Headless' Magical Mailbag and Sigils

But we still see the effects. So what's that. You know that people got to start thinking about these things. It doesn't matter if they're coming to wrong conclusions, just as long as you're not married to keep that open mind and see what comes in.

eye with the pith hat. Now, it's got this fake, sort of fake fabric that's all ruffled up in a row on top of their and it's made out of some pretty toxic chemicals. But this is a powerful symbol for mind control, and a lot of people who have been in the Marines are like how is that. It's actually really simple. So the pith hat is where the drill sergeants drill instructors for the Marine Corps have to

take a step back and not be so aggressive. And the best way that the Marine Corps could come up with to get them out of that personality of drill instructor and into it different, less aggressive, more calm state of mind is to introduce the pithat. And when they put it on, they start talking differently. They start calling everybody gents. They're much more kinder and patient because everybody has weapons and they don't want this to be a

repeat of that classic movie. Yeah, so what this is is mind control, not for the students who are doing the shooting at the kV range. This is for the instructors to get them outside of their head as drill instructors and mean badasses. They've got to step it back. And when they put on the pith hat, it's not

that you can get away with more stuff. They're actually poised and ready to kill you in an instant and they've got this on, but they have to remain calm so that you don't freak out and start shooting people accident. That's very important when you're on a firing range, especially the KD range. So they call it a KD range because it's known distance. It's different from the pop ups, right. So I've done a KD range once to hum and this is how I know about it because I was

in the army. I didn't I didn't really have any experience with marines other than shooting at the KD range, and so I thought, you know, this is a pretty good symbol for that, because I can see the difference in the drill instructors when they put on the pit that versus when they did not have it on. And you know, to me, it's kind of weird. But if you think about it like this has the connotation of more British gentlemanly type colonization mentality. It's it's a booty

not a booty cap. What do they safari hat? All the rest of these different names, and it's got a very generic descriptor on the on the on the magazines where they're selling these things to the different uh it least, but really this keeps your men, you know, straightened out while they're on the firing range, while also keeping your drill instructors from freaking out on them because they've shifted

into a different personality by wearing a different thing. This is why everybody's in uniform, because it's a powerful mind control technique. You're trying to get everybody thinking the same way, so you get them all dressing the same way. This is the fundamentals about magic. You've got to change your hour appearance to start influencing that inner world. This is why they're doing it. This is a form of battle magic.

language you're using. The new LEXICONU realistic words. So it's it's you know, it's a good reminder for both parties where you're at and what you're supposed to be doing. This is no place to eat crayons, and if you're a marine, you will get that.

So you've got people back behind there to pull down the targets, put the little holes or covered little holes with something that can be seen, you know, per each round that you're firing, and then they put them back up. So now you and your drill instructor can see exactly where you're hitting on those targets, even though they're really far away. Now on this KD range, you can move forward or farther away for qualification. So the further away you are, you know you're going to have, you know,

more shots missed. But that this is different from the pop up targets that we had in the army, which were you know, at varying distances and you can hit them anywhere on the target to make them fall down. So if you just get a grazing shot at three hundred meters, that target is still going to fall down. These these targets at the KD range are still bulls on, so you're you're gonna have to zero it in right

there at that middle middle point. So I think the KD range also provides way more feedback when it comes to how you're shooting and everything else, because at the pop up range, you know, uh, you don't know where you're hitting these targets. So if you're qualifying on a KD range, you're you're giving much better off, I think, than if you're using pop up term but it's so

much more dangerous. I was back there manning those, uh, manning those targets, and you hear every shot coming out of that rifle, and it's so much different when you're in front of the rifle versus when you're.

