¶ Coolio Confusion and Introduction
You know at one point I was using Coolio.
Oh really? Yeah, what's Coolio? I was like, oh really and then I thought wait, I don't even know what the hell that is What's Coolio
Screaming right now Coolio is a rapper.
Oh Yeah, I am NOT Hip to the rap scene.
You're like, what streaming service is Coolio?
That's what I, seriously, I thought it was like new app or something. Oh, wait, what? It's a good thing no one ever listens to the end of these shows.
That's great. It's a good thing Coolio doesn't listen to
¶ Booze Talk and Movie Teasers
our show.
You are listening to the silver screen happy hour, I'm Chris Wiegand along with my brother Jerome
present and accounted for
Alright what are the movies we are discussing today? Well, hold on, before we get into the movies, We got a couple of things to talk about.
Yeah, and our booze, don't forget our booze.
Yeah.
Actually, let's do that first.
Booze?
Yeah, cause my ice is melting.
Okay, well, yeah, let's, I'm gonna crack this open. So, first of all, let me You talk about yours since you got a poor, you, you're got melting ice over there. Mine's not as time critical.
And normally I don't even put really good whiskey on ice, but it's the middle of the afternoon. So I'm, I, I gotta, I gotta take a little edge off of it. I'm still going with the Blantons from previous episodes. I have not finished this bottle yet. In fact, I've only been drinking this during our show. So the bottle is surviving. Here we go. Listen. Let me get this over by the Oh yeah. So,
¶ Discussing Sequels: Speed 2 and Terminator 2
what do you got today?
Well, I'm surprised you went with a higher end since we're, since we're talking about sequels. Right, right. And so, I actually had that in mind, because we're talking about sequels, and I was thinking about the movies, and I'm like, I don't know what to pair. There isn't much alcohol use in either of these movies, I don't think.
Right.
And so I just went to my refrigerator, and I'm like, what's the cheapest crap that, you know, sequels are kind of like, Nah, especially the second one we're going to talk about. So I, I thought, what does Speed 2 taste like? I think Speed 2 tastes like cucumber and lime spiked seltzer from Member's Mark. Yeah, that's right. I'm going to, I'm going to be suffering through this one. Hold on. Here we go. So you tipped,
so as you drink that, I'll tell the audience, you tipped your hand a little bit there. My brother just took a sip of Speed 2, if Speed 2 was in liquid form. So, alright, so we are, he tipped his hand already, showed you his cards. Speed 2 is one of the movies we're doing today. We're also doing Terminator 2 Judgment Day. And the theme for today is, what makes a good sequel? And what makes A crap sequel. Now we, we played with this similarly back when we did our Jaws episode. We kinda tied in.
You know, a sequel there, we did Jaws 4, but but that was more about just that Jaws 1 is an amazing screenplay. And on that one, we were just comparing what makes a good script compared to a bad script. So we, we, we did those two today is all about sequels. So think of some of your favorite sequels. I have a little fun thing we're going to do at the end. Okay. It's called Jerome's sequel gauntlet. And We're going to run these two through the ringer and see what comes out on the other end.
But I think we should start in order of their release date. So I think we should do Terminator 2 first. Okay. And then we'll do Speed 2 after. Because by then we'll be nice and liquored and oiled up. And maybe it'll help us tolerate The not so genius of Speed 2.
Well, Speed 2 is better consumed drunk.
Yes, quite, quite better.
But before we get to that, we have some business to take care of.
¶ Lions Game Recap and Aidan Hutchinson Injury
We have some bittersweet business.
Well, yeah. First of all, let's talk about the bitter part. The sweet part, it's kind of surrounding it. I mean, the Lions played probably one of the best games I've ever seen them play in my lifetime.
Most people. If not for the bitter part, have us as one of the top teams in the league right now, after that performance, for those of you that don't know, at the time that we're doing this recording, we went into Dallas and beat the living shit out of the Cowboys, 47 to nine. They never scored a touchdown. Isn't
it the owner of GM's birthday? It was his
82nd birthday for Jerry Jones. He is the owner slash G M and. Dak Prescott and C. D. Lamb and those high paid offensive players. They never, they got three field goals out of it. Oh my gosh. It was an ass beat. So
gratifying if you're from Detroit. Well,
especially after what happened last year. When we played in Dallas and we got hosed by the refs on that bullshit two point conversion thing. So this was like a statement game. This was us coming out saying, we're not going to need a two point conversion to beat your ass this time. We're just going to beat the shit out of you. And you could see the anger and how like David Montgomery was running. Like he ran angry.
Like everybody played angry and you could see it. See it. It's a
multiple guys to take them down when they could get them down.
So that was the sweet part. The bitter part is early third quarter. Our pro bowl defensive end, a captain of our defense, probably the best defensive
end in the league. Probably arguably
best defensive end in the league. Aidan Hutchinson broke both his tibia and fibula on a play where he was sacking Dak Prescott. It was a freak play. His own player's knee just got it at the worst angle and it just snapped it right in half. Yeah, it was gruesome. It's gruesome. And, and it's shitty because he's out for the year now, some are saying within four,
four to six months recovery time
with an injury like that. You hope he's back for week one next year. Like, it's just that bad.
He did release a statement. Or his family released a statement or something. He, he got word that he, if if the Super Bowl, if, or when Detroit makes it to the Super Bowl, he intends to be on the field. So. He's gonna
wrap six pounds of duct tape on
that leg and get out there. I would hate to see him re injure that thing. I would too. I would, I would, oh my gosh. I mean, if he's healthy enough. Give him one play, just so he can play in the Super Bowl.
He is a Wolverine after all. Oh my gosh, I know. He's a fighter. I don't know. No, no, but they did say that the surgery was an absolute success. So they expect 100 percent recovery, there was no complications, so that's good. That's a good first step. Right. Good first sign. I will say though, before we get on to the movies it's fair to say that we can blame Aiden Hutchinson's injury. and being out for the year on mom. Now, poor Sue, she gets such abuse on these podcasts.
Now, let me, let me tell you why there's reason there's context behind this. So. For anyone that doesn't know, I am a jersey jinx, okay? When it comes to the Lions. My very first jersey I ever got was Barry Sanders. He retired the next year. Then I got an Indomitian Sioux. He left in free agency the next year. I got I was like, well then I'm gonna get somebody that I know isn't going anywhere. And I got myself a Calvin Johnson. He retired the next year.
Since then, I've, I've had Darius Slay, left and free. You should not have gotten that jersey. Left and free agency. Wait, wait, I didn't, I didn't, hang on. Don't talk about the ending yet. I had a Darius Slay jersey. He left in free agency. I got V, my wife, a Stafford jersey. We traded them the next year. I got my girls, my little girls. I think you're jinxed. I am.
I'm a, I'm a Jersey Jinx. Now listen, now listen, I got my girls, my two little girls, a DeAndre Swift and a TJ Hawkinson Jersey. They're both gone. Like, I mean, it's just every Jersey I've ever gotten that player leaves. You should have got,
what's number zero's name? You should have got him. He keeps getting penalties. He's a
rookie. You'll learn. But anyway, so I told myself I'm never buying a jersey again. And I haven't. This Christmas, this past Christmas, right before the NFC title game, I might add. Oh, no. Mom bought me this. We know how that game went. This Lions shirt, which I love, but in Jersey fashion. What's it say on the back, Chris?
Hutchison, 97.
It's got Hutchinson's name and number on the back of the shirt. Now it's not a jersey, it's a t shirt. But it has his name and number on the back. Thank you mom, it's a wonderfully comfortable shirt, and you caused Aiden Hutchinson's leg injury.
Well, I would just like to, I would just like to redirect all the, I mean I know there's Lions fans all over the, All over the world. But after watching Hutch this season, especially, there's a lot of new fans. I mean, he had the first few games, so many sacks. I don't have all the stats in front of me, but he's the sack leader right now. He's the NFL
sack leader. Yeah. He has more than some teams. And this was their fifth game because they had a bye.
Yeah.
So this is only their fifth game. They're four and one and he leads the league in sacks.
All our best thoughts and prayers go out to him and and I know the Lions, they stepped up after he left the field too. Well, and that's what people
said. The game was already well in hand. You know what? He got hurt early third. There was the entire second half to be played.
Right. And they still couldn't score a touchdown. No, we closed it out. So yeah. Anyway, just wanted to make sure we got that in there before. Yeah.
They didn't, they didn't pull the starters and put backups in until the fourth quarter.
So Yes, it was it was already I think like 32 or 33 to 6 at the time or something It was a big lead, but the aforementioned NFC title game can tell you big leads at halftime don't mean shit so The fact that we lost Hutch a few minutes into the second half and we still shut that shit down Like I said, the guys were playing with a lot of emotion and a lot of anger Oh, yeah, so you saw it with every tackle and every run that we had on, on offense every time we had the ball, just, I mean, we, we, I
think it was three offensive plays were to our linemen. Yeah. Like, okay, so we played angry. Anyway, let's get to the business at hand here. It was a lot of fun. All right, so we're going to start today with again, what makes a good sequel, what makes a bad sequel.
¶ Terminator 2: Judgment Day Analysis
We're going to start with Terminator 2 Judgment Day. If you haven't figured out already, knowing what our next movie is, we're saying that Terminator 2 is the good idea, is the good version of a sequel. Alright. Okay.
Even though I have my issues with the script
and some of the acting. I have, I have some plot issues that we're going to talk about. I have one major issue. That I'll get to at the end. But still, with all the issues I have with T2, it's still a far better sequel than Speed 2. But we'll get to that. Alright, specs. 1991, directed by James Cameron, written by James Cameron and William Wisher. Running time 2 hours 17 minutes, budget of 102 million, which was a record at the time.
He then broke his own record when he Had a 200 million dollar budget for Titanic six years later. But anyway, that's what Cameron does. He's he's a spender He likes to spend money It was released on july 3rd 1991 the 4th of july weekend and it made close to 32 Million in its opening weekend, which at the time it was the biggest r rated movie opening ever it was topped. However, just one year later when lethal weapon Three came out. Oh, wow. So talk about good sequels.
Lethal Weapon movies are generally all pretty good sequels. So T2 was the number two film worldwide in 1991 with 205 million. Side note, while other R rated films have come out since then and made a lot of money, Passion of the Christ, American Sniper, and Joker. Would all surpass T2. If you adjust for inflation, T2 would be, would have been, the highest grossing worldwide R rated film ever at 473 million, that's inflated cost, until this year.
Deadpool and Wolverine just passed the 1 billion mark for an R rated movie. That's insane. You can't take your kids to see that over and over again. Like it doesn't have what Star Wars had, you know, or any Marvel movie has to be R rated and do a billion dollars. Actually Oppenheimer was R rated, wasn't it? Yeah, it was. Yeah, so shit so so does that mean that deadpool and wolverine has already topped oppenheimer? Oh, it did because barbie was 1. 5. Remember and oppenheimer was around One?
Yeah, I think they're around a billion. So Deadpool and Wolverine, I think right now is the highest grossing R rated movie ever. That's crazy. Wow. I still think Oppenheimer is astounding because that movie was three hours long and R rated. Yeah, right. Three hours long and R rated. Okay, so back to 91 here. As stated, it finished number two. Rounding out the top five were number five, City Slickers at 124 million. Number four, Silence of the Lambs with 130 million.
Number three, Robin Hood, Prince of Thieves, with 165 million and I'm gonna let you guess the number one movie of 91 with a worldwide gross of 248 million and a Best Picture nomination and it was the first ever for this type of film. Hmm.
Was it animated?
Yes, it was. Okay, I think
we mentioned it before, I think we mentioned this movie before but I thought it was a different year so I could be wrong. Was it Aladdin? No, it was the year before Aladdin
and Aladdin was not nominated for Best Picture, but this one is true. What was it? Beauty and the Beast. Oh, yeah, yeah. Okay. So that was the number one movie of 91. T2 was nominated for six Academy Awards and won four of them, including Makeup and all the Special Effects Awards, obviously. The liquid metal thing was just mind blowing at the time. Right. The two Oscars that it lost were Best Editing and Cinematography, and both of those went to JFK. What a good year for movies, man.
Yeah.
JFK, T2, Robin Hood, Silence of the Lambs Beauty and the Beast. Okay, it stars Arnold Schwarzenegger as the T 800, Edward Furlong as John Connor, Linda Hamilton as Sarah Connor, Robert Patrick as the T 1000. Earl Bowen as Dr. Silberman, Joe Morton as Miles Dyson, and a very, very small role for Dean Norris of Breaking Bad fame, who was Hank in it out when I
saw him. I forgot he was in it. Well, I probably didn't even know who he was at first. Well, I didn't know
who he was. S. W.
A. T.
team leader, and oddly enough, one year before this, he was also cast as S. W. A. T. team leader in Gremlins 2, The New Batch. Haha, that's funny.
So did you, when you saw his eyes and heard his voice, did you know it was him? I knew immediately, immediately. And I haven't watched T2. I haven't
watched T2. Yeah, I haven't watched T2 in years. So as many times as I've seen this movie, I hadn't seen it since before Breaking Bad. So this time when I saw his eyes, I knew immediately, I'm like, it's Hank! There's Hank! I did the exact same thing. Alright, so when did you first see this movie?
Oh, probably at the theater. I don't remember. Yeah, I know it. I know I went and saw it. I don't remember who I saw it with or anything. But yeah, 91.
