The State of Video Content in 2025 with Juma Bannister - podcast episode cover

The State of Video Content in 2025 with Juma Bannister

Feb 13, 202550 min
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Episode description

Video marketing pro Juma Bannister breaks down what really works when it comes to video content in 2025 landscape. From debunking the myth that "scrappy" videos are always better to sharing practical tips on lighting and sound, the conversation covers all the bases you need to know to succeed with video this year. Bannister explains why it's not enough to just slap a video on your website anymore—it's about building genuine connections with your audience across multiple platforms. Plus, there's some real talk about how social media algorithms are changing the game for content creators.

Juma's recommended books are:

He doesn't drink coffee, but recommends several hikes in his native Trinidad & Tobago:

  • Mount Tabor (at Mount Saint Benedict), his favorite
  • St. Michael's
  • Breezy Hill
  • Paria
  • Paragrant
  • He also mentions two popular beaches:
  • Maracas Beach (in Trinidad)
  • Pigeon Point (in Tobago)

Connect with Juma Bannister on LinkedIn: https://www.linkedin.com/in/jumabannister?originalSubdomain=tt

If you have any questions about brands and marketing, connect with the host of this channel, Itir Eraslan, on LinkedIn: https://www.linkedin.com/in/itireraslan/

Transcript

Juma Bannister

So one of the problems that we're having right now with video getting to people is that content has switched from social based to interest based. Subscribers and followers have less weight. People are going to have to find ways to put content on different platforms. While I still support the whole idea of. Focus on one platform, build it out there and then expand. I think people are going to have to start to think about multiple platforms earlier.

Itir Eraslan

Hi, this is the marketing meeting and I'm your host Itur Erasan. Every two weeks I meet with experts and we talk about topics related to brands, marketing and businesses, and we sometimes add random lifestyle topics too. I hope you enjoy the show. Welcome to the marketing meeting podcast. My guest today is Juma Benester. a good friend of mine and he is the co founder and executive creative director for Relate Studios.

Relate Studios is a strategic marketing and video production company and Juma has two decades of experience in graphic design, photography, video marketing, and many more things. Come Juma.

Juma Bannister

Hi, it's really great to be here. Um, and I know we obviously spoke like this once before you on my podcast. So it's great to catch up on the other side of things.

Itir Eraslan

Exactly. Um, I know that you've directed over 300 videos and shot over 1, 000, 000 photographs professionally. And you've been working with so many brands. Let's start by addressing some of the tactics, which I'm going to go back to essentials as well. But are there some common misconceptions or mistakes about video that people or brands are doing now?

Juma Bannister

Right. Okay. So I think one of the biggest things that brands, uh, Getting wrong with video is that they're treating video now, like they treat a video probably 10, 15 years ago, which was they made one piece of video that is very good, very high quality, very high end. And then they slap it on the website and it lives there. And the only way people are going to get to see that video is if they go to their website.

and happen to go to the homepage or wherever the video lives on whatever page it lives and then they see the video there. So video was used not as a tool to build relationship. It was used as, Oh, you've discovered me already. Now you can come learn some more about me. But that is not how video functions. Now video functions as a always on 24 seven outreach and relationship building tool that companies can use. And so.

It's, it's a really big misconception, especially for large companies and people who've been in the business for a long time. And, um, they have to shift that thinking into how can I use this? Not just as something people could come to see, but how can I reach out to people with the content that I create?

Itir Eraslan

There is an important nuance in what you say, because you didn't say, I was expecting that you would say something about the formats, like video back in like 10, 15 years ago was different than how we consume the formats now. But rather than that, you touch base into something more fundamental. And this comes back to your website. For example, when I open it, it says, Relationship first, strategic content, marketing and production. What does relationship first mean in video marketing?

Juma Bannister

Okay. So relationship first for us means that you're not just doing the video, uh, as A way to accomplish just one single thing. And it's done what you are seeing it as is one of the ways, or one of the tactics that you use to continually stay in communication with the people that matter to your business. So for example, Um, you can make a video that is on social media that discovers new people is essentially a topper funnel type of piece of content. Maybe it's a definition piece of content.

Maybe it's a listicle or something of that sort in video format. But then what will happen is that if you have a longer format piece of content, let's just say a podcast or a live show or something that allows people to go deeper, find out more about how you do your stuff, find out more about your thoughts on the industry and how you can serve them, and they're able to to develop a deeper relationship with you.

And even when people become your clients, they can still go back out into the public social media spaces and find you speaking there. So the relationship is maintained over a long period of time. You don't want to create something for one singular purpose. That thing has to be always able to communicate with the people that matter to your business. So constant communication is essential when you put contents out there.

Itir Eraslan

So does that mean that when you are, um, planning for some video content, uh, do you then lean on to the storytelling behind it? Like instead of where do we shoot? Who do we shoot? What's the light looking like? How we are going to do the edit and so on. Rather than that, you lean on to. The narrative part of it, as far as I understand.