going to get hit back behind that burno. So I think it's a better training environment than pop up targets. The Army wouldn't agree with me, but you know, again, all of this has to work seamlessly together so that

people don't get hurt on the range. And if you look at the track record for Marines operating on the range, they actually have a lot better safety rating than a lot of the army armies trying the same tricks where the drill instructors will swap out hats on their ranges, but it doesn't have the same effect because I think it's not as potent as symbol They started using this fake sort of you know, safari looking hat back in the nineteen thirties, so all throughout World War Two they

had these all throughout, so it's got a low tradition of use. I think they discontinued it in twenty seventeen, but you know, I got out in twenty thirteen. Would but I thought it was a potent symbol, so I thought i'd bring that.

check it out. I guess and spell thirty four in that names Galpadar among Victory and gin Faxi appears in the same circle of charms in eighteen forty seven. It shows back up in the Hold Manuscript which is in the National Library of Iceland, and that is including it has the illustrations of Galpadar and gin Faxi in there

as well. And then this I found interesting, which is probably one of the reasons why I went with it as well, is that oral tradition from the nineteenth to the twentieth century records wrestlers carving or drawing the pair on camvs skin and then hiding them in their shoes before about And yeah, the Galpadar is supposed to be slipped under the right heel and the gin Faxi is under the left hose. Supposedly Galpadar, which I think is the two horizontal beams with branching claws. Let me see

which one that is. I have that one up, let me know the right one. There we go, people know what I'm talking about. That one, it's uh supposed to be it's supposed to keep the wrestlers steady on his feet,

that's what they would use it for. And then the other one, gin Faxi, that fills the fighter with virility and forward drive inscription however they use his historically sometimes there are drawn in blood coal suit suit, you know, make us from the whatever burnt stuff and carved it or shit carved in the caskin charging, charging it would be recitation of a short caldral lag charm while breathing onto the stave deployment or howlig you could use it.

that on their socks. You see it in jewelry and tattoos and etsy and stuff, neo pagan rituals. Sometimes you will still see them and something. It has been shown in pop culture. It's featured in a video game run sets and Nordic theme the graphic novels. Uh so, yeah, it still does kind of like pop up today, but it was something a little bit older and kind of not known, and for some reason, I don't know why

it it's attached to wrestling. So it was just like, I guess when I knew that his was attached to like, you know, the arms for you know whatever, I was just like, well, this kind of goes with something else.

And what a lot of these staves are from is actually from earlier Christian chants and charms that they incorporated into their system, because the Christians did practice a lot of magic that you know, were on the outskirts of society, and they had other Christian traditions that were passed on to them and they used them as you know spells and you know charms. That's just sort of natural because they came from those families who had that stuff, and

they just christianized their their spells and charms. If they were outside of the church for too long, they started to develop these you know, naturally sort of occurring shapes that occurred to them as having magical powers. I don't think it's that far outside of the ordinary. And when they started this, then they had Christians moved to Iceland

and claimed to be targeted by the black magic. So they came out there they're like, no, you need to be Christian and they're like, we don't want to be Christian and they're like, ah, stop hurting me with your black magic. I'm serious. The literal cartman's coming out there to say, you can't do this. You're putting spells on me. You have to listen to what I'm saying. And so they would go back and forth. It's like, I didn't have anything to do with your wife's dat you probably

killed there. You're telling me that I put black magic on you. I didn't put any black magic on you. But now that you're saying I'm doing it, I'm going to do it ten times harder, right. And ever since then, Iceland has been very very suspicious of Christianity. They do not like it. They see it for a bunch of people in a power trip. And so now Iceland is one of the most atheistic nations in the world because they lost time with their roots in the modern times

and they're not going to go towards Christianity. So they're like the biggest atheists in the world. But if you bring up some of the folk legends, they still sort of participate in it. So there's little people out there on Iceland that they put up, you know, hillside little houses for them, and they bring food and stuff to them on certain days. But you know, it's more of like a folk tradition than more of a religious belief.

