction to continue, my understanding is that the hydrochloric acid portion of salt water electrolysis is not the favored.
Reaction.
It is a it is a side by product, but it is the minority product. Or it is a low yield product on average.
Now, so you can't think it would be enough by natural means only to find the quantities that Christmas don't found there.
So he didn't find massive quantities. He found residue and the yield my understanding, at ambient temperature and pressure, the yield of hydrochloric acid on salt water electrolysis will be in the range of ten to twenty percent, assuming nothing else.
So that's pure salt water.
It doesn't mean if there's other In fact, if there are other things in the salt water, like seawater, for example, if there's magnesium and I think they've found zinc, this might actually negatively impact the yield of hydrochloric acid. However, what I'm trying to get at here is that hydrochloric acid, if we're looking at these as a chemical reaction chamber,
there aren't too many ways. There are some ways, but there aren't too many ways to just create hydrochloric acid out of Like a solution, you have to put a lot of effort into creating it, and saltwater octrolysis is among the simplest ways to create a low yield, admittedly a low yield, there will be a way higher yield of sodium hydroxide that is created. But what is also interesting is that hydrochloric acid is highly acidic, and sodium
hydroxide is basic, but slightly basic. It's not the same extreme degree, the same degree of extreme acidity that hydrochloric acid is. Sodium hydroxide is less extreme in its basic nature, and so part of the argument I'm making here is that this is multifunctional, and we're going to see as we keep going through this multiple methods of filtering water.
And one thing that's happening here is by combining hydrochloric acid and sodium hydroxide without a membrane layer in between, means that these two things come together and this helps.
pH balance the water.
Whenever you want to create a splitting mechanism where hydrochloric acid is only found on one side but maybe not on the other, this kind of without a membrane in between that is known or visible, this indicates that there is some so of charge that like a battery. If you convention the convention, maybe I should have described conventional wisdom.
So conventional wisdom in saltwater electrolysis is that there is an anode and a cathode side, and the chlorine will be attracted to the anode side, the positively charged side, and the hydrogen the positively charged hydrogen that had a electron sip stripped off of it, and the sodium would be attracted to the cathode side, the negatively charged side.
And so what's interesting is that Christopher Dunn's team found hydrochloric acid only on one side Now, if hydrogen doesn't have the electrons split off of it.
It'll mert.
It'll combine with other free floating hydrogen and create hydrogen gas H two, and then this won't have it a charge, and it can go in both of the shafts. So I'm thinking about the queen Chamber shafts as being test tubes, and that's because saltwater electrolysis will.
Create a lot of pressure.
When you're creating hydrogen and chlorine gas, this is going to create a huge amount of pressure in the headspace, and so that pressure and that gas needs somewhere to go otherwise you're gonna eventually explode the system. And so if you allow this reaction to continue slowly for a longer period of time, hydrogen gas along with chlorine gas is how you get these two to interact with each
other and settle into hydrochloric acid. But this thing isn't going to happen that easily if they're also in the presence of other things, like it's a slurry of different elements like what I'm expecting to be in the Queen's chamber, especially when you have the water with all the residues and stuff in there, then you'll have a lot of other side reactions that are occurring, and this becomes chaotic.
But if you can trap hydrogen gas and chlorine gas, which is the only gaseous elements that are created initially in the reaction, then you can trap that in the shafts. And so where I was going with this was that the water level on the outside doesn't need to be very high. It only needs to be up to the
height of the queen's chamber. And that's actually a good thing because then that allows you to look at these shafts as being inverted test tubes, and then this will allow the gas to float in and trap into a very confined space. This is very small space over here, and this will allow with pressure build up, the hydrogen gas and the chlorine gas to react with each other, because you don't want to have chlorine gas will become
really caustic if it sticks around for too long. And so another thing that happens is that this can also this reaction can recirculate back into sodium chloride. So if you have the sodium hydroxide still present in the in the queen's chamber, which that would be in uh particular matter, form. It would be solid form, so that wouldn't be a gas that would be going up in the shaft. So one of the things I was hoping is maybe we can see if there's any sodium hydroxide anywhere around these
these places. Uh, then uh, you would be able to have the hydrochloric acid come back and you know, fall into come back as liquid fall into the liquid solution pH balance get you know, get interaction with the sodium hydroxide, and then the hydrochloric acid and the sodiumhydroxide they can reform again and you can create salt all over again. So in other words, this process can go forward and backwards.
So what you're saying is that the two shafts are condensation tubes.
Yes, that's a great way to think about it. Yeah, that's how I'm thinking about it. So one of the other, uh, one of the other unexplained things is why did they the.
People who engineered this.
