Weirdhouse Cinema Rewind: The Butterfly Murders - podcast episode cover

Weirdhouse Cinema Rewind: The Butterfly Murders

Nov 25, 20241 hr 27 min
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Episode description

In this episode of Weirdhouse Cinema, Rob and Joe discuss the 1979 Hong Kong wuxia film “The Butterfly Murders,” directed by Tsui Hark. The film certainly delivers on killer butterflies, but it’s also a moody gothic castle film, an action-packed showstopper and a bit of a slasher. (originally published 11/17/2023)

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Transcript

Speaker 1

Hello, and welcome to Weird House Cinema. Rewind. My name is Joe McCormick. Today we're running an older episode of Weird House Cinema. This was originally published November seventeenth, twenty twenty three, and it is about the nineteen seventy nine Hong Kong Woosha film The Butterfly Murders. Ooh, this was a good one. I hope you enjoy.

Speaker 2

Welcome to Stuff to Blow your Mind, a production of iHeartRadio.

Speaker 3

Hey you, welcome to Weird House Cinema. This is Rob Lamb.

Speaker 1

And I am Joe McCormick. In today's pick on Weird House is the genre defying nineteen seventy nine Hong Kong martial arts bonanza, The Butterfly Murders, directed by Shehawk. This movie is great. It has everything. It's part Wusha, part eco horror. I didn't expect it to be so much like like Frogs and other eco horror movies we've done. It's part murder mystery, but it's also all killer butterflies. That's right.

Speaker 3

This one's a real treat. It's almost like a fitting pre Thanksgiving dinner kind of a film because it's just stuff to the gills as we as we'll discuss. No doubt, this is perhaps a sense too of like talented filmmakers first movie Syndrome, where clearly they had had so many ideas that need to be unleashed on the world, and they're all present, you know. So it's maybe a little

a little bit overloaded in that regard. But yeah, there's so many interesting elements i'd throw in proto slasher, gothic horror, and also there's a little bit of the old reading of the Will drama thrown in there as well.

Speaker 1

Yes, absolutely, you know, one thing I really respect about this movie is that I don't actually know what it was called in the I guess original Cantonese marketing, but the English title delivers on the promise in a quite literal fashion. So it's called The Butterfly Murders, and the Butterfly Murders is not about like a serial killer who draws a butterfly at every crime scene or something. That's

what you would guess based on that title, right. It's always that kind of annoying fake out, But in this case, no, it is literally about people who are murdered by swarms of bloodthirsty butterflies.

Speaker 3

Absolutely, yeah, And I think my initial guess when I started running across this title was, oh, it's a serial killer. It's some sort of like, oh, he leaves a butterfly as his signature or something, but no, it's straight up butterfly sworms.

Speaker 1

Well, there are human intelligences behind the butterfly crimes, but they really are carried out via swarms of butterflies. Multiple reviews i've seen compare this film to Alfred Hitchcock's The Birds, and yes, I definitely see some similarities. I think there may have been some conscious relationship there. Except as absurd as the premise of The Birds itself was, at least birds have beaks and talons. This is about killer butterflies. And the crazy thing is this movie succeeds at making

butterflies scary. Well, I don't know that was my opinion. I don't know if you agree, Rob, but I was shocked at how creepy it makes the butterflies.

Speaker 3

Absolutely. I feel like it's essentially a goofy concept right because you can break down and say, okay, well, there are examples of butterflies and moths that have some level of toxicity to them, but there's no such thing as a killer butterfly. Butterflies are not threatening, and yet this movie on the whole succeeds in making them feel like at least sort of an ambient environmental threat.

Speaker 1

However, on top of just that home run of a premise killer butterflies, I want to say, across the board, I thought this movie was generally number one excellent, like really well made, and number two bananas. It is just nuts in basic every direction.

Speaker 3

Yeah, yeah, I agree. Now I do have to emphasize that this movie in its currently available international form is not an easy to follow film if you're trying to just absolutely absorb every detail of the.

Speaker 1

So much plot.

Speaker 3

Yeah it is, you know. It is a historic martial arts fantasy adventure film, a wusha, but it's it's one with the complex plot, multiple characters, parallel mysteries and feuding factions and all. That's perfectly fair. But the English subtitles

are rough. And while rough subtitles can prove perfectly serviceable for many films, Son of Peach and Thrilling Bloody Sword come to mind, and those have some really rough subtitles, but with this one, again, given on that complexity, it's an uphill battle because there's just so much going on to try and understand it just going off the subtitles.

There's also quite a bit of narration. So I'm not pinning any of this on the film itself or the people who made it, but it is a struggle to piece all this together at times while also taking in all the excellent details, those moody sets and the face melting action.

Speaker 1

I'm gonna say that I think you can watch this movie and get perfect enjoyment, like at least ninety percent of the potential enjoyment of this film without closely following what all of the factions and alignments and plot twists are. And I was actually wondering when we get into the plot description section of this episode, I kind of don't know how I'm going to handle it because I made detailed notes trying to follow the plot, but it is so complicated. I'm like, are we gonna have to skip

over a bit of this? I don't know. Yeah. However, I would not say that all of the complicated plot machinations are just like completely extraneous, Like you can enjoy the movie without trying to follow too closely, and at the same time, I think all of the plot twists are like really fun and exciting. It's just sort of twist after twist in the second half of the movie. Yeah.

Speaker 3

Absolutely, it never really lets up. There's always something captivating. It's almost too captivating. Again, if you're trying to follow everything with the subtitles. All right, Joe, what's your elevator pitch for the Butterfly Murders.

Speaker 1

Let's say a scholar, a gang boss, and a wireflying Marshall heroine walk into a castle haunted by killer butterflies.

Speaker 3

All right, let's hear a little bit of the trailer audio. Note that this is from a rather long trails, like four minutes long. I believe this is the original Hong Kong trailer. So we're just gonna hear a little part of it, but hopefully getting some of that excellent theme music in there. Sang Sunset Sun say Junny.

Speaker 1

Jump sum Away, see saw Babe? What can.

Speaker 3

Now? Before we proceed? You may be wondering, well, how can I watch The Butterfly Murders? Well, it's not an easy one to get your hands on. Unfortunately. Right now, this is a film where the best available quality is very watchable, but it has not benefited from restoration. Uh English subtitles. They're not hard baked, but they are rough, so if you are not a Chinese speaker, you're gonna

have some difficulties with it. It looks like it has streamed on Prime before, back when they had loads of weird stuff, but today you're limited to just a few hard to find region free DVDs or international release DVDs. We rented it from Videodrome here in Atlanta, and you might find a watchable unofficial stream somewhere. But yeah, this is one that it certainly has a following, and it would be nice to see a, you know, a really well produced release at some point in the future.

Speaker 1

I agree. I wish there was a really great Blu Ray restoration of this because it clearly is a fantastic looking movie. But even the DVD we had had a lot of I don't know, it was not in good shape. But there was a lot of like washed out color and weird kind of like pop ins of different color shades on certain scenes. So I don't know, it seems like whatever source film material they were working from was was not in the best of shape. I even found there was something of a history of this movie being

hard to get in good format. I was reading a post about it on I think dig hkmovies dot com. This seems to be some kind of website about Hong Kong cinema that points out that the only way that for many years that English speakers could watch the film was on a laser disc, which number one had like an improperly cropped aspect ratio on the on the screen. And also there was a quote commercial for an amusement park at the end of side one. So I almost

kind of want to see it in that format. That's like the like the commercials and the Star Wars Holiday special, like they're part of the experience.

Speaker 3

Yeah, I guess. I mean it's it's details like this, and of course, sadly like this is still in play for this film, but you know, it reminds you of the links folks had to go to to watch some of these films back in the day. You know, this on top of various VHS dot and you know, VHS dubs of a Japanese laser disc of some European release and so forth.

Speaker 1

But like we said, there are some sort of under the radar rips out there that are not great quality. It's not the best way you're going to see it, but this movie is worth seeing, so especially if you can get access to to the DVD that's out there, It's it's pretty cool. I'd recommend it.

Speaker 3

Oh absolutely yeah, And again, the best version that's out there is very watchable. This isn't one of those situations like with pod people or extraterrestrial visitors, where the previously available footage was just not great at all. More on that because we're going to refeature that one as a weird house rewind and I have some updates about the available quality on that film.

Speaker 1

Oh yeah, the old the old version of that was almost like watching a movie being projected in a cloud of smoke.

