#89 - K Camp - podcast episode cover

#89 - K Camp

Aug 11, 202127 minSeason 1Ep. 89
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Episode description

Interview #89 on The Bootleg Kev Podcast we have Atlanta's own K Camp stopping by! K Camp has been in the game for some time now and has multiple hits & viral moments throughout his career. K Camp really gives us a inside look of what went down behind the scenes and gives us an update of where he is at mentally and artistically with his new project. 

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Transcript

Speaker 1

Yeah, yeah, yeah, all right, all right, all right, check it out man. Welcome to the bootlet Camp Podcast. Another edition. Damn it. Shot to the homie Kcamp who pulled up on us, very underrated artists who's been doing this thing, got a lot of hit records. Man, so we got to chop it up with him. But we got a shout out to our guys at odds socks. Make sure

you go to odd socksoficial dot com. Yo. They bring you the podcast every single episode, and you can use the keyword bootleg cav get twenty percent off at odd socksoficial dot com. Go get you some socks. They got all the crazy licenses, scarface, goddamn breaking, bad, street fight or whatever you need, they got it. They also got the draws, they got the mask. So go over to odd socksofficial dot com. Use that keyword bootlet cap save twenty percent off. Let's get into the k Camp interview. Yo,

it's the bootlet Cavs Show. Special guest in here. Welcome k Caamp. What's hadding? What's up? Man? Ain't nothing kicking kicking shit Like I feel like, man, I got to give you some flowers because I feel like you wanted the more underrated artists man in the show the last like decade or so. So we just had his talk. You know what I'm saying. Ten minutes ago, I say undefeated. Now they underrated. Yeah, man, talk talk to me like, obviously you've been on a run. I feel like when

was when did when was cut that bitch off? Like twenty fourteen fourteen, So we're going on seven eight years now, you know what I'm saying. And I feel like you've just been so consistent with putting out just for hits. For sure. It's my bloodline at this point, you know what I'm saying. Yeah, Man, like people got to know I make music. Do you feel like you get enough

credit though? Now? Yet it's coming though every every I feel like every artist go through this shit, you know what I'm saying, Like even the Drakes even you know what I'm saying, everybody went through that period of time where all this shit been Future it went through it. Future definitely when he went through it, it was it was one point. It's this tweet I'm trying to find

to this day. Future tweeted he was like, man, the motherfucker keep playing me, Like I ain't dropping, you know, just popping his shit, and I think, like a year later, that's my future. You know. You know what's crazy you said about him, Becau. I remember having that conversation because

Future put out Tony Montana and Magic going crazy. Yeah, but like people really weren't paying attention until he went on that mixtape run exactly he put Pluto out and don't really care exactly, you know what I'm saying, Like he had to have one record no one cares, so I'd be like that, you know what I'm saying. You gotta just you gotta know where you at as an artist, know where you want to be mentally, you know what I'm saying, and keeps it, putting that work into and

shit crat. I feel like to you you have like a bunch of different bags you could you could tap into as an artist, like you put out like like

Kiss five was crazy. Like when you do like something from the Kiss series, it's more melodic, more for the ladies compared to when you do, like your new album that's coming out, is it is it a different approach or is that kind of like give me that The thought process behind with the Kiss projects as as mainly R and B. Right, you know what I'm saying, it's catering to my female fan base because they love that shit,

you get what I'm saying. But when I really like create my alms, like my first album came out with all the Way Is Up, One Way, all my you know what I'm saying, real, I wouldn't say not real ALUs all real albums, but it's a you're pulling from everywhere I'm making I'm making trap shit, I'm making ship for the females, I'm making vibe shit. I make ship for the club, and it's all one you know what