There's not a good explanation yet for why they changed the construction of the King's Chamber and the shafts to rose granite. And they made that change explicitly. And if I want to introduce a couple a couple of concepts with this. So another thing that Christopher Dunnan's team has done is he's looked at the cutting rate that you can do into hard granite with a copper saw and then compared that to a diamond.
Tip machine saw.
And your best case scenario with the copper saw cutting into granite is you can go at a rate of about three millimeters per hour constantly cutting, and with a modern day diamond tip machine saw that rate increases to about thirty millimeters per hour. So if you look at these boxes at the serapium which I have here somewhere here we go, these boxes are enormous and again way
incorrectly size to be a tomb. So one of these cuts, look at how deep of a cut you would have to make and how long of a cut you would have to make. If I'm going to round to fifteen feet. I know it's a little bit less than fifteen feet,
but just say fifteen feet for the easy math. It would take with a diamond tip machine saw just to make one cut and it says nothing about depth, just one cut of that length that would take six more than six days with a diamond tip machine cut saw, go a non stop just to make the one cut across this box. So if a copper saw is going at three millimeters, which is ten times longer, then cutting one side would take more than sixty days.
And that's just one side. Now you also have to cut the ends.
You have to cut all the sides, and then you have to cut the lid, and then the lid also has shaping, and now you have to cut each of these shapes. And that says nothing about the amount of copper you're going to be shaving off of the copper saw, because copper is softer than granite.
And so this process just to cut one.
Side, make one cut, not even saying anything about death, that would take more than sixty days with the copper saw NonStop, twenty four to seven. And that also doesn't say anything about the polishing on it. These granite boxes are mirror finished, they're polished heavily, and on top of that, you have to be able to scoop out somehow the inside and the precision on the interior of these boxes is all so extreme, and that also would add just
an astronomical amount of time. So where what I'm getting at is every single time you add even one granite block to the construction of any of these megalithic structures or these pyramids. You're increasing the labor time astronomically. And so what is happening in this king's chamber is this whole king's chamber and all of these shafts are made of many granite blocks. And by the way, at the
Serapim they have twenty four of those granite boxes. Just imagine how long it would take with a conference out to cut one of them, let alone twenty four of them. And that's just in one place in Egypt. That's just one thing. And then they're doing it again and again, and then they.
Have all they don't fit on the front door.
And exactly and that's the other problem is that they don't fit. There's no passage way that would allow you to insert those granite blocks or those granite boxes after the fact. They would have to make them first and then construct the buildings around them because there's no way to transport them. Yeah, so the granite in here, that's an expensive choice, that is an extreme high labor cost, a labor intense choice. And there are also examples of mistakes.
Even in the Egypt Museum, they show one of the granite boxes that was a mistake where they made an incorrect cut and they just had to abandon it. So if you make a mistake, that's like a year of your life just gone where you had to cut twenty four to seven NonStop. So, and there are plenty of examples of them making cuts that were mistakes too. So each of those is an enormous labor expense, an enormous amount of time. Astronomical amounts of time get added every
time you add granite. So what is the functional purpose of granite? And now here's an argument that is hard to currently support, but it's something that I'm trying to work with. So in my opinion, the reason why you would want to have red rose granite in this area is because you want to treat the water with infrared. And there are two methods of getting infrared light into these chambers. So, first of all, something to know is that infrared light in the near red spectrum. There are
certain wavelengths that are capable of penetrating through limestone. But this rose red deep red rose granite would reflect infrared light. And so if you just kind of go with this journey with me for a minute, here, if you had a source of infrared light that was able to focus itself into this shaft even with the plugstones. Infrared like could penetrate even the plugstones. It could be reflected all the way down into the shaft and treat the water through here.
There's also a second method.
Of generating infrared light, and this is also something that Christopher Dunn talked about. There's a ted talk about how a scientist was looking at geology and notice that there was infrared light or thermal imaging was showing that before an earthquake. A few days before an earthquake, they would see on thermal imaging they would see granite that would generate infrared light before an earthquake happened. And what they've found is that if you apply mechanical stress to red rose banit.
They actually looked at specifically rose granite.
If you apply mechanical stress to this granite, you can push out electrons from this mechanical stress and you can also generate infrared light. And when earthquakes happened, before the earthquakes happen, if there's rock like granite in the area before then the mechanical stress will then show this on thermal imaging, and they've successfully done this many times now. They've successfully been able to predict earthquakes a few days in advance just by looking at thermal imaging.
So that's exactly why they chose fault lines, because that's those small earthquakes cause an amplify the Pizo electric effect. And exact when they put rose granite in a hydraulic press and they shut down the lights, you can actually see the granite, the crystal matrix within the rose granite to light up and produce lights.
Yes, perfect, Yeah, exactly.