Juma Bannister

Yeah. And so that is one of the things that I love to do. In fact, tomorrow we are going to shoot a project where one of our good clients, it's a financial company, financial services company. They have multi billion dollar investments and they have a program that is used to reach out to entrepreneurs. And so what they've done, they have set it up in such a way that they want to tell these stories of these entrepreneurs. Last year, we did a story video for them with several entrepreneurs.

And tomorrow we're going to start doing another set of videos that tell the story of the actual entrepreneurs and how the company helped them. So instead of seeing the company saying that we can give you this money to help your business, it's going to show the. behind the scenes of how this financing actually impacted them, made them more stable, made them more hopeful and what's the outcome of it.

So I think for me, that's one of the biggest things in terms of, especially for medium form video and even short form video could do it with sometimes that, uh, focusing on those stories and those narratives. Does help in fact make people connect with the content and helps deepen the relationship as well. So that's a big deal for me. You hit the nail on the head right there.

Itir Eraslan

So it doesn't mean something like a testimonial video or broader than that?

Juma Bannister

Well, it's, it's somewhat of a testimonial video of. Somebody saying, this is how this person or this company helped me. And this is how they can help you too. So it's something that shows what that interaction was like and how it benefited both parties. But it's more than that. It's giving some sense of the emotions behind it, because when you look in the heyday of ads in the nineties and the eighties, when ads were a big thing, like TV ads, particularly.

A lot of ads that got really critical acclaim, they were emotional ads, ads that make you laugh, ads that make you cry, ads that made you think deep. And the same emotions apply now, except we have a different distribution channels for those things. And we have to format it in a different way. And so I think that the important thing is that beyond the saying, this is what we do. You also have to activate, this is how this thing made me feel.

And so you try to connect that inside of people telling stories inside of your video content as well.

Itir Eraslan

So, uh, about the relationship first video content, I understand that one way is to, you know, let some other people that are using your product or your services or a brand do a testimonial type of video for you. But are there any ways? That you don't use your customers, but you create videos that will still connect to the customers.

Juma Bannister

Well, okay. So, I mean, the vast majority of the time, you're not going to be able to get your actual customers to come and do testimonials for you. Social proof is very important, and I always encourage people to do social proof videos, but sometimes it's just not possible. You can talk about how you've helped, and you can draw your own examples. But also the one of the main things that I like people to share is how they've actually gone through a process with someone.

It's more than just the end product, but you want to show the step by step behind the scenes content. We have a client who is into tech and cybersecurity. And, uh, we've been recording, doing videos with them for a while now. And a lot of the content that we did initially was definition content, like what is two factor authentication? What is this? What is that?

And then one day we were with the person and we told them, well, What is something that has happened to you that is a story that is connected to how you serve people? And so what they did, they were able to tell this story about, very personal, about their landlord and how their landlord almost got, um, a phishing attack and they were able to save them. And it was, and it was very personal because it was, they were in the building that was going to be affected if they didn't.

Give the landlord the right advice. And so they were able to save the landlord from sending money to a hacker's account, and it tied right back into what they do. So their expertise and their story connected and they were able to show not just what they do, but they were able to show how it really impacted someone in real life.

And as another testimonial from the landlord, that is them talking about What happened behind the scenes in order for them to serve somebody who really was in a bind and needed their expertise.

Itir Eraslan

Perfect. We just recently did a testimonial type of, uh, video production for a client of mine. Uh, and then the best thing about that is. You know, there are like some features of the product that they have. And also there are like some strengths of the company. And I would want to really take out these words from the client while I'm interviewing that person. And then, uh, the clients were like advocating for features like reliability.

Security or like the trust that they feel working with this people. And I was just like, this is so good because I mean, rather than us writing security or trust, uh, on our own to our website or, you know, the founder saying that someone like a client saying that this company is a company that we trust a lot. So, uh, it was really helpful. And also it's, if once the clients. Advocates for you. It's also like making them feel more connected to the client.

So it's kind of a client building thing as well. So I, I'm completely with you on that.

Juma Bannister

Yeah, most definitely.

Itir Eraslan

So we understand that relationship first, media matters a lot. What are some others? essential elements of a video that makes it more engaging. I'm talking about like, is it colors or is it light or music, emotions?

Juma Bannister

Yeah. So there's some technical things that really help communicate well. And I mentioned this earlier to you because we were wedding photographers before we were exposed to a lot of beginning relationships. And one of the things that happened in recent time, we went back and we spoke to some of our past clients who had been married for more than eight years.

'cause you know that that point in your marriage is where things that seven, eight years, things tend to fall apart if they have to fall apart. Once you get past that line. Things generally stabilize and it's good, right? Um, and so we did a poll with about 17 of our past couples. A collective relationship experience of over 204 years. And one of the things we asked them is what was the thing that caused them to have this long term stable relationship. Of course, we asked them in the poll.