I'm saying. Project, But Kiss series just straight female. So I like to balance the bags though, But I'd rather do everything you want. So you like to just do it all. I like to just make music and put it all together and make it you know what I'm saying, Make it flow the right way. You know, it's all about the flow and just the vibe of the project. So you gotta really be you know what I'm saying, mindful lot of what you put on there and how

that ship moving through the project. Yeah, I feel like to like you know, when you think of like just the range of you as an artist, you cut that bitch off all the way to like a record like comfortable. It's totally different, right, dif from worlds. Yeah, And if you just go on your Spotify and pick whatever projects you have a lot of a lot of people, you got a lot of discography. Ship could depending on what you listen to, you and be like, wait, this is

this is the same guy for sure? Now it's facts, Yeah, but it have been like that. You know what I'm saying that just I'm a songwriter first, you get what I'm saying. So it's to the point where you can put any instrumental in front of me and I'm just I'm a vibe out on that bitch. I don't go in the studio saying I'm about to make this record right or this is what I'm on today. I just whatever I hear, that's what I'm giving. That's fair. Man. What do you think has held you back from being

like a superstar myself? Why why do you say that me being naive in the beginning. You know what I'm saying, not really listening to you know what I'm saying the advice people, not everybody, but you know what I'm saying, it's a certain few people that just told me certain things I should do and what I shouldn't do. But at the same time, I feel like this shit plan out the way I wanted to play out. You get what I'm saying, Like I get. I hear that all

the time about the superstar. I should be bigger than should be bigger than what I am now. But what's bigger? You know what I'm saying like this, I think I think that when I think of k Camp, I think of this guy's got a lot of hit records. Yeah, for sure, I definitely should be way you got hits. But but I feel like that there's it's hard. It's you know, I feel like the music part is easy for you, right. I feel like the other the other

side of it is like the exposure. It's the exposure and how do you get people to care about you? As long as my fans care, I don't give a damn who else care. So as long as I can sell our shows and continue to make money and put out great bodies of work and and and tour and do the same ship the motherfucker popping doing, make the same Listen, you're popping up like when you say, I

hear what you're saying. Yeah, you know what I'm saying, Like it's it's really just it's it's that, it's that exposure, man, It's it's the media. You know what I'm saying. Once we tap into you know, the propaganda. You know, I don't do that. You don't get into any of the controversies. Exactly the thing that leads to act looks you ask some music on top of you. You know what I'm saying.

But I like to stand my lane and make sure my business together and make sure everything that's that's running on my ends is operating on the on the on the right level. You mentioned, uh being a songwriter first, how often do you lend your pen to other artists recently? Not that much, you know what I'm saying, Because to the point where I was just having this conversation the other day, I had wrote a verse for Beyonce this

Savage remix. You know what I'm saying, But my verse don't get used and just off that simple fact of me taking my time on my day to write some shit, and it don't get you. I ain't got time to be you know what I'm saying. Just pausing my day to get a placement. So I don't know. It's it's if I get if I get a call, I'm you know what I'm saying, Say Beyonce Orrinda call me right now, say come to the studio and write this pull up. But I'm not about to do the middle man. Send

it to somebody sent. Yeah. Now that's the hustle and bustle of the It's like the producer game. I be feeling bad. A producers be really just chomping at the bitch just to get that place, to get that placement. You know what I'm saying, And I ain't got time for that. If it's direct, I'm with it. But as far as like, I ain't doing that run around. So with the Beyonce situation, someone had reached out to a middle person that reached out to you. He really was

in the middle man. He was he was the man, right, But you know what I'm saying, Like before that, before I wrote that, I ain't really wrote nobody shit in a minute. I don't even always. So you just submitted a verse. I was just doing he said beyond was like ship all right, been right? But you know what I'm saying, when it Atlanta, I'm like, come on, man, you should just kept whoever you call first. They got the verse. You know what I'm saying, Lamb to do it?