I distinctly remember the marketing around it. Oh, it was massive. And Guns N Roses did a video and a main song from the movie, right? Yeah, yeah, yep. And Arnold was in the video. Like, not just scenes from the movie. It was, if I remember the video correctly, It's like concert video, but Arnold's in the crowd and he's like heading towards them to like kill them or something. Guns and roses. Something like that. I don't know. I just remember he was in the video.
And there was a, like I said, a big marketing push. I mean, you couldn't go anywhere in the summer of 91. Without seeing billboards and posters. And I mean,
Oh, it's probably on fricking happy meals or something. It was rated R,
right?
Rated R and it's on lunchboxes. I'm curious. I should look
that up, but what kind of marketing did they do? Fast food marketing? They had to have.
Well, and you know, obviously the box office speaks for itself, but Arnold was just hitting, I mean, we're talking, this is prime Arnold time, right? Like, Terminator 1 was in 84, it was 7 years earlier, and in those 7 years, man, he had fuckin Predator, right? He had Commando, you know what I mean? Like, he was really Sort of, I mean, he hadn't done True Lies yet, but I think he did Twins with Danny DeVito already, so it's like, his appeal. When did he do Daddy Descartes?
Didn't he do Daddy Descartes? Oh, that was after, that was way after. Yeah,
but he did The Running Man. Like, there were, Arnold movies were huge through the 80s. When was Total Recall? That was in the 80s, right? Total Recall was that might have been 1990, that might have been right before this. You have to look that up. Come on, you're the IMDB guy, do you have that up there in front of you? We could you could actually just give me a quick run of Arnold releases prior to Total Recall
1990, yep.
1990, so the year before. So he was really in prime Arnold time here. And timing is everything. And, and Terminator had become such a cult classic on video, you know? Yeah, big time. That when they announced the camera was gonna do this sequel And Cameron himself was, was hitting all strides too. He had done Aliens and then he did the Abyss, where if you watch the Abyss, he plays with the technology that would later be used for the liquid metal, right? The water.
Remember the water scene in the Abyss where that thing comes out of the water?
Yeah.
You know, so he kind of played with all that stuff ahead of time to sort of like, you know, test it out. So both of them hitting their stride at the right time. It was perfect timing for the movie. All right. Log me.
Holy cow. I didn't know this. Arnold's first movie, Hercules in New York, 1970.
Yeah. Is he credited as Arnold Strong?
Yeah, as Arnold Strong, Mr. Universe. And it wasn't
his voice either, they had somebody dub the voice. Oh, seriously? Yeah, it's
so awful. That's hilarious. Wow, yeah, he really came into his prime in the 80s, early 90s though.
Oh yeah, Conan and shit. Everything. Terminator. Conan 2, The Destroyer. Remember that one? I remember that always being on cable when we were kids. Yeah. Alright, are you are you just gonna spend the episode reading, or?
I'm just looking, I'm just looking through his credits. Yeah, he was in the You Could Be Mine video from Guns N Roses. That's the one you're referring to. And that's the one they put in the movie, obviously. Yeah. Log me. I have a problem with this log line. Let's have it. A cyborg, identical to the one who failed to kill Sarah Connor, must now protect her 10 year old son, John, from an even more advanced and powerful cyborg.
Yeah, so the problem with this Well, first of all, he seems older than 10. He seems older than 10. He's got the changing voice. I don't know when your voice changed. I wasn't 10.
Well, there's actually trivia with that that I didn't include in my notes, but I remember reading some about it where he grew so much during the shoot. I bet. Not just his voice was changing. They had to re dub some of his lines because his voice was changing. Yeah. But also, he sprouted to where there's scenes where they had to have him speak. standing in a hole so that he would still be shorter than Linda Hamilton. That's hilarious. I didn't realize that. And that's just during the production.
Now, granted, the production was like six, seven months long.
I mean, we can look it up. I I'm guessing he was around 13 or something like that.
Yeah, I think so. But, but I have problems with the log line other than 10 year old son.
Yeah.
The log line, not to sound like Peter Griffin from the family guy, it insists upon itself. Like it's, it's assuming you already know everything about the first movie. Right,
right, right, right. So, yeah, you're like, who's Sarah Connor?
Yeah, like, what if you don't know who Sarah Connor is? Right? Like, you know, again, a logline should be something that wants to draw you in. And if you read a logline like that, you're like, ugh, I gotta watch the first movie first. You know? Yeah. So, anyway. Yeah, alright. Alright, we have the beats. Opening image, kids playing as it cuts to post nuclear war reality of machines running the world. This is just before the opening credits with Sarah Connor's voiceover setting up the film.
It serves as a nice bookend to the closing image, as this represents the future that they know will happen. So this is the known future opening image. Four point push, right off the bat, let's get to it. Inciting incident, ten minutes in. In back to back scenes, both the T 800 and then the T 1000 arrive from the future. This is a clear and exciting incident, obviously, because without this, there is no story.
We're gonna, we're gonna interject inside the four point pusher for a moment for the theme stated. In the next scene, we meet John. And we get John's theme for the film. Not so much in dialogue. But definitely in context. At the 12 minute mark, his foster mom Janelle says, quote, John, get in there and clean up that pigsty of yours. End quote. He ignores the command. One minute later, his foster dad Todd comes out and says, quote, Get your ass inside and do what your mother tells you. End quote.
He again ignores this direction and takes off with his friend. This is going to be John's theme throughout the film as he's going to be faced with these calls of duty and his emotional shift. emotional tug of war, the back and forth are going to be what is required of him. Does he follow his call of duty or does he ignore it? And right off the bat, that shows you where he is in this state of mind. 12 minutes in he bucks authority. He doesn't do what he's told.
He's, I want to be my own person kind of thing. And you'll see as the movie progresses, how that starts to change.
Yeah. All right. And I would say in that, in that part there, they, As a storyteller, they did, he did a pretty good job telling the audience, if they've never seen the first movie, Oh, these are foster parents. Yes. He's not being raised by his mom.
Right, because that, right after he says get in there and do what your mother tells you, John actually says, she's not my mother, Todd. Yeah. So that tells you right there. And he puts some stank on Todd. Yeah, I was like, oh, that's shit. So, yeah. So there you go. Number two of the four point push, Catalyst. After all main characters are introduced, and they do it pretty cleanly, it all happens in four straight scenes. The T 800 arrives. And then they have the biker scene. The T 1000 arrives.
Then we have the intro to John and his foster parents. The very next scene after that is Sarah Connor at the Pescadero Mental Hospital for the Criminally Insane. We meet all the main characters in four straight scenes. Right, right. So the catalyst is the T 1000 goes to John's foster parents and gets a picture of him. This officially begins the hunt because now he knows where they is and he knows what he looks like. Debate begins.
If there's a debate, it's John's because from about the 16 minute mark until the 33 minute mark, all in the first act, there's this long drawn out chase sequence where John isn't really sure if the cop Who's really the T 1000 or the biker looking guy who's really the T 800 are friends or foes. He thinks they're both trying to kill him,
right?
So he doesn't know what's going on at this point.
Well at first I think he assumed the cop was just trying to bust him for stealing his ATM money.
Sure, absolutely. And then he sees a biker with a shotgun walking towards him and he's like, What the fuck? Should I go to the cop now? Like, you know, this guy's gonna try to kill me. Uh, For all he knows, the biker with the shotgun is the kids, is the credit card that he stole, right? So he's probably thinking, oh fuck, maybe the cop will help save me in this situation.
We don't have just an initial face off between the two Terminators, we have an Awesome hallway fight where they're shoving each other through concrete walls and then it goes on to this chase that originates at the mall and ends up in the L. A. canal system. Pretty elaborate 20 minute sequence there. Break into two. At the 34 minute mark, John is officially introduced to the soldier he sent as an adult in the future.
The T 800. For phonetic reasons from here on out, I'm just going to call him Arnold. Okay. Instead of the T 800.
Yeah.
Um. Arnold reveals he was sent as protection from the other Terminator, the T 1000 and this puts us officially into Act 2, because now it's John's upside down world, right? The world he knew up till now is completely changed. Alright, funny games. One of the first orders of business is John wants to warn his foster parents that they're in danger. This is a funny phone scene. I love this scene in the payphone and it's actually spawned memes that like and, and I see them.
So for anyone that doesn't know, He calls home to tell his foster parents are dead. It's he's thinks something's up because they're being nice to him. It seems odd They're never night or at least the mom the mom's never nice to him the dogs barking in the background so Arnold starts to mimic his voice and talking to The mom the foster mom who he thinks is the foster mom and he says what's the dog's name? Max and he goes Janelle, what's wrong with wolfie? She's all Wolfe's fine, hun.
He immediately hangs up the phone. Your foster parents are dead like, like he just knows, right? She failed the test. So the main memes I've been seeing are on this Seinfeld Facebook page that I watch a lot. Oh really? And it sets it up like they ask a question over the phone, a Seinfeld question, and when the mom doesn't know it, they hang up and they're, your foster parents are dead like if they don't know the Seinfeld quote.
So
it's great. But anyway, so it's a pretty funny scene. Sad if you're friends of Janelle and Todd. Well,
and they actually show how stepdad dies.
Yeah. Yeah. The stepdad hasn't died yet. You can hear it though. You can hear it. Oh yeah. The sound, it sounds like a knife going through cantaloupe. Like yeah. There's a little blade right through his head. All right, anyway, so in this moment, after finding out that they're dead, Arnold actually gives a praise of the killer speech, which we've talked about in previous podcasts regarding the T 1000. John says, you're telling me this thing can imitate anything it touches?
Arnold responds, quote, anything it samples by physical touch. Only an object of equal size. It can't form complex machines. Guns and explosives have chemicals, moving parts. It doesn't work that way. But it can form solid metal shapes. Knives and stabbing weapons end quote. This is perfect because it sets up for the audience what the rules are
Yeah,
right
what they
can
and can't get away with the thing. Jesse had a problem with that She's like, wait a minute. It can't do complex things, but it can imitate people and their voices
Yeah, but that's not metal does doesn't that's not a mechanic nothing machinery. It's it's organic. Yeah details So Anyway, this is going to be important when we meet up with Sarah later. Speak of the devil, the B Story! Speaking of Sarah, at about the 39 minute mark, Sarah, who has already been introduced as a character, she kind of gets revisited here, this time as the B Story. She's the B Story because she's going to help John achieve his spiritual goal.
In this scene, they show her the pictures of Arnold, both in 1984 and present day. They also tell her That her son is missing, and that his foster parents have been murdered. Here's the first plot problem I have. And this has always stood out to me. One thing that's always stood out to me about this particular scene. Doesn't Dr. Silberman believe any of her story now? I know. I mean, he sees the same
exact thing. He sees the pictures. Because he was there in the first movie.
Right! He was in 19 He was in that police station! Yeah, he left right Didn't he pass Arnold? He passes him! Yeah. He walks in and gives his famous I'll be back line. Silberman's only alive because he left for the day. So anyway, he sees these pictures of him. He sees the pictures of him at the mall that day. The cop says, We know you know who this guy is. Your son is missing, and his foster parents have been murdered. He uses the words murdered.
Yeah.
We know this guy is involved.
This is a quote. If I was the doctor, I would have been like, I would have been having PTSD flashbacks because I knew what happened at that police station. And he knew all those cops. Yeah, he knew all the cops. Yeah. So, and then you see that guy alive, killing people today. He
murdered 17 police officers that night, he says. Men with families. And in the background is Silberman like, yeah, yeah, I was there. Like, he didn't say anything. Yeah, yeah, yeah, yeah. You think he would have been like, I know, I was there. Like, holy shit, is it possible Sarah's telling the truth? Yeah. The kid's foster parents have been murdered, and the cop says, we know this guy had something to do with it, or this guy's involved. And Silberman doesn't even look!
Yeah. He's just walking around in the background like nothing. And then what did I write down here? You would think, To the cops. Oh, no, he actually says to the cops. This is a quote. No, it's in that quote. I paraphrased. He basically says sorry guys, like sorry guys. I wish I could help you out. Yeah She's been getting more disconnected from reality Like, are you a fucking moron? You must be the dumbest doctor that ever lived. Right. So, and I mean, I get it. And here's the other thing.
I know that Sarah's, like, acting like she's catatonic so that they think she's nuts and she can steal the paperclip and it's all part of her escape. But how hard must it have been for her to hold in, you know she wanted to look at Silberman and be like, Do you fucking see now, you dumb fuck? I told you this guy existed! Reese told you this guy existed! Are you stupid? Now my son is missing and his parents, his false parents are dead. Yeah. Do you see now I was telling the truth?
Like, she had to hold all that in. You know she wanted to let that shit out. Oh yeah. But anyway. Alright, more fun and games around 42 minutes in, John wants to go get his mom and Arnold tells him it's a bad idea because the T 1000 is likely to meet them there. He orders him to go. And from then, from that moment, from 42 minutes in.
Until the one hour mark, so a good 20 minutes, there's another elaborate action sequence of Sarah freeing herself, and the T 1000 arriving at the hospital, John and Arnold meeting up there, and this big rescue escape scene. One of the things T2 does right, And quite frankly, a lot of action films do wrong. It's, it's a thing with Cameron. He's always been really good at this. His action sequences are fucking dialed.
Yeah.
Like, they might take 20 minutes, but it's edgy, you see. Most action films can't pull off a 20 minute action scene. Right. Right? It either gets boring, or it's a one trick pony, or you just kinda, you know, whatever. His, there's so many different elements to his action sequences, like, like the, like the one we talked about already in the mall. It starts at the mall. Then it gets into the fucking canal system in L. A., you know what I mean?
