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Anime & Japan

May 07, 20241 hr 4 minEp. 297
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Episode description

What Makes Anime ‘Anime’? Exploring the Unique Elements of Japanese AnimationIn this episode of Superhero Ethics, hosts Matthew Fox and Riki Hayashi dive deep into the world of anime, exploring what sets this beloved Japanese animation style apart from its Western counterparts. As an American with Japanese roots, Riki offers unique insights into the cultural and stylistic elements that define anime, sparking a thought-provoking discussion about the genre's global appeal.Key Points:
  • What is the true definition of anime? Is it simply animation from Japan, or does it encompass specific styles and tropes that are uniquely Japanese?
  • How has growing up with anime influenced Riki's understanding of himself as a fan of Japanese culture?
  • Can non-Japanese artists and studios create authentic anime, or is there an intangible element that can only be captured by those immersed in Japanese culture?
Other Topics Covered:
  • The evolution of anime's accessibility and popularity in the United States
  • The influence of anime on American animated series like Avatar: The Last Airbender and The Legend of Korra
  • Iconic anime movies and series, such as Akira, Dragon Ball, and Cowboy Bebop
  • The differences in storytelling and character development between anime and American comic book adaptations
  • The role of anime in exploring mature themes and the genre's appeal to a teenage and adult audience

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Transcript

Hello, Welcome to this episode of Superhero Ethics. Today, myself, Matthew Fox, my Nook, and my co host Riki Hayashi are talking about the question of what is anime and to what extent is it specifically to Japanese culture? Is it a word that just means animation from Japan? Is it particular styles that don't make sense outside of Japan? How does this all tie together.

It's a question that we've kind of danced around in a couple of different other podcasts, and so we wanted to kind of dive deeper into it quickly because, as you may have heard on recent episodes, part of Riki being on this podcast is we're going to be looking at anime a lot more. And I know these are issues that Riky you have a lot of thoughts on,

so let me just start with this. So let me ask you to start and ask you how did you become introduced to anime and how has it been a part of your understanding of yourself as either someone who just enjoys culture

or you're as a Japanese person, an American, et cetera. I mean I grew up with it, so I grew up in the United States, But my grandparents would send me video cassettes VHS cassettes with popular anime broadcast in Japan, Like they would record these for me and send them to me, especially like if I expressed some interest in a particular product, particular anime, and like I was definitely more of a manga reader because it was easier at

that time to get manga, the comic books at bookstores. They would be Japanese bookstores, and of course like you can get you could get anime like VHS movies and stuff, but it's a lot easier to consume, you know, buy and consume a book. But but I did enjoy anime, Like the first one I really remember was Kinni Kuman. I don't know if that one is very well known in the United States. I think it was exported

to the United States as like Muscleman. Do you remember, like the little figurines the muscles, yes, maybe an inch tall made out of like some kind of rubbery plastic thing. Those were all based on kinniy Kuman characters. And it was like a kind of like wrestling, wrestling with superpowers. It's how I would describe the aesthetic of it. And then after that, it was. Of course, Dragonball was the most formative anime of my youth and like even adult life perhaps, and like I got into a lot of other

stuff, but not as much as less. Most recently I have started to catch up, But there was definitely a gap in like two thousand to two thousand and twenty, like a twenty year gap that I just like didn't pay much attention or consume very much, just because of where I was in my life. Plus, like how you can get media right like now with the streaming services, it's very easy, Yeah, but there was definitely a period where you either had to like buy DVDs or you had to bootleg right,

which I do not advocate. Well, I know that for a while, like the you know, if you bought a seed a DVD from Japan or a Cape, it might not always be compatible with your particular machine because there was, yeah, the region, the region coding. I remember trying to

figure that out, like whether I could actually buy something for sure. Well, and let's kind of go back to those childhood days because you said that your grandparents they were recording it off the television, so where like when it comes to American animation, especially like you know, ongoing cereals for kids.

I tend to think of it happening at two times. There's the Saturday Morning cartoons and then there were the after school cartoons, and so like Saturday Morning was things like h was things like Gummy Bears, and a lot of the different a lot of reruns of older stuff, but a lot of other kind of like lighter shows. The stuff that was very much like He Man and g I Joe and stuff like that was almost all like afternoon cartoons, and

of course they were going too syndication and things like that. When were you when We're When were these cartoons broadcast on TV in Japan? I don't really know. I mean they would clip the newspaper, they would look like the when it was like the name with the episode, and like when it was broadcast and tape that to the outside of the box on all of that awesome. It was I don't know if we have any left still, but it was it was like there was a lot of love in it, like looking

yeah for sure. Now, I like, I've been to Japan a couple of times and I just like watched TV and my impression is that a lot of it is on in the evening, okay, like the whole Saturday morning cartoon thing. First off, like their school on Saturday in Japan, oh,

okay, and even like after school like for US cartoons. I think you and I probably watched a lot of stuff from like three to six pm, right like right after school you get stuff like I remember like Dark Wing Duck Duck Tails, the X Men ninety, the original X Men, Batman, the animated series like stuff like that was on, and then like right after school period in Japan, after school kids go to juku which is like