Speaker 3

Yeah yeah, this one though perfectly watchable. All right, let's talk about some of the folks behind this. So we already mentioned the director here Shika or she Heart or Shia Hook. I think you'll hear his name referenced in varying ways. We'll just keep referring to him as Hawk here. He was born in nineteen fifty Vietnamese born, Texas educated Hong Kong film director, producer, and screenwriter. He studied film at Southern Methodist University in Texas and then at the

University of Texas at Austin. Graduated in nineteen seventy five, worked in New York City for a bit. I believe he worked on a documentary about New York's Chinatown and then returned to Hong Kong in seventy seven. So this was his first film, and it was a bold attempt to revitalize with the Wushau genre with various genre influences and excellent cinematic craft. While apparently not a huge hit

at the time, it's now considered a minor masterpiece. I saw it referred to as such in an article in the South China Morning Post by Richard James Havs, and it's also considered something of a new wavessation in Chinese cinema. It's long been a cult favorite internationally as well. I was not surprised at all to see that Michael Weldon had it cataloged in the Psychotronic Video Guide from decades back. Now Hawk went on to have an exceptional career, and

it's still active as a director and producer. His directing credits include nineteen eighties Dangerous Encounters of the First Kind, nineteen eighties were Going to Eat You. That is a cannibal film nineteen eighty three, Zoo Warriors from the Magic Mountain nineteen ninety ones, Once Upon a Time in China, ninety three's Green Snake, and twenty ten's Detective d and The Mystery of the Phantom Flame.

Speaker 1

You mentioned Zoo Warriors from the Magic Mountain in multiple sources. I've seen that movie highlighted as sort of his masterpiece, or at least his masterpiece. If you're looking for like like weird Hong Kong cinema more instead of his Western.

Speaker 3

Movies, all right, we may have to come back and look at that one now. Purely Western audiences might know him best from his films from two films particular, Double Team from ninety seven. This is a film that starred Jean Claude Van Dam, Dennis Rodman, Paul Freeman, and Mickey Rourke.

Speaker 1

Have you seen this one, Joe, I don't remember if I did. I saw it before I could appreciate it.

Speaker 3

I think I look back to see what Ebert had to say about it. Roger Ebert wrote, Double Team is one of the most preposterous action films ever made. And I do not mean that as a criticism. It will give you some notion of this movie strangeness. If I tell you that Dennis Rodman does not play the most peculiar character.

Speaker 1

Great, I mean, I want to see it. Now.

Speaker 3

Another film that he did that international audiences might have heard of his Black Mask two City of mass from two thousand and two. It has a cast that includes Tobin Bell that's old Jigsaw where he saw fans, pro wrestler Rob van Dam, Tracy Lords of Blade Fame, and also Tyler Maine, who I think he played Michael Myers and some of the Rob Zombie films, didn't they And he played saber Tooth in the first X Man.

Speaker 1

Yeah, that's right, I have not seen it. I have not seen it either. I guess I feel like I don't think I've seen any of his other movies that I recall, and I've got to fix that.

Speaker 3

Yeah, absolutely, because there's so many of them, and it's he's had such a long career. Certainly the weirder entries. I'm interested in Zoo Warriors, I'm interested in the Cannibal flick, and who knows what else is in there?

Speaker 1

All right?

Speaker 3

The writers on this, we have Chiu Ming Lamb, who is active from nineteen seventy nine through nineteen eighty four, probably best known for this film along with nineteen eighties The Buddhist Fist in nineteen eighty four is the Ghost Informer, and then the other writer is Fan Lynn. This is their only credit on multiple databases, including Hong Kong Movie Database.

All right, now, getting into the actors a bit. I'm not going to highlight everyone, but try and hit our main main ones here and Joe you may have to jump in here because the names that I have are mostly the character are mostly off of IMDb. You might have a different version from the subtitles because I think the subtitles to dB eight a little bit spelled differently.

Speaker 1

Yeah, so our main character, according to the subtitles was known as Fong. This is the scholar, the nerd of the film if you like.

Speaker 3

Yes, And the actor here is Assuming Lao born nineteen thirty one, Hong Kong actor known for nineteen eighty sevens a Chinese Ghost Story, which we watched. He plays the tree devil in that nice two thousand and six is recycle nineteen eighty Seven's A Better Tomorrow two, as well as the two thousand and three film the Medallion. I think that's a Jackie Chan film. I don't recall offhand. I'm also going to just looking sometimes I just enjoy

finding strange titles on especially international films. There's nineteen eighty nine film titled Eat a Bowl of Tea? So why not? Why not eat a Bowl of Tea?

Speaker 1

I like his portrayal of this character. So he is the essentially the only non warrior character completely surrounded by warriors in every other direction. So he's not he's a he's a lover, not a fighter. But he's not really a lover either. He's a chronicler.

Speaker 3

Uh.

Speaker 1

And yet they don't portray him as like a like a coward. He is a brave non fighter in a way.

Speaker 3

Yeah, like other move other movies might have positioned him as more of kind of like you're sniveling even comic relief character, but he's more of a scholar in sort of the traditional It's so it's sort of in the traditional Chinese sense of of like, you know, he is he is a he is a noble scholar who is recording these strange events and sharing them with a with with the with the with the surviving world. Yeah, all right, we also have Oh what a character we have Green Shadow.

Speaker 1

I love Green Shadow. Sign me up for the Green Shadow fan club.

Speaker 3

Hees Green Shadow for specialty. Seems to be flying around on wires and grappling hooks, and he's in like wire based martial arts.

Speaker 1

I don't know when exactly this started in film, but yeah, this is. Her performance in this movie is cited as an example of what's sometimes called like wire fu or like wire work in martial arts films, but it's not one of those cases where like in some films, characters are depicted as having kind of a energy or magic power that allows them to sort of like fly or leap beyond what would be normally physically possible for humans, and that is achieved via wire based special effects. In

this case, she explicitly and openly uses wires. That that is her martial arts style, Like she swings from chords and wires and zips along on them and dangles from apparently just out of the sky on wires. Yeah.

Speaker 3

Yeah, so yeah, she's a wire specialist and she's a light played by Michelle Young born nineteen fifty six, Hong Kong cinema actress. This was not her first film and I think it kind of shines through because she has this kind of I don't know, just this sort of this effortless charisma in the film. Yeah, just just very likable. She's a lovable scamp and just did a light every time she's on the screen.

Speaker 1

In this situation of like death and disease and high stakes conflict and factional fighting and betrayal and secret murders, she's just always extremely cheerful and two steps ahead of everybody else.

Speaker 3

Yeah. So yeah, she's a lot of fun. She's also in the nineteen eighty cannibal movie We're Going to Eat You, and she was also apparently a popular force on Hong Kong television for a long time.

Speaker 1

Love Green Shadow, but I would say this movie actually has a lot of really charismatic martial arts heroes in it. The other main fighter hero we follow in this movie is Boss ten or ten Fung, and he I also found him super charismatic, even though he's less of a nice character than Green Shadow.

Speaker 3

Yeah. Yeah, he's you know, he's a professional criminal in and gang leader, but has this great stern face, this great presence. I would almost compare him to sort of a snake pluskin sort of a vibe, you know, an Old West kind of a vibe. You know again, very stern face, very stern presence, solid performance, great at great

great action role here. The actor is Shutong Wong, who lived nineteen forty four through twenty twenty one, Hong Kong actor and director, whose other acting credits include nineteen seventy two's Five Fingers of Death. He also worked as a stunt coordinator on various films, including this one.

Speaker 1

Yeah, so obviously his stunt work in the martial arts scenes is great since he's the stunt coordinator. But also I think he does really well as an actor. He's got a great face for the role. He has this kind of stone like kind of immovability in many scenes where you're just like, you know, no, he's not gonna budge all right.

Speaker 3

The next character we have is the Master of the Castle, Master Shum. I've also seen it as Shin in the credits. This is another strong screen presence for reasons we'll get into. But the actor here is Ku Chu Cheng born nineteen forty eight Taiwanese actor, active from seventy four through present. His other films include nineteen ninety one's a Brighter Summer Day. Ninety six is Maijong and nineteen eighty one's Love Massacre.

That's not a horror movie. It looks like it's some sort of a drama for some reason, as the English name Love Massacre Oki doki. All right. Now, there are a number of other like gang members and specialized fighters we'll get into. I'm not going to highlight all of them, but I have to mention the magic fire guy here. Yeah, Guya, who's played by Eddie Coe born nineteen thirty seven. Easily recognizable Shaw Brothers veteran active from nineteen sixty seven through present.

He acted in a lot of Wusha and did some notable Hong Kong TV back in the seventies and eighties. Eventually migrated to Canada and has appeared in such Western films as ninety eight's Lethal Weapon four and twenty fifteen The Martian, though I believe he's still quite active in Chinese cinema and TV as well. But he has this very expressive face, and in this movie he spends a lot of time blowing stuff up, catching his enemies on fire, and then laughing maniacally.

Speaker 1

You know, I was kind of surprised by the Thunders. Like when they were first showing up, it really catches you off guard because you don't really know whether they're good guys are bad guys. And that really continues, like

long after they have appeared. You're trying to figure out how to sort them mentally because this guy in some scenes he's kind of You're kind of with him, he's kind of one of the good guys, but also he is like he is a nasty fire shooting killer and he ultimately I don't well, I don't want to spoil the ending just yet. We will have spoilers later in this episode, but the ending is a shock and it involves him.