Like, it starts on foot, but then they get on motorcycles, like, you know what I mean? Like, it's just, and the T 1000 gets into a rig, you know what I mean? With
liquid, what,
nitrogen? Oh, that one's later, that one's later. Oh, yeah. But but, but yeah, so you see my point, like, when, when Cameron sets out to do an action sequence, that fucker's gonna last 20 to 30 minutes, like, it's a big one. Okay, that takes us to the midpoint scene. About one hour and seven minutes in, they're seemingly safe now. They're heading for the south. Somewhat safe on their way south of the border, Sarah asks about the man who created Cyberdyne, Miles Dyson. And Arnold lays it all out.
He has no problem rolling on this guy. He just tells her, tells her everything he needs to know. Uh, Bad guys closing in about an hour and 18 minutes in Sarah has a nightmare about judgment day and it sets her off on her mission to take out Dyson for almost the next hour hour again. There is a lot of action. And yet, for all these great action sequences, we're gonna now get into some more plot flaws.
John and Arnold attempt to stop Sarah while the T 1000 knows this is the best chance to find them and he goes to Dyson's place. They all go to Mexico? And back? Over a day and a half, maybe two days, and they still beat the T 1000 to Dyson's place? Yeah, that's a problem. What the fuck was he doing this whole time? Crawling? He got himself a motorcycle right after the mental hospital. He stole it from the cop.
Yeah.
So where the hell's he been? What's he been doing?
But anyway, alright, that's plot issue number one. Riding around the desert, I guess.
Riding around, just looking for nobody. At this point, they convince Dyson that he has to destroy all his research. By the way, there's a pretty cool sequence where they get to Dyson's house and Arnold cuts the skin off his arm to show that the work he's doing, the research he's doing is going to evolve into this AI machines you know, monster program that's going to take over the world.
I gotta, I gotta be honest, watch, this is the first time I've watched this movie. Since chat GPT came out. Okay.
It's scary, isn't it?
Yeah, I almost had an anxiety attack. I was like, I mean, we're watching, you know, this week we're watching Elon Musk unveil his new robots. His AI robots, and I'm like, what, what are we doing?
Yeah.
What are we doing?
It's, it's like, I saw a meme about that too. Somebody, there was like a headline about Elon Musk and his AI. And then the first comment was, there's literally four or five Terminator movies on why
this is a bad idea.
And he makes a joke about it when he unveiled them. Do you hear that? No, I didn't hear that. He's like, yeah, they're pretty cool as long as they don't become Terminators. Ha ha ha. And I'm like. You frickin idiot.
Wow. Good God. It's inevitable that AI will become self aware, right? Like, they know this, right? Unless they're putting a feature in there that makes them dumb. But, how can you do that? But anyway, alright. Where did I leave off here? Alright, at Cyberdyne, Here's, oh, okay, wait. So they convince Dyson that he has to destroy all his research, right? And they gotta go to his place and, and Burn all the research or whatever. So now they're at Cyberdyne.
They get inside and they force their way into the lab. Here's some more plot holes. The whole building is on lockdown, right? They hit the alarm when they know the one cop is tied up and the security guard is tied up in the bathroom. They hit the alarm. It's a building's on lockdown, right? Dyson tries to use his code. He's like, Oh, I can't use my code. The building's on lockdown. Yet, the two turning of the keys thing still works. Yeah. Where he gives a key to John.
He's like, Okay, we have to turn at the same time for this to open. Wouldn't that be on lockdown too?
Yeah, you'd think everything would be. They use the elevators! Especially the thing that's hypersensitive to, you know, turning a key. Yeah, and when they go to leave, they
get on an elevator! Wouldn't those be on lockdown too? Then, they rig the entire place with explosives, including drums of gasoline. Where the fuck did they get all this from? I thought the same thing. They couldn't have got it from Enrique in Mexico because A, he's not storing that shit with all those guns down below in a hot basement somewhere under the desert. Two, even if he did have it somewhere else, they don't bring it with them in the car. Right. In the station wagon.
They couldn't fit all that in a station wagon. So where did all that shit come from? It just arrives. It's just there. Any thoughts? No. I was, I was hoping you would tell me. No, I was scratching my head. Alright. It's ridiculous. So anyway, okay. So they have the big explosion, Cyberdyne is destroyed. And here's the, now we're gonna have several of these, but as an audience member, we already know the answer.
But as an audience member, if you're watching this for the first time, wouldn't you be like, wait a minute, wait a second. At this moment, wouldn't the T 1000 and Arnold both disappear? If they destroyed. The future making of these machines, they would have disappeared. Well, it depends on
which, which theory of time travel you subscribe to. Okay. So, so again, you have back to the futurist.
We kind of already know a little bit that we're going to get to, but as an audience member, that would, could be a thought of why didn't they just disappear? And did the main characters realize, Hey, wait they didn't disappear. Yeah, right. Something's not over yet. Like, it's not over yet. Right? It's not over yet. And even at Dyson's house, I think the wife says, I notated here, the wife says, aren't we changing the future right now?
And he says, yes, I'm, I'm, no way I can go into work tomorrow, you know. And that's when Arnold says, well, that's not enough. Nobody can follow your work. So that's why they decide to go and blow it up. Alright, more action sequence now as they have to get away from the T 1000 and all the cops as they make their escape from the Cyberdyne building. This leads to the arrival at the Steel Foundry as the truck of nitroglycerin crashes and freezes. The T 1000, it was liquid
nitrogen. I don't think it was nitroglycerin. Oh,
what did I say? Nitroglycerin, I meant to say liquid nitrogen. It would've blew up real big if it was nitroglycerin, Arnold gets the, gets the drop, his famous line Abta baby before shooting the frozen T 1000 into a bunch of thousand little pieces, of course, because the heat in the steel foundry. They melt and reform back as the T 1000. I remember when I was shit, I had to, I was 16 years old or turning 16 when I saw this in the theater.
And I remember thinking when he dropped that line, we're already almost two hours in when he shot it. Well, first of all, when it froze, I was like, Oh, that's it. That's how they kill them.
Yeah.
Right? He's frozen. He can't move now. He can't do anything. And I remember thinking, it only takes a split second before Arnold shoots him, that I remember thinking for a split second, what the hell are they gonna do with him? Like, you can't put him anywhere where he's gonna fall. Like, is he just gonna be stuck like that forever? And then Arnold gives the line and shoots him and he gets shattered into a thousand pieces and I thought, awesome!
But How are you going to keep those pieces from coming back together? And then they show the heat and the pieces are melting and he's starting to form. And when he stands up again, I remember thinking, they can't kill this thing. There's nothing they can do. Now my 16 year old idiot brain didn't realize they're surrounded by lava.
So
maybe that will have something to do with it. But instead I'm thinking, They can't, they can't kill this guy. There's, there's nothing they can do. He just fucking reforms again. So so that was done very well because that's a tense scene. When she's hurt, Sarah's hurt, they're trying to get her out of the truck. But all the little liquid metal pieces are starting to come together. Yeah. And it's already forming up before they're even out of the damn truck. It's like move man, get going.
Like it's, it's done very well. The suspense of that scene is shot very, very well. All right. More cat and mouse fight sequences after that but of course with that comes more plot issues. So the T 1000 has Sarah, right, has her dead to rights, he's about to kill her. He puts his little finger poker thing through her arm, and to torture her, and he's like, I know this hurts, you know, and he's digging in there. And then he says, call to John. Yeah, I know. I said the same thing. He could do it.
Why doesn't he call for John? You almost want Sarah to say, and she says, fuck you. But instead she should have said do it yourself. Like what? What do you need me to do it for? Yes. He's heard her voice. Yeah. Like what the fuck? So yeah, obviously he can mimic her. He could do it himself. He just doesn't. Of course. Arnold. And then, and then they end up doing it. And if a couple scenes later, Oh, hang on. We're right there. I know we're right there.
So of course Arnold intervenes and he saves Sarah's life and they begin fighting again. And this time it's going to bring us to our all is lost scene at the two hour, two minute mark. The T 1000 is. In the belief that he has finally gotten rid of the T 800. He smashes the shit out of Arnold, and shoves a metal rod, like right through his body. Yeah, so he's stuck. All systems fail, well he's stuck, but all systems are failing, and the light in his eye goes out.
As an audience member You think he died. All is lost, right? Because if the T 800 is dead, who the fuck's gonna save these two? Right? They can't. They're no match. Yeah. They are no match for the T 1000. Dark Knight of the Soul, John, who's hiding, and Sarah, who's reloading her shotgun knows at this point that they're probably screwed. Right? They're fucked. Yeah. If Arnold's gone, what chance do we have? Break into three. But then! The light in Arnold's eyes starts to come back on again.
Backup battery.
Backup battery plan! Alternate power! He opens his eyes, he gets up, and it's kind of funny because Arnold's acting here is kind of, it's not funny, but it kind of serves like when he wakes up, he's looking around like, where is he? And he's like, oh shit, I'm nailed down by this pole. I better take this pole out. You know what I mean? So he does that first. And then he grabs his grenade launcher, which has one grenade left, of course. And he arrives, you know, he gets up, ready to fight again.
Five point finale, here we go! Hold on, hold on, I wanted to,
Identify another plot hole from that scene.
Oh, okay, go for it.
His arm is in the machinery.
Okay. Okay. So I was going to get to that later, but okay, we can talk about it.
Well, it's, I mean, you know, they make this big deal at the end in a couple of scenes about destroying everything, all the evidence.
That's what I was going to mention later. So,
yeah,
so he does leave his arm jammed into gears and he has to detach from it in order to break free. That actually happens before. All of this because when he saves Sarah Connor's life, he's already at one arm, right? So yeah, his arm does get left behind. That's a little plot twist there for the end.
¶ Plot Flaws and Twists
I wouldn't say it's a plot flaw. Well, it's a plot twist if you want to make a T3. It's a plot flaw at the end. And we're about to get to that right now. Alright.
¶ Sarah's Plan and the T-1000
Gathering the team, Sarah calls out to John to join forces. Of course, this is not really Sarah, as the T 1000, who moments earlier seemed like he didn't know how to imitate Sarah, now he's imitating Sarah. Okay. Now, you could argue, there is an argument to be made. In fact, I just thought of this. It says he has to come into contact with somebody. He has to touch them. So he couldn't call out, he couldn't mimic her until he stuck his finger through her shoulder.
Okay.
But maybe at that point though, he would have done it immediately, right? Yeah,
yeah, yeah.
Killed her, and then immediately become Sarah. Right. But anyway, okay. We're trying to help, we're trying to help, we're trying to save the plot flaws. Okay.
¶ The Final Battle
Execution of the plan. The real Sarah thwarts the T 1000's plan by appearing behind the fake Sarah and telling John to get down. She unloads the shotgun shells one after another at the T 1000, which is a great moment because he's getting closer and closer to where he might fall off into the lava. And she's cocking it with her one arm.
Blast,
cock, blast, cock, blast, all the way down. I should say pump, pump and blast, pump and blast, all the way down to where he, one more will do it, and she runs out of bullets. Now wait, I was gonna, oh that was my Hightower Surprise, sorry. So, she's got him, she's got it won, right? She's about to win! And the Hightower Surprise, she ran out of bullets. So or shells rather, she not only, does she only need one more round to push him over the edge, but worse, she watches him.
Heal again, like she did with the frozen liquid metal pieces. He just simply heals up. She was fucking his shit up for a minute there. But then he just heals like nothing, and then does this real cocky finger wag. Like, no, no, no, you look like Dikemi Mutombo out there.
No, no, no, no, no. And, It's, it's, it's definitely his best punk move of the whole movie, like that's like the only time he is kind of talking shit, is he does that, right, he does the little finger wag dig down deep, she's done, right, she knows she's done now, she's out of bullets, he's healed up, John comes running behind her, and they turn like they're gonna run, but they, she's fucking wounded, she can't really move, they know they're done, without anything left, right, right.
All they have really to do is try to run, but he's but five, six feet behind them. It's over. Execution of the new plan! Here comes Arnold! One last grenade left. They see him coming over the thing. He's riding a gear because he's all fucked up. He can barely move. They hit the ground. Arnold pulls the trigger. Boom! The T 1000 blows up and because of it, loses his balance and falls into the lava to be destroyed. Woo! Go Arnold. I remember being in the theater, man.
The whole crowd went berserker when that happened.
¶ Resolution and Aftermath
Resolution. We have a nice emotional wrap up now as they throw the arm and the chip into the lava, of course. This gets to the part you were just talking about. I said at this point as an audience member, wouldn't Arnold disappear. Right. But. You realize wait a second Arnold is still there. Yeah, so that means he's the evidence, right?
The chip in his head has to be destroyed But still the arm is left behind Anyone might not remember that the arm is left behind which is why we have a t3 and I think in t3 They actually say that don't they that you can't stop Judgment Day. All you can do is delay it and their actions Delayed it by decades like the kid is older And it's still not Judgment Day yet. Judgment Day was supposed to be, when was it supposed to be?
97. Okay. 97. In T3 it gets pushed way, like 10 years later or something like that. Yeah. Because of what happens in this movie.
Right.
They destroyed Cyberdyne, they destroyed all the research, and they destroyed the arm and the chip and everything. But the one arm was left behind. Yeah. Somebody found it. And they eventually Figured it out. Yeah, Elon Musk found the arm. That's what it was. All right, so There's more on this in a second. I'm gonna get to my biggest problem with the whole movie Okay, well not the whole movies my biggest problem with the ending closing image the road now, right?