Do you consider yourself to have a successful relationship? Everyone said, yes. What's the top five things on something that came up 11 out of the 17 times in the pool was communication. So we said, okay, good. How. Does communication translate into video content and what are you trying to do when someone sees your video content and part of that communication is purely visual. It's technical.

Uh, and so I always tell people when you do video content, you want to start with a blank slate, which is a dark room. And then you want to add things like lights. You want to add things like sound. You want to add things like framing. You want to add things like. Composition, you want to add all those different things.

So for example, uh, some people are going to hear this and some people are going to see this, but if you see the room that I'm in right now, I have five lights going in this one room to form this look that I'm having. So light is very important. How you. Look to arrange your light, whether it's high, whether it's low, whether you use a large light, soft light source, or use a harsh light source. It depends on the emotion you want to convey and communicate. And that's an important thing.

How you frame the person is also important. Do you want them center frame? Because you're thinking about, okay, How am I going to use this content later on? Because one of the things we're thinking about for our project that we have on tomorrow is framing them up in the center so it can be used both in 16. 9 and 9. 16 when it goes to short form social media. That's another technical consideration. But also to tell the story, you want these people to be front and center.

And so we have a wide frame. We're planning to do one wide and we're planning to do one close up so we can punch in and out. When the person says something that is very important to the story, we're gonna zoom in on them and get this nice rich close up. And when they're talking about more ethereal parts or maybe less solid parts of the story, we could zoom out and then we could cover that with b roll. And so there are a lot of technical considerations.

That come together to communicate the message you want to communicate. So, uh, so lighting, framing, composition, sound is so important. And we, we often lord over having multiple song sources. When we go out on the field to create content for people. Uh, I don't know if you want me to get, if you want me to get more technical, get more technical. And so we.

We generally try to shotgun the interviewee or if we have to hide the mic and mic them up in a hidden way so that they could talk freely without having to see the mic. But whatever it is, some big considerations when you are doing your content is that it has to look and feel right. The light has to be right. The background has to look the right way. So we often go into the background and say, let's remove this. Let's remove that. Let's make sure the space around the person's head is clear.

Let's make sure the depth of field is right. Let's make sure that they have short lighting so that the light is coming from the right direction. I get excited about these technical things as well. So, um, I think I'm going to stop myself from, from

Itir Eraslan

what is also in someone like me. I'm just recording podcasts and I'm at my home. What are the things that I should worry about? the most, what are the fundamentals, like top three things, or,

Juma Bannister

okay, for you, all those things are still relevant. So there are three, three things, of course, number one will be your sound, how you sound is most important. And I know you have that lockdown. You have a short MV7. I think it is.

Itir Eraslan

Yeah, MV7.

Juma Bannister

MV7, I think I got that right, right? So that will give you the sound that you want. Very important. The second thing is your light. Right now you have a window off to your right, which is like giving a rim light around your hair. And maybe that's good, but you may want, and you were just, we were just talking about this before we came on, you need another light for the front, right?

And I will always recommend that if someone is doing this type of podcast and they're doing it inside of their own space, get a large ring light. If that's all you can get. And I normally recommend an 18 inch ring light. I have two ring lights going right now. Both of them are 18 inch ring lights. And the reason for that is because the bigger, the light source. And the closer the light source is to the subject, the softer the light will be.

And so bigger light source means it's more than likely that you'll look better and who doesn't want to look better on camera, right? Bigger the light source. So you don't want to get one of those tiny lights. It's like a flashlight that's shining in your eye and it's doesn't look good. And the last thing when you can't afford it, so you have your sound first, then you have your light and the last thing is getting some kind of camera.

That will allow for crisp visuals and people really load over this because they don't know what camera to buy. Cameras are expensive. What do I buy one with interchangeable lenses? Do I just use my phone? What should I do? If you have nothing else, of course, you can use your phone. But when you want to upgrade, you can get a mirrorless camera with interchangeable lens. The cheapest and probably the best one out there these days is a Sony ZV 10. I don't know how this will age.

When I say that, maybe there will be a ZV 10 2 or some other thing. Um, the camera I'm using right now is actually Sony Alpha, the A7 5, which is much higher end camera, uh, with a 28 to 70, 2. 8 lens, technical again. But it makes the thing very good because if I put my hand up to the camera, it should focus on my hand, which is not doing right now, it's focusing on my hand right now, and it will focus back on me. So it doesn't matter where I move in the frame.

It will stay on my face, it will stay on my eyes, and I will always be sharp and in focus. The camera I had before was an older camera that couldn't do that, so I had to make sure and stay exactly on this spot when I started the podcast.

So if you're someone who moves around in your podcast a lot, you may slide your chair left, right, or forward or back, then you'll want a camera that can auto focus on you, and I generally recommend the mirrorless cameras, which are very useful for that type of thing.