a supplemental learn its study hall. I think a lot of the anime come probably comes on like after like six or seven, like right after the supper time, okay, supper, and the kids probably get to watch some TV for an hour or two, right It is my impression of it, mm hmm. And I think of the like there's shows like I think of like The Muppet Show, where ostensibly it's aimed to kids, but there's also quite a lot that adults can enjoy. And obviously a lot of anime today,

you know, many adults continue to enjoy. Yourself and in some cases myself included were your grandparents, people who were enjoying these shows and also taping them to you or is it just that they knew that you liked it. They might have whatever they thought of it, but they were taping it specifically just for you. I doubt they were watching. Yeah, my if I had to guess, like they were probably like time timer recording it, so like the TV might not have even been on, like the VHS was just set

to record at a certain time on a certain channel. So no, like, I don't, I don't think that they were into it. Even my parents, Like my parents, my dad like might have watched a couple of episodes with me, but like he never really understood or enjoyed, right,

So I don't. Yeah, generationally, I don't. I don't think I'm I'm kind of like I feel like I grew up in the perfect time because, like I said, dragon Ball is still to this day one of the biggest franchises to come out of anime, right, And I came along like I was like maybe like eight or nine years old when it started, and God got super into it and just enjoyed it all the way through its original

run. And I've tried to keep up. But yeah, sure, well you're following one piece and that's gotta be enough, you know, to do two of them. Yeah, oh gosh, Okay. The weirdest thing. I was like doing research on one piece, and of course there's the Netflix live action version. But then I've discovered that a different animation studio is like redoing one piece from the very beginning. Yeah, that's the face. Iime,

like, why why do we need this? Like it's one thing to change the medium from animation to live action and do something different with the story in terms of like I've talked about how they condensed the story, but it sounds like they just they're just gonna redo it. Like I wonder if it's like a shot for shot, like the Psycho remake? Is this is it a Japanese company? Yeah, yeah it is. I think it's Sunrise.

I mean, I I've often wondered. I know that sometimes they'll do the remastering where like I think it's happened some older Disney films where they basically but even then they're trying to make it look like the original. I guess get. What I'm kind of thinking is if you have something where you're like, look, we didn't have the animation capacity at the time to where they do

this as well as it could have been. We're going to keep all the same voice actors, so we'll make sure that's animated in a way like I could see someone wanting to do that. It's not like a strange project. But maybe that's true you're doing. Anime has evolved a lot, especially like the action aspects and the technical mastery of like showing the action fighting has changed so much. But I could see them because I've gone back and watched like

the opening episode of the One Piece anime. It's like very dated, yeah, And then I've seen clips of the newer stuff and it's very up to date. But maybe like there's this desire because it's gone on for so long, like twenty years or whatever, they're like, well, let's let's go back and like reduce some of this old stuff that doesn't look so good anymore. And that's something I think I see across animation styles in the Star Wars

animation world. I know a lot of times I'll see things like look at how beautiful the animation for the bad batches, And part of that is the advances of technology, and part of that is just a bigger budget and then like, imagine if you could do that to season one of the Clone Wars. Yeah, even just like season seven or season one, the technology is night and day. Yeah, Clone Wars got like a refresh. I feel like around season three or four, I think so, yeah, itself like

it it got noticeably better. That makes sense. So I want to be coming about to put words in your mouth here for you anime. I've seen the anime you were watching was in the Japanese language, correct, yes,

yeah, yeah, And so what did it feel like for you? It was a part of and I maybe you're too young to even think of these kind of terms or either at that point or later, like was there a particular importance for it for you in terms of a way of like staying in touch with that side of your culture while you were in the United States.

No, I'm sure my parents liked it or let me watch it because of that, like because it helped with the language, But like culturally I can't even now, like, yes, I must have absorbed something because when we're talking about this overall topic, like I see on the screen you say, can Americans make anime? And my answer is like yes and no. Right in that anime just means animation. Like they shortened that word and like made

it into a Japanese word called anime. And now it's been like re imported as a different thing, right, But originally it was just like any anything anime animated. And in fact, like in Japan, I think when like a Disney Pixar movie comes out, I'm sure they just referred to as anime. They don't think of it as like American you know, anime or cartoon. Anime just means like it's it's been drawn, right, it's just or

by computer. Right. Well, and that's that's interesting. I figured that was one of the things we were going to get into today because at least as I understand it, here in the United States and English speaking areas, it often feels like when people say anime, they're not they're referring to the idea of a particular style that has stylistic tropes and story tropes and characters. Tu. Yeah, And that's and that's where I say, can Americans make

anime? No? But I can't. It's very hard to put my finger on it. But like one of the products you mentioned in the notes was Castlevania, right, and I looked into that, and it is as far as I can tell, it's a US studio that animates it, and the press I found about it says that it was like inspired by or done in

the style of Japanese animation. And yet there's something about it that I don't know if it's just I can tell, like I know, and it just doesn't feel right to me, and I don't enjoy it as a result. I don't like, I don't want to come off like an elitist that only the Japanese can make anime, but I think that there must be something in the techniques or the style that is taught and the people learned by watching or studying under other people that has led to the visual style and the animation style

that is different. Right, And it's not to say that other people can't learn that, because I do believe like a lot of these Japanese anime now use some like South Korean contractors, either like in house or like an entire studio that's out of house. I know there's one studio called Studio Mirror out