I'm gonna get a little bit into the earthquake thing a little bit later when I talk about the SAR scans, but I want to get away from the idea of the earthquakes being part of the mechanical stress that is generating the Pato electric effect.
Again, I think that they are generally amplifying.
Yeah, I'm going to make the argument that these pyramid structures are dampening. So actually now is a good time to kind of talk about that. So I think what the one of the critical features that is demonstrated in various ways in the confra pyramid is that these are trying to eliminate energetic noise from all sources. So one
aspect of this is the exterior of the pyramids. They were encased in white limestone, and the white limestone is a great way to reflect all visible light and also will reflect UV.
Light as well.
The reason why they change from white life limestone to regular limestone on the inside is because limestone is a little bit more of a porous structure, and having a porous structure generates two major advantages. Number one, this is a great way to dampen sound, and so you'll be able to capture sound in these little porous structures. And number two, if you're running water through the system, wherever water comes in contact with limestone, the limestone will become hydrolyzed.
And now normally inert limestone is just inert. But once you hydrolyze limestone, so all you have to do is run water through it, then that makes the conductive properties of limestone significantly better. I'm not going to call it a conductor. It's not going to be anywhere near copper or anything like that, but it does significantly improve the conductive ability of limestone.
And so why why is that useful?
So if we're talking about the pho electric effect, and the whole pyramid is filled with this quartz sand. So another way of just kind of in your head, the way you can think about it is you can think about thet the pyramids is being filled with static electricity, and the newer scans show the void above the grand chamber. In my opinion, this void is also going to be
filled with quart sand. And the whole point of this is to have a lot of charge that is diffused throughout the pyramid and then where wherever limestone comes in contact with water, this portion will be more conductive and it'll generate vectors for the electric charge to travel.
So there needs to be.
A way to draw all that pezzo electric effect out of the sand and have it directionally travel to where you want it. In my opinion, this is all done with water. And on top of that, we've already discussed easy water and you can create a diepole based off of this, and so if you tune it to the right frequencies or treat it with infrared or both.
And what we also noticed that they have these.
Triangle like structures on the roofing of these chambers, So what is the advantage of doing this? So what I believe is that this is also a heavily pressurized system, and the point of having this roof like structure here is to generate more surface area and concentrate the weight down into these pointed areas, both this king, this portion of the King's chamber, and this portion of the Queen's chamber. So again, if you have saltwater electrolysis, you're creating hydrogen
gas highly explosive, and you're generating chlorine gas. If you put this system under high pressure and high temperature, there are a number of other side reactions that happen, but one of the side reactions that gets favored under high pressure and high temperature is it leans more towards oxygen, creating oxygen as well, and so two will also be
generated here. So it makes sense to me why they had to build these structures inside deep, inside really heavy pyramids, because this is going to be in a highly explode This could generate really big explosions because you're gonna this is gonna be a highly explosive gaseous area where you're gonna have hydrogen gas and oxygen gas being created here.
And if the and we have signs, we have multiple signs of a massive explosion occurring both in the Queen's chamber and Christopher's Dun's team Christopher Dun's team has measured the granite and the creek King's chamber, and it shows signs of mechanical stress pushing out from the King's Chamber, indicating a big explosion happened there as well.
So the preed stone at the corner, I'm sorry, you have the cracked stone at the corner.
And you have the crack stout. Yeah.
And then also the boxes look like they're charcoal brick, and we know that those are probably were originally granite broxes, just like we see everywhere else in Egypt. So you've got to really think what kinds of temperatures were being achieved in order to make something like that happen. One of the other things to note is that granite is also a really good thermal. It absorbs the heat really well, and so grant and granted also is known to deform
under high heat. But one of the interesting characteristics of granite is that when you cool it back down, it returns to its original structure, it's original form. And so what's interesting about the explosion that Christopher Dunn's team found King in the King's chamber. It's one thing if you saw an explosion and the heat heated granite from that explosion expanded outward, but you would have expected that to return.
The fact that there.
Is still some deformation as a result, actually to me indicates the high energy level that had occurred in order to achieve an explosion of that size, because once this chamber had cooled down, the granite should have returned to its normal structure. This is what's classically understood when you put granite under high heat. So this is where it gets really interesting. So the next thing I want to show is kind of just a quick little diagram that
basically describes what I'm talking about. How you could have a gravity fed system. This is called a Farrow's pump, but that includes this compressed air section up here, which I'm not including in my description, but basically you can see how a gravity fed system would fill this up and then you would have additional space here that I'll talk about in the Grand chamber. But this is basically
the concept that we're going for here. So what happens when you have saltwater electrolysis generating hydrogen gas and oxygen. The hydrogen gas and the oxygen in gases form, we'll be able to travel up into the Grand Chamber. And now maybe what they did was they filled this whole thing up with water, and then they are using the gases to bubble through the Grand Chamber, and then the hydrogen gas would be towards the top, oxygen gas would a little bit towards the middle bottom, and then you
would have maybe reformed water at the very bottom. This is where I want to bring in those structures that I was talking about from the Arizona Builtmore hotel. So this is also Christopher Dunn's work.