Itir Eraslan

Uh, there's a belief that, you know, lately, especially the scrappy and unpolished videos work better than like produced videos. Uh, but still like in the streets of New York, I usually see people trying to look like scrappy on the videos, but then you see like all the lights, this influencer taking some shots as if she's taking it from her iPhone. So, uh, what's your thought on that?

Juma Bannister

Hmm. There's a place for that and, um, it's true that people's minds over the last few years have been trained to identify when something is high production and kind of reject that. And they see things like that as ads and nobody likes ads anymore. Everybody wants to skip ads. And so the more organic it can look, the more likely is someone will give it the time of day. And that is the rationale behind it, that it looks more authentic.

If you have lower quality, if you do it vertical, but the fact of the matter is, is that all of the phones that we're getting right now, they're just high quality. They just produce great videos. So that gap from low quality to high quality is closing very, very fast. And so even when people try to make it seem like it's organic, people are getting smart enough to know, Oh, that's not as organic as. You know, trying to make it seem, and a good example of that is user generated content.

Now, I know you would have encountered that when user generated content first became a thing. It was 100 percent organic. People used to take products and they would use it and they would have a good experience and they would post about it. Now, A user generated content is about finding an unknown influencer to endorse the product. That's basically what it's become. And in my mind, that is not user generated. That's the same as influencer marketing. But you know, I digress.

But the main thing is this, is that that type of content can be very appealing still, but people are getting smart to when people fake it. So be authentic and how you do it is the best advice I can give.

Itir Eraslan

I think it gets harder and harder every day, uh, for brands and also for influencers to understand what would appeal to the people. Yeah. Uh, because as you said, I'm like, even a scrappy video can look like an ad. It's just like everything is looking the same. So I think it's just like we need to get creative how we produce content. Um, I would like to talk about the video lengths and formats that works the best. Yeah. I know that it depends on the channel and so on.

Maybe Let's take YouTube, for example, first of all, uh, as a channel. Um, what type of content do you think, uh, is now working better? They are trying, let's say, short form, uh, as well, like vertical short form. But is there space for that?

Juma Bannister

Yeah, I mean, YouTube, like, YouTube Shorts have come a long, long way. Um, they were trying to figure out how to use them a few, uh, some time ago. Uh, when it's became a thing. Uh, at first people would just make channels, a whole channel simply for the YouTube shorts. Now, most of the channels are mixed media. They have short form. They have shorts as well as long form on the same channel, which works well for some people too. Uh, I think that.

People are getting so accustomed to consuming the short form content, which is now kind of between optimally like one and a half minutes. It was under one minute before, but most channels are reporting now that hovering just around the minute. And I think what caused that is TikTok only monetizes on minutes and over. So people are trying to make their videos longer.

Itir Eraslan

Okay.

Juma Bannister

And so. YouTube, uh, for me, for the short videos, it's going to hover around there around one minute, and that, that is fine. I don't have any data to support longer videos than that being good. I know I have data to support under like the one minute being good.

Done well, and the rest of it is highly subjective in terms of the length of video, depending on the type of content you're producing, how you're telling your stories, what's the purpose of it, who's the audience and all those different things. Most videos, people try to get it above eight minutes now, because eight minutes you can get a pre roll, mid roll and end ad. And you can get paid for all three. So most people try to make their YouTube videos eight minutes and above now.

So they, you would see most videos like hovering around 10 minutes, 11 minutes, but above eight. And then of course you have the podcasts, which are two and a half hours, which is a totally different beast altogether. But I would say most people, if they're aiming to make videos, medium length or medium format around eight to 15 minutes is like a good, good format to have around there.

Itir Eraslan

What do you think about like podcasts being integrated into YouTube? Because that's also what I'm doing. Like I also post to YouTube, but I'm now thinking about what's next. Because it's just like, it's getting a few views, like a hundred views. That's it. Uh, is there a. I think that's what evolved in that space.

Juma Bannister

Yeah. I was kind of sad when, um, Google gave up their podcast platform, um, the audio one and kind of made, put everything into one with, with YouTube and most people have come across, uh, granted that they had a video component. I've seen some people just put the audio with probably the title of the podcast as a video now, and that's how they're doing it. Um, and maybe that works. Maybe that doesn't work. I have no, I don't know if that works or not.

I like the idea and the thought of it because it gives us a dedicated video platform for podcasts, like a space for video. Like it's, they're going to say, this is for this purpose and it's dedicated. And of course you have the tools and everything surrounding that, that helps make it easier for us to organize our podcasts and label them and put the thumbnails on all those different things. And of course we have Spotify doing that now too. I, and I, I spoke with somebody who is a podcast.