of South Korea that has done some anime or like anime related things. They did X Men ninety seven, which I think visually to me is not only an homage to the original X Men, but also the style feels more anime

than the original X Men, especially the action sequences. So let's talk about what that style is, because, like going on at one direct that going in that first definition, you know, if anime is everything that is just animated from Japan, then we're talking about Studio ghibli and Dragon Ball Z and Hentai, which I think, you know, like there's such a wide range there that I feel like, you know, calling anyone Stott what wouldn't make

sense. But with this other definition, then what do you think of as the elements of anime? Like what makes something anime? So, as far as I know, Studio Gibilie only makes movies. I believe, I'm not sure if they have they at this point, they've probably done TV series, but they're mostly known for movies. Right, you mentioned dragon Ball, which is toa animation, and I believe Toe also is the one currently doing one piece. And then they they do a lot of the you know, I've

talked about Jump Weekly, Jump Shown and Jump. I think they do a lot of those anime that come from that manga book. And then the other major company that I am aware of is Sunrise Animation, and for me, they're most known for mobile suit gun dum and because of that, they seem to focus a lot on the futuristic like mech style anime. As for Hentai,

I have no idea. Hentai refers to what would the translation be, like the direct translation is like pervert, but basically like porn animated porn, And I actually have like no interest in that, Like I'm being totally honest, I have no interest in that. And so like I've never watched anything or know of any major studios or projects. No, I'm in the same boat. I just referenced it because it is animation that comes from Japan,

so in terms of but I don't know if that would be. But so yeah, getting to this idea of there being a more specific style of what you're talking about, what do you what do you think are those elements of it? First of all, like the characters. I think anime characters are known for, like the the big eyes, like on their faces, very

expressive eyes. Hair I think is a thing like hair color, especially like weirdly, in a lot of the Mecca anime in the future, it seems like it's cool to have like blue and purple hair, and that was the thing. And then the action elements. I really think like there's something about the way that they draw the action elements and animated that is very different and

dynamic. It's very hard to describe a visual medium in words, but for me, like like I said, like dragon Ball and then Gundam, like when the robots fight in Gundam, that there's just something about it that is

so luid and it makes it very exciting. Yeah. I mean one of the things that I think of we talked about this someone during one piece, and there was more for comedic value, but I think of it mean as well, is that a lot of the time the animation, particularly fight scenes, is more meant to convey the overall impression rather than being a artistic shot, rather than being a animated but still kind of shot for shot realistic idea of the fight, you know, the kind of like the someone jumps or

moves at high speed and so all the background behind them becomes very blurred or things like that. I certainly saw aspects of that in some of the American cartoons I watched, Like you mentioned a couple of Duck but not like dcktails or something, but like Voltron for example, which my understanding is Voltron is an americanized version of something that was very Japanese inspired or anime inspire. Well,

okay, the original Voltron is Japanese. Okay, Yeah, So thousand anime what was it called Die die Go Ranger or something, you know, go lie in something firm to the lion and then it had the word go which is five because there were five lions. I don't remember the exact name. Jew Ogle Lion is my best guess right now right the new one, yeah, Vultron Legendary Defender. I believe it's called on Netflix from like twenty eighteen ish is I believe that might have been actually been Studio Mirror, that

South Korean company I talked about. Oh, interest, So you're saying the Vultron that I watched in the eighties that wasn't even a American version. That was probably just dubbed English voices over an anime. Yeah, one that like that era, like Voltron transformed, like the original Transformers, like those were Japanese anime that you know, like Sabah or whatever. Other companies bought and licensed to both like sell Toys and then broadcast on te and then yeah,

they just dubbed it over. Same thing with the original Power Rangers other than you know, the Angel Grove, like where the actors are not in their suits and like at school. All the action sequences in the original Power Rangers was from Japanese TV. And then okay, well then it makes even more sense that I was thinking those are like anime inspired. No, no,

they're just straight up anime. But yeah, because those are the shows I think of that really, Voultron and Transformers especially that had that kind of like not realistic anime fight scenes, but much more you know, impressionistic kind of art majors who are listening are horrified at. These are the words that I'm using, but I hope you getting across what I mean. Yeah, okay,

so Studio Mayor did do Vultron Legendary Defender. I mean, it says dream Works, but it also that's why themual animation was by Studio Mirror. So yeah, right, so they contracted them probably that makes sense. And yeah, like I don't know, it's Vultron again. I enjoyed Voltron, and I do think like the styling, especially like when we're talking about the action, and the faces, like the animated faces were much closer to what I would think of as anime, just because I'm thinking about it in that

same style. Like he Man, I know, was not with ThunderCats. Did that have an anime origin? I don't think so. Okay, those are the four that I remember when I was younger. Like later it became the Ducktails and Darkling Duck and most most of the stuff that got exported in

the eighties was like the Mecca stuff, right. Robotech. Yeah, Robotech was actually three different series that Harmony Gold together, and when they dubbed it, they like changed a bunch of the story so that the three different series would line up. Twelve year old me was signing into the very very beginnings

of the Internet. I remember one of the first things I've researched because I had I had seen like some of a Robotech TV show, and I'd read a Robotech novel, and none of the things that I remembered meshed up together. And so I remember trying like going on some rabbit holes to try and find out what's the actual Robotech story, and I could never find it,

