Episode 20: Bach’s French Suites—No. 1 in D minor, BWV 812; No. 5 in G major, BWV 816
We’ll look at two of Bach’s French Suites: No. 1 in D Minor (BWV 812) and No. 5 in G Major (BWV 816).

We’ll look at two of Bach’s French Suites: No. 1 in D Minor (BWV 812) and No. 5 in G Major (BWV 816).
We'll look at two of Bach's Flute Sonatas: Sonata in E minor, BWV 1034; and Sonata in B minor, BWV 1030.
We’ll look at two of Bach’s early works for keyboard: “Capriccio on the Departure of His Most Beloved Brother,” BWV 992; and the Sonata in D Major, BWV 963.
We'll look at part 2 of Bach's St. John Passion.
We'll look at part 1 of Bach's St. John Passion, BWV 245.
We'll look at Bach's first two unaccompanied cello suites, No. 1 in G Major, BWV 1007, and No. 2 in D Minor, BWV 1008.
We'll look at the last two Orchestral Suites: No. 3 in D Major, BWV 1068; and No. 4 in D Major , BWV 1069.
We'll look at the first two Orchestral Suites: No. 1 in C Major, BWV 1066; and No. 2 in B Minor, BWV 1067.
We'll look at the final three sections of Bach's Christmas Oratorio, BWV 248.
We'll look at the first three sections of Bach's Christmas Oratorio, BWV 248
We'll look at the concluding movements of Bach's B Minor Mass.
We'll take a look at the Kyrie and Gloria sections of Bach's famous B Minor Mass.
We’ll look at our final three Bach concertos: the “Triple Concerto,” in A Minor, BWV 1044; the Harpsichord Concerto in F Minor, BWV 1056; and the Concerto for Two Harpsichords and Strings in C Major, BWV 1061.
We'll look at the three remaining Brandenburg Concertos, Nos. 4,2 & 5.
We'll look at three of Bach's famous Brandenburg Concertos: Nos. 3, 6 & 1.
We'll look at Bach's three most famous violin concertos: Concerto for Violin and Orchestra in A Minor, BWV 1041; Concerto for Violin and Orchestra in E Major, BWV 1042; and Concerto for Two Violins and Orchestra in D Minor (the "Double" Concerto), BWV 1043.
We'll look at three of Bach's most famous secular cantatas: BWV 208, "What pleases me above all is the lively hunt" (The "Hunt" cantata); BWV 211, "Keep quiet, don't chatter" (The "Coffee" Cantata); BWV 212, "We have a new overseer" (The "Peasant" Cantata).
We'll take a look at some of Bach's sacred cantatas composed in Leipzig, notably BWV 68, "God so loved the world"; BWV 78, "Jesus, by whom my soul"; BWV 80, "A Might Fortress is my God"; BWV 140, "Wake up, the voice calls us" ("Sleepers awake"); and BWV 51, "Shout to Joy for God in every land."
Bach accepts a position at the court of Weimar and composes some of his most colorful cantatas. We’ll take a closer look at three sacred cantatas: BWV 182, "King of heaven, welcome"; BWV 31, "The heavens laugh"; and BWV 63, "Christians, engrave this day."
We begin with a quick overview of Bach’s early years and takes a closer look at some of his earliest scared cantatas, including BWV 131, "Out of the depths I cry, Lord, to you"; BWV 4, "Christ lay in death's bonds"; and BWV 106, "God's time is the very best time," composed while living in Arnstadt and Muhlhausen.