Subtext: Conversations about Classic Books and Films - podcast cover

Subtext: Conversations about Classic Books and Films

Wes Alwan and Erin O'Luanaighsubtextpodcast.com
Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.
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Episodes

Kill Billy: Order and Innocence in Melville’s “Billy Budd”

Bill Budd is a beautiful man. Not just good looking, but exquisitely good natured, something that costs him no effort and has required no instruction. And yet it is ultimately his beautiful soul and good nature that get Billy killed. Wes & Erin discuss Herman Melville’s final and unfinished work of fiction, and whether a good heart and good intentions are more important than obedience to authority and adherence to civilized norms.

Nov 23, 20201 hr 32 min

(post)script: Post-Gatsby

Wes & Erin continue their discussion of "The Great Gatsby"; the ongoing development of our approach to the discussions; Arnold Rothstein and the fixing of the 1919 World Series; Fitzgerald's neighbors on Long Island, including Ring Lardner and Ed Wynn; the contemporary feel of the novel; the NYC movie-making scene in the early 20th century; Marilynne Robinson; and possibilities for the next episode, where because of a weird time warp we talk as if "A Woman Under the Influence" will follow "T...

Nov 16, 202013 min

The American Dream in F. Scott Fitzgerald’s “The Great Gatsby”

We all know this story, in part because it captures a period that will always have a special place in the American imagination. Prosperous and boozy, the Jazz Age seemed like one great party, held to celebrate the end of a terrible world war; the liberating promise of newly ubiquitous technologies, including electricity, the telephone, and the automobile; and a certain image of success as carefree, inexhaustibly gratifying, and available to all who try. And yet perhaps this fantasy is rooted in ...

Nov 09, 20201 hr 23 min

Being Yourself in John Cassavetes’s “A Woman Under the Influence” (1974)

John Cassavetes is known today as the father of American independent film, a pioneering writer, director, editor, actor who managed to make movies on his own terms, and has since inspired two generations of filmmakers. In his own day, however, he couldn’t catch a break--unappreciated and unseen by most of the public, lambasted by critics. But what contemporaries didn’t understand about Cassavetes’s movies may actually be his message. What can he teach us about authenticity and the ways in which ...

Oct 26, 20201 hr 17 min

Worrying about the Future in Mike Nichols’ “The Graduate” (1967)

Benjamin Braddock is a little worried about his future. He’s a recent college graduate who moves back in with his upper-middle-class parents and feels smothered by their vapid, materialistic lifestyle. But he begins an affair with a woman from his parents’ circle… And then he falls in love with her daughter. Like Benjamin, we wonder what the future can and should hold for us. Can it be free of the negative trappings of our society and culture, of our parents’ influence, of the past? Wes and Erin...

Oct 05, 20201 hr 21 min

Slouching Towards Bethlehem in W.B. Yeats’ “The Second Coming”: Part 2

Wes and Erin continue their discussion of W.B. Yeats’ "The Second Coming." In Part 1, they analyzed the first stanza of the poem, in particular Yeats' use of "gyre"; the meaning of the phrases "things fall apart" and "the center cannot hold"; and the conflict between aristocratic and revolutionary values. In Part 2, they discuss -- with a little help from Nietzsche -- the anti-redemption of the second stanza, and the meaning of Yeats' vision of a "rough beast" slouching towards Bethlehem.

Sep 28, 202043 min

Things Fall Apart in W.B. Yeats’ “The Second Coming”: Part 1

In 1919, the world seemed to have descended into anarchy. World War I had killed millions and profoundly altered the international order. Four empires, along with their aristocracies, had disintegrated. Russia was in a state of civil war, and Ireland was on the verge of its own. It’s these events that helped inspire William Butler Yeats’ poem “The Second Coming,” which famously tells us that “things fall apart,” that “the center cannot hold,” and that a new historical epoch is upon us. Just what...

Sep 21, 202036 min

Filial Ingratitude in in Shakespeare’s “King Lear”

Do we owe parents our gratitude for our upbringing? What if they haven’t done such a great job? And anyway, perhaps we inevitably resent all the forces that have shaped the characters that confine and limit us. If so, the quest for filial gratitude is ultimately hopeless. It could even be a kind of madness: a foolish attempt to transcend the same formative forces that we resent in our parents, to be “unaccommodated,” free of the “plague of custom.” Wes and Erin discuss William Shakespeare’s "Kin...