And that probably helps explain why. Yeah, the most famous one that they used the first the first series was Macross super Dimensional Fortress Macross, and they actually referenced it in the Robotech cartoon by calling the city Macross Island. Yeah, okay. And then the other two I don't second one, most know, the third one was most Pedia. I think the second one might actually just be called Southern Cross, but they're completely different products in Japan, unrelated,

and it leads to a very convoluted story. Like I actually know a lot about Robotech. Okay, beat next to Gundam. It's probably the thing I love the most from that era. I'm taking down to future episodes and the harmony gold like history story that they wrote is completely nonsciensical, just like designed to fit into what they had to show, and it's it's funny. I like it. I like I still have very fond memories of Robotech. I've maybe like six years ago, rewatched a bunch and it doesn't hold up.

But I know there's been a lot of Macross that's been the most successful. There's been a lot of mac Cross stuff, and I think there's a new series coming out soon that's awesome. We're going to be right back to these questions right after this Welcome back everyone, So let me let me tell us talk a little bit about what I was in the anime that made it over here, especially in those eighties and nineties and the like, because you're right, why are remember is a lot of the robotech stuff, though it

doesn't think about it as anime. The first time that I heard the word anime was first of all, was the movie Akira, and then was in regard to the TV shows that a lot of my friends who are on the geekier side of things in college, we became our way of sort of getting through finals times was watching this stuff. And that was Ranma one half and Revolutionary gro Utna for those who have no idea I'm talking about, because they're

not quite as old as dirt. Ranmo one half was a what I remember at the time, in like nineteen ninety seven, being a very funny thing about a kid who changes genders when he falls into the water and has a martial arts teacher and mentor who turns into a great panda when he falls into water, and to us in nineteen ninety seven, we thought this was awesomely queer and transpositive, and I think looking back on it today would feel very

differently about it. And then revelation of Girl Utna is just fantastically weird in a way that I really don't remember anything about it except that they cracked the earth shell. They cracked the shell of the world's egg in the intro credits, What what what? And then I think we started to get the spirited

away movies and other things like that. What was kind of your impression of like what what was driving that kind of idea of like which ones were coming over and and what impression that made about how we how Americans were looking at what anime is? Wow? I mean I don't know, like that that's above my pay grade. Fair, that's fair like stuff the stuff came over, that came over and people watched it. Like to this day, I can't believe it took so long for Gundam to catch on m H in the

United States. So so whatever like politics or business that happened behind the scenes, like it wasn't until I think Gundam wing that that it caught on. And at that point, I think it had been close to like fifteen year fifteen year franchise and most of the stuff that I loved and it just like had no impact. Like, you know, my friends loved Robotech as I did. They loved dragon Ball, but then like I couldn't talk to him about Gundam because they just had never seen it and I had no knowledge of

it. So if I could like time travel and change one thing about anime, I would say, like, get Gundam over here faster. Yeah, the phrase Gundam wing rings some history belts for me, but I don't remember it ever. Yeah, that was the one whatever was on like right Nami or Nickelodeon or But even then, I think as kids, like I said, we didn't know Vulture. We didn't know Vulture was anime. You know that wasn't being talked about it all Transformers or anything like that. Well that's

interesting, And again I don't know. I was always aware maybe because I was also because I was consuming like original Jabanese anime. It's not like I

watched Voltron in Japanese. But I think because of like I would get books and stuff like magazines, like I knew it existed in Japan and its it made more sense to me that way because it's like oh yeah, like because there's nothing else, there was nothing else like in US media that was like that, like there was no one in the US making like giant robot cartoons

and that's why they they imported it, right. But then to me it was like any giant robot is from Japan and that's like that is also like a stereotype that time, but it was like I was aware of it as a kid of being like, if I want to get more giant robot stuff,

I have to get well. And it's so funny because even by the time of like the movie that I think of first in terms of like robots versus Kaiju of Pacific uh we very the name the all the monsters are give the named Kaiju, which is a Japanese word that refers to Godzilla and like all the creatures of that ilk and they call the robots jaegers, which is

a German word. And for me not being very educated about this and this is you know, I was an adult when Pacific Grim came out, it felt to me like it was a genre mash because it was Japanese monsters versus American robots. But you know I'm here from you that no, actually it's it's an American movie about to two Japanese genres that are clashing and and actually like now that have gone more into the go heuro movies like there's Mechagodura and

all sorts of things like that. So I'm guessing that it's not the VC. Things were much more interlinked than many Americans may have realized. Yeah, I don't to this day, like I don't know why they called them yeagers. I'm guessing it may have been for, you know, to make it seemed not quite so Japanese to an American audience or something like that. Maybe what what is the Japanese Is it just mecca or is there like if kaiju is the word for the monsters, what would the word be for giant robots

in Japanese? I mean they just use the word, Okay, do they call them meccas in Japanese? The thing is like in in the Gundam universe, they're referred to as mobile suits. Oh, in Japanese. Right. I don't think of what else because I guess it's been a while since I've watched like any macross in Japanese. I can't remember what they call those or even just like the the movie that I know is the English name is mecha Godzilla would be mecha Gojua or would Yeah? Yeah, it was okay interesting?