Let me figure out where I put it.
So he talks about these helm I can never say this word right, Helmholtz resonators. So again we have I think it's well understood. Probably everyone here knows that the Grand Chamber is acoustically tuned.
So is the King's Chamber. But let's focus on the Grand Chamber for now.
Now.
One thing about the Grand Chamber is that it is not acoustically tuned to the same frequency everywhere in it. It has a step up mechanism. So this is where I'm talking about order of operations. It starts at the lower end, and there's a lower frequency that it's tuned to at the bottom end, and then as you get towards the top, then.
It goes to a higher frequency.
And I believe the current estimates and the current readings that they've got for the highest frequency achieved there, it's tuned to around four hundred and thirty two herts or four hundred and forty herts, depending on who you want to listen to. I think Christopher Dune, his personal experiment that he did himself, saw four hundred and forty herts was the tuning frequency. So this is where I want to incorporate what I was seeing at the Arizona Builtmore hotel.
These resonators appear to be a step up function. And we were discussing cymatics earlier. So before you if you're trying to do high energy physics, which is where I'm trying to get to, then what you want to do is you want to save the step that does simatics
for the treated water first. In my opinion, there are easier ways to treat water, not just with cymatics, although I know that that can happen, but I think the real physical advantage the actual advantage that cymatics has is that it structures water in a specific orientation and more specifically, depending on which frequency that you use, you can angle
the hydrogen bonds on water very specifically. And to give a real life kind of analogy for this, the reason why snowflakes get their crystalline structure is discussed in cymatics. Sound waves adjust these bonds. The angle of these bonds. It's still H two O the same as you know. It's all that's changing is the angle of these bonds.
So what I'm trying to get at here is that because you're the purpose of cymatics in the in my opinion, for the Coffer pyramid, is about angling these bonds to structure water exactly the right way, and you're creating a step up function. So in other words, you're being gentle about it. Your hydrogen your water will start at the
lower frequency. This will begin to adjust slowly and organize the hydrogen bonds into a specific angle, and then as it increases, or as it goes up the grand chamber, it will gradually increase the frequency, increasing the energy that is being put into the H two molecule.
Now this grand gallery as flooded.
So in my opinion, it can be, but I do not believe that that's actually what is happening. No, in my opinion, what is actually happening is the chamber is mostly filling with hydrogen and oxygen. But the issue is that if they're not all extremely high energy, if the hydrogen is not at a very high energy band, then what will end up happening is it's not stable and it'll combine with oxygen and create water.
And so how do you correlate that with the Portocolli is the three doors that you can regulate up and down to regulate the frequency.
So, in my opinion, what is happening is to help maintain hydrogen gas.
This is actually where I was going.
So I'm taking the principle that is well understood in water simatics is well understood. I'm taking the same principle and I'm about to apply it to hydrogen gas. So, in my opinion, the actual purpose of this Grand Chamber is mostly for hydrogen gas and what they're trying to do. While yes, we do understand that you can tune water and you will be able to get these frequencies and do all that you can do the same thing with
just the hydrogen gas itself. And another way to understand this terminology of tuning hydrogen gas to a certain frequency. Another way of interpreting this is it is controlling the spin. And this is really when I'm going to get into some high energy physics. This is where I'm trying to go. Is that what is We're talking about a massive amount of hydrogen and it's in context with oxygen, and it's in a highly pressurized system.
This is highly explosive.
If this is not done in a controlled way, slow and under tight controls, then this becomes highly explosive and dangerous rapidly. And in this picture, this is Christopher Dunn's picture, he's also showing scorch marks all across the top of the Grand Chamber, so there's a lot and of course we have soot and all this stuff, so we know explosions happened all over here.
So what we're.
Doing with simatics in the Grand Chamber is, in my opinion, we're trying to achieve a high We're trying to maintain a high frequency for hydrogen gas. We're trying to keep hydrogen gas in an elevated energy state. And so this is a step by step process because we need to control it.
If it goes.
Uncontrolled or in chaos or in large bulk rapidly, then this is an uncontrolled high energy physics reaction. And we're talking about like the nuclear bombs and shit, or hydrogen bombs. What we're trying to do is control this. So the idea is to be slow about it. And this is where things get even more interesting.
So the there there is a way for hydrogen and oxygen to recombine if it falls to a lower energy state, and all that'll do is create water.