This is the unknown future It's the exact opposite of the opening image, which was the known future We have maybe the second worst line of the movie in this part I'm gonna tell you what the worst one is in a minute, but the number two line is right here. She first starts off with a voiceover, which is fine. She says something about that she's facing the unknown now for the first time with hope. Boom. End it right there. Roll the credits. Yeah, right.
Instead, she tacks on what we've talked about before that happened in the John Wick episode. She's gotta tack it on with, quote, If a machine, a Terminator, can learn the value of human life, maybe we can too.
A lesson. Do we need a lesson?
I do not need to be preached to by James Cameron.
Yeah,
right. He just showed me gratuitous violence for two hours and he's going to tell me whatever. He's good at preaching. Have you seen Avatar? I mean, come on. Yes! Oh my god! at you. Anyway, but we mentioned in the John Wick thing, right? When John Wick starts talking about the dog was the symbol of his wife. We knew that! Yeah. You didn't have to tell us that. I hate when they have to explain it. Well,
that's another part I hated about this movie. It was a, it was a line John Connor had early on.
Which one?
It was it was after the after Arnold got him and, and basically explained everything to him. Yeah. And he was sitting there and he's like, oh man, all these years I thought my mom was crazy or something. Yeah. And she was right. He didn't have to say any of that. Yeah. We, we knew it. I didn't even include that scene in my notes. Yeah. Because it's,
it's so, it's unnecessary. Yeah. It's an,
that whole scene's unnecessary. I was like, irritated by it.
Yeah, plus he can't act. Come on. I mean, it was his first movie, but leave him alone. All right.
¶ Character Arcs and Themes
Notes on character. Blake Snyder has story patterns in his second Save the Cat book that he calls genres. One of them is called buddy love. Sometimes used for romances, but also used for buddy cop movies like Lethal Weapon. There are three main elements to make a buddy love genre. First, an incomplete hero. Clearly John Connor. The second thing is a counterpart. Clearly the T 800. And the third thing is a complication of their relationship. That's like the third thing in this story pattern.
Which for them is clear. It's the future of humanity rests on their shoulders. So now when both characters arc.
I would have said the, the, the, the complication for John would have been that he didn't want the Terminator, something that's made to kill. He didn't want him to kill. Yeah. But
that, but that's just one element. Like that's not, that's not the overall problem of the story. So now when both characters arc, instead of just like the lead, a lot of times the legal arc and the buddy. The buddy love, the counterpart is just there to help them. But when both arc, it's called a two hander. Sometimes there's a third person. And even in the case of when Harry met Sally, there's four people. They're called a three hander or a four four hander.
So I actually think T2 is a buddy love three hander because all three heroes. John, Arnold, and Sarah Connor all arc in this film. So let's break it down. Alright, so we're gonna start with the T 800. Because he's a machine, so he should be the easiest one, right? It's actually the weakest character arc because he's a machine, right? There's not a lot of human depth there. But Well, and he's following orders from John Connor.
He's following orders, but he does say several times that he's a learning computer. Yeah. Right? Okay. So we do see him, for lack of a better word, we see him grow throughout the film. He learns things like hasta la vista, baby, and things like that. It gets a little over the top when he picks up the minigun and smiles. I don't know if the Terminator learned excitement. So, that I thought was just done for the crowd. But then, even worse!
After he kills the T 1000, he delivers what I believe to be the worst line in the entire film. I need a vacation. The Terminator said that.
I need a vacation. Yeah.
Okay. So, again, it was done for, oh, so the audience can laugh. Ha ha ha ha. Okay. However, it is clear That as a, as a character, he does arc. He learns humanity why you can't just kill people. He says at the beginning, you can't just go, John says, you can't just go around killing people. Why not? I'm a terminator. You know, like, but he teaches them that there's value in human life, right?
Sure,
sure. So and then he learns why humans grow attached to themselves, why they grow attached to each other. And thus why people cry when that attachment gets threatened. So he does arc for a cyborg. He does arc his tangible goal is to protect john connor which by the midpoint They're on their way to Mexico. He's done that. He's pretty safe at this point. In fact, if they didn't ever return to LA to stop Sarah from killing Dyson, the T 1000 may have never found them. It may have never found him.
His spiritual goal, which he did not know he needed was to learn. The humanity aspect, right? That there is value to human life. All right. So we're going to segue that into Sarah because her arc is very, very similar to the T1 T T eight hundreds. She also has a strong arc. Hers is actually stronger. Oddly enough, it's very similar to the G eight hundreds. He wants to protect John at all costs.
So does she, even if that means hurting or killing others again, like Arnold, she accomplishes this as her tangible goal at the midpoint. They're safe. They're on their way to Mexico. T 1000 can't find them. Her spiritual goal, that she didn't know she realized she needed, was to learn humanity herself. That human life is precious, and that except no matter how hard she tried, she's not a machine.
Yeah.
Right? She's not a Terminator, and human life should be preserved. She gets all the way to close to killing Dyson. Right. She's got him in her crosshairs, and she stops. Right? So that's
her
lesson that
needs to be learned. Another pretty traumatic scene, because that was right in front of his wife and daughter. And son! His son! Right in front of
his son, yeah. Um, So we often talk about the mirror image of the protagonist and the antagonist, and how if the hero makes bad choices, they could end up like the villain. Remember we've talked about this in previous episodes. We used examples in the past. Indiana Jones, if he made bad choices, he would be Belloc. Uh, H. I. McDonough in Raising Arizona. We said if he made bad choices, he ends up Leonard Smalls, the biker, right? He had the same tattoo. It was great. I love that choice.
Martin Riggs in Lethal Weapon. If he didn't join the police force and he just sort of became a criminal himself, he's Mr. Joshua. Right? In that movie. It works here for Sarah, too. If she doesn't learn that lesson of humanity, she becomes a machine. Mentally. She becomes like the Terminator, right? Alright, so finally we come to Jon. The best and strongest arc of the film and thus The most frustrating part that I hate at the end. Okay. It's my, it's my only problem with the movie.
We talked about the theme stated already with John and him accomplishing his spiritual goal of accepting his duty, right? His tangible goal is to be his own person and not take orders from people. We kind of get that. Entire the first half of the film. He does this a lot right where he's I'm doing my own thing He even when he figures out that he can order with the Terminator to do he starts doing things. He shouldn't do Go get his mom.
That's bad, right because the t 1000 is there he's acting outside of duty right. In fact that peripheral perfect emotional tug of war that we often talk about where he when he could understand his duty, but refuses the right to do it or refuses to do the right thing. Sorry, like wanting to save the foster parents. That's another example. Sure, it's a nice thing to do, but he puts the mission in jeopardy. He wants to save his mother, same concept.
By the midpoint, he feels somewhat secure in this thinking, since his foster parents are dead. He's on the run with his mom. The T 800 takes his orders. The days of him going to school are seemingly over, right? So it's like, he is his own person now. Right? I am my own person, I can do whatever I want. Yet the second half of the film, he learns that that's not so much the truth. He does have a duty in his place as a leader. He is instrumental in stopping Sarah from killing Dyson.
He's instrumental in breaking into Cyberdyne. He's, he learns the lesson, there is no fate but what we make for ourselves. That was a quote. And realizes his place in this mission. The duty that he serves. He doesn't. Even want the T 800 to perish at the end. He's desperately ordering him not to go into the lava, right? This is the part where I feel Cameron drops the ball. At the end, the T 800 claims he cannot self terminate. He has to be lowered into the lava. He gives the controls to Sarah.
Why? Why? That would have been a perfect opportunity for John to step up, achieving his spiritual goal, and say, No. No. He's my soldier. I'll do it. Right?
Yeah.
He should have been the one to lower the T 800 into the lava. The only thing I can think of that Cameron would make this decision is that, you know, Sarah was in the first movie. She killed the Arnold looking Terminator from the first movie. This is maybe a bookend. She kills this one, too, or something.
Yeah.
It's not strong enough. It's not strong enough for me. John was crying and he didn't want him to go. So he couldn't do it again. You're failing at the arc. The spiritual goal would have been so better fed this way. If John did it, that's my only problem with the ending. It's my biggest problem with the movie and it comes right at the end. I mean, again,
not a big deal, but it's still, but again, it kind
of is to me when I was watching it this time, I never thought this before, but now I was watching it for this podcast. It hit me. He's got tears rolling down his face. How fucking perfect and emotional would it have been? It
would have been a way better ending for sure. If he
wiped the tears away and took the controls from his mother and said I got it. I need to do
this. And by the way, mom, go grab that arm in the gears
Yeah, so we can throw that in the lava too, you dumbass. You forgot the arm. Again! So anyway It would have totally solidified him as a wartime leader fulfilling his duty. I thought his spiritual goal was mostly met. That would have nailed it. Yeah, and they fucked it up.
Yeah, that's a good one. Yeah.
¶ Trivia and Behind the Scenes
All right, trivia. Unless you have something to add on Ark and other plot flaws, did you have a note of plot flaws that you hated? No.
Oh,
we got them
all.
I think,
I mean, I think you covered them every time you mentioned, I'm like,
Oh
yeah,
yeah, that too. That sucked. All right. But before we get on, we have to say for anyone listening for our one listener, my brother and I both did love this movie. It's like, this was a big movie for us in the nineties, right? Like this was such a fun sequel. And I don't know, it's still fun. Like again, watching it for the podcast, I noticed a lot more things that I didn't like. Yeah. But including the ending, but it's still fun.
And it's funny though too, the special effects for the time, they were amazing. But now looking at it going, oh man. I mean, the molten, the metal, the liquid metal guy, I mean that was, it's still pretty cool. I think the worst special effect that I saw was when he appeared through time travel and it burned the truck. It burned, it burned out, but it was the orb. The orb looks so fake.
Well, it wasn't just that. My problem with that is his human flesh didn't burn.
Yeah,
right. This ball burned through a truck. Well, maybe it's just the outside
of the ball.
But he, okay, but it seemed like the inside was hot too. I don't know. It just seemed like his skin was okay. Like it's supposed to be human skin, but anyway. I was going to say the, actually what I noticed was the worst special effect. Which I never noticed before. When he impersonates Jeanette Goldstein who plays foster mom, Janelle. Right? By the way, who's in Aliens, you know that's Vasquez in Aliens. I didn't realize that. And she's the Irish mom in Titanic. No way.
Yes. I didn't realize that. Yes. Anyway, anyway, I know from, from Vasquez. Yeah. To an Irish
mom.
Well, not just that, to Janelle. Yeah, right. Like, that change right there is huge. She's also in Lethal Weapon 2. She's part of Murtaugh's crew in Lethal Weapon 2. But anyway when he impersonates her and kills the stepdad.
Yeah.
When he turns back into not the hand part, but when, when she physically turns back into Robert Patrick in T 1000, it's really, it's an awkward, like step, like almost like stop motion animation where the transition is made. And this time watching it for the podcast, I was like, ugh, with all the other great special effects, that one kind of sucks. They could have probably redone that in remastering but all right. Trivia. Co writer William Wisher appears in the film.
He's the mall photographer who's taking the pictures of the T 800 as he crashes through the window. Later in the film, the cops at the asylum show these pictures that he took to Sarah Connor and compares them to the pictures of the 1984 police station killings. William Wisher was in the first Terminator as a cop! Oh, no way! That's great. He was also, he was not in the, the police station.
He's the one that when the terminator's on the windshield and pushes his, punches his hand through the windshield. Yeah. And then Reese is remember, has got it in reverse and when he comes outta the alley, the Terminator flies off. Yeah,
yeah.
Onto the street. There's a cop right there, and the cop says, oh, I have a hit and run felony. But that's the co-writer of this movie. Oh, that's hilarious. He also has done some work on the Die Hard films. Uncredited consulting. He was 26 years old. At the time of the first Terminator. He's known James Cameron since he was 17. Wow. Arnold's salary for this film, for T2, was 15 million dollars. Which by today's money is nothing, but it was a lot back then.
He has a total of 700 spoken words of dialogue. Which means he was paid 21, 000 per word. Which means that the famous line, Hasta la vista, baby, cost 86, 000. Just
him saying the line.
Okay. The biker bar scene at the beginning was not only located across the street from the infamous Rodney King beating, The Rodney King beating literally happened the night they shot that biker scene. Are you serious? Yes, according to James Cameron in this, in the DVD commentary. Wow.
Isn't that crazy? That is crazy. All
right, the original idea, this is another good one. I like this one. The original idea was for Michael Bean To play, who played Kyle Reese in the first Terminator, to play the T 1000. Oh, wow. That Skynet thought if it impersonated John's father, it'd be easier to get to him.
Oh, that's weird.
Yeah. Cameron and producers later thought the role reversal of Arnold now being good and Reese now being bad, would confuse audiences. Yeah. So they just scrapped the idea altogether. That's probably a
good thing. 'cause I did, I, you know, you kind of have 'em on a pedestal from him. And, and from, from, from that and from aliens. Aliens. Yeah. Yeah.
Hicks. Yeah. Hicks. Oh God. I, I love that guy. Lastly, my last piece of trivia here before we move on. The model number for the Terminator is technically T 101. But the nickname is T 800. They're essentially the same thing. So whenever you hear Arnold say, CYBADINE SYSTEMS MODEL T 101 That's the same as him. The Arnold looking Terminator is the T 800. Why? Why'd they do the nickname like that? Exactly, so here's my question. If the model number is T 101, then make the nickname Frank? Or Bill?