But it sort of crosses the boundary a little bit, and they still have a very robust history of mythology and their own unique way of seeing things, and the staves go right along with that. That came along with their magic. Iceland is a really interesting place when it comes to magic, and a lot of people don't really think about it like that. It's one of the last surviving places where the old Norse pagan beliefs were allowed

to flourish. And you know, mostly it was just grumpy old men that said, you're not going to take our magic from us, We're going to leave.

through quantum vibrations and things like that. Uh, you know, string theory, the idea that there are these waves of energy that actually can geal into the matter that we're made out of, starting on the geometric and then also through the thought process. So there is it as as above so below that comes directly through human creativity. So I got the first one from pretty Bug. It says it's me, pretty Bug. My story is taken so long to send because I've been scared to even talk about it,

much less put it into words in written texts. I've been so scared because I didn't want to do anything that would cause or provoke it to happen again ever ever, But anyway, here it goes. I appreciate your bravery. So all I know is that my only intention was to communicate with my grandmother through dreams. She came to me in a dream after she passed, which was really awesome. That experience is what led me to try and eliciting

a dream from her. I don't know the time that what I was doing was trying to elicit lucid dreaming, or so I've been told. I literally don't know squat about these things. What I did was put on my piano playlist, lied down on my back on the bed, and a hold of my labradorite stone, closed my eyes, and started to do what I would only call meditate. I started to imagine that the road to her house was paved, was a paved road that later turned into a dirt road. While walking down the road, I started

to think of the house. I was thinking of what it looked like outside Inside I thought about what it smelled like, what was probably on the TV, and what might be cooking or being made in the kitchen, all the things. Lol. I followed the road all the way to her and my grandfather's home. At some point I realized I didn't hear my piano playlist anymore. Even after the realization, I didn't hear it again until I came

out of the dream. First thing, after walking down the driveway, I went into the front door, which I don't know why, because the front door was rarely used, definitely a garage using family. Have you noticed that there are some places where they don't use the front door, They always go around.

me of a mall dream. In the mall dream, there's very rarely anything inside the stores that you could recognize. It's like products over It's all just sort of empty. There was only one recliner, which was my grandmother's. My grandfather's recliner was missing, along with the couch, the rug, the coffee table, and the long table that was under the windows. In the kitchen, there was only the kitchen table and nothing else. The house was pretty much bare, as if someone was moving in or moving out. I

stepped into the living room looked around. My grandmother wasn't in the house as far as I could tell. I called out for her and got no response. The house was pretty small but open. You could see both sides of the house standing in the living room or the kitchen. So upon hearing her, I walked through the kitchen and out the door. The door was always used. I looked down the driveway and spotted her in the garden. She spotted me at the same time, and smiled, waving enthusiastically.

Once I got to her, she asked me what I was doing there. I told her I just wanted to talk to her and that I missed her. She told me to come inside. So when we were back in the kitchen, she made me a glass of a famous sweet tea along with a sprig of mint. Her tea tasted so good you wouldn't want any other sweet tea ever. Again, we sat at the kitchen table and I asked her questions. I was conscious of, conscious of asking and coming up

with what to ask her. She would reply without me consciously making up her response like I was when making up the questions. It was like I was truly speaking and visiting with her. So I started to visit with her more often. I think I visited her four or five more times before what happened. The more I visited her, the more things showed up in the house, until even her dogs showed them everything was back in place.

seventeenth century. Yeah, yes, it is. Also she lived also in a history oracle house named the Cedars in Washington, Georgia, which was a story in itself. She was a Confectionary Garden Club member and mastered the piano at Julia. She is the most legal person I have ever known, which makes sense. If you've got a long lineage here, you've got a lot to draw back one, unlike us German peasants, who all we want to do is dig holes in

the suit. I also recently found out the story of being directly related to Pocahontas isn't just the family rumor anymore. It's true. I am her fourteenth great granddaughter. Didn't see that coming. She had our ancestry research all the way back to the days of Charlemagne, not the Rapper, who I am a very distant relative of. She's definitely in the society of the Cincinnati. She's passing that alone. Daughters of the American Revolution, No way, she's not. She was