But what is what is commonly understood is this there there's this exit here that goes into the King's chamber. But what is less commonly known is that there is another hole other portal out here at the top of the Grand Chamber. So that is really what I want to get into because this is where the porcolis. Yeah yeah, yeah, So there's a few unusual things. Let me just address the conventional narrative and talk about why that doesn't make sense.
So the conventional narrative is that this is the King's chamber is a tomb, and that these blocks here were put there as doors or like blocks passageways so that people couldn't go in there and steal whatever was in the tomb. Well, if that was true, then why is there a giant cavity right over the stones? Why would like putting the stones there just defeated its own purpose because you could just climb right over it and it's not even that hard to do.
They like, these aren't huge stones.
They're I mean, they're really heavy, but they're not like impossible to climb over.
So and there's this huge void up here, you.
Have signs of rope and police to manegrate them.
Yeah, exactly. Yeah, So there's even signs of a system. And there's even a fourth smaller stone, like an anchor block that would make sense if it was elevated high up in the air, and there's room for it right here. And there's these three spools. There's like signs that there was three spools here, and you can imagine that these stones, these three stones were intended to move. In my opinion, the anti chamber is a regulating mechanism, similar to how
this ascending passageway is also a pressure relief valve. And notice that they're on either end of this grand gallery. So there's these granite blocks that are in this ascending passage, if you put them right here, if there was a huge amount of pressure build up that went out of control, then these granite blocks could slide all the way down this ascending passage and they would block the water flow from the descending passage, and then this would prevent the
reaction from continuing further. So this makes sense as a pressure relief valve on this end. So now let's talk about the anti chamber and how that's also a regulating mechanism.
I'm a bit confused. So you just told me that there was you don't see water but hydrogen within the grand chamber, but then you speak about water again.
Oh no, So again, hydrogen is what you're targeting in a grand chamber, and there's also oxygen gas because that's also another byproduct from saltwater electrolysis. So one of the issues is that not every single hydrogen atom is going to be in a high energy state and remain as hydrogen gas. Hydrogen gas and oxygen. When hydrogen falls to a lower energy state the two it's not stable and
so this will recombine into water. So both of these things are happening at the same time, you're trying to achieve hydrogen that is controlled and at a high energy state, and that's the part that is collecting at the top of the chamber. But this is not a one hundred percent yield. In fact, I don't know the exact yield, but it won't be anywhere near one hundred percent.
Yeah, But support call is then would be regulating a gas or a sound and not liquid because it wouldn't never be enough water to fill the Grand chamber in those situations.
No, exactly, And that's not where I'm going with this. So hydrogen gas has multiple energy bands that it can be at. What I'm saying is that this lesser known pathway, where do I have it, This lesser known passage that is at the top of the Grand chamber. This is the passage where only specific hydrogen is being applied, meaning this is the hydrogen that is at the highest energetic state. This is the hydrogen that is most stable, and this is the hydrogen that is most pure, meaning it doesn't
have other hydrogen gas at lower energy states. This hydrogen gas is the one that is at this hole, is at the very top.
Of the Grand chamber.
So the only hydrogen that would get up to that high of a level is the ones that all made it through the cimatics process by the Helmuth's resonators in the Grand chamber, made it from the.
Bottom all the way to the top.
Only that is what's going to be there, and that'll be under the highest pressure system. So what I'm saying is happening is that lower, the lower energy state molecules are the ones that are being passed into the anti chamber. So in here you can have both oxygen which will be heavier, and you can have hydrogen gas that's at lower energy states that didn't stay spun into a high
energy state. So only what you're trying to do here is you're trying to collect only the hydrogen that spins correctly, spins at the correct frequency, and you're trying to create a chamber above the King's Chamber. In my opinion, only the highest energy state hydrogen gas is the one that's collecting up here. The lower energy hydrogen gas is going to collect, and oxygen gas is going to collect in here.
And I think that what the purpose is is to create a second high pressure zone where if the pressure in this anti chamber builds to a sufficient degree, this anchor block will push down, and it's on a rope pulley system that we know about, and this pulley system
will pull these blocks up. And then this will create a relief where the oxygen and hydrogen that didn't quite make it into the high energy state, which is what you're trying to isolate for in my opinion, the lower energy band hydrogen oxygen will have a place to vent to.
And then what this allows is in the.
King's Chamber and in these shafts you can vent hydrogen and oxygen, or if hydrogen and oxygen interact with each other, then they can also reform create water, and that's what would fill here, and so water would get Any reformed water would collect here and then pass down as liquid down the bottom of the Grand Chamber and then go right back into this clean chaper where it restarts the process again.
So I'm getting so curious. I can I can't resist, and I'm not sure if Nick is going to show strip down the show or not. But I'm very closed to know what is the purpose of all of this.
Okay, so this is where we got to go.