Speaker 3

Yeah, yeah, so fun character. I did. When a Thunder started really showing up in Earnest, I was also a little bit worried because I'm like, oh, my goodness, is getting more complex. Yeah, I'm not gonna give track of everyone, all right, Just one other actor I'll mention Tino Wong plays Thousand Hands Lea Kim. He was also the action director on the film. I'm not necessarily all in the clear on who did what on this movie, but he is credited as action director and not just a you know,

like a stunt coordinator or whatever. His other films include nineteen seventy eight Drunken Master and seventy eight Snake in the Eagle Shadow.

Speaker 1

Another great martial arts focused performance here.

Speaker 3

Yeah, and then the score is by Frankie Chan born nineteen fifty one, Hong Kong cinema composer, actor and director, who, in my non expert opinion here absolutely knocks it out of the park with a score full of more traditional feeling wusha motifs as well as bonkers synth notes that hit you right in the boards of Canada.

Speaker 1

And then there are funky parts.

Speaker 3

There's a little funk there too. Now I'm not clear on like how I couldn't find any details about the score, and I know sometimes you're dealing with a score in these movies that maybe are borrowing from multiple sources, So I can't say with any clarity how it all came together, or if this is all original, or if it's coming from other films or stock et c. But yeah, I loved everything I heard in the movie. That first synth cascade upon seeing a butterfly that really knocked my socks off.

Speaker 1

There are a lot of moments in this movie where you suddenly get an extreme close up of a butterfly, and then there's something that's I don't even know if I would call it music. There's kind of a rhythmic thumping or drumming sound that becomes very loud. It's almost like you are hearing the movements of the butterfly's legs or wings on the scale of an insect. But it's like a John Bonham drum fill and it's really cool.

Speaker 3

He's credited with composing on a number of other films, including seventy eight's The thirty Sixth Chamber of Shaolin, nineteen eighty's Encounter of the Spooky Kind, seventy six is Mass sur of the Flying Guillotine, And that one gives me pause on this whole, like how the music come together, because I know that's one that give memory serves famously draws from Western music sources.

Speaker 1

Yeah, too great effect, I mean, in a brilliant way. Yeah.

Speaker 3

He also is credited on seventy five's The Super Inframan, seventy six is The Oily Maniac. A lot of movies we've covered, yeah, And his directorial credits include nineteen nineties Outlaw Brother.

Speaker 1

All Right, you want to get into the plot. Oh, let's get into it, all right. So, as I teased earlier, it's kind of difficult to figure out how to approach this one, Like should we try to explain the whole plot or employed the skip a bit brother principle from Monty Python. I'm going to start off talking in some detail, and then if if we find this is too too much, maybe we can we can zoom out a little bit.

Speaker 3

Okay, sounds good, all.

Speaker 1

Right, So the film begins with narration. It shows a mist blowing in front of a full moon, and the narrator,

who we will later find out is Fong. The scholar tells us quote, in the thirty six year period before the New Era, two devastating wars took place in the Marshal world, and the idea of a martial world seems to be a sort of concept in this movie where it's like, this is the world in which all of the martial arts fighters sort of compete for power, and it includes especially whatever this character will get to in

a minute, Boss Ten is doing. He's in charge of something that seems to me to be maybe like mercenary armies, maybe a criminal gang, maybe some sort of pseudo or quasi governmental thing. But he just commands a lot of fighters. So he's big in the marshal world. Is that how you understood it?

Speaker 3

Yeah, I mean he's kind of like a master of a guild or guild of warriors kind of a thing.

Speaker 1

Yeah. So Fong tells us a narration that there was this first war in the dim Chong Mountain. Many were killed, Hungry condors filled the skies. There was a second war in Wodong Mountain or in the bottom of Wodong Mountain. It says there many were killed again. And then it says from that time onwards, quote, most masters in the martial world were all dead. Thus the martial world entered the Quiet Period, lasting over thirty years. On the surface,

it was a strange truce. In fact, there were undercurrents of unrest. Then emerged seventy two new forces termed these seventy two Trails of Smoke, heralding the dawn of the new era. And then here, while the narration goes on, we see this barren sandy landscape with smooth white sand, almost like a beach, though I don't think it's a beach. I think it's a desert. There are mountains in the distance, and then in the foreground there is a single, lonely tree branch blowing in the wind.

Speaker 3

So already we're kind of in the deep end here.

But I love the texture that has presented because, at least as far as I was understanding the subtitles on all of this, like it's almost the post apocalyptic setting, Like the warriors have become so skilled that they killed each other and killed everyone off, and so we're in this momentary, peaceful period, but there are still these undercurrents of like reaching and grasping for the old military technologies and tactics that will of course inevitably bring us back up to where we were before.

Speaker 1

That's exactly right. Yeah, that's how I understood the setting. There used to be a bunch of martial arts heroes. They all killed each other. Then there were thirty years without martial arts heroes, and now the martial world is returning.

Speaker 3

This would be a great They keep doing, you know, sequels to all these fighting games, and it's always the same thing every time, like do this instead.

Speaker 1

Yeah, I think it's a good prim Okay, But the narrator goes on to explain his own place in this, he says. In these warring years, a traveling scholar, untrained in martial arts, recorded the important events of the era and sold them for a living. His name is Pong, and I am that one, he says, to this martial world. I was an observer, but inevitably I become totally involved.

Speaker 3

This is a good sort of taste of the subtitle character. Yes, is that it's it's you can follow it, but there's a little but there's some nuance missing there.

Speaker 1

Yeah, there's some translation issues and things get clearly getting lost in the translation to the English subtitles. We can mention a few more moments like that as we go on, but overall, yeah, you can follow what's happening. So we see we see a man come over the horizon and crunching through the sand. He wears simple robes, appears to be a humble and quiet fellow, and this is Pong. Fong approaches a castle surrounded by tall grass, and then there is an explosion in one of its towers, and

then the narration continue. Returning from Tibet in the twenty fourth of the New Era, I met ten Phone, leader of the Ten Flags, and intriguing encounter and then in a quite funny way, there's a sudden cut to just like funk music like heavy funk groove and wikiwiki guitars. So on screen we see a hand of an unknown person reaching for the sky, fingers curled into a fist, and then the hand opens to reveal in its palm a butterfly. The butterfly flies away title screen, the butterfly murders,

and we get a song with lyrics. So I want to say what the lyrics are. As translated in the subtitles here, the lyrics are Smoke arises, Blood is in the air, life of death. I must face it, trying to escape, yet you are already trapped. Suspicious arise, Confidence shattered, one whiff and I am down forever. Who is to grieve? Who is to be glad? Isn't this all?

Speaker 3

From the Bridge to Metallica? Is one? Like I can just imagine it, James Hetfield belting it out like da da da da.

Speaker 1

Dut confidence shot dada. But no, it's it's a kind of uh lilting ballad sort of melody.

Speaker 3

Yeah, it's nice. I think you probably hurt part of it in the trailer audio we played. But now you know what it's said roughly.

Speaker 1

All the while this opening credit sequence, while the music is playing, it is trying really hard to make butterflies look menacing, and to my surprise, succeeding. We see butterflies landing and alighting from rocks along the bank of a mountain stream. Then there are several shots where butterflies are not flying, but perched on the rocks and just sort of pumping their wings rhythmically while they stay perched there.

I've seen this movement before, of course, never thought to interpret it as threatening, But for some with the right focus, somehow it does look a bit that way. It does look a bit like like some kind of I don't know, like predatory animal flexing its jaws. It's interesting how framing can change the way you see an utterly harmless animal. Oh but also I thought, before the song is finished, it just cuts off like in mid line and smash edits to a roaring waterfall with no music playing. So

here it goes on introducing the characters. It says, the powerful Tinfong leads his ten flags of men, so I think he rules. The ten flags are ten different gangs or guilds of martial arts fighters, and so overall what he leads I think is known as the Tin Clan, but there are ten different gangs within it, and they're like color coded, so there's like the red flags and

the white flags and so forth. And the camera pans and we see the bodies of many swordsmen lying dead on the rocks in the middle of a river, with blood running into the foamy rapids and swirling around them. I think this is supposed to indicate like, these are the enemies of Boston. Boston has defeated them all. When it cuts to something else, it's like, Okay, here's here's

a scene for you. It happened in the twenty fourth of the New Era, on the sixth day of the sixth month in bar Bridge paper mill founded for over eighty years, an unusual incident happened. That's the narration. So here we see a pre industrial paper mill in operation. Workers are boiling down wood products and rags in water, pounding out sheets of paper and hanging them up to dry. But it's not just a paper mill. This appears to

be a combination paper mill and printing press. So some of the workers are in like a different part of the setting, are arranging type blocks and pressing them with ink and then pressing paper against them.

