We're so used to narratives out of Africa being about war, poverty and devastation, says TED Fellow Wanuri Kahiu. Where's the fun? Introducing "AfroBubbleGum" -- African art that's vibrant, lighthearted and without a political agenda. Rethink the value of all that is unserious as Kahiu explains why we need art that captures the full range of human experiences to tell the stories of Africa.
Every artist has a name, and every artist has a story. Laolu Senbanjo's story started in Nigeria, where he was surrounded by the culture and mythology of the Yoruba, and brought him to law school, to New York and eventually to work on Beyoncé's "Lemonade." He shares what he calls "The Sacred Art of the Ori," art that uses skin as canvas and connects artist and muse through mind, body and soul.
With his signature charm and searching insight, David Whyte meditates on the frontiers of the past, present and future, sharing two poems inspired by his niece's hike along El Camino de Santiago de Compostela in Spain.
More than half of the world's population already lives in cities, and another 2.5 billion people are projected to move to urban areas by 2050. The way we build new cities will be at the heart of so much that matters, from climate change to economic vitality to our very well-being and sense of connectedness. Peter Calthorpe is already at work planning the cities of the future and advocating for community design that's focused on human interaction. He shares seven universal principles for solving ...
It's been a weird 100 years for artists and creators, says musician and entrepreneur Jack Conte. The traditional ways we've turned art into money (like record sales) have been broken by the internet, leaving musicians, writers and artists wondering how to make a living. With Patreon, Conte has created a way for artists on the internet to get paid by their fans. Could payment platforms like this change what it means to be an artist in the digital age?
Movement artists Jon Boogz and Lil Buck debut "Honor thy mother," a delicate, powerful performance of spoken word, violin and dance that draws on the tormented relationship between nature and humanity.
Meet Françoise Mouly, The New Yorker's art director. For the past 24 years, she's helped decide what appears on the magazine's famous cover, from the black-on-black depiction of the Twin Towers the week after 9/11 to a recent, Russia-influenced riff on the magazine's mascot, Eustace Tilley. In this visual retrospective, Mouly considers how a simple drawing can cut through the torrent of images that we see every day and elegantly capture the feeling (and the sensibility) of a moment in time....
Artist Titus Kaphar makes paintings and sculptures that wrestle with the struggles of the past while speaking to the diversity and advances of the present. In an unforgettable live workshop, Kaphar takes a brush full of white paint to a replica of a 17th-century Frans Hals painting, obscuring parts of the composition and bringing its hidden story into view. There's a narrative coded in art like this, Kaphar says. What happens when we shift our focus and confront unspoken truths?
Loneliness doesn't always stem from being alone. For architect Grace Kim, loneliness is a function of how socially connected we feel to the people around us -- and it's often the result of the homes we live in. She shares an age-old antidote to isolation: cohousing, a way of living where people choose to share space with their neighbors, get to know them, and look after them. Rethink your home and how you live in it with this eye-opening talk.
Sinéad Burke is acutely aware of details that are practically invisible to many of us. At 105 centimeters (or 3' 5") tall, the designed world -- from the height of a lock to the range of available shoe sizes -- often inhibits her ability to do things for herself. Here she tells us what it's like to navigate the world as a little person and asks: "Who are we not designing for?"
A few days before she turned 61, writer Anne Lamott decided to write down everything she knew for sure. She dives into the nuances of being a human who lives in a confusing, beautiful, emotional world, offering her characteristic life-affirming wisdom and humor on family, writing, the meaning of God, death and more.
There's a creepy transformation taking over our cities, says architecture critic Justin Davidson. From Houston, Texas to Guangzhou, China, shiny towers of concrete and steel covered with glass are cropping up like an invasive species. Rethink your city's anatomy as Davidson explains how the exteriors of building shape the urban experience -- and what we lose when architects stop using the full range of available materials.
One night in 2002, a friend gave Jorge Drexler the chorus to a song and challenged him to write the rest of it using a complex, poetic form known as the "Décima." In this fascinating talk, Drexler examines the blended nature of identity, weaving together the history of the Décima with his own quest to write one. He closes the talk with a performance of the resulting song, "La Milonga del Moro Judío." (In Spanish with English subtitles)
To design the Bahá'í Temple of South America, architect Siamak Hariri focused on illumination -- from the temple's form, which captures the movement of the sun throughout the day, to the iridescent, luminous stone and glass used to construct it. Join Hariri for a journey through the creative process, as he explores what makes for a sacred experience in a secular world.
How much energy and brain power do we devote to learning how to spell? Language evolves over time, and with it the way we spell -- is it worth it to spend so much time memorizing rules that are filled with endless exceptions? Literary scholar Karina Galperin suggests that it may be time for an update in the way we think about and record language. (In Spanish with English subtitles)
John Koenig loves finding words that express our unarticulated feelings -- like "lachesism," the hunger for disaster, and "sonder," the realization that everyone else's lives are as complex and unknowable as our own. Here, he meditates on the meaning we assign to words and how these meanings latch onto us.
Where are all the women and girls in film? Social scientist Stacy Smith analyzes how the media underrepresents and portrays women -- and the potentially destructive effects those portrayals have on viewers. She shares hard data behind gender bias in Hollywood, where on-screen males outnumber females three to one (and behind-the-camera workers fare even worse.)
A skyscraper that channels the breeze ... a building that creates community around a hearth ... Jeanne Gang uses architecture to build relationships. In this engaging tour of her work, Gang invites us into buildings large and small, from a surprising local community center to a landmark Chicago skyscraper. "Through architecture, we can do much more than create buildings," she says. "We can help steady this planet we all share."
Emily Parsons-Lord re-creates air from distinct moments in Earth's history -- from the clean, fresh-tasting air of the Carboniferous period to the soda-water air of the Great Dying to the heavy, toxic air of the future we're creating. By turning air into art, she invites us to know the invisible world around us. Breathe in the Earth's past and future in this imaginative, trippy talk.
Painter Alyssa Monks finds beauty and inspiration in the unknown, the unpredictable and even the awful. In a poetic, intimate talk, she describes the interaction of life, paint and canvas through her development as an artist, and as a human.
Tango, waltz, foxtrot ... these classic ballroom dances quietly perpetuate an outdated idea: that the man always leads and the woman always follows. That's an idea worth changing, say Trevor Copp and Jeff Fox, as they demonstrate their "Liquid Lead" dance technique along with fellow dancer Alida Esmail. Watch as Copp and Fox captivate and command the stage while boldly deconstructing and transforming the art of ballroom dance.
eL Seed fuses Arabic calligraphy with graffiti to paint colorful, swirling messages of hope and peace on buildings from Tunisia to Paris. The artist and TED Fellow shares the story of his most ambitious project yet: a mural painted across 50 buildings in Manshiyat Naser, a district of Cairo, Egypt, that can only be fully seen from a nearby mountain.