Yeah, I do have to say I got about like ten minutes unfortunately, because I do have another show.
So yeah, okay, I'm gonna I'll finish up here. This is the big reveal.
So what I've been what I've been trying to demonstrate, is that there are a lot of acoustic there's acoustic tuning is a high pressure system. This is trying to purify water, and that this grand gallery has one known portal that goes towards this upper chamber in the King's Chamber, where this specific portal is where you get the tuned hydrogen. Now, think about what you have. Hydrogen is as close to
a proton as you can get. If you strip the electron off of the hydrogen, then you have just a proton. And so what I'm suggesting, and I'm hoping a nuclear physicist somewhere will help me figure this out, is that if you put in a lot of effort into getting all the hydrogen to behave exactly the same way, slowly collect them into the King's Chamber, this upper portion of the King's Chamber, and they're all spinning the same way, all have the same energy state, are all in the
same shape under high pressure. This is possibly one way of doing transmutation and you have to think about our current tech right now. The way that we have, the current method of generating high atomic weight elements beyond our periodic table is just taking elements, primitive elements, particles, spinning them.
As close to the speed of light as we can possibly.
Get, and then smashing them together and then maybe for a fraction of a fraction of a second you might have a high atomic weight element of some kind. But there's so much kinetic energy with this that there's no possible way you could have anything be stable that way. So what I'm proposing here is that this is a way to control, stabilize, and do this in a slow way.
And a significant portion of.
The stability of elements is their crystalline shape, their geometry, and this King's chamber is triangle shaped. So if you have pure hydrogen in a very high energy state, highly concentrated, all behaving the same way because of the acoustic tuning under high pressure in this specific zone at the top, you'll also be able to control.
The shape of the of these hydrogen And if you.
Can do that, then that's how you could generate a stable crystalline structure and possibly manufacture elements high atomic weight elements.
Now, how do you remove those elements from there?
Yeah, so that's a good question. I have no idea.
But I also think that there's there's more to it than just that that we don't know about.
Are any residues of those elements found on those places?
We wouldn't know if it was explode if if there was massive explosions. So this reaction went unstable, and we see the signs of massive explosions all throughout, and so if this reaction went unstable and exploded, then there's no way we would find anything.
What kind of elements do you think could be produced or would be more profitable? Since this is your series, so.
You can create anything.
So it could be something as simple as just creating basic elements that we already know about, but you could create potentially with under enough pressure and under enough energy and under enough stability, you could potentially create high atomic weight stuff. And all I'm trying to say here it can be anything in the spectrum because all I'm talking
about is isolating protons. And the major advantage here is that you have a highly pressurized system that controls the shape and does this slowly and isolates high energy, specifically the high energy band hydrogen.
So my final question for you is this, considering all you said, the investment, the time, the personnel, all there is required to build this, all the knowledge there is needed just to build a structure, let alone, what do you have describing? Uh? What what would be the significance of investing all of that to create elements?
So I think that so in alchemy. So there's another thing that I'm afraid to talk about, but I'll talk about it since you're asking in the in alchemy. In the discussion about alchemy, there is in the hieroglyphs, in the stories of Egypt, there are a lot of accounts of this salamander description.
Are you familiar with this?
Yeah? And so in alchemy, alchemylic in alchemy.
Yeah.
So another name for what this salamander is supposed to represent is salt water, sorry, not saltwater. Milk water is another name that they give this. Another name that they give this is mana or mana. And in my opinion, what they're trying to create here is one of the things that they could create that wouldn't be too difficult would be deuterium heavy water H three to zero, so stabilized form of deuterium, maybe even a highly energetic form
of triterium. If if we want to take another leap and say that they understand radiation like highly radioactive substances. But let's just start with the primitives building up water to deuterium to maybe tritium, which might make sense with such a high energy system.
So I think that's probably where they were going with it for purpose.
So in my opinion, the stories that they tell in Egypt, they have this ank that you see.
All the time.
So in my opinion, what is inside the container is deuterium heavy water along with probably two electrodes. But this is what I think they were going for as they were trying to create deuterium overall as a mass manufactured.
Yeah, but it has to be something more than just creating a staff that has some special properties.
So I want to.
Make sure that like my high energy physics stuff like that's second half and beyond primitives, I want to establish just that the primary function, the initial function, is to filter water. And I also believe that this filtered water is being used in other reactions in other pyramids, for example the Southern pyramid for ammonium. So I think the initial and primary and the biggest use for this whole thing is water filtration first and foremost. Then they stacked
on additional features beyond that. And by the way, I think they added.
More features than just the ones that I'm describing that here.
Do you have any idea what that purified water will serve? What purpose?
Clean water is great for reactions like if you need to create another reaction, but also just drinking water. And I mentioned before that there's a lot of well understood and published research around infrared light therapy being helpful for humans and their health.