Speaker 3

I loved all the little details in this sequence. I feel like he does a really great job establishing the setting and the sense of enterprise here. It was just really drawn in. Again, this is a technically a very proficient film, so you know, all this stuff that might be sort of wasted motion in a lesser film is all very ink.

Speaker 1

I agree. I feel like this director is really skilled with setting and situation. This is a movie where you always have a really good feeling of where you are and what it feels like where the scene is taking place. Yeah, now here we get our first real time scene with dialogue. A man, a kind of suspiciously behaving man, comes into the paper mill with a proposition for the boss. They

sit down and share a cup of tea. The boss I believe he smokes his pipe or something, and the visitor produces a book in what looks like scroll form from his satchel. He asks if the mill would be able to print five thousand copies of this document within ten days.

Speaker 2

What is it?

Speaker 1

The mysterious visitor says he came across this book by accident, but that it is the memoirs of Pong describing the quote unusual events of the last ten years, and this causes like a music sting. The boss is surprised. He almost sort of spits out his pipe, and the visitor says that the boss will make lots of money by selling this book. Okay, so the boss of the paper mill is not just making paper, not just printing on it, but I think also operating a bookstore and selling books.

But anyway, the visitor is like, okay, print up this book, sell a bunch of copies. You'll make money. Oh and just in the middle here we get this little interlude where it's just showing us the printing the printing press workers who are arranging the words on the type blocks, and they're narrating. One is narrating the text to the other while he puts the characters in place, and the narration goes, my beloved came riding on a bamboo horse, and the guy kind of sings along. I just really

liked this moment. Yeah, But the boss says he does not think that these pages are authentically the work of Fong because they do not match Fong's handwriting, so he knows what Pong's handwriting looks like. And then next thing, paper mill workers find the boss dead, hanging upside down in the back of the print shop, and the visitor is gone. He seems to have busted out through one

of the windows. It's very eerie. There are all these papers hung up on clotheslines for the ink to dry, and they're they're flapping in the wind from a smashed window.

Speaker 3

So already we have printing press drama in this film. What was going on? What was this mysterious apparently fraudulent work that was they were trying to get published and distributed. We'll we'll find out later on in the film.

Speaker 1

Yeah, why would this guy kill a print boss for refusing to or for refusing to print this book or for recognizing that it was not Fong's handwriting? Well, next to the narration tells us that the bar bridge, the place where the printing press was and the paper mill was, was in the territory of tin Clan's White Flag. So that's one of Boston's gangs. So it's like they control

that area. Uh, And so it says several days afterwards, we see someone in a wide brimmed hat running through a field of tall weeds pursued by a gang of men with hooked blades. He has caught and unmasked, and it is the guy from the paper mill, the visitor who brought the who brought the scroll and apparently killed the boss there, and the White Flag warrior who captures him says, poisonous Wasp, you killed the paper mill's boss. The White Flag leader tries to interrogate him, He's like,

why did you kill the boss, but the stranger doesn't answer. Instead, he tries to fight his way out of the situation, and he gets killed. So no answers there.

Speaker 3

They'll refer back to him, I believe as wasp. So apparently poisonous Wasp was not like they weren't caught, you know, it wasn't profanity. It was like, that's just his name. He's poisonous Wasp.

Speaker 1

Yeah, okay. Narrator goes on to say in the sixth of the New Era, drought struck bandits abounded. The living was difficult, starvation caused cannibalism. Those still strong enough were busy digging up graves. Thirteen royal tombs in Wei Ying were dug up in one night. General Ping Nam's tomb in Butterfly Valley was rumored to be full of treasures.

Ah okay, so there's a grave full of treasures. And we cut to a spooky scene of workers out in the middle of the night, swinging pickaxes in a grove of trees by yellow lamplight, and suddenly they stop digging. One of the workers asks what's wrong. Another one says,

it seems like they're being watched. Then a lamp swings from a branch, and these patterns of light and shadow rock back and forth in the tree canopy while the workers are watching, almost like they are expecting something to come down at them from above, and there's this whispering wind. The atmosphere in the scene is so cool, and after

listening for a moment, the workers start digging again. But in the foreground we see a single black butterfly flutters down from the sky and it lands softly on the bark of a tree branch. Then you pan to tree limbs directly over the worker's heads to reveal the branches are covered in butterflies. Normally that wouldn't seem so menacing. Here it really does. There are these very effective close ups of the wings flexing and the spiral shaped probosis

like unfurling and catching the light. And so just when the workers strike a hard surface at the dig site, suddenly the butterflies explode with activity, swarming all around the men. The men scream in pain, They're terrified. They fall to the ground. Somehow the butterflies are killing them.

Speaker 3

And again like it's effectively done. The animals attack element of this film is on the whole more believable than most of the other all animals attack sort of films that we've talked about in the past, Like far more terrifying than frogs.

Speaker 1

Yes. Agree. Also, there was a green fireball in the scene. I don't know what that means, all right. So amid all these hard times and bad things going on, we finally see a meeting of multiple tin Clan warriors. So the White Flag Warriors meet with warriors dressed all in red. I guess these are the Red Flag Warriors. They are gathering on a cliff on a misty mountain slope. The Red Flag gang is led by a woman named number ten. The White Flag gang is led by a man named

number three. Number three says their boss has been acting very strange since he acquired the twelve districts. I guess that means he gained power over twelve territories. I don't think this information is important, but just to give you a flavor of like all the complicated like numbers and factional naming that happens here. One of number three says, since the Yellow Flags ran down the Pangs, the ten Klan is the third most powerful of the seventy two. Since then, Boss has quietened.

Speaker 3

Yeah, yeah, it does. Again. Part of it is the fact that the subtitles are a little bit confusing. It may not be the case if you're watching it, you know, as part of the intended original audience. But yeah, a lot of this feels like maybe we could have cut this and maybe simplified it a little bit, because it's not all going to be essential once we get into the second half of the picture.

Speaker 1

But the Red Flag Leader and the White Flag Leader discussed it. They talk about how they think Boss ten is trying to gain repute and that there there's a vendetta among the seventy two. I guess the seventy two what was it called smoke trails? Yeah, that I guess are different different gangs arising in this new era. And so the fights between them cannot be solved. And their boss, the boss of their gangs, is trying to look good. I guess trying to get repute.

Speaker 3

Yeah, just a great deal of martial arts gang drama going on.

Speaker 1

Yeah, and then done, dun done. Suddenly heavy music sting, heavy bass and sudden, and the boss is here. The boss pops up. This is the first time I think we've seen Tinfung. He's also got another guy with him. They sort of jump out from behind a rock and everybody's like boss, and oh boy, Tinfong the boss has magnificent hair. He's standing with one leg up on a kind of pulpit of rock on the mountain side, overlooking

the gang members. Underneath him stands some kind of lieutenant that we later find out is named Big Eyed, who's wearing like pink robes and a cape. Tinfong himself is wearing a cape or a cloak and this like cool black outfit with kind of a V neck. He's just got rock star hair. He looks really cool and stern and like, yeah, he would be a good gang boss. I think. Yeah.

Speaker 3

If he were to ask if we could dig it, I would have to agree.

Speaker 1

We can dig it. Yeah, yeah, But he explains to his fighters. He says, three days ago, Shume Castle sent me a secret letter. The master of Shume Castle and I only met once five years ago, yet he's asking for my help. An unusual event occurred at the castle recently. They say what event, and the Boss says, butterflies. Bathel looks all around.

Speaker 3

Now we have we have a call to adventure here, we have the invite to the spooky Castle.

Speaker 1

That's right.

Speaker 3

Uh.

Speaker 1

Then and then specifically, this is another one where I would guess that the original line is delivered in a very hard hitting fashion, but the way it's phrased in the subtitles doesn't quite capture it. The sentence that he speaks is they found butterflies which kill in the castle.

Speaker 3

Yeah, yeah, I mean it, clearly it's better in the original language, but that's what we get via subtitles.

Speaker 1

But here we get like a cut to an extreme close up of a butterfly head. The heavy drumming sound I mentioned earlier, and it's laying that groundwork. It's making butterflies scary. So the Boss says, I'm going to go to the castle. I need the white flags and the red flags to go ahead and set up checkpoints on the paths around the castle, to surround the castle and monitor who comes and goes ahead of time, and I'll

be there in three days. Meanwhile, just to emphasize again, like how cool a lot of the settings are here. The landscape are Boston. While he's giving the speech is just livid, like there are jagged rocks everywhere, the earth is belching out these clouds of fog, and there is just a steady rumbling sound under everything, like there's maybe a volcano erupting in the distance or something. Yeah. Yeah.

Speaker 3

Oh.

Speaker 1

Also, Tinfung sends his lieutenant Big Eyed, to the castle ahead of time to sneak into the castle find out what's going on. So Big Eyed says, all right, boss, and he goes to do that. But next we follow Tinfung on the road, traveling alone, apparently in disguise in a hood and cloak. There are a lot of disguises in this movie, but he's walking along a path in the country and then he suddenly stops and calls out, you've been following me for two days, come on out.