Why is the nickname T 800 when the model is T 101? Or Jeeves? Could you be any more fucking confusing? Like, why would you do that? And I only learned this because while doing the, while writing this episode, doing the research for this podcast, I was like, I kept saying T 800, and I'm like, wait a minute. I thought it was T 101. So I Googled it. I'm like, what the fuck's the difference? And they're like, nothing. There is no difference. The T 101 is the model number. The T 800 is a nickname.
Oh my gosh,
why? Why?
Why then? But anyway, that's all I have for Terminator 2 Judgment Day. If you have something else to add. Great movie. Now, we're gonna get more into, at the end of the second one, the sequel aspects, when we run it through Jerome's sequel gauntlet. But already, the connections to the first movie are there, right? Like, this is an obvious, really good sequel. Oh yeah, it all ties together. It all ties together. Yeah, there's a lot of continuity
in the story. Which brings us to our next film. And we're gonna get to six degrees at the end of the show, so.
Alright, I have to crack open my, my lightsaber for this.
Alright, I'm cracking open a new one too, so in the same vein as last time, this ugh. For Speed 2, I'm going for Passion Fruit and Key Lime Spiked Seltzer from, from Member's Mark. Which one
is this
one? What's it called? It's Passion Fruit and Key Lime.
Oh, yeah.
Yeah, it sounds frickin nasty.
Ooh. I like that pop though. I guess I'm gonna have to do you one better. I'm gonna have to compete. Ah,
here I go. You ready? It is better than the cucumber, I guess.
Nice little pop of my own. Ugh. For anyone that does know, or maybe you're listening to the show for the first time. When I say my lightsabers, I have these tall 25 ounce gigantor cans of Mick Ultra. They come in large blue cans. They're my lights.
Well, and used to get the bud light, which are very, which were all blue. Yeah. All
blue. But
these I'm guessing you have a better, better deal on the Mick ultras.
No, they're actually, they're actually like a, a buck more.
Oh,
but like if the three pack.
It all tastes the same to me. I'd go for the cheap ones.
I do when I'm really strapped for cash. I do go for the cheap ones. But the McUltra tastes better. All right, Anheuser Busch, now's your chance to rope us in for a advertisement. Why
would they? They're getting free advertising. Yeah, they're getting free. They're
getting us for
free.
Well, you know what? It doesn't always have to be that way, Anheuser Busch. I could go to somebody else. I could crack open a tall Coors Light.
¶ Speed 2: Cruise Control
Okay, speed two, cruise control. Which by the way, it's it's one little point I want to throw out before we even get started. Speed one was all about keeping the bus going as fast as possible so that it doesn't explode. Yeah. Speed two, cruise control is about how quickly they can slow the, the, the boat down. Yeah. Like think, think about that as an anti action. We want to slow it down, not keep it going. Right. Anyway. Okay. Specs. Directed by Jan de Bont, written by Rent.
It just occurred to me. Speed 2 happened when Judgment Day should have happened. 97. Oh,
that is the end of the world then, isn't it? Written by Randall McCormick and Jeff Nathanson from a story by Jan de Bont based on characters created by Graham Yost. I'm gonna go into a little bit of an assault here on the writers because the script was so bad. And I don't want it to sound too arrogant. They are, after all, professional writers and I am not. But, I will say that Yonda Bont was contractually obligated to do a sequel on the success of the first one.
Yeah.
So We have to forgive a little bit that he was probably like, You know, I want to go off and do other things. He did Twister right before this. So, you know, he probably wanted to do other things, and they're like, No, you gotta give us a speed sequel. And he's probably like, Dude, and I can't get Keanu? Keanu read the script. And decided not to make the movie, after reading the script. He chose the movie Chain Reaction instead.
Hey, that was a good choice.
Yeah, so if you're the director, and you just lost Keanu, I don't know, I guess this is what you come up with. So, you could argue that the Speed franchise made and broke Jan de Bont's directing career. Don't get me wrong, highly respected cinematographer. He did Cujo, Die Hard, Hunt for Red October, Flatliners.
Some
bangers. The aforementioned Lethal Weapon 3 that we talked about in the last movie. So he was okay. This is all before.
Well, yeah, what do you do after speed to
his last American film credit as director of photography was lethal weapon three in 1992. So he didn't even go back to cinematography. It was almost like once he became director, he's like, I'm not going back to that shit again. I'm a director now. Like, that's it. Unfortunately he, he finally got his chance to direct and hit two relative blockbusters with speed 1994 and twister 1996, both big six, six, Then after Speed 2, he's only directed two movies since then.
The Haunting in 1999 and Lara Croft Tomb Raider The Cradle of Love in 2003. So, what is that? It's been 20 years? Over 20 years since he's directed a movie and he has not gone back to cinematography. Whether he's refused, just because he's kind of graduated onto directing. That he didn't want to go back to cinematography or, or he's not getting the gigs. I don't know man, but he was a very gifted cinematographer. And naturally the progression was, give him a directing deal. He had two huge hits.
This goes to show
He might just be retired counting his residuals money coming in.
Or it's one of those, did you retire or did Speed 2 retire you? Right? I don't know. Coincidentally, writer Randall McCormick may have also been bitten by the cruise control bug. Of his six writing credits on IMDB, that's it, six of them, four of them are Speed 2, Scorpion King 2, and Scorpion King 3, and Blue Crush 2. Oh no. These are all forgettable sequels. He hasn't had a credit in Hollywood in over 10 years.
However, walking through the rain without getting wet, apparently, Jeff Nathanson has escaped Hollywood exile. He's actually been a very well known and credited writer before and after Speed 2. I didn't write all his credits down here, but there's, there's a lot of them. He has worked with Spielberg. He's worked on Disney collaborations. He's doing just fine. So somehow Jeff Nathanson's fine. The other two weren't able to wash the speed to stink off their clothes.
But anyway, again, I didn't mean, I don't want it to sound too attacking. Yon DeBond and Randall McCormick probably have way more money than I do. And like you said, maybe they're fine with just not. You know, with just being retired. But again, did speed to retire them or did they decide to walk away? All right. Running time of two hours and five minutes with a budget of 160 million, 160 million budget, which would be about 313 million in today's money.
If you adjust for inflation, could you imagine 313 million, 313 million to make a movie?
Well, they, you know, they, they wrecked a lot of stuff.
The final set piece of the ocean liner crashing into a small town, that alone cost 25 million. Wow. It's the most expensive single stunt in film history as Jan de Bont, Jan de Bont did not want to use any CGI and literally built a small town just so he could ram the cruise ship into it.
Wow. That's crazy.
Oddly enough, it made 162 million worldwide. So it sounds like it made its money back, but you know, with all the money they spend on distribution and marketing it really, oh, and by the way of that 162 million worldwide, only 48 of that was domestic.
That's rough. Yeah.
So that's a tank. That's a tank. Although oddly enough on there, on the worldwide list, it did land a respectable eighth. On the 1997 list. That's not bad. Top 10. Right. But again, like I said, only 48 of that was domestic. So the domestic list is way farther down, but worldwide it's number eight, considering production costs and unlisted marketing and distribution costs. It is considered a bomb by most stretches in Hollywood.
We talked about the worldwide list in 97 before when we did the liar, liar episode, that film came in at number six. Of course, you remember the biggest film of the year, another boat on water film, Titanic, made 1. 8 billion dollars. I know, I was thinking about that
when I was watching this, the scene where the ship's flooding and everything, and I'm like, oh my gosh, Titanic came out the same year.
Same year. Weird. Yeah Titanic is was at 1. 8 billion. It's about double that. If you adjust for inflation it garnered speed to cruise control, mind you back on the speed to now garnered zero Academy award nominations, though it did win the Razzie award for most. I'm sorry for worst remake or sequel. It's only Razzie win despite seven other Razzie nominations. So it was nominated for eight total Razzies. And even failed at winning the Razzies. Like it only won one worst remake or sequel.
Some of the other nominations, Worst Actress, Sandra Bullock, Worst Script, and it was up for Worst Film. You
know, since you mentioned the Worst it frust the movie frustrated me, and it I I can't I don't think I can blame her acting ability because I've seen her act. She can act. She's fun. She's delightful. I love her. But the lines they gave her, they made her out to be a, just a, like a dumb It was almost like the stereotypical dumb blonde, even though she's not blonde. It might be one of the
most male chauvinist films I've ever
seen. It was horrible and I kept thinking to myself, man, this, I mean
And
her
face is the poster.
Yeah,
it's it's her movie. She's top billing.
She's above the title. Why'd they do that? I mean cuz
and she serves almost zero purpose in this movie.
Yeah What was the what was the movie where she was the mom that they they were helping the football player? She was the one she won
the Oscar for the
blindside She was like a strong female lead in that movie and I loved that I loved her role in that movie cuz you know, she was I don't know She wasn't a push you even have
to go that far later Like before this movie came out. Yeah, she did while you were sleeping a romantic comedy that she carries.
Oh, yeah Yeah, she absolutely carries that movie. She's got a long list of movies that the scripts were just way better You know way better. I hated how the script portrayed her in this movie.
I'm telling you it's it's so If I was a woman I'd be offended I'm offended as a man I would be more offended as a woman that That this is the lead, this is the above the title lead, the main person coming back from the first movie, and you give her literally shit to do. And it's mind boggling because Jan de Bont, whose second big film, which came out a year before this, was Twister, where Helen Hunt almost carries that movie.
So it's not like he's, you know, immune to this, it's not like he doesn't know how to direct a strong female lead. This script was written based on his story. So he does not get to walk away clean. He can't just blame the script. He's the fucking director. He should have looked at it and said, Look, we lost Keanu because the script is this bad. I'm not gonna direct my lead as a She's no better than a fourth ditz. It's terrible. It's, it's absolutely terrible.
And that's probably right off the bat one of the biggest things wrong with this movie. We're gonna get through a whole list of other things, but that's, that's the biggest one. Alright, it stars Sandra Bullock as Annie, Jason Patrick as Alex Shaw Willem Dafoe as John Geiger. Tamura Morrison, later of Django Fett fame, as Giuliano, and Glenn Plummer returning from Speed 1 as Maurice. Terrible, to even bring him back. We'll, we'll get to that. Again, what's the worst thing you can do in any movie?
Coincidence. Yeah, and they bring this guy back. All right. All right. First time you saw this movie. What did you think?
Well, I can tell you when did you see it? I don't remember. I I hope I didn't see it at the theater I I'd probably remember I would probably remember walking out So I'm sure I probably rented it. I remember renting it I mean, I remember seeing it a long time ago shortly after it came out So it was probably when it came on video or whatever but yeah, I miss remember thinking that it was just ridiculous.
Yeah.
You know, that was kind of my overall, and I wasn't a, you know, I wasn't studying film and I wasn't like doing this. You don't have to hate this movie. No. Yeah. I just remember thinking it was ridiculous. It was just ridiculous.
Now it didn't help that at the time it came out, I was in film school. I was in my final year. Almost. I was going into my final year. So I was taking all kinds of screenwriting classes. So probably that didn't help. But when I did see it, I think I saw it on video when I was in college, I didn't go to the movies. I did not spend
probably around it. We had, you know, we were, we had just gotten married the year before. So, well, I worked at
Blockbuster, so I had free rentals all the time. And this was one of the movies I brought home, watched on video. And I want to say I turned it off. Like halfway through? That might've happened with us. I don't remember. Because I don't remember watching the ending originally. I think I YouTubed the video YouTubed the ending years later. And I don't remember why. Somehow this discussion of Speed 2 came up and I remember thinking, You know, I never did finish that. I wonder how it ends.
And I just went on YouTube and I was like, Speed 2 ending. And I saw the whole boat and everything and I was like, That sucks. That's lame. And that was it. And the
ending took way too long too.
Yeah,
yeah. You know what I mean? We'll get to that too. That whole, that whole ending with the ship, where we're going to get there, that happens and then you still got to go get the bad guy.
Don't even get me started. That's so bad. It's so bad. Like I don't know. Well again, we'll, we'll get, we got a lot to get to. So It's almost like they
did have a formula from the first movie because the same type of thing that where they stopped the bus But that wasn't the end. You had to go get the bad guy.
Right, but not at all. I think, I, I think you're right on that, but they also tried to mirror that the bad guy is a disgruntled former employee of some sort. Yeah, right. You know, so they pulled that formula from the first movie. Yeah. But they fail miserably. Yeah, it was horrible. It's like, hey, I made a really good margarita. Now I'm gonna make another one. But instead of tequila, I'm gonna use seltzer water. Like, it's not gonna be the same at all. So so there's that.
And then actually sat down and watched it for the first time straight through for this podcast. Oh, wow. And
like I said, I might not, I remembered a lot of the scenes when I watched it. I watched it today. So you just got done with it. I just got done with it. And I'm like, yeah. So it's fresh on your mind. But there was a lot I didn't remember too. So it might have been one of those things where we watched it, we fell asleep, we woke up, it's still on, you know. Sad to say I had to watch it twice on this podcast. So let's, let's get through this quickly then, cause everyone's tuning out now.
They're like, alright, screw it, I don't need to hear about this movie. Well no, no, you
got it, no, we have to, no, it is, you're right, sorry listeners for turning you off. You have to listen to this because we're gonna get to why it's so shitty. Not just that it's a shitty movie, but why it doesn't work as a sequel and T2 does. Alright, log me.
Alright. A computer hacker breaks into the computer system of a of the Seabourn Legend cruise liner and sets it speeding on a collision course into a gigantic oil tanker.