You feel me? But ain't no, ain't no bad feelings, bad blood. That's the game. Do you know if she cut the verse or you don't know, I never met beyond her, that'd mean yeah, I mean, that'd be crazy. I'd be crazy. Though. I'm gonna get one though. You know who? Like you know you mentioned beyond to Beyonce's legend, but like who? Who are the artists that you still aspire to be in the same room as that you haven't yet mad or worked with? Of course, Jay, you know what I'm saying, Me and me and me and

Drake Overdue. It's a lot, man, It's a lot of talented artists in the game. I still want to want to tap in with. You know what I'm saying. I can name one hundred artists, you know what I'm saying. Just the people that y'all ain't hurt me with yet, you know what I'm saying. The thugs, you know what I'm saying, Like people in my city, that's you know what I'm saying. Got a wave going people in l A Me and watch still ain't got one on a hot to hell. Yeah, you've been like super appain on

the West Coast too for ye years. Well y G was on the cut Off remix. But I don't count you know what I'm saying, Like it's a lot of folks that I fucked with on the music. You know what I'm saying. Level, I'm like ship once that time come, I don't never force nothing. I'll be in my own world. I do my own thing. So when that, when that, when that energy happened, it happened, you know, talk give me the rundown of this new album. You got some dope features, you got PMB rock, moved Ski Trey songs,

some R and B features, some yeah. Yeah, the album it's just to follow up on Kiss five. You get what I'm saying. I got one more deal until I'm fully independing. I'm not one more deal, one more project till I'm fully independent. So it's just it's just the follow up. It's been a year since I dropped the album. The last album was Depending in the Pandemic, you know what I'm saying, did very well in the pandemic. But it's just it's just time for me to you know,

drop my nuts again, to me ask you this. You're going independent once the deals up. Of course, I saw you at Gazi's birthday party. That's my dog. You're going to Empire. I was already with Empire. Okay, so you're gonna after this. It's possible. Okay, guys were just talking like two weeks ago. I mean, I'm saying, I saw you got his birthday. Yeah, it's possible. You know what I'm saying. I really want to just get a feel for it. I ain't been independence down fourteen. You know

what I'm saying. I'm trying to God damn, because you know, like I said, I run my own label. I got my whole whole situation. We got our own distribution, marketing, marketing team, uh playlist and team, we got, we got the we got the whole nine independently. So you know, I'm saying, I just want to tap in and see

how much I can do by myself. Give me your like rundown because you know, you said, I know one of your artists on your album, but kind of tell me like about your label, the name and just some of some of the artists you're working with. Yeah, where sound is just you know what I'm saying, what it sounds like. You feel me when I was staying out here in LA but like twenty sixteen, in the sixteen beginning the seventeen, when we had moved back to Atlanta, we used to go by slums, slum lords, you know

I'm saying. That's when we was on that. You know what I'm saying, that bullshit, wild shit. But we had to evolve, you know what I'm saying. During that time, I came with the name Rare. You know what I'm saying. I was really just speaking on my behalf on I felt like I was as an artist, I was rare. You know, came back to Atlanta. You know, we've been building since twenty seventeen since the Rare Project got dropped

in Atlanta. The first project got dropped when I moved back to Atlanta, and it eventually turned the Rare Sound, and it just it just became a thing where, you know what I'm saying, we wanted to do We wanted to do something that haven't been done before in the game as far as like structure in the business side, right you know what I'm saying, a lot of artists get trapped in these deals and do all this. You know what I'm saying, get get bullshit out of money.

And you know what I'm saying, we try to do fair deals on rare sound end. We give the artists full control creativity. You know what I'm saying. They do it they want whoever the artist is. That's what the artists gonna be. You know I'm saying. We can always chime in and help them out, but we let everybody beat them, and it's a win win. If you pop, you're gonna get paid. It ain't nobody eating your pockets

up saying. We're just trying to assist you and get you going because I went through the ship where my shit was fucked up, and I don't want nobody around me feeling the same way I felt, because that can either make or break you. You know what I'm saying. You get into a fucked up label situation, everybody could break it. Everybody out of your seat, Everybody immensely strown.