And so whoever he saw he do does come out, and it's green Shadow yeah, yeah, yeah, first Green Shadow scene.

Speaker 3

Yeah, and she's just instantly delightful.

Speaker 1

So Green Shadow swings through the air, crosses the path in front of him, then appears dangling from a rope. Green Shadow is a young woman dressed in sort of forest green robes. She is kind of a cross between Spider Man and Predator. So, like like the Predator, she uses the trees, you know, she swings from branch to branch, but like Spider Man, she's kind of a web slinger, like she swings from wires and ropes and zips around

on them. But also she's just so positive, Like Green Shadow has a really friendly and exuberant personality and she always knows something that other people don't. Yeah.

Speaker 3

Yeah, she's on top of the situation and she's she's she's here for a good time.

Speaker 1

Also in the scene, I don't know if tinfoone is just he happens to be crushing a butterfly in his fist, but he gets around asking Green Shadow, why are you following me? And she says, I've always been interested in other secrets. Yeah, we can tell Green Shadow you know everybody's secrets before. Yeah, you clearly are are nosy. Now they appear to have some kind of pass like they know each other. It's not not really fully explained, but I don't know if they've been enemies in the past

or allies, but they know each other somehow. I don't know if you caught any detail on that I missed, Rob.

Speaker 3

Now I just kind of picked up like maybe it's like a professional thing, you know. It's like, well, of course I know Green Shadow. Everybody's heard about the exploits of Green Shadow, and of course Fung is the boss, so everybody knows who Fung is.

Speaker 1

But we do know she's not one of the seventy two factions that are fighting because Green Shadow warns him. She says, many amongst the seventy two are coming for you. Boss Ten says they'll all end up the same. Green Shadow says, I'm not amongst the seventy two, so I should be the exception. So Green Shadow offers to help him. At first, he's kind of stand offish, but she reveals she knows a lot. She knows what's going on. She knows he's going to the Shum Castle. She knows what

happened at the Barbridge paper Mill. She knows about the murder and the eight pages of Fung's memoirs. She reveals that she knows about the killer butterflies since they are mentioned in the memoirs that were that the guy was trying to get published at this paper mill. Tin Fung is like, you believe in Fong's memoirs, and she says, yeah, he actually knows a lot. And Ten reveals his anti

scholar bias here. He's like, it's easy for scholars to talk, but there's a great difference between writing and fighting.

Speaker 3

Yeah, and this will come up time and time again.

Speaker 1

Good point, So Ten isn't going to trust Fong. But then Green Shadow makes a good point. She's like, at least he's not amongst the seventy two, so you know, Ten knows he's not one of the enemies that's coming for him. So they agree to go to Schum Castle together, just as he ordered. Tin Fung's gang is already there ahead of him, and they report that there has been neary a peep from the castle, no lights, no smoke,

it's like there's no one there. And Big Eyed, the lieutenant who is sent ahead ahead of time to investigate the castle and report back, nobody's heard anything from him, so they go inside inside the castle walls. At first, everything appears deserted. The courtyard is kind of barren. It's the sandy rectangle of earth with no signs of life. It's almost even like a lot of the like. All the furniture has been removed from the castle. It's just empty.

And Tin Fung's men and they scour the grounds. They run along the battlements at the top of the walls. They run in and out of the buildings. Tin Fung himself wanders into one room where a massive shape of some sort is hidden underneath a curtain. He pulls the curtain away to reveal a demonic statue. Seems to be some kind of malevolent, predatory or dragon like figure. It's got real like Pazuzu statue from The Exorcist energy.

Speaker 3

Yeah, it definitely has more of the vibe of a European or American Gothic castle set as opposed to like a really ornate Chinese dragon. Because I mean, it is obviously a set, and we'll see it later when it of course explodes, because you can tell, you can tell this was made to blow up. This thing's blow up and crash at some point, and it will in spectacular fashion. But yeah, this scene and all the other Like again,

the director just does a great job establishing location. You know, where you are in the castle, and especially as we begin to add on different sections of it.

Speaker 1

I agree as an aside, I feel like that is a really important and underappreciated skill in filmmaking, underappreciated by a lot of audiences. The importance of a director making you using film to make you understand and feel a setting. You know, there's some filmmakers who are really good at this, like I would pull it, like the Coen Brothers are really good at making you, like understand the feeling of

a room where the scene is taking place. Of course, a lot of good directors are able to do this, but a common feature of bad filmmaking is that like, scenes are taking place in a setting where you don't feel like you understand where you are right And this is the opposite as we were saying, that the settings are really well established, you feel them.

Speaker 3

Yeah, And it's effortless and it doesn't require language at all. So it's one of those things that the subtitles don't get in the way of that because it's speaking directly to you no matter what your native tongue is right.

Speaker 1

But anyway, the White Flag fighters come to Tinfong to inform him that they have found Big Eyed. Big Eyed is dead, his body lying beside a pond in the courtyard. His skin is covered in scorch marks and black smudges, and inside his clenched fist is a butterfly. Of course, Tinfung is furious at this to find his lieutenant dead. Just then he and Green Shadow finally meet someone who appears to be an inhabitant of the castle. It's a

young woman holding a lantern. Tinfong runs up to her and tries to question her, but she seems either unable or unwilling to speak, and she also seems afraid of him, and they wonder why. Tinfongs like, why is she carrying a lantern in the daytime, but Green Shadow, who again always seem to be mentally one step ahead, says it's

because she came from underground. Green Shadow's right. They rush around the corner to find a cellar door propped open, and then the young woman with the lantern leads Tinfung and Green Shadow down the stairs into an underground tunnel, where they meet the master of the castle. It is Master Schum. He's very glad they've come, and he escorts them deeper into the rocky catacombs, where they find a kind of improvised living space illuminated by torchlight. So down

in the space is Master Shum. There is the girl with the lantern, whose name we learn is Chi. And there is the Madam of the castle, Madam Schumer, Ladyshum. Also there is another guest who has arrived. It is the scholar Pong, remember him from earlier, He was the narrator. This is the alleged author of the eight pages of memoir from the incident at the paper mill. And as we could expect, there is tension between Tinfung and Pong.

Boston does not trust him. He says, although your memoirs have some repute, a scholar like you can only get in the way and make things worse. He's not a fan of these nerdy scholars. But Master Schum says, hey, he needs Fong here. He invited him here to chronicle the events that have happened and to make an accurate report of what's going on at the castle, to serve as a warning to others.

Speaker 3

All right, so already you know We've got this strong mystery gothic plot developing here, mysterious castle, strange events. People with diverse backgrounds have been invited to witness what is unfolding there.

Speaker 1

Here. Master Shum explains the backstory, and so we see it like re enacted as he tells it. He says, earlier this year, on the fifth day of the fifth month, there was it was a day to commemorate his ancestor's death, and so we see a sort of temple shrine within the castle grounds and there are offerings. There's like a roasted chicken and a pig's head and a fish being

offered up, I guess in honor of his ancestor. And the first strange occurrence here is that during the celebration, a servant finds a reeking display in one of the rooms of the castle. It looks like some kind of dead tropical bird hanging upside down with its feathers covered in blood, and it has a butterfly in its beak. Second event is one night Lady Shum is weaving in her chambers and is bitten so that blood is drawn, but she's bitten by a butterfly that lands on her

neck and then on her hand. After this, the servants decide the castle is cursed. They start running away, leaving the Schum family by themselves. One day, Master Shum finds that masses of butterflies are swarming around the outside of the windows, and the butterflies attack. They kill his last loyal servant, as Master Shum himself barely escapes with his life into the underground tunnels. So now it appears to be just Schum, Lady Shum and she living down there

in the tunnels. Everybody else is dead or has fled the castle.

Speaker 3

And this is a great set, Like the more details we get, the more amazing it is. Yeah, it's like they're living underneath the Gothic castle in this complex that it seems just increasingly. I mean, it's expressly described as a labyrinth later on, with lots of confusing twists and secret passages.

Speaker 1

So just great setting, agree, And I love the rooms they find in these passageways later on. But oh, we also get some backstory about the third person there, about Chi, the servant. Lady Schum explains that she found her alone while traveling away from the castle years ago, that she was deaf and mute. So the lady. So Lady Shum brought Chi back to the castle with her to live there and serve as her personal maid. So we met

all the characters here now. Later that night, Fong the scholar and Master Schum have a conversation in Master Shum's secret meditation chamber where he's got like a he's got a go boards.

Speaker 3

I think, yeah, I guess it's supposed to be like a study. I think we might more realistically think of it as his secret study.

Speaker 1

Yeah, so Fong says, why did you bring me here? And Schum says, do you believe in ghosts? Fong takes a diplomatic view that I think could be read multiple different ways. He says, ghosts exist if you believe in them, otherwise they don't. And I feel like you could there are a few different ways you could take that. I don't know how you read it, Rob.

