In the previous episode we explored the two essential qualities of setting through describing the need for setting to be credible and immersive. In this episode we focus on one of those qualities, the immersive setting, and we explore how to make the setting an immersive and compelling place for readers by taking the time to research and plan the backstory, creating a mood and style for the setting, and by presenting the setting with sparse, specific, and sensory language.
Apr 16, 2016•16 min
This podcast starts a new series on the subject of setting, and we begin by exploring why there are only two essential qualities needed for a setting to be effective; these are that a setting needs to be credible, and immersive. If you imagine your setting as a chair, it needs to be strong enough to support the reader, and comfortable enough to hold them for the whole story. This episode provides the practical techniques required to deliver both of these requirements.
Apr 07, 2016•13 min
How should we present characters from a range of different backgrounds in our work? How can we portray these characters with integrity and respect, regardless of gender, race, sexual orientation and ability? And how can we navigate this issue with confidence, especially if we come from a group that is perceived to be privileged? Most us will need to present characters in our work who are not like us in some which is socially determined as important. So for example differences in race, and gender...
Mar 30, 2016•1 hr 2 min
This episode is a summary of the issues we have covered in the last dozen or so installments of The Creative Writer's Toolbelt, from the critical components of character: developing the character essence, and goal, motivation, and passion - through the secondary components: defining the character arc, defining the interior life of the character, using character interaction to best effect, and defining a complementary set of characteristics and voice.
Mar 17, 2016•22 min
Point of view (PoV) is critical to your story. The authorial decision you make about PoV will set the tone and voice of your work, and influence the reader's perception of your protagonist. It's a decision that you need to make up front, and once you've made it you need to stick to it. It's essential that you know what the options are, what the benefits and disadvantages of each PoV are, and you understand which option is going to work best with your story.
Mar 03, 2016•18 min
It's no surprise that many of the principles that we use to develop our lead characters also apply to our supporting cast. The critical objectives with our supporting characters are the same, we need to create characters with a strong, believable essence, and clear goals and motivation, and then we need to deploy them effectively to support both the main characters and the story. We can do this by ensuring these characters have a strong backstory, even if they have just a walk on part, and we ca...
Feb 18, 2016•15 min
Toolbelt EXTRA is an additional episode outside of the usual fortnightly regular podcasts. In these longer episodes we take a deep dive into the life and work of a guest author or editor. We explore what's happening in the genre they write in, what inspires them, and their tips for aspiring writers. This episode is an in-depth conversation with the author Al Robertson. We cover: planning vs improvisation and how to draw on both ends of that spectrum, the importance of concision and clarity in wr...
Feb 11, 2016•1 hr 6 min
I'm responding to a listener question in this episode by looking at the issue of character interaction. How can we use it to best effect, and what are some of the factors to bear in mind? Most interaction will be through the medium of dialogue, but there's so much more we can do with a bit of imagination, to help us achieve our objectives across dimensions like character development, story, and voice. So don't just talk the talk, bring all the senses in to play and capture the reader in your noi...
Feb 04, 2016•17 min
Wendy H Jones is a self-published crime writer and part of the controversial "Tartan Noire" movement of Scottish Crime Fiction. Wendy has published three novels in her "Killer's" series, featuring her protagonist Detective Inspector Shona McKenzie. Wendy is now building a fan-base around the world and in our conversation she reveals the publication date and title for a fourth installment of her series. In a varied career Wendy has worked in academia and as a nurse. She served in the British Arme...
Jan 21, 2016•48 min
This episode is all about the protagonist's nemesis, the antagonist. Traditionally seen as 'the bad guy' the antagonist's real function in a story is to contend with, and oppose, the protagonist at every step. In this episode we look at ways in which the antagonist can have their own character arc, with some characters switching into or out of the antagonist's role. We'll also look at the five strategies you can use to create the delicious antagonist, from a painful but convincing backstory to a...
Jan 07, 2016•17 min
In this episode, released on Christmas Day 2015, we take time out from the usual teaching and interviews for a few minutes to reflect on the relentless nature of the writer's life. Maybe the best way to keep up the pace with our writing is to take a break and give something back to that creative part of our brain that we've worked so hard. The festive season is a particularly good time to indulge in some "Superfood" for our minds, and reawaken the wonder and curiosity again.
Dec 25, 2015•6 min
Nothing holds the reader in your story like a compelling, authentic character, and an essential element of developing a character is developing their character arc. In this episode we explore the essentials of developing the arc for your protagonist and principle characters. I'll explain why the character arc is so important, why it has to develop in harmony with the story arc, and why we need to pay attention to the inner and outer journey of our lead characters.
Dec 09, 2015•15 min
For the fiftieth episode I'm delighted to present an interview with Nebula and Hugo award winning author Nancy Kress. Nancy is the author of twenty-seven novels, three books on writing, four short story collections, and over a hundred works of short fiction. Her fiction has won six Nebulas (for “Out of All Them Bright Stars,” “Beggars in Spain,” “The Flowers of Aulit Prison,” “Fountain of Age,” “After the Fall, Before the Fall, and During the Fall,” and “Yesterday’s Kin”), two Hugos (for “Beggar...
Nov 27, 2015•47 min
Sometimes it's just one or two well placed,well fitting characteristics that make a character. In this episode we are going to look at what kind of characteristics we can give our characters, how to present those characteristics in a convincing and persuasive way, and we'll look at some examples of how writers have used characteristics of all kinds to complement and enhance the essence or core of their characters.
Nov 13, 2015•16 min
What is the interior life of the character, and what sort of interior life should we be showing in our work? This episode looks at the thoughts and feelings of our characters, and gives practical advice on what sorts of interior life should be shown in a story, and how it should be done. Cut the banal day dreams and focus on the blade in the mind, the thoughts that have a sharp edge to them. Dark or angry, comedic or sexual, there's a truthful and cutting thought lurking in every character that ...