They can't can't handle that much shit. You know what I'm saying, By the grace of God, I'm built like a fucking machine, and I've been through a lot of shit and I'm still here, still still hustling, and still better than ever. But on the rest noun and we try to do fair deals. And like I said, we got our own distribution. So whenever you want to draw, it's like you got free range of what the fuck you want. You're gonna drop every fucking day. We ain't gonna tell you we're gonna but if you want to

drop every day, you got that. You got the range too. Hey, interrupting the interview to tell you about our good friends at odd Socks. Now, as you can see, I always have my odd socks on. Baby. You know what I'm saying, Shout out to my bony ass knees. Listen, go to odd socks official dot com. They got all the craziest socks. These are the outsiders, you know what I'm saying. They got SpongeBob, they got Cheech and Chong listen, breaking bad Godfather.

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they got it. Odd socksofficial dot com keyword bootleg cabat check out, save twenty percent. What were some situations or some things that you had to learn kind of like the hard way in the music game. Was it some pubshit? Was it the label shit? Man? Was it was all the shit? Right? It was all the shit, you know what I'm saying, not reading contracts, just being just being blind to the money, you know what I'm saying, The money coming in and not really taking care of business.

And the business ended up biting me in the ass few years later, and I had to clean up the business. And for the past couple of years when people thought I was gone, I was cleaning up the business, you know what I'm saying. And that took times. To this day,

I'm still you know what I'm saying. Everything is back how it need to be, but it takes time to really like take some shit that's fucked up and fix it, put all a piece together by yourself, you know what I'm saying, Like really like locked in on some you know what I'm saying, Pinky and the Brain ship right, you feel me so, But I can't complain the days

would you say? Like, because a lot of artists, like you said, they'll they'll get a deal and they won't worry so much about the terms, but they'll maybe they'll get that front end advance and they're like, yeah, it's beautiful. In advance is beautiful, you know what I'm saying, But it ain't right for people who don't know like what is because I always try to tell artists like, look like an advance is cool, but it's not. It's really all that matters of your terms because you have to

pay that money back to give it back. You got to give it back, and it's most of the time it's at a really bad rate, you know what I'm saying. And you know, I think a lot of young artists that they make that mistake where they run to whoever you always hear about bidding wars and ship You'll be like, well, who's got the biggest advance? Sometimes it ain't it's not about that for the rate, because you can get you can get a large as advance and don't you know

what I'm saying, don't succeed on the other side. I mean you talk about White G. You know I was talking to White G. I mean this is on video, so it's not like this. He's like, I haven't seen any money off my music for real. Yeah, he probably got a crazy as adan. We didn't know because he signed with Depth jam Ian. He just re upped. But before that, like he was like bro like when he was unhappy with Depth Chamber was because he probably Yeah, you gotta know, yo, you got you know what I'm saying,

got them it's somebody with platinum records. Yeah, I would have never thought that. You know what I'm saying, You gotta have them good lawyers on your You know what I'm saying. You gotta be in communication with your lawyer. You can have a lawyer, but if you ain't talking to him. Yeah, Young Blue just told us that, right. Yeah, Young Blue was like I got three three was it with Colombia? He had three gold records. He's like a lot of folks go through that same ship. Ye, but

you gotta go through. You know what I'm saying. At the end of the day, it's how long you're gonna you're gonna stand for that ship? You know what I'm saying. It also like would you rather have the quick nut or like the consistent residual bag every month? Exactly? I take the residual bag. Yep, you get what I'm saying. But I went to the same face. You know what I'm saying. During that time I'm doing that twenty sixteen seventeen period, I ain't see a chick. I ain't seen

music chacking two years. You know what I'm saying. Off that event, right, I had to live off just you know what I'm saying, the shoulder I had, you know what I'm saying, and the ship I had saved up and had to figure the shit out and to the point where, you know what I'm saying, I did what I did, and I cracked, you know what I'm saying, the conversation with with the with the uppers, you know,

and shit got straightened. Well, you're also in a great position too, because you have like hits, So no matter what, there's always a bag for you to get. You know what I'm saying. You can't. You can't tell me. Yeah, even within in the building, Like, you can't tell me I ain't making no money, right, you can't tell me I ain't making no money. All these records, you can't.