Speaker 3

I mean, I took it to be like Thong is a no nonsense kind of guy. You know, it's like that that realizes that belief in ghosts is a powerful thing, even if ghosts don't exist.

Speaker 1

Yeah, yeah, that's sort of how I took it too. But then I also wondered if, well, maybe he means, like, ghosts do exist and have power, but only over those that believe in them. And yeah, but I don't know, Yeah, either way it works. Yeah, anyway, Master Shum starts talking about the anniversary of the death of his father, and there is a there was a funny moment here with like the way the subtitles work, with like the timing.

Master Shum says he's killed by butterflies ten years ago, and then there's a music sting and Fong bolts up from his chair. But then Master Shum says kind of sadly that his father didn't believe in ghosts, and for this reason, he had no worries about trying to dig up the buried treasures of the General of Pinan or General Pinan. I think this is maybe the same tomb we saw being dug up by people earlier in the movie.

I don't know if it was supposed to be a depiction of the same scene, but you know, people digging for treasure in a general's tomb, though the general's name appeared to be spelled differently.

Speaker 3

Yeah, it has to be the same, right, Yeah.

Speaker 1

Master Shum says his father lived peacefully for ten years after this act of grave robbing. But then one day ten years later was attacked by a swarm of killer butterflies. They assaulted the castle in the form of a cloud and descended to slaughter many men that day, and in the reenactment we see butterflies circling the towers in the castle walls. They leave soldiers and servants lying bloody in the courtyard. There are a lot of these sickening close

ups of butterflies crawling over dead men. And then another line where I think it's not supposed to be funny, but something gets lost in the In the subtitle, Fong says, don't worry over it, let's work out together.

Speaker 3

Yeah. The subtitles are again generally confusing in places, but rarely like actually, goofy, This is I think maybe the one real exception, And I had a nice hearty laugh about it.

Speaker 1

I think what it must mean is let's work it out together. I think he's saying like, we will solve the problem. That's how I took it, right, Yeah, that's I think clearly what they meant. But I also I couldn't help it. Then imagine like, yeah, let's go work out, let's let's hit the weights Yeah, some of these characters might work out together, but I don't think it would be Fong who would do it. He does not even lift. Okay. Meanwhile, we get a report to Tinfung about Big Eyed and

how he died. They say that his wounds are made of numerous tiny holes and his skin is swollen, all symptoms of poison. And in a line that will be repeated by many characters many times throughout the film, someone says, are there really killer butterflies? It's sort of unanswered. It seems like maybe there are. There are some general creepy stalking around in the tunnels in the dark. Who's following who? I don't always know, but Green Shadow is in the mix here somewhere.

Speaker 3

Yeah, kind of the Scooby Doo section of the film. There's a lot of creeping around. Who's creeping? You're not really entirely sure, but hopefully masks will be pulled off later on.

Speaker 1

Oh boy will they? So Suddenly the sneaking around is interrupted by a scream. One of Tinfung's White Flag soldiers is found lifeless on the ground up above, killed in the same way as Big Eyed. I guess by the butterflies, they're really piling on the butterfly deaths at this point, so Bosston he comes up with a solution, gets his warriors together, and he says, cover the castle in nets. So surely these nets will prevent any butterflies from getting in. Is that going to work? Is it going to work?

Of course not?

Speaker 3

But will it look cool? You bet it will.

Speaker 1

They're like, they're really just like stacking butterfly murders every couple minutes at this point between the flashbacks and and what's happening in the present, So we also see the Red Flags out hunting. It's mostly like the White Flag warriors who are hanging out at the castle with Boss Ten. We see the Red Flags out hunting for butterflies with handheld nets, and they remark that there is not a single butterfly to be found in a twenty mile radius.

Where could the killer insects be hiding. But here we're about to get into some investigation scenes, and just a warning if you want to go into this movie without any of the surprises spoiled, you know we're about to spoil things as we go along, So before warned. Inside it, Night Fong, the Scholar, and Green Shadow meet in one

of the tunnels to discuss the castle. They conclude that there has to be a secret entrance to the underground labyrinth, but they cannot find the door, even though they've both been looking for it. So while they go looking around, they come across a hidden room with these hanging screens covered in thousands of dead butterfly specimens. It's like a lepidoptery collection.

Speaker 3

Now this is highly suspicious. Now we seem to be getting somewhere with the butterfly mystery.

Speaker 1

Right, So Fong and Green Shadow discuss whose work the collection could be, possibly the servant Chi. They note that they both thought that Chi had been with them separately at the time the White Flag soldier was found killed the previous night. So how could Chi have been in two places at once. Hmmm, we'll come back to that, but oh no. Next, Master Shum is attacked by butterflies inside his meditation room. He's but he's like locked inside

the room, so they cannot go in help him. The door is locked from the inside, and everybody's watching through a grate in the door as he is killed by a swarm of butterflies. Eventually they are able to blast the doors open with gunpowder but it's too late. Master Shum lies dead on the floor, surrounded by pieces from his go board. Oh boy, Rob, I know you like a will reading scene, don't you.

Speaker 3

Yeah, this is where we get the will reading, where it's like, oh, he left a will? Should we read it? Should we gather everyone together? Are there agents or individuals out there who don't want us to read the will? Oh? I think that might be the case.

Speaker 1

So yeah, Lady Shum says, Master Shum left an unusual will. It says, quote, my dear wife, I have a wish left. Let out the message carrying pigeon, and in three days time, Shin, Quack and Lee will arrive. I have a letter to be read to them. Remember, read it in all three's presence. Remember, So these new characters are being introduced in Quak and Lee. Who are they? Well? Fong says that it's rumored that

ten years ago a very knowledgeable hermit lived. Not only was he an excellent martial artist, he was also learned in the human sciences, and he had four students known as the Thunders. Now one of the students, one of the Thunders, was named You, and You is now dead, but the other three are Lee Schin, and Quak, and they are the three mentioned in the Will. So here we get a summary of the three Thunders courtesy of Fong. Fong says, first of all, Lee, Lee is best at

small hand weapons. He is called the Thousand Hands. His attacks are totally unexpected. His expertise is second to none. Second we have Quawk. Quak is also known as magic Fire. He quote has the most killing power. And here we cut to a raven flying a scream and men lying scorched on the rocks. And apparently he wiped out a sect known as Fireball in one night. So there's some indication that Quak can like send a bird that somehow leaves men lying scorched on the earth. How does that work?

Who knows. Finally, there's Shin, who is known as Flying Cloud. Nobody knows what he looks like, and he once went through the Forbidden Palace. They say, I don't know what that means. Do we eventually see Flying Cloud. I'm a little hazy on this. I you know, I'm confused. There may be something I missed. I totally admit that it may have gone past me, But I don't think Shin

actually appears in the film. Okay, unless it's like the secret identity of another pre existing character and that's revealed at some point and I missed it. Okay, I'm not alone there, Okay, I don't think so.

Speaker 3

Okay. The other two we definitely see though, and they play important parts, especially Quark, who mentioned in the cast.

Speaker 1

But they're both really cool. So the Thunders are on their way, and Tinfoam warns his fighters not to confront the Thunders. This is a danger situation because on one hand, you've got Tinpholm's warriors. You know, they're fighting for power. But the Thunders are these other extremely dangerous martial heroes, you know, these people from the martial world, and you put the put them all in the place together, They're

they're going to fight. I think at some point Boston says, two Tigers can't exist at the same time.

Speaker 3

Now, not discounting other influences, of course, but I mean, one can't help but be reminded of John Carpenter's later film A Big Trouble in Little China, in which we have the four Storms, who are exceptional martial artists slash sorcerers who have all sorts of crazy weapons and abilities, and you know, here we have the three Thunders. So you know, I can't help but wonder if this had any influence on the ultimate form.

Speaker 1

Of that film. Well, I think I've read somewhere that the same directors other film, Zoo Warriors and the Magic Mountain, was a major influence. It's on a big trouble.

Speaker 3

All right, we'll have to come back to Zoo lawyers. It just sounds too entyson, but.

Speaker 1

The film goes a great length to express and it's good to hammer home here that this is a dangerous situation having Boss ten and the Thunders in the same place. Because these are rivals, they are likely to come into conflict. Now. Next, there's a scene where Fong, the scholar, questions Chi, the servant at the castle. He asks her about the lepidoptery room with all the butterfly specimens, and she confirms that

it is Master Schum's room. And then Fong asks her why there are two cheese, because you know, remember he and Green Shadow both were with Chi in different places at the same time. She acts frightened by this question and tries to run away, but she leads Fong to a different hidden room, a strange room that is revealed to be something like a cross between an arsenal and

an alchemist's lab. It's full of these weird ancient scientific instruments, things that look like weapons, and containers of powders, and these like wooden planks with burn marks on them, almost like I don't know, like explosives or incendiaries have been tested here. And so here Fong meets with Green Shadow. They explore the room and they discuss the the sort of a principle of like gunpowder I think being explored here.