Coach, and they can explain this to me some time ago. And I think what they were saying is that at that time it wasn't, they were telling me, go ahead and do it. But as of now, it wasn't beneficial. That is last year. Right. Go ahead and categorize it as a podcast, but it wasn't beneficial. But as in putting your podcast on a regular YouTube channel made more sense last year. I don't know what makes sense this year because these things change fast.

So I have to dig back in and find out what works and what doesn't work because I know some people have refused to put their podcast in the podcast format on their platform and they just made them regular YouTube videos, which you can do. It's just not going to get categorized. Uh, when people search for it in that way, um, so did you result in that one? I don't know which works best. I have to do research on that one.

Itir Eraslan

I think the problem is like when it's a podcast video, it's like for two hours, let's say, or although mine are like 14 minutes, uh, for two hours, you are watching the same people talking, sitting next to each other and talking. So you would assume that it will be a bit boring, but I also feel that. For example, podcasts like all in one, I don't know if you know that like four guys, you know, chatting, and we always watch it on YouTube, not on podcast, because I just open it in the back.

And then while they are talking, I just do like some work and the floor and so on. It takes like five minutes only. So I think it's Feels like a more of a TV show type of thing, whereas someone is discussing back to back about things. So I also have mixed feelings about that, but I still keep on putting it there for me to figure out later on.

Juma Bannister

Yeah, well, let me, let me ask you though, what, so essentially that for you, it's an audio podcast because you're not paying attention to the visuals. You put this podcast on that you like, and then you go do something else while they're listening to it. Yeah. Right. Right. But I

Itir Eraslan

sometimes sit and watch. Oh, you sometimes sit and watch too. Oh, okay. It's like the four guys speaking. I don't know.

Juma Bannister

I

Itir Eraslan

cannot tell the reasons, like emotional reasons behind it, but it's just like, instead of listening to it and doing some other things, I sometimes sit and watch. That's it. Uh, so I think that there's like some things to explore, uh, still there. And we. Yeah. Also see a lot of, um, TV hosts and TV show, uh, people, TV producers are also going into podcast, uh, because of this fact that people just watch a podcast, uh, on video as well.

Juma Bannister

Yes. Yes.

Itir Eraslan

I would like to ask a question about the tools for video content creation, but I'm more of interested about not the professional level because if I need professional level. Video production for a company or outsource. I'll just outsource it to the experts like you, like your company. Uh, but for people that are doing it on their own, are there some tools that you would recommend?

Juma Bannister

It depends on your budget and what you can afford. Audio is very important. Um, and so you would want to get something that will give you clean, clear, crisp audio. The budget mic category has ballooned over the last couple of years. And then there's a kind of a mid tier. So there are Cheap ones on branding mics that you could use that will plug into your USB C on your Android or USB C or lightning on your Apple. Generic type of mics that clip on to your shirt.

Those are not very good, but they are better than most times just having your regular mic if you're far away from your phone. No, what has happened is that this mid tier category has been growing fast. And so you have DJI in their mix with their wireless mic for phones and for mirrorless cameras, you have Holly land, which has two good products on the market and you have road with multiple products on the market.

I haven't used the Rode ones, but I've used DJI and I've used the Hollyland products. In fact, I have two of the Hollyland products. I have the Hollyland Lark M2, which is one of the most popular ones on the market right now. In fact, might be the most well used wireless mobile phone mic on the market right now of a certain quality of like prosumer level. Um, so that might be the best option.

There's a new version to that, which I also bought and I use now for my content, which is the Holly land lock M two S, which it's a bit of a different form factor, the lock M two, it's circular, and there's a magnet that you use to clip onto your shirt or your blouse or your t shirt or whatever it is, the Holly land lock M two S uses. A, it's almost like a paperclip. You'd clip it on by sliding it on your collar. And that's what I use.

The nice thing about the Hollyland Lock M2S is that if you're recording a podcast in the kit, you get two mics. I can give one to you, my guest. Or you can give one to me if I'm your guest, and the podcast is recorded on your phone and it goes to separate channels, stereo left and stereo right.

And so you have two distinct channels you can then combine together in order to make the podcast recording, which means that if you have any parts that you want to cut out, if there's any over talking, it can be easily edited. edited. The same applies for the DJI wireless mic. I can't exactly remember the name, but it's going to be easy to find. They're always comparing these two mics, the DJI and the Hollyland mics. Those portable wireless mics are the same thing can be done for those.

My major grouse. With any of these mics is that what has happened over the past few years too, is that these mics were a certain size. They were kind of big and they've been getting smaller. However, they still insist on putting their logos on the front of the mics, which I hate, right? It's supposed to be inconspicuous. You are not supposed to be advertising for DJI or Rode or Hollyland while you are doing a recording. Thankfully, the Lark M2S, it's small, inconspicuous, has no branding.

