SPS 253 The Creative Process, Humor, And Becoming Prolific with Jon Acuff - podcast episode cover

SPS 253 The Creative Process, Humor, And Becoming Prolific with Jon Acuff

Mar 13, 202446 min
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Episode description

Ever find yourself in awe of a writer's relentless fountain of ideas? That's John A. Cough for you, a literary genius who's mastered the art of never hitting a creative dry spell. Stride into the world of a New York Times best-selling author who's cracked the code to being as prolific as he is humorous. This episode isn't just a chat; it's a voyage through the practices that keep the ink flowing and the pages turning. We don't shy away from the laugh-out-loud balancing act that keeps readers and publishers alike coming back for more. It's a dose of reality, mixed with a shot of inspiration, and a twist of wit, served straight from John's treasure chest of writing wisdom.

Now, imagine having an arsenal of ideas at your fingertips, so much so that writer's block seems like a myth. As we sift through John's creative process, from the seed of an idea to the full bloom of a published book, it's clear that every writer has two best friends: a trusty editor and a detailed letter of intent. It's this dance of collaboration that fine-tunes a manuscript into the kind of story that stays with readers long after the last page. Whether you're a budding author or a seasoned scribe, the pearls of wisdom dropped by John on nurturing your partnership with editors are as golden as they are practical.

Get ready to hold your sides because when John delves into the art of humor and storytelling, it's a rollercoaster of wit that will keep you on your toes. He takes us through the delicate craft of sprinkling laughter through words, making even the driest topics a joy to explore. But it's not all chuckles and guffaws; there's a serious mastery in finding one's unique voice amidst a sea of external influences. John's narrative prowess doesn't just stop at the written word; he's also a maestro of public speaking, weaving a tapestry of anecdotes and insights that will leave you both enlightened and entertained. Buckle up for a ride through the peaks and valleys of captivating an audience, as John shares the harmony of aligning with projects that reflect your true values. This episode, peppered with John's trademark humor, is a lesson in the magic that happens when you hit the sweet spot of engaging storytelling.

Watch the free training: https://selfpublishing.com/freetraining
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Here are some links that might come in handy:


Must-watch episodes:

  1. SPS 044: Using A Free + Shipping Book Funnel with Anik Singal
  2. SPS 115: Using Atomic Habits To Write & Publish A Book with James Clear
  3. SPS 127: Traditional vs. Self Publishing: Which You Should Choose with Ruth Soukup
  4. SPS 095: The Five Love Languages: Selling 15 Million Copies with Gary Chapman
  5. SPS 056: How I Sold 46M Copies of My Self Published Book with Robert Kiyosaki


Transcript

Being a Prolific Writer

Speaker 1

Counterintuitive way to figure out what you love , based on how much difficult things or annoying things you do in order to do that . That's a really interesting way to show somebody their passion . I always tell authors you have two audiences the publisher and the person who buys the book You're selling to both people .

I'll use humor to exaggerate it , so it's easy to see and it's easy to accept . Oh man , he's right . That's one of the things that I try to do with my books is I'm like okay , how is the audience going to react to this ? How's the corporate audience going to react to this ? How do I have ? I seen a million books about overthinking .

You know , have they had this position ? What's my angle on it ?

Speaker 2

Hey , chandler Voell here and joining me today , the man , the myth legend , mr John A Cough . He's a New York Times best-selling author . He's written a bunch of books . Nine is the current count . By the time you're listening to this , there will probably be additional books added to that count . I feel like so .

This is the second time we've had John on the show and he's published two books since the last time , I think . And when we're talking before this interview , is he working on the next one ? I mean , I think we can't even keep up with episodes . I mean , that episode was probably a year and a half two years ago .

Speaker 1

Dude , I have a book coming out in September , like there's a book already done coming out . Book number 10 is done , like it's already locked and loaded . It comes out in September . I'm talking about book number 11 . That's the one I'm writing right now . So yeah , I want to be prolific .

I decided , you know , probably , I don't know five , six years ago I want to be a prolific , profitable writer .

Speaker 2

A prolific , profitable writer . Okay , in that order .

Speaker 1

So you know I I read a great book , dickens and Prince , which was brilliant , one of my top five books from last year , and it compared the creative process of Charles Dickens with and it was so , so fascinating . Prince , at the time of his death , had five to like 7000 produced songs in his vault .

He could release a 10 song album every six months for something like 300 years . So he was , and they said he was too prolific to worry about perfectionism , and that's a dope idea .

Speaker 2

So that's what .

Speaker 1

I'm like Okay , how do I be prolific ? If I want to be a prolific writer , then that takes certain things and I'm going to lean into that , and it means I can't do other things .

So what happens for me is where I get trapped is I talk to dudes , like some of our friends , who aren't writers and they love running businesses Like they're a CEO , they're entrepreneur and they hate writing . And they'll say to me like why do you write so much ? Like and I'm thinking about them Like why do you have 400 employees ?