They discuss a sort of secret history of gunpowder weapons, including a legendary secret weapon known as the fire gun. So it's a question I think, like was the owner of this room trying to create a like secret gunpowder weapon.

Speaker 3

You know, it's again kind of interesting synchronicity here because for our Crossbow episodes that aired earlier this week, I was reading, you know a great deal and need them about about gunpowder innovations and gunpowder weaponry in ancient China, many of which used crossbow or crossbow related elements, And you know, none of what we see in this film here even really captures like the weird variety of gunpowder based weaponry that was developed in China over the centuries

is pretty amazing stuff.

Speaker 1

Now, next we're going to meet some of the Thunders. They don't arrive at the castle conventionally because, like the White Flag Warriors are sort of outside awaiting the arrival of the Thunders. Instead, we see the Thunders meeting each other in secret, already underneath the castle. They're in the tunnels beneath the castle. It's a very cool creepy scene where Lee and Quak here appear in shadow, wearing hoods and cloaks at first, so their faces are hidden in darkness.

At first. They're almost even a little suspicious of each other. They say, why did Master Schuman invite them to the castle early? They say, Shin used to be the first to come here. Why isn't he here yet? But then suddenly their little rendezvous is interrupted by discovering that Green Shadow is there. Green Shadows spying on them again, always one step ahead, and they like try to they try to like throw weapons at her and stuff, but she's too quick. They can't catch her. And so here eventually

all of the characters meet one another. We get the full all cast introduction, and the Thunders kind of get up to speed on what has happened so far at the castle, but they're still a waiting for Shin the third Thunder to arrive so that the letter can be read, and more characters ask the same question that keeps coming up to kill her. Butterflies really exist? The Thunders discuss this in secret between each other. They're very wary of

the others Lee and Quak. They say that anyone who is in our friend is our enemy, and these people don't seem to be friends.

Speaker 3

Yeah, a lot of distrust here, but yeah, but it would also seem like, well, we finally have all of the characters in play that are going to be in play. He might well think this, but he would also seemingly be wrong, because they are more mysterious individuals who are going to show up and impact the plot.

Speaker 1

Right, But before the last really important character shows up, we'd get a few more sort of like scenes of Green Shadow and Fong, our two main investigators working out what's going on here. So they meet one night. First of all, it's funny because Pong's just like out for a walk and Green Shadow does wire stunts like just dropping in on him while nothing's going on. So they talk about killer butterflies. But then Fong and Green Shadow

sort of compare notes. They say, you know, the Thunders seemed to know the castle well and they were close with Master Shum. Why didn't he call them for help initially? Why did he call Boss ten instead of the Thunders?

Speaker 3

You know, coming back to where he said about Green Shadow, it really does feel like Green Shadow has not just walked down a hallway or just strolled from point A to point B in a very long time. It's always on wires.

Speaker 1

Yes, I love it. She's living that wire life, you know. Also more plot updates. Remember those eight pages of Fong's memoirs from the paper Mill, Well, Tinfong shows them to Fong and Pong confirms, Yeah, the guy the paper Mill was right. I did not write this. This is not mine. Somebody is forging works in my name. Fong reasons from this because the pages of his memoirs are stories about

killer butterfly attacks. He says, there must be someone trying to use my name to spread the rumor of killer butterflies. I wonder if that same person is controlling the butterflies. And then oh whoa. Things totally do a major shift once again, we get our first slasher movie scene, basically Madame Schum in her chambers at night is attacked by this film's Jason Voorhees, the Armored Warrior. Rob What do you want to say about the armored Warrior?

Speaker 3

And the scene, Oh, the armored Warrior is just absolutely terrifying, just you know, black armor, seemingly just impossible to hurt. You can't name him or stop him. Just a strong proto slasher vibe here. And he eventually busts out. A lot of his action is just more like punches and grabs and throws and then like some sort of like

more minor cloth type stuff. But he also has this other strange weapon that he'll he'll bust out that looks kind of like a cross between a lacrosse stick and a deep fryer basket, only you know, more deadly looking, and it seems to slash and shred when it comes into contact with human flesh.

Speaker 1

I was going to compare his weapon to the goat foot lever that we talked about in the Crossbow episode. It's like it's a claw hook weapon that's got like two toes on it. But yeah, this rough material almost like barbed wire strung between the two toes. Yeah.

Speaker 3

I looked around a little bit. I couldn't find anybody talking about this and comparing it to known weapons. So I don't know if it actually has anything like a real world analog, if it has something it's supposed to be inspired by, something to do with butterflies. I don't know. I'm assuming for now that it's just, you know, purely a creation of fantasy. But it's very effective.

Speaker 1

But the scene is interesting because it starts as like it's like a slash or horror scene. This, you know, this monstrous war attacks Lady Shum in her chamber. She escapes, the fighters get there in time to defend her and chase this warrior off. But then there's like a series of awesome fight scenes. So it's like Tinfong versus the armored Warrior, and Tinfong is cool. We finally see him in action. He fights with this another strange weapon. It's

like a very short baton. Do you know what this would be called?

Speaker 3

Rob I'm not sure now does this baton shoot things? Or am I thinking this is just a straight up baton?

Speaker 1

I don't know. There are some things that shoot things. I don't remember if his shoots things.

Speaker 3

Yeah, things get very The fighting is again kind of mind melting, and there are a number of unique weapons being utilized. Pure fantasy action here.

Speaker 1

But then there's also Green Shadow versus Armored Warrior, and she uses wires in her fighting of him. But eventually the Armored Warrior escapes into the night. He gets away, so they don't get to catch him. They don't get to unmask him or know the identity of the killer. Now Madam Schum thinks she knows the identity of the killer. She thinks it must be the third Thunder who hasn't arrived yet, Shin, And she's like, maybe he wants to get to the letter or the will that Master Shum

left before everybody else does. But hey, remember that thing about how Boss ten was saying, you know, two tigers can't exist. At the same time, we see some real conflict breaking out because the Red Flags and the White Flags end up fighting with the Thunders, and the Thunders just mess them up. There's like a scene where the Thunders attack the Red Flags in the forest and are just like chopping their arms off and stuff, and they fight with the White Flags. The White Flags are no match either.

Speaker 3

Yeah, the Thunders are not to be messed with. You're gonna get shredded, you're gonna get blown up, you're gonna get caught on fire.

Speaker 1

But then later the two Thunders we see investigator. They're running around in the tunnels underneath the castle and this is Lee and Quak and they catch sight of the Armored Killer. They see him and they're like hey, and they chase after him in the dark, and this leads to the Butterfly room, the one with all the butterfly

specimens mounted on screens, and another amazing fight scene. So there is an attack where the armored Warrior like tries to attack the Thunders by throwing I guess the poison butterflies at them and the thousand hand Thunder Lee he intercepts the butterflies with darts and it's this awesome, scary fight scene in tight corners. I thought this was a really good one. Again, the armored warrior, whose identity is hidden, he's using the strange claw hook weapon is very visceral

and scary and up close and personal. And there's one moment where you think Lee has won because like the armored Warrior goes down, but then he suddenly pops back up and he is victorious. He kills Lee by like ramming his head into a clay pot.

Speaker 3

This is a great kill sequence, and it's one of these where like the way we describe it, like okay puts them in a headlock, rams his head into a pot that it doesn't sound as impressed, but the way that it shot, it's very thrilling and feels like just very viscerally violent, even though it's not like super bloody or anything.

Speaker 1

Okay. Next we get some big reveals. Like we said, there are a lot of twists that come in this movie. So next we follow Chi in the underground tunnel by herself. Remember she's the servant who carries the lantern, and she wanders with her lantern and wearing a mask over the bottom of her face. What's she doing? Oh, suddenly we see her walking not just through the tunnels, but she's walking into a cavern like an opening in the tunnels where she's surrounded by butterflies, and yet she's not afraid

of them. They don't seem to be harming her. She kneels beside an underground pool and then she puts something in the water and makes it foam and sizzle. And it produces these white fumes. The butterflies seem like affected by the fumes. Rob, what did you did? It seem almost kind of like the butterflies were like boiling up out of the water or something.

Speaker 3

I guess, Yeah, this was one of the moments where I'm kind of piecing it together. But I'm blaming the subtitles for my lack of a pure understanding of what we're dealing with here, because again, so many things in the film like just makes sense on a visual level. You don't need the subtitles to explain what's happening. But there's some sort of like magical potion based explanation here, and we're not getting.

Speaker 1

All of it. I mean, I think I'm following what's happening. I could be making mistakes, but essentially here Chi is caught Green Shadow and the scholar Fong appear they have been watching her, and they reveal they say, we know you're not Chi. You are Madam Schum disguised as Chi. That's why there were two cheese. There's the real Chi and then Madam Schum has a Chi costume that she puts on and she like hides part of her face

to pretend to be her. They say that she has quote butterfly controlling medicine and that Lady Shum has discovered the art of controlling butterflies. Apparently, Fong talks about it almost like the art of controlling butterflies is something that is known to have been known in the past, but was lost and now has been rediscovered.