Sep 14, 20201 hr 26 min

The “Intelligent Way to Approach Marriage” in Hitchcock’s “Rear Window” (1954)

L.B. Jefferies has the perfect girlfriend—beautiful, intelligent, wealthy—but too perfect, he insists, for marriage. And so he spends his time spying on the love lives of his neighbors, and ropes his girlfriend into this project as well. Which, strangely enough, turns out to be a really effective form of couples’ therapy. What’s the connection between voyeurism and what Jefferies calls “the intelligent way to approach marriage”? Wes and Erin discuss Alfred Hitchcock’s 1954 film "Rear Window."

Sep 07, 20201 hr 12 min

The Acceptance of Mortality in Keats’s “To Autumn”

In this third and final installment of our series on Keats’s odes, we’re looking at "To Autumn," the poet’s last major work before his death at the age of 25. Keats’s elegiac meditation on the season also serves as a metaphor for his favorite subject matter, artistic creation itself. What parallels does Keats find between art-making and the bounty, harvest, and barrenness of autumn? And what can the poem teach us about loss and our own mortality? Wes and Erin discuss these questions and more.

Aug 31, 202056 min

Escape into Art in Keats’s “Ode to a Nightingale”

Second in our series on the odes of John Keats is "Ode to a Nightingale," in which Keats imagines a journey into the realm of negative capability, a concept introduced in our previous episode on "Ode to a Grecian Urn." Keats hears a nightingale’s song and it inspires him to ponder such questions as, what makes an ideal artist? How might we access the world of artistic creation? How does art unite humanity across the ages? Wes and Erin discuss whether artists, however inspired, can escape the anx...

Aug 24, 20201 hr 24 min

Truth as Beauty in Keats’ “Ode on a Grecian Urn”

The poet John Keats is famous for the concept of "negative capability," his description of the ability to tolerate the world’s uncertainty without resorting to easy answers. Literary minds in particular should be more attuned to beauty than facts and reason. In fact, truth in the highest sense is the same thing as beauty, he tells us at the end of his poem "Ode on a Grecian Urn." What does that mean? Is it true? Wes and Erin discuss these questions, and how aesthetic judgments might communicate ...

Aug 17, 20201 hr 8 min

Mastery and Repetition in “Groundhog Day” (1993)

When egotistical weatherman Phil Connors gets trapped in a time loop in Punxsutawney, Pennsylvania, he gets drunk, steals money, manipulates women, binges on breakfast food, plays God… and finally grows up. The story charts Phil’s development over the course of thousands of repeated February 2nds. Along the way, it raises questions about our own capacity for growth. How do we go about improving ourselves? How can we escape boredom? Achieve fulfillment? Wes and Erin discuss the 1993 film "Groundh...

Aug 10, 20201 hr 1 min

Love and Wit in Shakespeare’s “Much Ado About Nothing”

At the center of every courting ritual, there’s a great unknown. How do we know when we’ve met someone we can love? How do we know the other person is actually who they seem to be? In the beginning, all we have to go on is surface appearances, which amount to a kind of hearsay. The question is how to get beyond them. Wes and Erin discuss Shakespeare’s "Much Ado About Nothing," which seems to suggest that witty banter is more than just good fun, and has an important role to play in getting to kno...

Aug 04, 20201 hr 30 min

(post)script: Debut

With (post)script , get to know your quirky hosts, their existential doubts, and all the behind-the-scenes drama that's concealed by their staid demeanors, not to mention an ample Patreon paywall . Wes talks about his experiences with alien abduction, and Erin cautions against the use of mayonnaise. Erin then recounts her former life as deep sea fisherman, and Wes reminisces about his Fleetwood Mac cover band. All this and more, except probably in fact none of this. We do, we promise, chat about...

Aug 01, 202015 min

Expediency and Intimacy in Billy Wilder’s “The Apartment” (1960)

You know, it’s that old story of boy meets girl … girl is dating boy’s married boss … girl tries to commit suicide … boy saves girl’s life …. Okay, that sounds pretty dark. But somehow it’s the basis for a classic romantic comedy, Billy Wilder’s 1960 film, "The Apartment." The film raises the question of how we distinguish authentic relationships from relationships of utility and convenience. What cultivates human intimacy? What compromises it? When are we just using people? Wes and Erin discuss...

Jul 27, 202057 min

Marital Economics in Jane Austen’s “Pride and Prejudice”

An advantageous marriage is Elizabeth Bennet’s only potential escape from a foolish mother, a disinterested father, three very silly sisters, and a house that’s entailed away to her idiotic cousin Mr. Collins. But she turns down fabulously wealthy Mr. Darcy because he’s prideful—and maybe a little prejudiced. But then, so is she. How do we know if two people are well-suited to each other? What makes a successful match? Is Mr. Collins actually the perfect man? Wes and Erin discuss Jane Austen’s "...

Jul 20, 20201 hr 21 min
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