So why is it do you think that? I mean, it may be hard to say, like white people don't do something well, but I'm tryin how the best phrase these questions? You talked about how when you've seen Americans or people from other parts of the world trying to do anime, it always feels kind of wrong to you. Mm hmm. Talk more about that.

Do you think it is just that it's just that because you, like, you know, you have to learn from the people who are doing it, and that's all happening in Japan. Is there a ways in which that, like growing up Japanese gives you an understanding of the kind of issues and characters and things that's talking about? What do you what do you see things?

Yeah, because like if you're a kid and you watch something like if you watch a cartoon, mm hmm, and I did this, Like you draw, you try to draw the characters, right, right, I draw the characters from cartoons from the manga I had, And like that's how you initially start learning how to draw. And if you continue with it, like if you continue to draw and get better, like you're still mainly focusing on the media you consume and then ultimately like you'll stop if you become a professional,

you stop drawing other people's things and make your own characters. But because you've grown up, like with the style of drawing, especially like the faces, I think that's the key aspect to identifying anime. It's just like something about the proportions of the face and the eyes is different. Like I said,

the eyes are bigger. I think off of the mouths are bigger as well, and it's just a not quite uncanny valley, but there's an unrealistic element to their proportions, but it's still within reason of Like it's not like they look ugly often like oftentimes I feel like they look more beauty full than

a corresponding human might. Right, But I think like if you have grown up and seen that style of drawing and drawing it yourself and end up like becoming an artist and creating your own characters in that style, Like, yeah, I think it's probably just like learned behavior. Yeah, so do you think there's a possibility it's I'm not trying to advocate for one thing or the other here, I'm just curious. As you said, anime is now far

far more accessible. And I think there are a lot of people in Europe and America and Africa, you know, all over the world for whom anime maybe one of or the predominant kind of animation they're seeing. Could you envision someone growing up in you know, Cairo or London or United States or anything like that, for whom they're mostly seeing anime and that's what's shaping it.

And so they're going through that same process obviously. Yeah, I mean Studio mirror, like saying like I don't know anything about like the human beings there right, Like it's a South Korean studio and it's fairly new. So the first thing they did was Legend of Korra. In fact, I think twenty twelve Avacar Legend of Korra. They did the Voltron and they did like I

said, they it seems like they did X Men ninety seven. Those are the three things on their credits that I was most familiar with, and looking at them like they are, they feel more like anime to me than anything else. Like even like when I was watching when I was watching Vultron, I was like, oh, like this and then like you watch the credits and there's no Japanese names, It's like, oh okay, that's interesting,

but it it felt much closer to anime. And I think you probably have a generation of animators there at that studio that grew up on Dragon Ball Yea and early One Piece as I did and all that, like the the mecha anime I was talking about, And so if you grow up on that stuff again, like and you learn that style, yeah, they're they're doing it right. Like again, I'm not I'm not here to advocate for some kind

of like nationalistic definition of anime that only Japanese people can do it. This is it is a result of of upbringing culture and learned drawing behavior, right, And I think like a bunch of these Korean animators have grown up and learned that. Yeah that makes sense and it looks it looks good to me.

Like I love all three of those shows for many reasons, but definitely the animation is part of it, like the it's I keep coming back to this this phrase, but it's the action of it, like the action in Voltron just like feels much better to me. Yeah, I don't like I would have to like really dig deep to find a US animated like robot thing that I enjoy. So, I don't know, probably better robots y'all,

but it sounds interesting. I like the way you're phrasing it that it's not it's about growing up with this stuff that until very recently most people outside of Japan weren't growing up with, rather than being a national you know it kind of like you have to have a Japanese sensibility or something like that, because, yeah, I'd be very curious then to have the same conversation. Maybe we'll be in twenty years when we have lots of people who are growing up

drawing robots that way or things like that, you know that. Yeah, So, like I just googled best American robot anime, and the things that's given me are Robotech, Transformers, Voltron, and gurin login. They're all Japanese, right, just like no one no one's doing it, which is yeah, I don't know. Maybe it's very possible that the people like you because there's a whole industry in Japan, right, Like you can get a job like you can you can go to an animation studio and draw robots in

this way. In the US, I would imagine like if you are an animator, they're just like there's no studio a working on it. And if there is a studio working on like a like some kind of robot thing, it's going to be more like in the realistic CGI, like the Michael Bay Transformers, right, that's essentially animated, like there that those aren't real transformers.

It's animated, but it it's different like an anime. Now, a lot of it I think is still like very hand drawn on maybe not like with pen and paper, like hand drawn on a computer, you know, touch screen. But I think like that is also probably like I know less about the technical aspects. My guess would be that that is a difference in visually like how we perceive animera versus the computer generated. H I may be wrong, but you haven't mentioned this yet, so I assume you haven't seen

it. Pacific Rim the Black Did you see that? No? I don't like specific room as a franchise, so oh, I'd be curious if you just kind of took a looks at the art of it, because it was intent. It was an animation and animated show continuing the Pacific Rim story, but it was specifically done as an American Japanese partnership, and I think with mostly Japanese artists, but also they're doing art of a you know, of robotic images that were made by a American studio. So yeah, if you're

your fans watching any that cureous, what you think of it? Yeah? Like, I'm looking at the character design and they are very anime right now, I'm looking at the production. Series is produced by American company Legendary Television and animated by Japanese studio Polygon Pictures. So there you go. It was animation was done in Japan by Polygon. What else have they done that I might be familiar with? So they did Ghost in the Shell to some ultraman

stuff. Oh, I think these is like the Bad Gora movies. Yeah, that makes sense that they would translate that. Yeah, there's like a yeah, like a conkaiju stuff. Oh, Polygon did some work on the Clone Wars. Interesting. Oh that's kind of cool. I wonder if they were Oh God, I'm having trouble to memory the name of it. But there was a TV show. There was a series of episodes that came out on Disney Plus that was animated Star Wars stories from a number of different that