Oct 30, 2015•14 min
Jeanne Cavelos, the Director of the Odyssey Writing Workshop says that the number one piece of advice she gives to writers is this: give your character a goal. It's so easy for us to create pet characters who just sit on the couch, docile and useless in our story. We may love these creations but they slow the narrative, and bore the reader. So how do we get our characters engaged, and working with our story not against it? Simple, we follow Jeanne's advice and give them a goal (or goals), as wel...
Oct 15, 2015•13 min
What is the essence of a character? Why is the creation and presentation of that essence the most important challenge for character development in creative writing? In this episode I am starting a series looking at developing characters in fiction, memoir, biography, in fact any kind of story telling. I'll be explaining why I think developing the core, or essence of your character is the most critical task in the character development dimension, we'll look at a couple of examples from great stor...
Oct 03, 2015•17 min
This episode is an interview with the freelance editor, script doctor, and literary agent Julie Crisp. Julie has over fifteen years’ experience working for three major houses across a broad spectrum of commercial titles within fiction, non-fiction and children’s. Most recently she headed up the UK arm of one of the largest global brands of science fiction and fantasy, Tor. She has worked with bestselling and award-winning authors such as Ann Cleeves, Peter F. Hamilton, China Miéville, Neal Asher...
Sep 18, 2015•43 min
Finishing your story takes as much skill and wisdom as telling it, and there's more to a good finish that clearing up the battle field and writing THE END at the bottom of your manuscript. The final, resolution stage of the six stage story process requires that you tie up the loose ends, resolve your subplots, and show your readers the consequences of the climax stage of the story.
Sep 04, 2015•15 min
In this episode we look at stage five of the six stage story process - the climax stage. We are going to answer the question "what is the climax?" and also look at how, as writers, we can make the most of this stage of the story. The most important lesson to take away from this episode is that the climax is not about blood and explosions - it's about characters and ideas, it's about the beliefs that characters hold dear, and will live, and die for.
Aug 21, 2015•12 min
In this episode we look at stage four of the six stage story process, the Crisis. There is no better time in your story to showcase the strengths, weaknesses, and motivations of your characters. This is also a moment to use all of your creative writing skills to create a poignant moment, to enrich the setting and mood of your work, to add colour and depth to the context for your story. The crisis is the decisive moment, the calm before the storm, the point where all of the choices have been made...
Aug 06, 2015•19 min
This episode is an interview with the author and historian, Nick Page. Nick, who describes himself as a 'writer for hire', has been a freelance writer for nearly twenty years, publishing over seventy books including biblical histories. We discuss the disciplines required to write history, including historical fiction, tips for placing the reader firmly in the scene you are writing, and advice for the new writer. Nick has a wealth of experience which he brings to this conversation. I have been lo...
Jul 23, 2015•52 min
This is the second of two podcasts focusing on stage three of the six stage story process. What can you achieve during the broad expanse of your story from the inciting incident through to the climax? This episode will show you how to make your story sparkle as you use the 'momentum' stage of the story process to develop complex and intriguing characters, enrich the setting of your story, present your themes to the reader, and beguile them (and the commissioning editor) with a distinctive voice....
Jul 10, 2015•20 min
In this episode we start to explore the third of the six stages of story, and answer the question: how can we make this tricky middle section of our work as compelling and excellent as possible? The answer comes from knowing one of the fundamental truths of human psychology: we all love a challenge, and we all love to see others challenged. This episode explores how to harness this truth in the third stage of story, and capture readers and keep them all the way through to the end.
Jun 25, 2015•18 min
How do you get the most out of the inciting incident in your story? Here are three challenges that you should set your inciting incident, and it should be equal to them all. First it should answer the need for action you created at the start of your story, second it needs to transform the story, and grip the reader as it does so, and finally it needs to be the springboard into the next stage, providing the necessary momentum to draw the reader in as the main part of your story.
Jun 12, 2015•15 min
What are the three key objectives you need to achieve at the start of your story? In this episode we will be exploring in more detail stage one of the six stages of story I outlined in episode 36. And in this opening stage there are three things you must achieve as your story gets started: first grab your reader and keep them, second, set out your stall in terms of setting character and voice, and third, create the need for change and action.
May 29, 2015•18 min
How do stories work? What are the stages in a story, and what are the objectives of those different stages? Understanding the answers to these questions will help you understand the way a great story can be constructed. In this episode we delve a bit deeper into the concept of the six stage story process, and show how this model represents the DNA of great stories, and how you can apply the model to inform and improve your writing
May 16, 2015•16 min
This episode is an interview with Lee Harris, Senior Editor at Tor.com. We find out what keeps him reading a manuscript, the MOST important lesson you need to learn before you submit anything anywhere, and why a Batman novella can never be properly be regarded as Epic Fantasy. There are also hints and tips for anyone thinking about going to a convention.
May 02, 2015•40 min
Studying story theory might sound like a bit of an academic exercise, but don't be put off! In this episode we explore how story theory can help you understand what stories are, how they work, how they are structured, and how the theory can be applied to make your work excellent.
Apr 18, 2015•18 min
Four different writers, four different approaches to publishing your own work. In the first half of this episode, I talk to bestselling author and professional speaker JOANNA PENN about defining goals, thinking globally, and writing what we love. Then I talk to the local historian Heather Flack, NGO writer-in-residence Glenn Myers, and sixth form student, Holly Phipps – each of whom have used self-publishing for their own, very different projects.
Apr 03, 2015•1 hr 3 min