Speaker 3

Okay, all right, fair enough, Okay, it's all making sense now.

Speaker 1

So Green Shadow and Fong here are confronting her. They're like, now you're gonna tell us everything that's going on, because we know you're in on it. But they're interrupted by the armored warrior in the black armor, the mask, the weapon. He comes out and Madam Schum is killed, and the armored warrior escapes, and we see butterflies crawling over Lady Shum's dead body as if to mourn it. And then later the armored warrior comes back and caresses Lady Shum's

body as well. Here's the scene with the killer reveal. The killer is unmasked and it is Master Schum himself, the Master of the Castle. He's not dead after all, and he's confronted by Fong alone this time, who's put all the pieces together. He says that Master Schum is actually you. Remember when they were describing the thunder there are three thunders still living, but one of the thunders was already dead. Well, it turns out that that thunder was you, and he wasn't dead. It's Schum, the master

of the castle. So this is a plan of the Thunders, many years in the making to create secret weapons here at the castle, to protect the secret of the weapons. And now you must be doing some new stage of the plan.

Speaker 3

Okay, I'm buying all of that, but I still don't know why we invited people to the castle. I don't know why the secret will. I feel like there's a lot of stuff that I can't quite stitch together.

Speaker 1

Oh no, no, no, I think I understand it. So take me Master Schum and Madam Schum here. They used killer butterflies first of all, to get rid of all the spies in the castle, because there were spies here sent by the other thunders to keep track of you. Okay, so they drive all the spies out with butterflies that either killed them or made them flee. And then they keep using the butterflies and attack so all around to

create a confusion. Then Schum created the false memoirs of Fongs to spread stories about the killer butterflies killed the paper mill owner when he saw through it. The whole point of this was to get the other Marshal heroes to get Tin Fong and Green Shadow to the castle to make them fight with the thunders, because you wants to, I think, rule over everything. He wants to be in charge.

So he wants all the other Marshal heroes to get together into a tight space, to be in the same place and have to fight each other, just like what happened and we heard in the backstory when all the Marshal heroes fought each other and wiped each other out. Okay, he wants to be the last one standing.

Speaker 3

Okay, so everything is going is going according to plan here. It's about getting these all these great warriors together, having them destroy each other so that he can rule over everyone instead.

Speaker 1

Okay, yeah, that's right, all right, I could again.

Speaker 3

I feel like I would have been on top of it had the sub titles binge is a little tighter, ye, But I'm there now.

Speaker 1

I mean, it is a complicated plot, but I think it's a good twist, and so Schum basically admits, yep, Fong, you figured it out. But men who know too much cannot live. So he reveals his claw weapon and he's gonna kill Fong. There's like a chase, and then all kinds of different fighting happens. Schum ends up killing Chi, the actual servant. Chum then fights Green Shadow. Fong watches as Shum fights Green Shadow. He's helpless, he's not a fighter, he can't intervene, and then Tin Fong shows up and

he gets involved in the fight again. It's like trading off between the different heroes fighting the Armored Warrior. But Schum once again escapes into a tunnel.

Speaker 3

I have to and I have to drive home here that you know, I'm not like a Hong Kong action completist or anything. There are a number of like very prestigious Hong Kong action films that I haven't seen, so I can't like speak universally in all of this. But all of this action is just blistering. It's just very like technically proficient, you know, well shot inventive. It's just

you never know what's going to happen next. And so even though you get just multiple fights and different pair ups, everything is just captivating.

Speaker 1

And I really love that the different heroes have their different like fighting styles, so when they trade off fighting the villain. There there's a lot of variety in the fight scenes. It's not just like a samey kind of fighting over and over. You get Green Shadow with her like wire stuff, you get Boss ten with this little baton, you get of course, the you know, the Armored Warrior with his scary visceral kind of fighting with the claw weapon, and then of course you get the Thunders. So after

showm escapes, Fong says, this is the terrible situation. This is going to turn into an all out war between Tin Fung and the remaining Thunders. So Fong leaves the castle at dawn to avoid the battle, and then we see the final battle going on. Again. Two tigers can't exist at the same time. So we've got ten Verse says the magic Fire Thunder, he's the one left alive. The Armored Warrior returns and it's a three way fight. They're sort of like all trying to kill each other.

They end up there's like an explosion. I think it's when the statue, the demonic statue explodes. They fighters fall through the floor into the catacombs below, magic Fire is pinned by a falling pillar. Then you and magic Fire have this like conversation. You says, you know I was left here to protect the secret gun. Why did you other thundersind spies to report on me? And you know, they're like hashing out their grievances, and you is giving

a speech as the victorious villain. But meanwhile Boss Tin sneaks up on you and as he does a maniacal laugh, Boston springs from cover and there's another fight again. There's some ground grappling, there's some sliding along on wires, and then finally the villain is defeated when Tin like slams his head into to a rock face while while running down a done the length of a wire.

Speaker 3

Yeah, kind of like a hyper accelerated zip line death sequence that if I when I explain it like that, it doesn't really sound like like you probably can't picture it, but within the context of this ridiculously elaborate three way fight scene, it's highly effective.

Speaker 1

Oh but it's not over because Magic Fire is still alive even though he's like trapped under a pillar. He sends his killer bird after ten and you don't know what the bird's gonna do. It's just like a bird flying around chasing Boss ten. What's going to happen? Well, you think Green Shadow comes to the rescue. She's here to save ten. She flies through on a wire, She's going to save the day. But then, oh, the most devastating ending do you want to explain, rob.

Speaker 3

Oh my goodness, yeah, I mean, I'm not going to say that the stunningly nihilistic ending came out of nowhere because issues with subtitles aside, it does seem like we were ratcheting up to it. Like there's this sequence when the sky there's leaving where Hang and Fung have this last little conversation and Fung is like, I hope you win, and it feels you know, very stark and and and in dark, and we end up like flashing back to that here in a bit. But yeah, so Green Shadow

like zips into the scene with her you know, general optimism. Uh, and she goes and like catches the bird in mid air, and the bird explodes like a hand grenade, just blowing Green Shadow up. Like there's no way she survives this, like just killed instantly, and and you know, Fung is like like no, and then it comes flying right at Fung's face and explodes in his face freeze frame, and

that's pretty much the end. And I was like, wow, like that was just jaw dropping, because again with this feels like a major Wusha subversion here, like this is not our heroes conquering evil or it's not a you know, the sort of tropes that you would expect to encounter in a film like this. No, this is like all of our heroes are dead except for the scholar who only survived because he left ahead of the cataclysmic final battle.

Speaker 1

Yeah, but there is a symmetry like it talked about in the backstory with the narration at the very beginning. The movie seems to end with all of the martial heroes have killed each other. They're all gone now, and the only one left is the chronicler to tell the story.

Speaker 3

Yeah, so I mean it really really packs a punch. Again, just a fitting way to cap all of this just you know, essentially like high tech fantasy martial arts that's happening here and just have this just again just very nihilistic ending where everybody dies. But again, like I say, it doesn't it. They were clearly building up to this in many ways, so it doesn't feel forced in any fashion either.

Speaker 1

So in the end, I'd give a big thumbs up to the Butterfly Murders. It is not only it's Bonker's premise of killer Butterflies. It is that, but it is so much else. It just gives you so much to work with and it keeps you guessing.

Speaker 3

Yeah. Absolutely, so, yeah, highly recommend this one. And you know, I hope it gets a better release at some point in the future. It would be great. But on the other hand, I didn't see any indication that that's coming, So I would say, don't you know, don't waste time. If this interests you, go watch it in whatever format you can find it in, because it's it's worth the journey. All Right, Well, that's it for this episode of Weird

House Cinema. We're going to go ahead and close out, but a reminder that we're primarily a science podcast with core episodes on Tuesdays and Thursdays, but on Fridays we set aside most serious concerns to just talk about a weird film here on the Weird House Cinema. If you want to see a list of all the movies we've covered over the years. Go to letterbox dot com. It's l E T T E r box d dot com. Our user name is weird House, and we have a list of all the movies and sometimes a peek ahead

at what's to come. If you would like to follow us on social media, while we're in the usual places as Stuff to Blow your Mind on Instagram, we are stbym podcast and that's worth following for Weird House fans because currently our social media crew is putting up a little video kind of like teaser of the film, so you can quickly go there and get maybe a taste of the trailer in addition to the trailer audio that you'll hear in the actual episode.

Speaker 1

Huge thanks as always to our excellent audio producer Jjposway. If you would like to get in touch with us with feedback on this episode or any other, to suggest topic for the future, or just to say hello, you can email us at contact at stuff to Blow your Mind dot com.

Speaker 2

Stuff to Blow Your Mind is production of iHeartRadio. For more podcasts from My Heart Radio, visit the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows.

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