I think. I think they were all or mostly done by Japanese animators or maybe Yeah, what was that called? That was Star Wars? Was it legends? No? Star Wars? Look it up quickly, No, I like the We never talked about that. I mean you probably did an episode, yeah, one with Johanna Kellman actually where we both sort of started by saying, we're not art people, so we're just gonna talk about the story Star Wars visions that I liked most of those a lot. Was unfortunate that

the second one was my least favorite. That was like the weird band one. Oh yeah, and so I saw that one and I stopped watching for a while. Yeah, because the first one is very much clearly not only a anime style, but it's it's really an homage to samurai stories where it is very much, yeah, very much a a samurai is protecting the village of samurai is coming to attack the village, but they're using lightsabers instead of

katanas. So I forgot earlier on you mentioned a like that's that is probably like the most famous movie other than like the Cheepli movies, right, and influential in its style, especially the the motorcycle slide, right, are you do? You know what I'm talking about? Yeah, yeah, So the famous motorcycle slide where the main character Canada like stop comes to a stop, but also like slides his motorcycle sideways and does the skid like into the quote

unquote camera. And it's been like off parodied or just like homages to it, like it is one of the most famous moments in anime. But the thing about that movie, it's a terrible movie. And I say this. I read the I read the original manga books. It's like six very thick books, like each book is probably like three hundred pages or so two two to three hundred pages, six volumes of that, and they condensed it into like a two hour movie, and it just again doesn't make sense. Yeah,

like like what I think about Robotech. I attempted to watch it on three different occasions, and granted this was always during final season of college. I was always exhausted. It's probably also happening at two in the morning.

I never stayed awake with the three viewings. So I'm glad to hear that at least it is visually stunning, it's exciting, but you end up like with a lot of questions that were answered in the manga or just like didn't exist because they changed the story so dramatically, And it reminds me of the viewing experience of like Rise of Skywalker, Like there were so there were so many cuts and edits and like rearranging the story, like it ends up not

making sense and you're just like, what, what did I watch? Yeah, so I acknowledge its importance in history, but I would not really want to watch it right now. That's fair, that's fair. I can see that we've been talking mostly about animation style. I do know that there are a lot of and again maybe this is more of the kind of stylistical the

idea of anime rather than just that theater you know from Japan style. But my impression is from talking to you, I was from talking about the anime fans, that you've got a number of these tropes that are part of animes. The first one that comes to mind is that a character who has sort of a tooth that goes over their lower lip is always going to be a creature of like mischief or chaos or something like that. You'd give me a blank expression, though, which tells me maybe I have no idea what I'm

talking about here, Well, do you have any examples? I'm just uh, there's a character in my hero Academia, not my hero Arcademias full Metal Alchemist. This is what I saw from recently, and Mary, my partner, was pointing out, Oh yeah, you Seeah, that character has the tooth over the lip. That means they're gonna be causing a lot of chaos, but they're off of a young child with mischief. Do you remember the

character's name? I don't. I know. Another one of the tropes that I think of is the way you talked about in one piece, how a couple of the characters in that sort of fit into very specific different tropes. I'm looking through the characters and I don't really see anyone. It was a

sad character, Okay. Yeah. So, like one of the things about Japanese anime to me is that it's it's less for I don't want to put this like I was gonna say, it's less for kids than American cartoons, which is to say, like it's still for kids, but it's like older.

I think, like the whole cartoons are for kids. Thing that like the way a lot of people in the United States look down upon cartoons, right, you know, up all the way up to like you know, Academy Awards and stuff like, oh, I you animated movie, you could never win like Best Picture, right, Like that's definitely an attitude, and

in my opinion, that's ridiculous. But it stems from this cartoons or for kids, and you talked about like Saturday Morning cartoons, like those are very much for like very young kids, right like five to ten years old. Where I would say most of the stuff we are talking about in terms of anime is meant more for like young adults, you know, like teenager,

like early teenagers to begin with. Like I certainly started watching earlier than that, but it appealed to me most, I think during my teenage years. And that's where all the action elements and the you know a lot of these are fighting anime or you know, the mecha combat anime like more geared towards young boys. Yeah, but but there is stuff like there's certainly anime for

girls or you know, for people who are not interested in fighting. Right, I've read you manga the Studio Ghibli movie is quite famously almost never involved combat, right, because Miyazaki is very much about not having fighting. No I would say that they well, okay, they don't they're they're not combat

oriented. I would say a lot of them feature war though, Naushka, The Valley of the Wind, Princess Mono Nooke has a lot of fighting, but it's not like one on one like personal combats, right, And you're never like, oh, this character is such a cool fighter. It's oh, this character is so traumatized by the fighting. How's will moving Castle has war? And am frankly like he's he's anti war, right, Like that's