Worst. Logline. I've ever heard. We don't even know that there's an oil tanker? Until the end of the movie.
Yeah.
Right? Like, how is that the log line? If you go to the movie based on that log line, you're like, where's this oil tanker? Like, what the fuck? There is no collision course set either until the second half of the movie. Like, we don't know any of that. None of that is on the radar. Yep. Alright, we have sort of the beats. Alright. Opening image, Alec Shaw airborne a throwback to Jack's car being airborne in the first movie.
Yeah, as he's in pursuit of a villain Meanwhile, Annie is going through her driving test This will be so unimportant later. Normally I say this will be important later Did you notice they set up a lot of this driving test thing for Annie?
Yeah,
yet there's no that's a setup with no payoff
with no point
with Tim Conway, which Right tells itself that it's a comedy, right? This is supposed to be funny. But here's the thing If there was a moment later in the movie where she has to take controls of the boat, you know what I mean? We'd get like, oh the driving test. It's now coming into play here. It's a setup and payoff She has almost nothing to do the rest of the movie She's asked to
do nothing.
Yeah, and she doesn't learn anything
because at the end of the movie she does, she retakes the test and crashes the car. And
crashes again! So, what's the whole point? There isn't one. Theme stated, if you want a theme at all. After the coincidence of bumping into each other while he's doing his police work and she's failing her driving test, by the way, coincidence, number one, they kind of interrupt each other's day, right? And he gives what can only be described as the closest we're going to get to a theme slash arc.
She reiterated reiterates her uncomfortableness with shaw being a cop because of jack and that she is avoiding marriage With such a man because quote relationships born under extreme circumstances never work They haven't had an extreme circumstance yet She did with Jack. So that made sense. How does that make sense here? They're about to have an extreme circumstance but they haven't had one yet. Four point push. Insighting, I can feel the disdain in my voice as I go through these beats.
I'm sorry listeners, you're
going to have to drink with us on this one. You sound like you're drinking a member's Mark Seltzer.
That's what you sound like, you've got that taste in your mouth.
I haven't been this angry since we did
that Mel Gibson movie. Alright, so, 4 point push uh, Insighting incident, 9 minutes, and you know what I just thought of? Sorry, it's part of our thing to go off on tangents. Remember in Airplane? When the lady's getting sick on the plane? And she goes, I haven't felt this awful since we saw that Ronald Reagan movie. Hahahaha! I just had no thought! That's how I feel right now! Alright. That's great. Alright.
Sorry, back at it. Maybe I'll make her face in that scene from that movie the cover of this episode.
Four point push. Inciting incident. Nine minutes in, Shaw suggests that they take a cruise vacation. This is the inciting incident because without the cruise obviously this movie doesn't happen. They arrive at the cruise ship and have some coincidental bumps with the bad guy. Coincidence number two and three. One, they're sitting right next to each other on the little speedboat that takes them to the cruise liner. They're sitting right next to each other.
Yeah. And then, while they're being shown their room, they're walking down the hallway, the bad guy comes out, Willem Dafoe, who was just sitting next to them a moment earlier, comes out of his room, complaining about where his golf clubs are.
Yeah, I know.
Like, and they just happen to be right there to hear it.
Yeah.
Too many coincidences, way too many. All right. So, Catalyst. Now at this point, we're already in script disaster because there's no catalyst or debate to propel the protagonists into Act 2. Mostly because, and I put this in all caps, THEY DON'T KNOW THEY'RE IN DANGER! That's the problem with this movie! If there's a catalyst at all for this movie, for this story, it's mainly for the villain alone. It's for Willem Dafoe's character of John Geiger.
It's around the moment he plants the transmitter in the cockpit, when he's acting all drunk and he falls on the floor and he puts the transmitter in there. That's at the 21 minute mark. Debate begins. Again, unless we're using the vi the viewpoint of the villain, there isn't a debate at all for our heroes. For the villain, it might be when he kills the captain. When he throws the captain overboard, that's sort of like, okay, we're, we're all in on this now.
Yeah. Yeah.
If we're going on the story being Annie's unwillingness to marry a cop. Well, hold on,
hold on. It wasn't William Defoe.
¶ Willem Dafoe: The Perfect Bad Guy
Everyone looked at his face, go, Oh, he's the bad guy.
Yeah, well, okay. Number one, because he's Willem Dafoe. Yeah. Number two, he's got the perfect bad guy face. I mean. Right, he
looks crazy.
No, that's what you need to put on the poster for this episode. That, that one look he has where his eyes are really big. I'll, I'll send it to you. It's the speed two picture of Willem Dafoe. Alright.
¶ Analyzing the Story Arc
So again, if you're going to try to dig up some sort of an arc, if we're going to go on the story being Annie's unwillingness to marry a cop, then the catalyst is where Shaw almost pops the question at dinner and then suddenly gets seasick, I guess. Like, he, it makes it seem like he just wants to get out of that situation. Like, this is embarrassing. I have the ring in my hand. Now she's telling me she doesn't want to get married, I have to quickly put the ring back in my pocket.
Ugh, I feel sick, let's leave. He
really was sick!
The next shot, they show the vomit bucket next to his bed! So, alright, anyway. You, they could have made the debate the next scene. When they're, I guess that would be the debate the next scene, where they're shopping. And they have yet another lover's spat, sort of like he wants to get married and she doesn't, kind of thing. Right, right. So, again, now, we're at this point, and if you're unsure whose story are we telling, Annie's, Shaw's, or Geiger's, I couldn't tell you. I don't know.
I think it's Annie's because Sandra Bullock's the lead. Right. They tell me. We saw her in
the first movie.
No, no. The poster tells me she's the lead. Sure. But the story doesn't at all. And again, it makes hard, nailing down the catalyst in the debate makes it almost impossible if you don't know whose fucking story it is. Break into 2.
¶ The Disabled Ship: A New World
34 minutes in, the engines on the ship break down and the ship is now disabled. This is a clear jump into 2 because at this point now, all the passengers on the ship, their old world has now changed. They're in a new world now, where they're on a cruise ship that's disabled. They don't know why, they don't know they're in danger, and in fact, they're really not, and we'll get to that in a second. The heroes still don't even know that there is a bad guy.
They don't even know that there is a bad guy. Right. They just know that the ship is disabled. The bad guy tells Giuliano to evacuate the passengers. So, he doesn't even want to keep them hostage. He doesn't want to hurt anybody. He wants them all to be evacuated. So really the passengers are not hostages. They're free to go, but they don't even know this yet because they don't know there's a bad guy.
Right.
So think about this already from an action
Yeah, movie standpoint. You could have ended this movie. Just get everyone on those lifeboats. Everyone's safe and secure. They'll figure, they'll take care of this guy.
There's no stakes. There's no, there's nothing in the back. T2, the world's humanity was in the balance.
Yeah, yeah.
In this movie, nothing is in the balance. They're free to leave whenever they want. And what's the
story continuity and everything from the first movie? Sander Bullock has PTSD, I guess.
Oh, in dating. In dating. In dating, yes. Not in real life, where that could have been a real thing. Yeah. I
just survived
something,
I almost died. I married John Wick and it was not, or I dated John Wick for a while and it didn't go well.
Yeah, so now I have PTSD in relationships. Not getting on buses or cars or boats, I can do that just fine. Funny games.
¶ Evacuation Issues and Geiger's Role
The evacuation process has heavy issues. Not because of anything Geiger has done. Just because like the whole, like the, the boats, the lifeboats are failing. Like that's just an action sequence. Like, let's just put that in there so we can make everybody soaking wet and hanging from ropes and make it exciting. Geiger didn't do any of that. Like none of that.
That's almost like it reminded me in seven when they get out at the end, they get out of the car and they see a dead dog and, and Kevin Spacey's all, I didn't do that. I almost thought there was gonna be a moment where Willem Dafoe sees what's going on outside and he's like. I didn't do that none of that was me, like, you guys are having trouble evacuating this ship, that's not my, me, that's not
¶ The B Story: Love and Marriage
my fault. Alright, B story. If we view this as a love story, Annie's B story is still probably Shaw, who would lead her to her spiritual goal, I guess, of getting married? I don't, I don't know. If this is Shaw's film Annie is his B story because she will lead him to his spiritual goal of having the courage to ask him to marry her,
I guess?
This all sounds like a romantic comedy, doesn't it? Like, it doesn't sound like an action movie at all. If the movie is Geiger, if this is Geiger's movie, there is no B story. So, one could argue from a story standpoint that even Giuliano Juliano? Could it be arguably a B story, since he's instrumental in helping Shaw save the boat in the end? Maybe. Take your pick, it doesn't matter. Alright, more fun and games.
There are passengers left behind from the evacuation, notably a couple who gave two shits about their deaf daughter missing. They decide to stay on the boat until she shows
¶ Midpoint: Realizing the Villain
up. Also, 54 minutes in, almost an hour, mind you, Shaw realizes that Geiger is the bad guy. Or actually, that there even is a bad guy. Right. Fifty four minutes into the movie. Midpoint scene. Annie, the supposed protagonist of the film, the above the title lead, is told by Shaw that Geiger is the villain and the people on the ship are in danger. That's one hour, five minutes in. This is the first time she's aware of
any danger. So I mean, an hour and five minutes in there should have only been 25 minutes left in the movie at that point. I didn't need to be for an hour and a half movie. Romantic comedies are an hour and a half. It didn't need to be two hours long.
So. Now, there was the fumbling around with the evacuation where people were in danger and she helped out there, I guess. Not really. Shaw helped and she just assisted him. You know, as a little good woman should, assist her man. Okay, that was meant to sound very snarky. Um,
Yeah, I'm just nodding.
Oh yeah, absolutely. Yeah, yeah. That's how they make her character seem! I know, it's awful! She's just there to support Shaw and his saving of people. Like, anyway. But that's, to her, the only part of danger is the evacuation process. This is the first time she knows that there actually is a bad guy.
¶ Bad Guys Closing In
Alright, bad guys closing in. Shaw tracks down Geiger, they have a chase, and Geiger traps Shaw in a room with a grenade. In this scenario, Shaw is the bad guy and he's closing in on Geiger, the hero. Wait, no. Reverse that. See what I mean? I don't know whose story it is. If it's Geiger's story, Shaw's the bad guy, right? He's chasing him. Right. And Geiger traps him in a room. Okay, all is lost. One hour, 27 minutes in.
¶ All is Lost: Annie's Hostage Situation
About the time a Notting Hill would be ending. Geiger takes Annie hostage and gets off the boat, thus leaving Shaw and Giuliano behind to deal with the impending doom. So this is all is lost, I guess. For Shaw, because Annie's now gone, right? She's a hostage now. The guy who didn't want to hurt anybody has now taken a hostage. Dark Night of the Soul. This is the first time the remaining passengers find out that they're on a collision course with an oil tanker and they start freaking out.
This is arguably, I don't want to say it's the first time, this might be around the first time the audience knows too. They have an action sequence where they're trying to slow the propeller down. Mm
¶ The Final Act: Saving Annie
hmm, right? Yeah. So the audience might know then I can't remember when I first realized the oil tanker, but it's way late Oh, yeah, way late Breaking the three Shaw Giuliano managed to save the tanker by sideswiping it to avoid collision. This is one hour 44 minutes in and the ship instead collides with a small town now that the ship is out of the picture and we are officially in act 3 The after world, right? The, the before world was everything's fine.
The, the upside down world is being on the ship that's disabled. So the new world must be. They're off the ship because the ship has crashed landed into a town. So we're in act three now. The ship is no longer a problem. Now they have to save Annie. That's
¶ The Five-Point Finale
the problem. So that brings us to what the best we can come up with of a five point finale. Gathering the team. They commandeer Maurice's boat. Another coincidence. He just happens to be there and he says I've just bought a condo here. This is the same guy for those of you that don't know that Jack Traven, played by Keanu Reeves, took his car in the first Speed movie and knocked the door off of it so that he could jump onto the bus and he even stole this guy's phone. He has returned!
He just happened to be there when all this shit was going on. Another coincidence. Execution of the plan. In pursuit of the bad guys, they need to get him before he gets to his plane and take off with Annie. High tower surprise! Is the funniest edit, edit shot of the entire film. Within one shot, they go from hurling towards the plane, To boom, they're in the plane! And Geiger is taking off with Annie. That shit. Seriously, there's no scene of them getting on the plane.
They're on the scooters, the, the jet skis or whatever heading towards the plane, the next shot they're taking off. Like they're already on the plane and remember she's a hostage. So apparently he had no problems getting her in the plane to take off because it didn't require. Us to see it. Yes. It just happens so easily. Of course. Okay. Dig down deep. Shaw must attach himself to the plane as it's taking off and Annie dumps the jewels overboard. By the way, a little subplot there.
I think we're going to get to the subplots later, but the whole, he's dying of copper blood infection, which is why he's disgruntled at the company and he needs leeches. to clean his blood, then why throw in the whole diamond heist thing? If his revenge is to crash the ship into an oil tanker to get his revenge, what what do you need the diamonds for? You're gonna die anyway. You have copper blood poisoning. But, anyway, whatever. It's not important.
And he dumps the ship. Hold on a minute. Why would those diamonds have been on the ship?
Well, there was a scene during dinner, weren't they showing them off? They were auctioning them or something?
It just seems like a weird thing to take on a cruise.
Well, it was, they were there to sell them or auction them or something. There's something in the dinner scene where he wants to propose to her and he's communicating with the deaf girl through sign language. The diamonds are presented there for the first time and I can't remember what it was.