I think the same thing is true for drinking water.
I think that there is an advantage to drinking water that is structured in a certain way.
Yes, no doubt about it.
Yeah, so h.
Two oh, the same as you know. I'm not talking about pollutants or whatever else. But I think that there is a unique advantage to having water with hydrogen bonds that are whether it's crystalline structure, structured in a specific way, and that this is better for your health than just drinking any normal water. And I think that that is the imagery that we're getting is there's this experiment that was done with water. If we still have time I
know we're running out. There was an experiment that was done where they had three jars of water that was polluted. There was one jar where someone said nice things, complimentary things to the water, one where they did nothing.
It was a control. And then.
I'm sorry, Masa Moto is the man that did the experiment.
Oh yeah, exactly, thank you for giving me the name.
Yeah, and they found that the one where you spoke nice to this is what cleaned the water, and the one that you didn't, that you said all kinds of hateful things to that one was dark and grimy and horrible, even worse than the control. And so I think that that is probably an advanced understanding that an advanced civilization that was capable of creating these types of structures in the first place probably had, because that seems elementary considering everything else that they've done.
Thank you.
If we have a minute, I'll go. I know you have to go, and if you want to cut me up off, that's fine, but I just.
Want to talk. Sorry eventually, Yeah, sorry about okay.
So whenever you have to go, just cut me off, it's fine. But I just want to give a little credibility to the star scans. In my there's a lot of critics. This is the scans that were done underneath the Pisa Pyramids and uh, this SAR technology. If you really want to learn a little bit more about the technique, I highly recommend this video that I have on the screen. And this is a fighter pilot that has used the STAR technology for military purposes and is familiar with it.
And uh, this is all to say that SAR the synthetic aperture ratio. Uh, this this technology is not new. The technology has been around for a long time. What is new is the application of it. And there's a lot of criticism about Uh, these structures that are underneath the pyramids that they've they're saying they found and I want to say that their their technology is demonstrating that it probably is actually working.
And the criticism.
I've heard is that these columns underneath the pyramids can't exist because it's.
Going through a water table.
Well, if you understand the technology, what it's trying to do is it's trying to measure the vibrational noise of the structure itself and then measure the vibrational noise of the environment around it. Now, if the structure is going through a water table. The water is a liquid, and the water is going to absorb the vibrational noise from the structure itself, and this technology is trying to measure the differential in the vibrational noise of the structure from
the environment around it. So the fact that there's strong vibrational noise from the structure at the top, but then as soon as the structure hits exactly where we expect the water table to be, the vibrational noise dampens abruptly and you can see a little bit of the faint outlines.
But the fact that.
It's dampening here is actually indicating that their technique is doing what they are saying it's doing. This is supposed to be, in my opinion, a known flaw in that the water table is absorbing the vibrational noise, therefore there won't be a differential between the water around the column
structures and the vibrational noise of the structure itself. However, there is a lot of vibrational differential here and it looks like maybe the water table dips in this area, and so it would be really interesting to see if there was a way to verify whether or not the water table in this specific location actually does dip, and if so, that could add even more credibility to their technique.
But in my.
Opinion, since they've released their results in March and the discussions they've done since then, in my opinion, they're making a good faith effort and the technology and the technique that they're describing is doing what they're saying doing at least.
Well, they have to introduce something that they're not telling us because this technology cannot go more than at five to seven meters underground, so they could never get to deeps the depths that they're saying, So either there is something more or they are wrong. And one thing they are wrong when they describe that Tubnesian stone that he said that is at the bottom around not exactly on the pyramid, I don't remember. It is the things or
in that area. He said that it couldn't receive the signal it was black because tubnesium reflects the effects of the technology, and that is completely false because Tunisian would make through the waves as at around seven seven meters per second, So that part at least is completely wrong in scientific terms. And the fact that that technology is used often and it cannot go more than five seven
meters in depth. So either they are using something more that they are not telling it, or this is a complete computer graphics that we are seeing.
Yeah, so I'm not going to be any kind of source that is able to either validate or invalidate their their technique. All I'm trying to offer is that if you were to believe what they're saying, I'm not saying it is correct or and I'm not even saying that.
What they're saying it corroborates your studies, what you're saying, and.
What I'm trying.
All I'm trying to indicate here is that there is consistency in their description of the technique and the results. If their technique does what they're saying it does, which again is beyond me. If it is true that it does what it's saying it does, then this is the actually the kind of result you would expect if it is doing that, is that you would expect the dampening of that signal as soon as the structure is hit the water table.
That's all I'm trying to indicate.
Absolutely, I agree with you.
I have no idea how they're getting a kilometer down into the ground. I haven't heard them explain how they did that yet.
