John McCoy and Glenn Fleishman discuss Friedrich Dürrenmatt's play "The Visit," exploring its themes of revenge, morality, and societal corruption. They analyze the characters, the play's historical context, and its relevance to contemporary issues, highlighting its unique blend of dark humor and thought-provoking commentary. The discussion delves into the complexities of the play's moral dilemmas and its impact on the audience.
Lisa Schmeiser joins John McCoy to discuss T.S. Eliot's "The Love Song of J. Alfred Prufrock," exploring its themes of frustration, social constraints, and the search for meaning in middle age. The discussion covers the poem's density, allusions, and Eliot's personal life, offering fresh interpretations and insights into this modernist work. They delve into its imagery, historical context, and enduring relevance, revealing the poem's layers for new and seasoned readers.
I’ve heard it said by men of wide experience that podcasts used to be better in the old days. Kieran Healy discusses three short stories by Frank O’Connor: “First Confession,” “The Majesty of the Law,” and “Guests of the Nation.” John McCoy with Kieran Healy.
Forever is composed of podcasts. Caroline Fulford discusses selected poems by Emily Dickinson (c. 1860-65). John McCoy with Caroline Fulford and Marina McCoy.
Cigars are always trouble. Marina McCoy discusses Barbara Robinson’s The Best Christmas Pageant Ever (1972). John McCoy with Marina McCoy.
Sometimes you want to go where everybody is a thread in the fabric of the human condition. Also they know your name. Phil Gonzales discusses William Saroyan’s The Time of Your Life (1939). John McCoy with Phil Gonzales.
Hey, things are tough. The McCoy Bros, Rob, John, and Dan, discuss the books that get them through. John McCoy with Rob McCoy and Dan McCoy.
Ross Cleaver returns to talk owls, plates, and Welsh mythology in Alan Garner’s The Owl Service (1967). John McCoy with Ross Cleaver.
This episode has many omissions, and contains much that is apocryphal, or at least wildly inaccurate. Jacob Haller tries to make sense of Douglas Adams’s The Hitchhiker’s Guide to the Galaxy (1979). John McCoy with Jacob Haller.
What’s more cultivated and genteel than classical theater? David Loehr discusses Aristophanes’s Lysistrata (411 B.C.E.) John McCoy with David J. Loehr.
Because twenty would be too few and twenty-two would be ridiculous. Shaenon K. Garrity discusses William Pène du Bois’s The Twenty-One Balloons (1947). John McCoy with Shaenon K. Garrity.
Rain Main meets Air Bud. Dan McCoy discusses stims and happy endings and Mark Haddon’s The Curious Incident of the Dog in the Night-Time (2003). John McCoy with Dan McCoy.
This is the way the world ends, not with a bang but with a bunch of monks sitting around copying stuff. Jelani Sims returns to discuss Walter M. Miller Jr.’s A Canticle for Leibowitz (1959). John McCoy with Jelani Sims.
Stick some stamps on the top of our heads. Deborah Stanish discusses Eudora Welty’s “Why I Live at the P.O.” (1941) John McCoy with Deborah Stanish.
The most important reason for going from one place to another is to see what’s in between. Moisés Chiullán discusses Norton Juster’s The Phantom Tollbooth (1961). [We’ve re-issued this episode to correct an audio problem.] John McCoy with Moisés Chiullán.
Podcasters: What Do They Know? Do They Know Things?? Let’s Find Out! Jason Snell talks about marine life in J.D. Salinger’s “A Perfect Day for Bananafish” (1948). John McCoy with Jason Snell.
Lions and tigers and bea— you know what, just lions. Jordan Morris is here to discuss Ray Bradbury’s story “the Veldt” (1950). John McCoy with Jordan Morris.
The Podcast! The Podcast! John Holt discusses the ill-fated cruise that is Joseph Conrad’s novelette Heart of Darkness (1899). John McCoy with John Holt.
Though his mind is not for rent, it still is the subject of this episode. Jacob Haller discusses Mark Twain’s Tom Sawyer (1876). John McCoy with Jacob Haller.
Actually, I need this sea in an extra wide. Caroline Fulford discusses postcolonialism and recurring fires in Jean Rhys’s Wide Sargasso Sea (1966). John McCoy with Caroline Fulford.
The Burgermeister Meisterburger has nothing on this burglar! My wife Marina joins me for our annual Christmas episode. This time we discuss Willa Cather’s “The Burglar’s Christmas” (1896). John McCoy with Marina McCoy.
The waiting is the hardest part. Ross Cleaver and James Randall discuss the apocalypse, palace intrigue, and the charm of 80’s BBC television in this episode about John Christopher’s The Prince in Waiting (1970). John McCoy with Ross Cleaver and James Randall.
Fish and visitors stink in three days, but podcasts are evergreen! Dan and Rob return for the annual Thanksgiving nonsense with Benjamin Franklin’s Poor Richard’s Almanack (1732-1758). John McCoy with Dan McCoy and Rob McCoy.
Raggedy Ann, Barbie, Chucky—they’re all here. That’s what this book is about, right? Erin Gambrill discusses Jacqueline Susann’s Valley of the Dolls (1966). John McCoy.
Why just sit around waiting for the end of the world when you can hear a podcast about it? Jelani Sims discusses Nevil Shute’s On the Beach (1957). John McCoy with Jelani Sims.
Kids today love Thucydides, right? Anyone? Daniel Daughhetee returns to discuss this late fifth century BCE chronicle of Athens v. Sparta. John McCoy with Daniel Daughetee.
It’s a naive literary podcast without any breeding, but I think you’ll be amused by its presumption. Dan Cassino discusses James Thurber’s “The Catbird Seat” (1942) and The 13 Clocks (1950). John McCoy with Dan Cassino.
If you’ve believed six impossible things before breakfast, why not listen to this podcast before lunch? Phil Gonzales discusses Lewis Carroll’s Through the Looking-Glass, and What Alice Found There (1871). John McCoy with Phil Gonzales.
After eight years of the podcast I finally do the inevitable. Shelly Brisbin discusses John Steinbeck’s The Grapes of Wrath (1939). John McCoy with Shelly Brisbin.
Howl likes to move it, move it. Audrey Lazaro and Dan McCoy are on to discuss Diana Wynne Jones’s book Howl’s Moving Castle (1986). John McCoy with Dan McCoy and Audrey Lazaro.