Yeah.
Yeah. They're there for an auction
or something. They just made up some BS, but it just seemed weird.
They just made it up so he can steal diamonds. Yeah, exactly. Not for any real purpose. Just to steal diamonds. Okay. So he then climbs Shaw then climbs into the cockpit where Geiger and Annie are. Are you ready for the big action sequence where he saves Annie? Because he just takes her and they jump out. That's all. Geiger does nothing about it. Right. He just watches it. He takes Annie and he gets out of the boat, or gets out of the plane.
They, they kind of get out onto that little pontoon, you know? The thing that you know, the little thing that the a plane that can land on water. You know, the pontoon thing. Anyway, they get on that and that just breaks off. Like, that's how they get away. They don't make it break off.
Yeah, it
just
breaks.
It's just detached. Good for them. Execution of the new plan. So, oh, that was the execution of the plan. Shaw saves Annie by stepping out of the pontoon, which then suddenly breaks off for the plane for no reason, separating them from Giger, who's clears the tanker, by the way, that's now a dramatic moment for Geiger, is that he has to get his plane up high to clear the tanker, only to then turn the plane and hit an antenna. The way it hit it and just stuck there. It just stuck there.
Just stuck on the antenna. It was, it was so bad, it was humorous. Worse, worse, the people on the tanker start yelling, ABANDON SHIP! IT'S GONNA BLOW! Why? I don't know. He hit an antenna! I know. Why did they think that was gonna cause a chain reaction that would blow up the ship? What is this, the Death Star? Like, what? I mean, I, I don't So, while all that's happening, by the way Shaw, also seemingly afraid of this explosion, throws Annie into the water.
Yeah. Like, he's like, yes, it's going to blow, they're right. How he can hear them, I don't know. Which, by the way, I think I mentioned later I'll mention it again. There's a point when he's in the water, and the guy's giving him directions on what to do, and he can hear him, in the water. Like, he doesn't have a radio in his ear, the guy's just yelling,
Pull the
lever! And he's in the water, and he can hear it. Yeah. Okay, whatever. Alright so he throws Annie in the water. And then he goes in after her. When he comes up, She's suddenly very far away from him. Now, get this, they're on the pontoon. He throws her in the water, and then he jumps in right after her.
Yeah.
Into the water. When he comes up, she's like 30 feet away! Like, how did she get that far from him? They jumped in the same spot! But, whatever, okay, it doesn't, it doesn't matter, it doesn't matter, it doesn't matter. There's a heavy current, I guess, I don't know. He swims to her, and then he has to kiss her so that she can breathe underwater. You know, not take her up to the surface so that she can breathe.
He's just gonna cover her mouth with his mouth, like he's fucking Kevin Costner in Waterworld, and somehow breathe for her by kissing her. Then they come up for air, and if we didn't have already enough coincidences, Who is there Johnny on the spot right when they come up? Maurice and his speedboat to collect both them and they get the diamonds, of course. Okay, so By the way, that tanker does explode.
Yeah. The Geiger's plane does somehow cause a Death Star like chain reaction through an antenna that blows up the oil tanker. All those innocent lives lost. So anyway, they're on their speedboat heading back to civilization and Shaw proposes! He's got the courage now. Spiritual goal, spiritual goal, spiritual goal. And he says yes. And finally, thankfully, the film ends. Closing image. The ship has stopped. It's crashed into a small town.
Stark contrast to the high speed chase that opens the film. I was reaching on this one. I don't know. I'm just trying to grasp it. What would be a closing image? All right, note sign character.
Well, the final scene was Sandra Bullock retaking her driving test.
Oh, yes, you're right
and then it fades to black or goes to black then you hear it crash The car crashed because apparently I
think that's a post credit thing Like they do with
Marvel.
No, because I didn't watch the credits. I think it, well, I think they're showing the ship when it says directed by Yann DuBont. And they start doing credits, but then they do that thing where they show her. Fail her driving test. But as soon as the credits
started rolling, I turned it off. But it was just funny. But that puts the exclamation point on the chauvinistic bent that the writing had for this movie. Yeah, she can't drive. Because, you know, this dumb woman can't drive. Of course. Why would she be able to drive? She had to retake her test after all this trauma. And of course, she still can't drive. I mean, she's a woman after all.
She's a woman. She can't drive. And she can't be expected to do anything during crisis. It's so bad,
man.
So we write her to do nothing during crisis.
It made me angry. I was like, I have three daughters and a wife and they're all very capable women.
I've got two daughters and a wife and both of my daughters would be far more efficient on this boat than Sandra Bullock was written to.
I mean, I would dare say my wife's a better driver than me, but that might not be saying much.
I've seen you drive. So notes
¶ Critiquing Character Arcs
on character. A major problem with the characters in this film is the lack of interest. We don't care about these people at all. I would suspect most audience members don't care about these people. Now, we've talked about flat arcs in the past. You know, where they themselves don't really change, but the world around them does, you know or how the people, how the world sees them.
We talked about Paul Schrader's scripts, like Taxi Driver, Raging Bull, Mosquito Coast, Affliction, Superman is always like this, right? Superman's a flat arc. Superman doesn't learn lessons. He's already perfect and he's always perfect, but the world around him seems to change. So, I guess you could argue that this is some sort of a flat arc? Maybe? Cause these characters don't arc at all. They really don't.
And they really don't affect the world around them in any spiritual or impactful way either. I mean, what lesson does Annie learn, really? What lesson does Annie learn? It's clear at the beginning that she doesn't want to get married. And that she fears commitment, as she hints, with the relationships that are born under extreme circumstances. Her relationship with Shaw started before this, so that was not an extreme circumstance, as we said.
And even after the extreme circumstance, even after this adventure which has zero emotional shifts, by the way. It's not like one scene she's like, oh, I love you, and another scene she's like, oh, I can't, you're too reckless. You know what I mean? Like, I, there, there is no back and forth. She doesn't want to get married the entire time. Suddenly at the end, when he pops the question, she's just like, Okay, yeah, let's get married. Like, what did you learn?
Yeah, right after we had this, would she say traumatic circumstance? Yeah,
we just had the one thing you hated, now all of a sudden you are embracing, right? There's no growth. Now, at worst, she could just be like, like you said, PTSD. She could be in shock right now. So she's saying yes to a marriage while she's in shock. So kind of a dick move on Shaw's part to propose at that moment. Right. When you know that she's not of sound mind. Right? But whatever. Okay. I don't know. She didn't learn anything. What about Shaw's arc? What lesson does he learn?
It seems all he wants is to have the courage to ask her to marry him. That's his only seemingly problem throughout this whole film, is he never has the balls to ask her to marry him. He keeps chickening out, and then he whines about it later, and he whines about her not wanting to get married. He clearly doesn't get the picture, or thinks that he can change her, or mansplain her into marrying him. Right? Because really, all he really does is wear her down by the end.
So again, another sort of male chauvinist thing like she doesn't want to get married. I'll just keep pushing until she does, you know, or whatever. I don't know. The life threatening journey is over and he pops the question and she says yes. All, that's what I put here. All he had to do was wear her down. That's his spiritual goal. If we were to rewrite this, it could have been fixed. Are you ready for this? Yeah. I'm going to blow your mind how we could have made Speed 2.
What if Shaw wasn't a cop? What if, in fact, he was like a meek computer nerd? Right? And he's unsure about marriage because he's so boring. Her previous relationship was Jack Traven, right? Super cop from the first Speed movie. It's too bad he died
in the line of duty. I'm just saying, I'm just saying that's fucking dark. Oh, I'm just saying they could have wrote that into the story. That's why she's not with them anymore.
Right. So he, I was like, Jesus, where did that come from? So, okay. So yeah, let's say he died.
Or whatever, and, and now, she's stuck with this boring dude, and he's so, it's kind of like True Lies, right, where Jamie Lee Curtis thinks she's married to a nerdy computer guy and she doesn't want to marry him because of that, she wants adventure in her life, and then they go on this cruise, and a bad guy has taken over, and they know it's a bad guy from early on, not, you know, an hour into the movie, But they know their lives are in danger, and he saves them all.
And then that is her spiritual, I, I'm, you know, well, actually it's his spiritual arc. He has overcome his nerdy shyness and become a fucking
hero. That would have been superior to this movie, especially if they would have rewrote her, her character. And actually gave her something to do.
She would need an arc too.
Yeah.
Right? So, not just that she's with a boring guy and she wishes he was exciting, but what if, You know, I don't know. She needs to arc somehow, you know, maybe she loves the exciting cop idea because she herself is boring and she doesn't want to be with a boring person.
So on this journey of this extreme circumstance, not only does Shaw man up and become a man and save the hostages, she mans up and maybe she fights the villain in the end and Kills them or whatever and that's her like I'm not boring. I can be you know what I mean? I can Do something in this movie. Well, it's funny because she did she had more of a role in the
first movie
She was way more instrumental, right? Right
because I mean she was being fed information about what to do, but still she had to do it Yeah,
you know,
absolutely.
And she had the balls to do it! She was way stronger in the first movie than she was in the second movie. Alright, so if we move to Geiger's motivation he developed an illness, he needs leeches because of his copper poisoning. Also like I said, it's basically a rip off of the villain in the first movie, right? Dennis Hopper was a disgruntled former cop, lost his thumb. So they kind of do the same thing with the foe here. Problems with the script. So Mac returns.
Joel Morton, by the way, who's in T2, as Miles Dyson. Right. But here's the weird part. It appears that Shaw only knows who Jack is through Annie. But they have the same boss. Like, right? Yeah. There's no other mention of Jack. I don't know, it just seems weird. And if they did know each other, then Annie's kind of a cop slut, right? Like, jumps from cop to cop. Like, this would be a buddy of his. Cops are like a brotherhood, right? You don't jump from one cop to another cop. That's not cool.
Some do. I guess. I don't know. I thought that was weak for Annie. Again, we're already talking about how bad the script is for Annie. Yeah. How they write her as such a shitty person that now, because they didn't get Keanu, we'll just write another cop and we'll just have her be with him. Which would be fine, but they use Mac. So he's the boss. I don't know. It just seemed odd to me. It was like, how do they not know each other? How are they not friends then, right? Yeah,
yeah.
Is that how Annie met? Through Jack. I mean, I might have to, I'd have to suffer watching this again to go through and see if there was a line of dialogue or something I missed that maybe she met Shaw through Jack? I don't know. I don't think so.
Yeah, it's funny. IMDB says he's uncredited.
Yeah, so he's
He didn't want his name on it.
That's crazy.
Okay. Okay. So, like I said, this movie is loaded with coincidence. The Shaw cop scene at the beginning with Annie's driving intersecting and all that stuff. All the times they bump into Geiger, blah, blah, blah. There seems to be no consequence for getting off the boat. The villain even tells Giuliano to get the passengers off. We talked about that. If that's the case, there's no stakes. There's no tensions. Protagonists can leave whenever they want. There's no urgency.
When problems do arise, nobody calls for help. I think Geiger says something later that he scrambled communications, but he doesn't say it until later. Like, how do we as an audience know? Like, when this shit's starting to go on, you're thinking, why isn't the captain or Giuliano or anybody? Call the police. Why is nobody calling for help? You know what I mean? It just seems weird. Annie's driving test failure at the beginning is a setup with no payoff. We talked about that.
She doesn't steer the boat later when it's like necessary. You know, all that would have been a good setup and payoff doesn't happen. Annie has virtually no jobs to do in this movie. Which again is so astounding being that she's the above the title lead. Yeah. The star from the first movie, blah, blah, blah, blah, blah. Where she had a lot to do. Yeah, Shaw, yeah. Shaw and Giuliano at one point have to have this idea that they want to flood the ship.
Of course, Geiger has disabled the ship and only he has control of things. Like the T2 thing, how can they turn the keys or use the elevator if the building's on lockdown? Geiger supposedly has complete control of the ship. How are they gonna flood it? They go and they're like, oh, we'll set these one gauges and we'll do this one thing. How can you do any of that? I mean, outside of puncturing a hole in the bottom of the boat, how are you gonna flood the ship? I don't know.
Anyway the morning after all this shit hits the fan, like the first half of the movie's at night time, and then like, all of a sudden it's daytime, right? Like, it's like the next morning. Mm hmm. Geiger is is shown. He's sort of mulling around the boat with no purpose. Like, all night. He wasn't doing anything. Maybe he's getting the leeches for sucking him, I don't know. He wasn't doing anything. Again, Shaw can hear direction when he's underwater. Finally, the ending Which is my problem.
How does that little plane hitting an antenna cause an entire freighter to explode? So we talked about a lot of these. These are obviously major issues. This is why the movie sucks. But, the movie sucks! Even if it was a standalone film. Even if they had just called this movie Cruise Control and didn't call it Speed 2. The movie sucks. But, let's get to why we're here today. We've spent enough time dicking around. Let's get to it.
¶ Jerome's Sequel Gauntlet
What makes a good sequel? I introduce to you my friend, Jerome's Sequel Gauntlet. I have come up with five points of criteria that will make a good sequel. Number one, the protagonists from the first film must return with the same or bigger stakes the second time around. Die Hard 2, Lethal Weapon 2, Godfather 2, Empire Strikes Back, Aliens, Superman 2, Rocky 2, Star Trek 2, The Wrath of Khan, among others, all check off this box. T2?