At the Cosmic summon, and I don't even remember the answer. Okay, somebody asked him that question in the press room. I filmed it, and I don't remember what they said.
We don't have enough time to talk about it, but I wanted to just show the picture at least. The taj Mahal shows quite a lot of mechanical similarities to what I just described. White exterior sandstone, porous stone on the inside, layers of construction, body of water underneath it, acoustic tuning in the central area, and more lots more. And I just wanted to demonstrate this because this is an example of something that's well.
Preserved and I wanted to start.
I made the argument early on that India has something to offer the world to this topic that most other places don't have, and this is one example, and I think that we should really relook at the taj Mahal. I would go into more detail, but I know you don't have time for it.
Yeah, yeah, sorry about that. I didn't honestly, I didn't think it was going to take you that long.
My apologies.
Oh yeah, I ramble on for a long time.
No, no, no, no, I was in saying it like that.
I'm just I'm just so excited to have people to talk to about this. I don't understand. I've been doing this by myself for years. Nobody cares about this stuff out here, at least not not like enough to work on it.
Yeah. No, no, all right, man, you're good, You're good.
No.
If I if I would have known, I probably would have made the show maybe, you know, a little bit earlier for you if if you could Okay, but uh, I could always get you back on and talk about it to continue a word, or do some other things that maybe you got going.
Oh that's just right. You had the thing on AI that I was really interested in too.
So yeah, yeah, I got there too, and I have some cool stuff. Yeah.
Yeah, I definitely wanted to talk to you about that in the future.
But yeah, unfortunately, because I do have another show for people listening. We got Zachary Zachary Hubby coming on for Jamatria at like ten o'clock.
That should be really interesting.
But yeah, for everybody, Brooke real quick, let everybody know where the funny stuff.
Yeah, absolutely, thank you so much for that presentation. That was incredible. You can find me on Instagram at dark florda podcast and wherever you get podcasts.
Oh yeah, thank you very much for having me on. Of course, of course Tyrone let him know what's up?
What's up everybody? So yeah, thanks, she said, I was a wonderful presentation.
Man. You speak like a professor at a school and do it well.
Everything that you find only you can find every breath of the word dot com. You can buy my book Journey through the Origins of History on Amazon and appreciate it.
Thanks last Gees, I appreciate it.
Bro Thank you everyone, thank you, thank you, appreciate it. And Riccardo, what is up?
So again? I recommend this time is going to be the first recommendation. I recommend the Universe and Veiled podcast on YouTube, Institute for Natural Philosophy dot org and the Cut Calvert X and my book's resonance ares and the star Dust at Amazon. Thank you and thank you by She's and I'm sorry for my questions with it and just love it.
You're the only person that ever curteaches me and the whole time I talk about it so like I wanted that to be honest, because I had no idea.
If anything I said makes sense.
Then send me an email. I'll send you my book. I think it will help you in terms of at least in terms of the papers that it presents. I think it will help.
Okay, I'll add you on AX. I'll send you my email.
I'll message you nice and Bennett.
Broadcasting seeds dot com A sheesh man. I got a page of notes.
Uh, I'm going to get on that India thing.
So oh yeah, I've already kind of dabbled in into it, but it's just you know, you're opening a candle work.
Is a great place to start.
Yeah, So.
I appreciate it.
Thanks for coming on.
It was awesome of course, of course, thank you for joining us and Ashish.
If you want let people.
Know what they can fund, you can find me on X. I'm social media illiterate and I'm learning. So my AX is message for Asish, the number four Asish message for ashiesh.
Hit me up there.
Hopefully I'll get better with this and refine it and be able to do this in a more.
Formalized way.
But I'm looking at trying to see if I can get some feedback and help build this up.
Really, what I would like.
To achieve here is I think we in the community understand that these aren't tombs, but what we need to really figure out is a starting point on how to solve all this all over the world. And that's really what I'm trying to get at ultimately, and then all the other stuff is just flavor text on top. So I really appreciate the opportunity like talk about all this. That's been great. I haven't really had an avenue to do this, and there's no school or class you can
go to to try and reverse engineer advanced technology. So this is really the only way to get ideas out there and see if they make sense.
No, that was great, Thank you very much.
Man.
That was just a lot. It was a serious presentation. I really appreciate it. Time on doing that.
Yeah, again, like I said, we'll have to get you on in the future and talk about the AI. I appreciate everybody in the chat. That is what's up. Again, there's a lot of people here from the beginning to the end. I appreciate that. I appreciate some of the newer people coming back. That's what's up. That's why I go live. And again, everybody's links if they're not in the bottom. I'll make sure they're down there afterwards. But I think everybody should be the thing. But yeah, that's
the end of another recult rejects. Until the next one. Everybody be will La