And the M2 has a sticker that you can use to cover the logo, which makes it a lot less conspicuous. And we've used it for corporate jobs as well. We just have to edit the audio in post and it sounds pretty good. So that's my take on those consumer level. Mike products, other things people can get 18 inch ring light. If you are doing software yourself at home, and of course, use your phone to record everything. I use my phone to record probably like 90 something percent of my videos.

My, well, I have a iPhone 16 pro. Mine is just

Itir Eraslan

sitting here on the side,

Juma Bannister

I

Itir Eraslan

clearly need to get some guidance from you.

Juma Bannister

Yeah, you can use it. I mean, like if you'd see any of my vertical videos. The vast majority, 95 percent of them are recorded with my phone. You know what makes a difference? The light. The light makes a massive difference. And I have told people this for years. My videos are not all that special. They're just lit well. And if you light it well, it will stand, it will look good. You know, so that's, that's what people need to know.

Itir Eraslan

I'm going to get that ring light soon. Uh, but is there like a software, uh, that you recommend for editing that It's practical for everyday people. Well,

Juma Bannister

the practical free one is CapCut, which everybody uses. That's the practical free one. Everybody knows that name by now. It's proliferated the market because it's free and it's good. When you get free and good together, you can't lose. And CapCut, there is mobile, there is web, and there is the app. Basically, it's become ubiquitous in the content creator space right now. I, however, don't really use it surprise, surprise. What I use is the script for most of my editing and I pay for that.

I pay a monthly fee for it or yearly fee. I can't remember how I pay now, but it's so good because it's one of the first pieces of software that came out with text editing video, where if we talk together and we delete a piece of text inside of the transcript, it will edit the video accordingly. And because they were early to the market with that. They became almost the de facto podcast editing software for some time.

Now, there are other people that do it now, but I continue to use them because it's always adding features, very easy to use, and I just love, now they have AI built in like everyone else does. And it's just making my editing process much, much easier, much faster, and I can get my podcast and all my other content out in a much more timely manner.

Itir Eraslan

I think in Riverside, for example, it, it allows you to do that, right? It's like, you can. cut the sentences, but then the script is a bit different than that, I guess.

Juma Bannister

Yeah. I mean, a lot of the platforms now have introduced those things. And so when the script first started, it was just an editor and then they bought Squadcast to compete with Riverside and compete with other platforms. They added it on for free. So I went from having an editor to having a podcast recording platform that I can now connect to my editor. So all I need to do is click one button and it goes into the editor in multitrack and you can AI edit it.

You can click one button and it will do all the camera back and forth for you. You mean,

Itir Eraslan

you're talking about the script, right?

Juma Bannister

Yeah, the script. Yeah. Yeah. So, so if I record a podcast with anyone now, I just go and I say, I say to the software, I can't remember exactly how it's phrased, but essentially do angles of both people when they talk and it will ask me, do you want to include like both of y'all on the screen at the same time sometimes? And I would say, yes, put in some of that as well. And it will just cut the entire thing. And all I need to go through now is just go and see what it looks like.

And when I introduce you, I will be up when you introduce yourself. And I just make small tweaks on it along the way. And I don't have to manually do all that anymore. And of course they have the presets with the intro. You just drag that in, you drag that in. And so. Editing a podcast has gone from like three hours probably down to just over the time the podcast took to record because it's, it's much easier now.

Itir Eraslan

How about like the new platforms like Opus Clip and so on? You just throw your video in there and create snippets with the help of AI for you.

Juma Bannister

Because

Itir Eraslan

I have mixed feelings about those.

Juma Bannister

So I've used Opus Clip. I've used it. Um, I did the trial with it to see how it was. Opus Clip is useful. It does the thing that you don't want to do, which is to have Um, it probably cuts two really great clips and then like eight mediocre, six mediocre clips and then like four bad ones. Yeah. And those first two are ones you would cut anyway. So maybe it is good to help identify what those clips are.

Um, but the other ones you're probably, it's probably not a good idea to put those out cause they don't really. Have the impact that you want it to have. It doesn't speak to the audience the way you want it to speak to the audience. Uh, and so it's good for identifying the parts of the conversation that probably could interest people, but you definitely still have to go and see if that is what you want to say.

Um, and by the way, Oprah's clip might be the most popular one, but just as everything else out here, it's not the only one. And I would tell people, and this is my big secret for software over the years, and I know many people will know this, but I keep on telling people this, go to AppSumo, see what they have. You know AppSumo, right?

Itir Eraslan

Um, no, but I, I hear it from you.

Juma Bannister

Listen, listen, Iter, listen, listen. We have three major pieces of software that we use on a regular basis that we paid for once. And never have to pay for again, no subscriptions. And one of those pieces of software, it was a audio platform, something called upbeat. We have a lifetime subscription bought from AppSumo for a few years now. And sometimes the companies fold, sometimes they, they die, right?