You can't. Yeah, Like there's like not a lot of people are in your position where they have that many records where they could be like, yo, fuck the label. I could just go get ten fifteen and your ketalog. Yeah, let me just list that you can do. Now, let me go hit the you know, get the back end of whatever club or be straight. Yeah, dolphing them running place dogs. Yeah what I'm saying, don't killing that shit. Jesus christis you feel me? Yeah? Yeah, yeah yeah, dolphs

on his ship. Man, is there anybody who you said you went through it in like twenty sixteen, twenty seventeen, anybody like any artists or any any executives that kind of mentored you through that, that kind of was like, you know, help helped get you to the other side. Oh yeah, my management. Now you know what I'm saying, shout out to Madden. You know what I'm saying, they coached us and really, you know what I'm saying, kept our spears high when when shit was you know what

I'm saying, kind of rocky and shit. So it's not too many. Not too many, oh GZ came in and got it. But the ones who did, you know what I'm saying, fell but grateful, you know, because we really just we we tapped in and took it the point ourself, me and my business partner, you know what I'm saying, Shout out to James and really figured this shit out. And V you know what I'm saying, V was locked in with us. You know what I'm saying. We were just really like trying to figure out the way is

how the fuck do we get out this bullshit? And every day it was as soon as I wake up, soon as I opened my eyes, we locked in on you know, either we recording or we figuring out what the hell we gotta do to get you know what I'm saying out shit. So it was every day process. Man, I don't regret it because I learned so much in that time, you know what I'm saying, as far as me being you know what I'm saying, the CEO of

my label, I learned all the ins and out. It's the tricks I'm still learning, but you know what I'm saying, It's like I got so much information during that time. You mentioned that you moved to LA for a period of time. Yeah, it seems like every artist does at some point in time. Now, is was that something that was like beneficial to you? Because I feel like sometimes people come to LA just because it's the thing to do. It was, it was, it was I say, fifty to

fifty when I came out here. We came out here, you know what I'm saying, just due to that was the beginning of when my shit got fucked up when I came to LA. That was when my ship was getting rocky Atlanta on my management and all that shit. That's why I originally left, like fuck, get away from this show, me get out of here, you know what I'm saying. Then we came to LA doing l a shit lit party in you know what I'm saying, get lost in the lifestyle till you know what I'm saying,

We look back at Atlanta. We about a year and a half in LA. Liked what the fuck? Somebody else, Poppy or somebody else, like, you know what I'm saying, that shit don't ever stop. You know what I'm saying, around this time, twenty one savage is bubbling yep. So we're like, oh, it's a whole new fucking vibe coming through the city, you know what I'm saying. And you could tell the energy was different between you know what

I'm saying, people that we want was cool with. So we had to pack our shit up in La as we save a lot of money on rent. Boy, Yeah, went back to Atlanta. You know what I'm saying. Kiss the babies. You know what I'm saying. Did you know what I'm saying, Aull the relationships that was fucked up right, brought them back together the best way we could. And you know what I'm saying, We've been in the city

ever since, just building that ship. Yeah, tell everybody, I feel like Atlanta is the one city in our industry and hip hop, in our culture that is literally you need Atlanta. You need it like you can't like like Atlanta is what is the taste maker of all cities. That's the one. It don't matter who you are. You could be regional on the West Coast, You'll never be anything else but La or West Coast artists And unless you go tapping with Atlanta. You gotta tap in man,