Like like mustaches and healthcare ? Like that seems really hard . And so I think you always have to take advice from people who love the same things you love , because if you're not careful , you'll take advice from people who hate what you love .

Speaker 2

And it'll be man . That's good Dropping , not . We're not even into the intro yet , and we're dropping knowledge ?

Speaker 1

Yeah , no , it's not . What are we waiting for ? Why are we dillying or dallying ? Let's just do it .

Speaker 2

No time for the dilly dally so I'll just quickly put it , just so people know . I mean Soundtracks is one of his recent books . He's just been absolutely killing it . His most recent book Beyond that , all it Takes Is a Goal . He's got a podcast called the All it Takes Is a Goal Podcast . He's a speaker all over the place .

I mean just incredible guy , really funny . I want to start with this . It's funny . You kind of beat me to the punch here because I literally had in my notes question how are you such a prolific ?

Speaker 1

content creator .

Speaker 2

Like literally the word prolific is in there . And I guess that is what you're focused on . So how do you do it ?

Speaker 1

Well , I mean , I do it a number of different ways , but one is I always tell people I don't believe in writer's block , I believe in idea banker . If you can't write , it just means your idea bank is empty . So I'm really deliberate about collecting ideas Like I'm really deliberate . So I'll give you an example .

Last week I had coffee with Greg Sankey , the SEC commissioner . So the commissioner of SEC for brilliant guy , and he's 12 years ahead of me in life , and so I was there to take a bunch of notes .

But he mentioned in our conversation that his wife challenged him one time and was like why don't you make a list of the executives you want to go learn from and then just approach them and ask if you can come ? And so he started to do that and he's he'll find somebody and go . They're in an industry I'm not in .

They have , they have a knowledge I don't have . And he'll just reach out and connect and go hey , can I fly out to where you are and spend 60 minutes asking you questions ? And he's taken notes like he'll send me things he took from our cough and go hey , here's three things that I took away from that idea .

That's the kind of learner I want to be , so I think a lot of writing is being willing to learn .

Speaker 2

The other day .

Speaker 1

I spoke at an event and the sales director said in his speech hey , remember , guys , these are the commitments we made . He didn't use the word target because target isn't as as as hardcore . These are our commitments . These are the commitments we made for our sales this year , Like , and I wrote that down .

I was like , oh , he was really deliberate to use the word commitment , that's fascinating . Or I'll write down like business days is a funny way to say days Like if I was going to write a sentence someday , maybe , maybe a year from now , and I wanted to be like it took me nine days to do that , it would be funnier to go .

It took nine business days to accomplish that . Like that one word makes the idea funnier . And so I'm collecting , collecting , collecting . And then a lot of it is like I write by hand . So I write like long form by hand because I feel it's easier for me to be kind of loose when it's are you talking like pen and paper ?

Speaker 2

You're talking paper .

Speaker 1

Yeah , pen and paper .

Speaker 2

You're kidding .

Speaker 1

No , so I write , write , write , write , write , and then when I type it into the computer , that's the first edit . So , as I'm reading , it , I'm like ah , that wasn't a good enough sentence . Nah , Like . So I'm just trying to get the idea down in that first round .

The words aren't right , the words won't be right for a long time , but if I can capture the idea , then I'm like oh , that's interesting , or I'll go . Nah , I took a long time to get there , why don't I say it a different way ?

And so , yeah , like I write , like today I wrote some for the new book and it was in my journal and I was writing in the journal and I was writing .

And then eventually , at another time , I'll go , I'll take that journal , open it up and type it in , but I'll be translating it into a second draft just from doing that , because for me it's harder for me to have creative freedom in a computer than it is a notebook . I can cross it off , I can , it just feels different .

Speaker 2

So hold up , you're writing , you write your books by hand .

Speaker 1

Yeah , yeah , and then I type them in and then I , yeah , I mean like if I showed you , like I'll show you a notebook right now . I mean , some people see this on video , but like here , this is like this , you know this .

And it says at the top book , like the word it says at the top is like here's some more and , like you know , like here's some more . So like , yeah , I'm , that's how I'm doing it and I'll go .

Okay , what's the topic I want to talk about , think about , and then , as I put it into the document , it gets better , it gets better , it gets better , but I even liked it . I edit by paper , so when I've got it in there and it's a second or third round , I print it out . I'm marking it up , that's just easier for me . So it's .

I'm pretty old school that way , now that I I mean now that I say it out loud like yeah , that is a feel like like I'm carving things in wood with my process , but I'm I would say , like if somebody said to me but that's so slow , I'd go . I'm sorry , have you written 10 books ? Cause like I don't ?