Absolutely, the future of the world depends on our hero's success. Speed 2? The protagonist, Keanu, doesn't even return. He's not even in the sequel. So, how can his stakes be even bigger? Number two, the villain must be deadlier than the first, or at least have the same strong motivation for tormenting the protagonist. Die Hard 3, actually, I think is better, is a better sequel to Die Hard 2, because the villain in Die Hard 3 directly links to the first movie.
Lethal Weapon 2, because the premise is better. How do you arrest a criminal who has diplomatic immunity? Godfather 2, despite the usual adversaries, Michael has a traitor in his own family. Empire Strikes Back, Vader has special news for Luke. Aliens, why fight one when you can fight a thousand? Superman 2, Lex Luthor? How about three supervillains? Right. That all have the same powers he has. Rocky 2? Pissed off Apollo isn't taking this fight lightly like he did in the first one.
He's super training for it. Wrath of Khan? Possibly the most dangerous threat of any of the Star Trek episodes. This guy comes back and he has superior intellect and strength. What did I leave off? Oh, they all do this very well. They all check off these boxes and so does T2. The T1000 is a massive upgrade over the T800, right? Right. Speed too? No. The villain who seemingly gets crazier as the movie goes on really just wants to destroy the ship He doesn't care if the people get on or get off.
There's no stakes. No urgency. No danger No connection to the first movie villain and as a sickly dying man Doesn't really pose much of a threat. He can't even fly his own getaway plane with any accuracy Number three the sequel is a natural progression of the original story Basically, is it needed?
James Bond, Harry Potter, Star Wars, Star Trek, and overall cop movies like Die Hard and Lethal Weapon can continue to have added sequels in the franchise because they're simply new adventures for the heroes, right? Having said that, Empire Strikes Back Wrath of Khan and Die Hard 3 directly link the villain already introduced in prior films, Harry Potter as well, and it is a natural progression to continue. Same with Lord of the Rings. As does Rocky, where villain Apollo insists on a rematch.
Godfather 2, Superman 2, and Aliens certainly spark the what happens next thoughts after the first movie. actually provide even more texture than the first film, right? In T2, the arm and microchip left behind from the first film led to what happens in the second movie, right? Speed 2? Even if you wanted to argue Shaw is a cop, so this is simply another adventure that happens to him, like John McClane in Die Hard 2, here's the problem. Shaw's not the protagonist of the first film.
He's an add on in the second film, with no progression, no connective tissue to the first film, and he is no cop, so this just happening to her, again, is straight coincidence. With no credibility at all. Number four. The climax must trump the first movie's climax and leave the audience gasping with either delight or sadness. The climaxes of both Die Hard 2 and Lethal Weapon 2 are on par with each other and their first films. Again, cop franchises. This is bound to happen.
The likability of the leads only gets stronger. Empire Strikes Back, Godfather Part 2, and Wrath of Khan have all bittersweet endings. Sad endings, where despite the heroes surviving, someone close to them has died, frozen in carbonite, or betrayed a family member. Aliens, Rocky 2, Superman 2, and T2. Have far greater climactic cinematic appeal than their predecessors. Speed 2?
Despite the gratuitous eye candy of an oil tanker explosion and watching a cruise ship crash into land, there's no victorious ending that leads audiences to want to like leap to their feet. Like Keanu in Speed 1, right? Keanu wins the subway scene, right? Once they're off the bus and in the subway. Shaw and Annie just sort of fall out of danger in the sequel. There's not much of a victory there. They just sort of Fall into safety. They don't defeat Giger. He defeats himself with stupidity.
Fifth and final element of the sequel. Jerome's sequel gauntlet. Is there a strong spiritual goal arc for the protagonist? We already discussed in the Fargo episode the concept of the flat arc. You see a lot in cop movies. Where the cop doesn't change much. They're kind of the same person at the end as they are at the beginning. Superman is like this. They all get a pass. Let's take a look at a few other of those. A few others. Are you ready? Ripley in Aliens.
Mistrust of people, particularly androids, due to the first movie. Learns to trust Bishop and fulfill the missing piece of her life. A daughter figure. Michael Corleone in The Godfather Part 2. Theme of control. Learns that not only can he not control others, but that the closest people to him, his wife, Kay, and brother, Fredo, are the ones that do him the most damage. Captain James Kirk in Wrath of Khan. How we deal with death is a As important as how we deal with life.
Kirk is a cheater of death and always has been. He only has to deal with what real loss is by the second. Rocky Balboa in Rocky II. He earned his respect in the first movie, now it's about making a career of the shot he had. Commercials didn't work. Hard labor jobs didn't work. He kept getting fired. Now he has a wife and a baby on the way that he has to provide for his spiritual goal is self sacrifice for others, not for himself, which was what the first movie's goal was.
T2. We discussed John's arc already, right? The duty accepting duty versus ignoring duty speed to we discussed. All of how there is no arc, right? It's a complete lack of a spiritual goal. So that's it. Those are the five. The next time you freely admit to loving a sequel, whether it's back to the future too, or gremlins too, or even cannonball run too, run it through Jerome's sequel gauntlet and see if it comes out the other side. See if it passed the test.
And you'll be able to see why you like it so much, or why you don't, why you think some movies suck. I challenge you, take any Poltergeist or Jaws sequel, and run it through Jerome's sequel gauntlet, and they will fail. Almost all of them. Also, have you ever noticed, this is a side point, have you ever noticed that, like, the first two movies of a saga are usually the best, and the third one sometimes leaves a lot to be desired? Mm hmm.
Like, there's a lot of people that think that Godfather 3 sucks, and that Return of the Jedi is not on par with the first two. Superman 3 is far worse than the first two Supermans. You know what I mean? I just thought that was odd. Anyway. Indiana Jones is another example. Indiana Jones and the Temple of Doom, and of course Raiders of the Lost Ark, those are the two best movies in that whole saga.
Yeah.
Okay,
what do you
got?
Same with Alien and Aliens.
Alien and Aliens, right? They kept making movies after that, and they're nowhere near as good. Right. You know, Star Wars and Empire Strikes Back, a lot of people, not just Return of the Jedi, a lot of people think every movie after Empire has failed to live up to those first two movies. Yeah.
I mean, I liked Return of the Jedi, but
I did too, and it's a perfect See, here's my argument with Return of the Jedi and Godfather 3, they're both needed. Right? You might not like them as much. They're essential. Exactly. The character needs closure. And that's essential. Alright, so anything you got to add? What do you think of Jerome's sequel gauntlet?
I like it. I like it. I wish it didn't take two hours to get to it.
Well, I could have led with it, but then our show would be ten minutes long.
No, it was fun though. Because, you know. Well, that's what we're here for, right? Yeah, it was fun doing it. It was fun. And uh, you know, if you're an aspiring screenwriter, and maybe, you know, you might have an opportunity to work on a sequel. You gotta consider these things. Use Jerome's sequel gauntlet. There you go. There you go.
¶ Six Degrees of Separation
Alright, 6 Degrees, what do you
got for me?
Alright I was going to choose the the little girl in Speed 2. Oh, the deaf girl? The deaf girl. But she, this was the only movie she was in. Oh. She was in this and X Files. And shows, TV shows. That makes it difficult. Yeah, so I went with someone else. So I chose, the two actors I chose. Cheryl Wait,
wait, wait. Before anyone asks, the reason why that makes it difficult We don't use the movies that we talk about today. Yeah. So they have to at least be in something else for us to do this. We, we challenge ourselves that way. Alright, go ahead.
And I, and we have done that before where you had to use the movie. I had to. But I just wanted to go with two different ones. So I went with, and both these, actors they do a lot of like action. I shouldn't say a lot. Some of them didn't do many. A couple of these actors, I think the first one, she's only done, maybe a dozen. Four. Oh, was it four?
Four film titles and like 66 stunt titles. Like, she's a stunt, she's a stunt person.
Right. But anyway, so Cheryl Bermeo? Bermio? Bermio. Okay. She was one of
the pe What was her character name in Speed 2?
Passenger 2. Or something like that. Yeah. Passenger 2. And Terrence Evans.
Yeah, he was in T2.
Yes, and he was the semi truck driver, one of them. He was
the semi truck driver, okay.
I think he was the tanker driver, if I remember correctly. I could be wrong. Which,
which one? Well, it seems like every truck driver gets thrown from the truck. Yeah, so it didn't matter. So he's one of those guys. Okay. So, When you first texted me, I was like, my god, we're now doing stunt people, like, this is where we've gotten in our challenges. Well, it's,
so the point is to try to see if we can't connect to actors that were on the big screen. Right. Within six degrees.
So, for anyone else that knows, like, of course, this isn't Stumped Jerome, we actually just want to know if it can be done. The closest we got to being stumped is when we did those two foreign language films. Yeah. Because we found that European actors and actresses it, it was harder to find connective pieces. So, okay. Cheryl Bermeo was in a 2000 movie called The Convent. With Adrienne Barbeau. Remember her?
No.
Yeah, you do. She was in Back to School with Rodney. She was Rodney Dangerfield's wife. Oh, okay. Getting him back to school. She was in Swamp Thing. Remember that great 80s movie, Swamp Thing? Oh, yeah. I loved Swamp
Thing. Yeah, I loved Adrienne Barbeau. It's on cable all the time in the 80s. Yeah, I know.
I had such a crush on her. Anyway, she was in The Convent, and she was also in Argo in 2012. The Ben Affleck movie. Also in that movie was John Goodman, who was in The Runner 1999 with Terrence Evans. Oh my God. So three? Wow. That's pretty good. The Convent, Argo, and The Runner connects Cheryl Bermeo to Terrence Evans. Who'd have thunk. That took some work, by the way. I had it in four and I'm like. There's more here. I know there is, you know, at one point
I was using Coolio. Oh really? Yeah. What's Coolio? I was like, oh really? And then I thought, wait, I don't even know what the hell that is. What's Coolio?
Our audience is fucking screaming right now. Coolio is a rapper?
Oh, okay. Yeah, I am not hip to the rap scene. You're like,
what streaming service is Coolio? That's
what I, seriously, I thought it was like a new app or something. Oh. Wait, what? It's a good thing no one ever listens to the end of these shows. That's great.
It's a good thing Coolio doesn't listen to our show. Anyway, Coolio was in one of those movies, I think, and I was trying to use other movies that he was in.
So, I have heard of Coolio. In my defense, doesn't it sound like an app?
You know what? Coolio should create the Coolio app. Yeah, right. And I don't care what
he wants to use it for. It doesn't matter. If it's got his name, that's all you need. Oh, that's good stuff. Alright, so good, good episode. Absolutely.
¶ Final Thoughts and Wrap-UpFollow Silver Screen Happy Hour on Instagram here:
So, if you're, again, if you're wondering what makes a good sequel, what makes a bad one, hopefully, hopefully, We've opened your eyes a little bit on what works and what doesn't. And I think we've proved that even with T2, as much as we love that movie, no movies without flaws. There's always going to be plot holes, especially with action films. You know, you have to connect a to Z and there's a lot of letters in between that sometimes fall apart. So it is what it is.
But as you can see, Speed 2 had way more issues than T2. T2 is, is most people consider T2 top five sequel of all time. Well,
and for the record, I, I was, I wanted to do something like Aliens for the good, you know, for the better example of a, of a sequel.
Yeah.
But still, I love T2 also. I think the
reason I poo pooed it is because by the time you text me that, I already had T2's notes done. I'm like, I'm not going back and doing another one. So T2 was the one I watched first because I have it on DVD. So real quick, you said you watched the director's cut. Did it have more issues than the theatrical version?
Yeah, there was more unnecessary dialogue. That's why it was cut. Oh. Yeah. So, and I, I didn't even care to take the time to discuss that since, you know.
I know that it doesn't uh, and again, I have the DVD, but I've never watched the extended version. I've only seen the theatrical version. The extended version, doesn't it have a dream sequence where she sees Reese again or she talks to Reese?
Yeah, yeah. Okay. That was in the, in the director's cut or whatever it was, the, the cut good? I don't know if I've
ever seen it. It's no good?
It was alright, but it wasn't necessary for the, for the movie. Yeah. You know, she, she was dreaming when she was in the hospital. That wasn't in the original?
No, not in the theatrical version.
Okay, I couldn't remember. Cause I saw that scene and I was like, I couldn't remember if it was in the original or not. It's been so long since I saw it.
I, I do remember too I, I think it was on the director's commentary. The scene where he has to pull the metal rod out. Huh. That wasn't originally shot. That wasn't originally in the movie. Cameron had it to where the, the T 1000 shoves the pole through him and he supposedly dies, right? And then, when he emerges To blow up the T 1000 at the end, test audiences was like, Where the fuck did he come from? Like, we thought he was dead!
Right.
And Cameron had it like that originally because he thought it'd be more of a surprise, but it was too much of a surprise. There was no organic way to get him from one spot to the other. So he calls Arnold, and tells him, you gotta come back, we gotta reshoot. By the way, that makeup took seven hours to put on. Oh my gosh. At that point of the movie where his face is all fucked up? Yeah. So he tells him, you gotta come back, you gotta do seven hours of makeup, so we can shoot you rebooting.
Finding an alternate power source, rebooting, removing the metal rod. And sort of grabbing the gun. Arnold was on his way to Bruce Willis house for Christmas. Oh my gosh. He had to cancel that to do this reshoot. The shot of him pulling the pole out was shot on Christmas Day.
Oh my gosh, that's crazy.
Yeah.
Wow.
Yeah.
Well, it's good stuff, man. So yeah. Take it away. Yeah, go support your local cinemas.
Keep drinking and keep watching.