and we knew that. Think about y G right, hy G? Why G is hardcore l A West Coast? Remember? And then the t T shit happened. And then my head of rich Ony quads on the hear and that ship put him on a whole other level exactly, and and and it works the same way in Atlanta. You know what I'm saying. If you, if you, if you even came up in Atlanta for so long, you still you can look at it as Atlanta artist. Now, Atlanta don't

need it. I really don't think Atlanta needs LA because I think Atlanta don't need l A. But if you want to, if you want to make that bridge a Gavin, listen, you should tapping with LA because it got too you know, it's the West Coast the way you got it's a big as mark. The way I look at it is. Atlanta music isn't regional music. It's just everywhere. Yeah. If you go to the club in l A, eighty to seventy percent of the music you're gonna hear, it's gonna

either be from Atlanta or from Memphis. Yeah, or it's the South, the South going crazy. Period. You know what I'm saying. Now, if you go to the club in Atlanta, you're not You're not gonna hear the West Coast. You might hear something here, Roddy the other one, yeah, you might. No. But outside of that, if you like Atlanta, you go to New York, yeah, you're gonna hear seventy to eighty percent South music. You're gonna hear some New York ship for sure because you're in New York. That ain't that's

the difference. You got point. Atlanta's sound is the United States, but it's so different though. It's like the sound changed so fast down that motherfucker. Though it does, it does, but it also it does, but it like, that's what makes Atlanta's so important. That's what makes Atlanta so important because it dictates the sound everywhere exactly. You know what I'm saying, And I agree with you in my whole life.

And I just seen a lot of this ship. I was like, Man, I don't understand artists who don't go tap in Atlanta. I've been seeing like you got to man, that's an artist. Artists can't tap in Atlanta. We ain't with you. Wh ain't fucking with you? There's an artist out here the name named Kaln for real, for real. Yeah, he did a great job of going to the South first tapping it with like, you know, the homie DJ Win in Florida and going to Atlanta and setting up shot.

It was like, yo, that's low key, like you gotta do it that way, especially coming from this side, like you know what I'm saying, But no, that's the homie though, shout out to Atlanta. So this is your last album as far as Interscope records. This one the one I'm about to draw. This one come out on the thirteenth, and I got one more, so you got okay, okay, So this one coming out on the thirteenth and my mind one more, this one it had been done all right,

So it's done all right. And then from there you're gonna you're gonna get back to the indie grind. I'm get beast ton endiegrind. Lest somebody offer me your bag, I can't refuse. That's fair as long as them terms

a right. Yeah, long as the terms right. You know what I'm saying, Because I know how to I know how to stretch the money, So you know what I'm saying if anybody give me what I'm when you say you know how to stretch the money, Like, what are some things that you noticed artists fucking money off on that? You're like, man, you don't really gotta do that. Like I'm not even talking about like jewelry or shit. I

mean like music shit, Like it's is certain shit. If you don't know what to hear you you paying foe, you're gonna get you know what I'm say, You're gonna get finxt it's a for next game we infinitition. I still see artists like cutting bags to people who will get you blog placements. You feel me like, and that's prime. It doesn't matter if you don't know what you're doing. If you got this guy said, he give me on Complex for a thousand dollars, I'm like, bro, it doesn't

matter if you get on Complex. It's not it's not twenty twelve. Bro. You might well do something viral and send yourself up in a viral network or something for one thousand dollars and get mold cloud. How do you feel about like just kind of like the way TikTok's kind of changing the way, I mean, it's really changed music. Look, have you had like a TikTok moment yet where like maybe I bust TikTok side of the head man Lotter,

it was TikTok. That was all TikTok. Yeah, that sh it was that was the one that opened the flood? Was that on purpose? Like did you put somebody? What just happened? It just happened. Happened organically, you know what I'm saying. And you know that the downside of it, I don't really get the benefits financially from that because it was some new ship. Yeah you don't. Yeah, yeah, yeah, because that was that was like a year and a half.