what he's portraying, the horrors of war in animation, right. And I feel like that is a that is like a very big distinction when it comes to anime that it it is for a slightly older audience. Yeah, like starting audience, so like the starting audience for anime is is teenage. Let's let's just say roughly versus you know, to put it in context, maybe it's more like, uh, Batman the anime and it's serious than Gummy Bears

or something like that. Exactly. Yeah, Yeah, that's a that's a pretty good pairing that I often watched back to back, I think or close to in those hours. And yeah, because of that, I think the appeal of anime can last longer, although all the way to well into adulthood for us. And I think like it. It makes it feel to me more serious, like it deals with things like serious topics and has moments of

death like Robotech. The original Robotech had multiple character deaths in the macross segment what was his name, roy, I think who was the protagonist mentor He dies in combat and it was like a huge moment in the series for the characters, and it was such a huge contrast to the other main like war based cartoon I was watching at the time, G I Joe, where famously, every time a fighter plane blows up, they were contractually obligated by like

the code of the studio or the network to show the pilot escaping in a parachute and surviving, like they were told directly, you cannot imply death.

And it was to me like it made Robotech, I guess cooler to kid me that they have death, but to me, like looking back at it now, it meant it was more real and hence more mature, right, right, So as a kid growing up, like as you go through those ages, it's like, oh, like now I get to watch a cartoon where someone dies and I'm growing up, and like what I'm watching is growing

Yeah, Well, we've gone on for a while. This is obviously a topic we can go on at great length about and hope we'll get some good feedback and can keep discussing it. What I want to quote You mentioned something like legend of Kora being done since like a lot of the animation was very much an homage to Japanese style or was done by Japanese animators, and certainly the it's precursor show, Avatar the Last Airbender, we talked a lot about

how it's very clearly anime inspired. What's kind of your feeling over what do you think are good examples of shows that are not trying to be anime but are still very clearly made by people who have been very influenced by anime in positive ways? What first I would just say, like, would you describe Avatar the Last Airbender in those kind of terms? No, I mean yes, but not as much as Cora. Right. Once you get the legend of Korra, it's it, and especially like know him now about the studio

that made it it seems much more clear. Avatar still has that cartoon esthetic to it, and I'm I don't know, it's just maybe the colors too, Like the way they use colors is more cartoony than anime. Again like here here, I am like trying to describe colors in a podcast. But if you've seen both, like you, you know what I mean, right, Matthew, Like, I don't know if that if it makes sense, but something about the vibrance of the colors and the legend of Kora, I

think it's really true. Yeah, And I'm not much of an art person, but I definitely agree with you, and I think like when I hear Avatar described it's very anime, like, I think it is much more about the characters and the journey and the kind of world building than it is necessarily the artistic style. Mmm. Yeah, I don't know. To me, like it's it's the art style. Yeah, No, it makes sense.

That's that's an importanteks quote unquote reeks of anime. Yeah, I'm still struggling on your question, Like, I don't know what I would say about that. Mm hmm. No, it makes sense, especially if it is uh for you the understanding specifically the art style, not necessarily the story and characters, and yeah, I think it probably probably there aren't any good examples right

now, are very few. Once we're not we're not knowledgeable that. Like the thing about Avatar the Last Air Vendor is that it's three seasons and it's done, and it told like a very good story and package it well.

Anime is often ongoing, right because of the nature of the original, the ip of the manga, and like we've commented on about one piece, it's been ongoing for a thousand plus episodes, right, And I think there's something we haven't talked about too much about, yeah, like about the storytelling of it, of the of the nature of the way that the stories have not necessarily have to but that they do keep going right and and don't repeat that.

I think that's a key to American comic books, like thinking mostly about like DC and Marvel, like superhero comic books, they do this thing with the universes and time right where they often have like infinite crisis and then they reset it right and start retelling stories with different writers and different pencilers and artists, Whereas in Japan, each manga and as a result, each anime is done by one person, like one artist is writing the story, is drawing

through the entire run. Obviously, when it comes to the animation, they're gonna have different people working on it over the years, but they have to base their art style on the original artist and stay true to that. And I think there has to be something there about that's a key aspect of what an anime is. That is the production yea style all coming from one mind.

That makes a lot of sense, both in terms of, like, there's probably gonna be much more consistency there, but also in terms of and you're not gonna have like you said, it's not like you know, Iron Man originally set during it is a warmonger in the Vietnam War and then in you know, Central America and then in the Middle East, etcetera. You're

not gonna have that. But also, like, if your intention is for these characters to never end, that was that both opens up a lot of doors for character growth but also restricts them a lot because of what makes this character interesting is this character flaw. You solve that character flaw, and well,

now you're going to do something totally different with that character. But let me ask you though, because and again maybe this is just more of the stuff that makes it the United States, and it is more of the minority. Part of what I think of when I think of the anime is those long shows, but also things like Cowboy Bebop or Uri on Ice or other stuff like that, where is one single season and one pretty complete story. Are those much more the exception? Or is there a lot of those but

just they kind of get dwarfed by the thirty season ones. I don't don't really know, Like what's I would have to look into, like how where Cowboy Bebop came from, and like how it was made, like it it's a series, right, like it's originally a series, because there there is there is a lot. There are a lot of movies that get made anime movies that get made in Japan. Series Sunrise twenty six episodes. I don't