And then your investment is lost, but sometimes it pays off and upbeat was one of those that paid off. So we've been using high premium quality audio for the last three years, and now they've introduced motion graphics. Now they've introduced some effects. Now they've introduced all different sorts of different AI, audio and stuff. And everybody else is paying a subscription and we don't because we got it early.

And I take the risk sometimes, sometimes I go through the library and say, what do we really need? What are we spending money on right now that we would not want to spend money on for the next five years? And I say, okay, I look for that software and I say, look at what they have. Look at the ratings. And I say, okay, we're going to pay 99 once. And you know, so far I'm, I'm about. Uh, seven of the 10 good purchases. So the other companies folded, you know,

Itir Eraslan

on top of the ring light, I need to have the scripts. I need to check that. And I need to check up. Sumo. Dan, right?

Juma Bannister

100 percent check up. Sumo. And they have, they have software that people that will help. I'm going to split our weight, go check it out, see what software they have. And you might come across a gem that will last you the next five years.

Itir Eraslan

Okay. So I know that we talked about the narrative. We talked about the formats and we talked about the types of tools that we need for the production, but when the video is produced and it's out there, are there some other things that we need to pay attention? Is it the thumbnail? Because I know that for you to Thumbnails are quite important to attract, but it's not all the same. If you ask me, everything is looking the same right now.

Juma Bannister

Yeah, everybody has the same formulas. The formulas show someone's face, um, have some yellow text on it. It's basically the same thing. In the same way, a lot of videos look the same. Uh, have the captions, the colorful captions that get bigger and smaller when people talk and have some emojis and stuff like that. Everything is the same. What I would tell people is to find their style, find their own style, find a way that works for them and stick to that style.

And so for our videos in particular, we, I have tried a few things, but over the years, one thing that has been consistent is that we always end with, it's good to relate. And we always use text as a way to call main points out that fill the screen. So there are two things that we do. And, uh, I try to make the thumbnails. Now people say, put faces, everyone is putting faces. I'm going to say, just put the text on the thumbnail. That's just my way of doing it. Right.

There is probably a right and a wrong way, but I know that there is a good way and probably a better way as well. So there are some things that are proven. The tested and proven faces on your thumbnail, thumbnails that show some kind of action or some kind of emotional response in your thumbnail. If you're putting text, you don't put the text as any title, you just want one strong statement that sparks curiosity. The things are out there. Everybody knows how to do it.

I would say, find what works for you. Find what works for you. Here's how I look at it. There are three elements to that. Number one is, uh, what you're good at, right? Uh, you might not be good at it and you might want to outsource it, but if you're good at it, do it. What you like to do, and that is in terms of how the thumbnail looks, there's probably a look that you like. It might not be the right look, and I'm using quotes here, but it might be something that you like, that is an alignment.

With your particular brand, your visuals. And then the third thing is what you like to do, what you can do, and then what you have the time to do. So you don't want to spend two hours working on one thumbnail, right? You want to be able to do something that's quick and that works. And if you find the balance between those three things, you're able to produce something consistently, being able to produce something at probably 80 percent perfection.

Consistently is better than trying to produce something at 100 percent perfection, probably one or two times a year, whatever it might be, you know, just trying to make it so that it makes your life easier so you don't have to think about it too much and then you will actually do it. Yeah.

Itir Eraslan

Yeah. Yeah. Yeah. I mean, this goes back to. Just an hour ago, I was just thinking about my podcast and all the other things. And I was just like thinking about, okay, the intro, the music, it's been there for like two years now. And I said, I mean, like, do I want to touch it? Because I like it. It's fine. But it's the same voice and the same sound two years. And it's probably only me who's hearing it for like the hundredth time. Uh, and I said, I mean, if it's working and it's fine.

And if there are still some things that I have to fix other than the music. Then why bother with the music right now? I'm just like, focus on the other things.

Juma Bannister

So I know you interviewed Chris too, right?

Itir Eraslan

I

Juma Bannister

interviewed Chris as well. Some people listening to the podcast might know who he is. He's been using the same music for his podcast from the start to now. Oh, okay. Same music. Can't remember the guy's name now, but he credits the guy at the end of the podcast. He's been using the same music from the start. And so I'm saying, well, I've been using, I made the music for my podcast. I was had a production phase where I was producing music and I made the music for my podcast.

And I said to myself, if this podcast ever gets big, I don't want to have to be worried about. Music that someone made, right? So I made a music for myself and I use that music and that music is going to continue to be used until this vision of the podcast is done. So do things that are important, not things that, uh, that you feel like you need to do, do whatever is important.

Itir Eraslan

And finally, where do you see video evolving in the next one year? I don't say five years.

Juma Bannister

Yeah, things are moving too fast.

Itir Eraslan

Even a year is sometimes a long time. But, uh, what do you see as an evolution this year?