once a possession of General Cornwallis's boot buckles. I think that's what they're called, et cetera. So I used the same method as before. I was experiencing the same result. However, this time it was very different. Instead of the house being full of light and color, it was dark, black and white. All the furniture, pictures, et cetera. Were already there. It was also seemingly silent, silent as in void of

sound completely. I walked into the house and halfway down the floyer, I stepped into the den and looked around. She wasn't there. I stepped back into the floyer and walked across to the living room. I found her there. She was sitting in a rocking chair by the fireplace. She was hardly ever in the house. I was calling her name until I reached her. She was sitting upright while, eyes wide open, no blinking or signs of life. It

stunned me, and I stepped backwards away from her. At the same time, I noticed something moving in the hallway. I stepped out into the hallway and saw a black figure with no shape to it. It looked like it was possibly hooded or had on kate. I wanted to know who or what it was, so I followed it into the kitchen, it exited out the door, the kitchen door, into the backyard, where it shot straight up into the sky with a deafening screech. It was at that moment

I sat straight up out of bed, terrifying. So terrified that night that I couldn't bring myself to turn the light back off, which I had immediately turned on upon waking, the most terrified I had ever been. I've experienced a lot of things, sleep sleep paralysis being one of the biggest things. Coming face to face with a full body and apparitions. Learning the repercussions of using a weedi board without knowing shit about it, or protecting myself, that's a

whole different story. Hearing voices occasionally capturing clear who intelligent dvps?

wasn't open to talking or visiting. I mentioned all of these things about my lineage, my great grandmother because something in me is telling me I stumbled into something or somewhere I didn't belong, feeling that something dark is going on or did go on. As much as I hate to say this, my great grandmother may very well have been had a sketchy pass that no one ever talks or talked about. A note that I've always been attracted

to her since I was little. I wasn't around her, so it's kind of weird to feel so attached attracted to her. However, I've always connected to her to piano music. I've always been in love with the piano and piano music. Even had a picture of her and I am sitting at my piano when I was maybe two or three. My intuition is pretty good. It has never failed me, and no one has ever told me I was wrong or way off and analyzing people, things and situations. I

trust my feelings on this. I just don't have any validating explanations for what happened? What the hell was that in the hallway with a scream like a bangaing, where the hell was I? If not for here, is there something more I should be looking into? Or for here's hoping you can help me figure this shit out because it's driving me crazy much love, pretty bod. What is your take?

this sort of subconscious slash astral realm. You know, if you're going into the underworld to do, you know, go see your grandmother, eventually your living body is going to reject the experience because you don't want to die on a very subconscious level. And so maybe it sort of evoked this black and white sort of realm. Because did you ever see the movie The Tommy Knockers.

They ever end up overshooting it into the future, and so they show up inside the airport in the future and you know, basically everything appears around them with the present us up that That's kind of what I'm seeing here. If you're constantly astrally projecting into the world of the dead. Your body is going to reject that. You're going to start to see things get off funking because you're not

supposed to be there, you know. I mean there's a sort of order to the whole world, and so if you're constantly doing I think this would be an example of necromancy. It's not a bad example of necromancy, by the way, but you are communing with the dead, so in a certain sense, the body will reject it for a certain time period if you're too close to it.

You're not supposed to be dead, you know, you're supposed to be living, So that world is kind of closed off from us a little bit because we still have our bodies, we're still in forms. That's just my tich. What do you think?

a lot of Stranger Things as well. I felt like I was listening to like a Stranger Things episode, right.

in these different realms. Again, when you're in the symbolic realm on the astro symbolic things are going to happen, then you have to be the one to see and understand what symbols are being showed to you, because that's your mind trying to communicate to you, that's your subconscious trying to communicate to you, and that's your body trying to communicate to you in different ways in what you're seeing, don't you. Yeah, I think it was a very powerful dream. But you know at some.