S6E9: Francisco Goya and the Royal Philippine Dead End
Episode description
In Francisco Goya’s painting Junta de Filipinas, sinister, shadowy figures preside over a stockholders’ meeting of the Royal Philippine Company. What was this Royal Philippine Company—and what was so important about it that Goya made a painting of one of its meetings? And more than that, what was Goya trying to say about this tumultuous period in Spanish and Philippine history?
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Additional audio from the Ville de Castres YouTube page, and The Social Network, © 2010 Columbia Pictures.
References:
Legarda, Benito J. (1999). After the Galleons: Foreign Trade, Economic Change and Entrepreneurship in the Nineteenth-Century Philippines. Ateneo de Manila Press.
Miranda-Chou, Teresita (1996). “Art as Political Subtext: A Philippine Centennial Perspective on Francisco Goya’s Junta de la Real Compañía de Filipinas.” Philippine Quarterly of Culture and Society, 24, pp. 187-215.
Alford, Roberta M. (June 1960). “Francisco Goya and the Intentions of the Artist.” The Journal of Aesthetics and Art Criticism, 18(4), pp. 482-493.
Ville de Castres (26 April 2022). “L'OEUVRE A LA LOUPE : La Junte des Philippines #1.” [Video] YouTube.com. https://www.youtube.com/watch?v=pdv9bs207cs
Prodger, Michael (26 September 2015). “From princes to paupers: how Goya’s portraits tell the story of Spain.” The Guardian. https://www.theguardian.com/artanddesign/2015/sep/26/francisco-de-goya-portraits-national-gallery-london
Dalrymple, William (2019). The Anarchy: The Relentless Rise of the East India Company. Bloomsbury Publishing.
Harai, Yuval Noah (2015). Sapiens: A Brief History of Humankind . Harper.