Juma Bannister

Alright, so one of the problems that we're having right now with video getting to people is that content has switched from social based to interest based. And that is mostly TikTok's fault. Um, because what they've done, they've made it so that the algorithm saves you things that you're interested in.

And so what is happening now, the subscribers and followers have less weight and it's more of whether your content is engaging, whether your content is entertaining, whether your content is what people want to find and see, and I think as a result of that, people are going to have to find ways. To put content on different platforms so that when, uh, people go to different platforms, they can still engage with them.

And so it's going to be, while I still support the whole idea of focus on one platform, build it out there and then expand, I think people are going to have to start to think about multiple platforms earlier, um, because it's a case of you're fighting against interests.

Which are varied and you'll see something from someone one day you like the thing, but for some reason you don't see them again for two weeks, even though you subscribe to them, even though you have been looking at the videos consistently, and it's not that they're not putting out content, but if you are on multiple platforms and you have the opportunity to show up again in someone's feed and so.

I think for video in the future is going to be, um, not every way like how Gary Vee did it, but you're going to have to make some calculated decisions and strategic decisions about where you want to place your content so that when interest based algorithms start to work even harder, because Instagram is adopting it, YouTube is adopting it, they're kind of following TikTok's lead, that you're still going to be in front of the people who really want to see your content. As, as well.

So I think that's important over the next year or so.

Itir Eraslan

Perfect. So, uh, to wrap up with, I have two lifestyle questions. One of them is, is there any book that you highly suggest to people to read? It can be a business book or another book.

Juma Bannister

Um, okay, so I'm going to give you one of my OG books and I'm going to give you one I have kind of read, but haven't read yet, technically. Um, so one of my OG books is Mark Schafer is known, which is a personal branding book, which I really love, right? Mark has been on my show already and we talked about it and it really helped me. Can I establish who I wanted to be when I started social media?

And I will give a special mention to John experience content DNA as well, which I also read right now. And obviously I'm thinking about a lot of books in my mind, lots and lots of books, but right now the book that I'm going to read is from Louie granny. Um, so that is S T F O. I'm not going to say the words stand out, right? Uh, It's been released last year. It's doing extremely well. I actually one of the people who helped him proofread the book.

So that's why I said I kind of read it, but I didn't read it at the same time and my copy is in the mail right now. Heading to me, uh, and I've, I still bought, there was a sale on it on Kindle for 99 cents like recently. So I bought that too, but I haven't read it yet, but I've kind of know it. Some of what is in the book, because I got to proofread it. So I would say for positioning, for knowing who you are, for finding out what products and services you should focus on.

Uh, Louie granny is STFU and get that one as well.

Itir Eraslan

Perfect. And last question is what's your favorite coffee place in where you live?

Juma Bannister

You know what? I don't drink coffee.

Itir Eraslan

Oh, okay.

Juma Bannister

Interesting. I don't drink coffee. I'm very, I'm very, um. I don't get out a lot. But I mean, do you drink

Itir Eraslan

tea or something else? And is there a favorite place for that?

Juma Bannister

What's, what's, okay. Okay. I drink tea. I drink tea at home. Um, so I do have a favorite coffee place. Um, what I can tell people, and I don't know if this, this might not be totally relevant. I have lots of favorite places I like to hike, which is important to me. So those places, um, Places around, cause I'm from Trinidad and Tobago. So there are lots of different places we go to.

Um, there's Mount Tabor, there's St. Michael's, there is a place called Breezy Hill, there's Paria, there's Paragrant, multiple places that we go to. But one of my favorite places, if you ever in Trinidad and Tobago and you come and you want to do a short hike, it's like two kilometers. It's a place called Mount Tabor, which is in Mount Saint Benedict. It's beautiful. Beautiful. When you get up to the top and the wind starts to blow, it sounds like the sea. It sounds like waves, waves crashing.

It's, it sounds beautiful. If you come on a good day, a nice windy day, and the wind rushes through the trees, you hear, it's, it's a, it's a, it's an experience when you hear it. Oh, okay. So I, I love, I love that. Perfect.

Itir Eraslan

Perfect. And that was the, the beach that you recommended to me. What was it called?

Juma Bannister

Uh, which one? Morra. It's

Itir Eraslan

a D, uh, it has a different name. Uh,

Juma Bannister

famous

Itir Eraslan

beach.

Juma Bannister

Okay, the most famous beach in Trinidad and Tobago is Maracas Beach. And in Tobago, there is the most famous beach in Tobago, which is the sister isle of Trinidad, is Pigeon Point. Uh, yeah, so those are the two beaches that are most popular.

Itir Eraslan

Thanks so much for being on my podcast and I hope to meet you in person soon as well.

Juma Bannister

Yeah, yeah, yeah. Definitely. If I'm ever in New York, I'll send you a note or something and you know, I could just come to the city. Hopefully this year I'll be doing a little more traveling, so let's see what happens with that.

Itir Eraslan

Thank you so much.

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