That was just some some some new ship. So you know, I didn't really get to see the full But yeah, man, like we said that, we said the blueprint. Do you know we want to we want a Cleo Award for that. Do you see someone like t Paine who's on TikTok and on Twitch like going crazy, he's hilarious, funny. Do you see ship like that? And like, because I feel like, you know, if you overexpose yourself sometimes it could be bad.

But if you got a great personality and you got a lot like like dope content to bring at the table could be a good thing for sure. Strengthen your brand, is that something like where you're like, man, I need to maybe do more as far as getting my personality, getting who I am out there more, Yeah, I think about that all the time. You know what I'm saying.

Every day, I'm trying to figure out what's my niche that I can just do it or it don't seem forced, you know what I'm saying, Like right now, I'm heavy on YouTube. You know what I'm saying. I do float sessions. I bring my fans in to my world. You like stream Nah, just just you know what I'm saying, just everyday lifestyle type shit. You know what I'm saying, I really do that just to get get a folks a new insight on k camp just not just an album

or me just rapping the ship. But as far as me being on TikTok doing all that ship ship, I can't. You know what I'm saying, I ain't got the time for it, and I don't want to know that. It's something I ain't like. I ain't about to be just doing all that crazy ship just for something. I feel you, Bro, I'm cool, Bro, the TikTok shit is. It's a diffic it's for me. I haven't even cracked the cookie. It's a different world. Bro shout out my girl mon because

she'd be doing all my TikTok. She just takes pieces for my interviews and post them. But yeah, it's ways she's ship like Noah, but I'll be like that. I know I want to do some original like ship on there, but every time I open it up, I'm like, man, I'm a grown ass man. You feel me exactly exactly. But a lot of folks love that ship, man. You know, say it worked for some that work, It don't work for some motherfuckers. But would you ever get on Twitch

do the gaming ship? Yeah? Do you play games? Yeah? Two K call of duty? Hey man? That for two? That ship is a bag. It is a bag. My manager was just telling us about that. They're paying folks to uh to do it. But listen, there's someone I know very well who's an artist who got paid one hundred and eighty thousand dollars for real too play games for two hours and talk about seven eleven's pizza for during the just while he was playing video games. Hey v,

let me get that. So you out there, that was Twitch? I need that hundred Eddy k for two hours talking about pizza on Twitch. You gotta get that Twitch. That Twitch is a movie. Yeah, I remember you saying something about a couple of weeks ago. Let's yeah do that? Well? Look, so the album after this album comes out, when is the timeline to get the other one out? Out your deal? I had a different timeline in my head, but it didn't.

It didn't work out like I thought. Are you trying to get the album out before the end of the year your last album? Rather if I could, I would. Is it up to you or what the major label thing? Do? They got to agree terms? It's the terms, you know what I'm saying. You gotta just play play by the rules and the terms and the agreements that everybody, you know what I'm saying, agreed on. But if I could,

I would. But I say, you know what I'm saying, quarter one Q two from next year, around that time, I should be free m the last album probably came out. I don't want We're gonna see get you back on Empire, you know what I'm saying, Shut of the empire anymore? Empire? You know what I'm saying, there it is. Man. Well, look I appreciate you pulling up. I don't know what what's your single? Introduce it man? For the radio show

right now, I can't even tell you the single. Once we drove the alum, were gonna let the fans shore. But game a free, game a free You need the song to introduce for the radio show. For the radio show, We're gonna get youall guts stand now, which wan should we be give? But by the way, there's a song called Guts Guts. It's just about being inside of a woman's guts. It's a line in the song saying that, but it ain't about you know what I'm saying, Hey man,

it's his k compt Man. They see his Guts featuring True Story t produced by six and eight. You know what I'm saying. Let's get into it. Guts, ladies and gentlemen. Yeah, gets, get some guts, get some guts every night. Perfect

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