I don't know. I don't know why it's different. Mm hmm, my guess would No, it is based on a manga, it says, but it was a very short run manga and it was only a year a year and a half hmm. So I don't know. My Without looking into the history of Cowboy Bebop. My guess would be that it was canceled or the artists like stopped for whatever reason, and that's what we get. But if I had the guess, yeah, it should have got kept going in the in the way that I've been talking about. That's fair, But yeah,

I think that's a big thing. Like when we talk about Batman, like, who do you credit as like making Batman who he is as a character? Right? Like do you go back to what's Bob Bob Kine? Was that right the origional the creator? Did you talk about Frank Miller who had like several influential books, Jeff Lowe, Grant Morrison, like these these are all people who have worked on Batman and have had influence that other people have ripped off of. Yeah, but it's led to like a very chaotic character

that often is probably inconsistent over the decades. I think even if you just look at just the TV and film adaptations of Batman, trying to say that the Michael Keaton character, the Christian Bale character, and the Batman's sixty six character are all the same character is basically impossible. They're fundamentally different people, all wearing the same hood and I think that's true of the comics as well,

as you know, it's just American publishing has changed. And that's true for Wonder Woman, it's true for Superman, it's true for Captain America. For Ray, the character has been published over little generations that they've changed quite a bit. Yeah, it makes makes sense, and I think that is

probably. As I said, a key element of anime's appeal is that you can have a character like Goku in Dragon Ball, and like I said, like I grew up with this character and took a break during some of the mayor projects I like have recently, I watched the thing and it's like, Yep, that's still Goku. Like fundamentally the character is still the same,

and there's I think there's a comfort to that. Yeah. Well, and we should definitely talk more about Goku, because all I really know about Goku is that he's very often paired with Superman, not even like in a story, but in terms of people thinking about them as very similar characters. And

just last week we did a whole episode on the Superman type. It was about in an interview with Alan Moore, but also we got into a lot of the Superman archetype of the character who's trusted to not do anything wrong with his power. So might be interesting to have a conversation about that that trope and how does Goku fit into it, and how are they different or similar?

Yeah? Absolutely, like Goku is like unfhasably naive and innocent, like especially like originally, like there was a story where a character uses a technique that like goes into someone's soul and expands the evil in their soul until they blow up, And Goku didn't blow up because he had zero evil within his heart. Wow. Wow, Yeah, I think it'd be a great conversation. Maybe we can get Jessica Plummer in on that one, so our residents

Superman Expert. Well, Wiki, this has been a fantastic conversation. Thank you so much, And they are the kind of last things you want to say to people. We're gonna in our bonus section do some recommendations of anime and some you know, maybe kind of foretellings of topics will discuss in the future, but just for now, any of the last thoughts you want to have on this conversation. I wasn't going to recommend something, so I'll save

that. And what I will say is to you in the audience, please write in with feedback, because a lot of this, you know, I tried to do some research on what studios are actually making the things that I was watching, and like what their influences are, but a lot of this is just like my vague impressions and opinions about anime. And and first off, like there's no I don't think there should be a set like box that

we put things in. So when I you know, when I say like something is or is not anime, like I'm not trying to like draw clear lines, but but I think, like just talking about it, it feels like there are aspects that I'm I'm sensing in them. So I would love to hear from you, especially if you watch like more diverse anime than I do, because like we didn't talk at all about like kind of the high school like romance drama anime, like that's that's very much its own genre that

I don't watch it all. I know Billy is part of the sports genre, which is another whole thing that I have watched HIQ, which is the volleyball one, and I enjoy that, but even that, the way that the volleyball is drawn is like very action almost combat yesh, So I'd be curious to see, like Yuri, if they do the same thing with the ice dancing my my, first of all, I need to point out as someone who has a number of people in their family who competed these sports.

Ice dancing and ice skating are two different different things. But my memory i've seen it a couple of years ago, is that there's a little bit of that, but most of it is hyper realistic to what they actually had, like professional ice skaters. They did like motion capture to like get some of

it, and that's cool. Apparently during the Winter Olympics around the time that was coming out, like all the Olympic ice skaters would get together in Olympic village and watch this together and be like, yeah, this is really accurate. And at least one person I know at one of the more recent Olympics did their ice skating routine that was basically as close as they could to a redoing of the finals. So to me that just cultural interlap. Is that's

aw right? Yeah? So well if but that definitely, like you said, lots of ways to contact us, all them on the show notes, all them on the website. Let us know to think, what's your feedback, what's the anime you love? What's the things that you think of? Like, what is stuff maybe that we're not knowing about that you actually think it's kind of anime? Similar? Pneumona is what actually that comes to mind now that I don't know if you've seen riki that sometimes heard referred to as

kind of anime? Is similar? So let us know. For the members, will be back very shortly with your bonus content. For everybody else, thank you so much, we have spoken. Star Wars Generations is an ethical Panda podcast part of the True Story FM network. If you enjoyed the show, please share it and leave rating a review in your podcast appa. The best way to support us is by becoming a member. Find information and all the links in the show notes. Thanks for listening.

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