I mean , if you've written a hundred , I'll hear that feedback , but if you haven't written at least 10 , it's not slow . It's actually turns out to be really fast for the way I write .

Speaker 2

Hmm , it's what's the Chinese proverbs ? Was it slow as smooth and smooth as fast ?

Speaker 1

Yeah , what ? That's what it . For me it works .

Speaker 2

So were you . Are you writing full pages handwritten or is it kind of like bullet point story , no full pages .

Speaker 1

I'm doing everything First , like I'll draw it .

Speaker 2

I just can't get over this yeah .

Speaker 1

No , dude , like I'll draw it . Most of the time when I'm trying to figure out the idea , I draw it , I sketch it out . I'm like this piece plus this piece , it's shapes , it's like what happens when this happens , and so I'm kind of trying to sketch out the idea .

Like so , like with soundtracks , I'm like , ok , well , how to like when people have thoughts , how should they process them ? What does that look ? And if I can sketch it out , it's usually a strong . And if I like , if I can't do a simple sketch , it's too complicated and it's going to be complicated for the reader .

So then when I like , what I'll do is I'll give myself assignments . So I'll say , today I'm going to write about the poor story and see where that goes . Like I'm going to see where that goes because I think somewhere interesting and I know the key things I want to cover .

I want to cover this portion I saw , or this conversation I had , or whatever it is . So I have some of the highlights that I'm gonna write about in my note and then I'll write it , write it , write it , but it'll always go better places than I could have planned , because that's what writing does is new ideas show up in the moment .

Speaker 2

So you're saying , hey , I've got my idea bank . I love that quote of I don't believe in writers writers blog , I believe in idea bank or OPC . So is that in a note on your phone somewhere or something ? And just as you come up with stuff and you've got kind of the idea bank .

Speaker 1

Yeah . So like I know and I've done it a bunch of different ways I usually just go through seasons where I'm like it's all notebook , but that's a hassle , I don't . I sometimes will lose ideas and I'm like , okay , let me put them in my phone . But like , I'm looking at my phone right now and like , okay .

So like this one says add to the essay about that . You wrote that you should feel overwhelmed . So I'm writing a book about anxiety right now and one of my concepts is , yeah , we should feel anxious . We as a culture have decided I never wanna feel sad or anxious or anything . In the second I do , something must be wrong and I have to fix it immediately .

And like no , that's one of the human emotions . Like you should be okay to have that one , to expect that one . So like , that note will help me . And I said like , okay , remember the conversation you had with Chip about this , you know ? Or like what are you ? This one just says book , what are you willing to put up with ?

Because I think it's a really interesting idea . Everybody always goes like find your passion , find your passion . But I think the reverse is interesting too . Where , what will you be willing to do Like what amount of suck will you be willing to do , cause that often points to what you love .

So like as I walk through an airport and it's a delayed flight and I had to spend the night in Milwaukee and I don't have clean clothes and like whatever it is , I'm still like this is amazing , because I got to speak for 45 minutes at an event . So there's other things like when I'm doing digital marketing the slightest inconvenience , I'm like I hate it .

This is so dumb , I don't wanna do this . Other people have the reverse . They're like I love trying to figure out the algorithm that's there . That's something they care about . So I wrote down that idea , cause it's like I don't know the idea yet , it's not formed , but I have this sneaking suspicion there's this kind of counterintuitive way

Writing a Book With Editors

to figure out what you love , based on how much , how much difficult things or annoying things you do in order to do that Like that's a really interesting way to show somebody their passion that I haven't heard somebody talk about , like I haven't seen a lot of books go , you know , figure out what suck you put up with , and then you'll know , like , so that's

so . That's what I'm taking notes on is little thing , but it could be a word choice , like business days .

Speaker 2

Got it , so we've got the idea backlog or the idea bank in your phone . Then you're pulling from that and it sounds like creating kind of okay , I'm sketching it out , cause if I can't sketch it out simply , then it's , I probably haven't nailed the idea .

Then it sounds like maybe from there writing it out analog style , and then , okay , that's fleshing out the content of the book . And then you said , as you enter it into the word doc , then that's all right , that's almost like your first edit , where you're making it better .

And then , once you've got the book in the actual doc , printing it out so that you've you can mark it up , kind of like high school English paper style .

Speaker 1

Yeah , but , like what , there's a lot that happens between the handwritten and the typed in because what'll happen is ? I'll go . Wow , this paragraph made a huge assumption that you didn't explain , so , like I realized , I'll find as I'm typing it wait a second , you just left half the readers .

Speaker 2

Business days . What is that ?

Speaker 1

And so I'll have to go oh , it needs a paragraph , or I and this is sounds so woo woo , and I'm not like a woo woo guy , but like I'm getting better at listening to my body . So I used to write past where I was writing , well , like I would write and go , like you just got to write , write , write , write .

But now , like I can recognize , ooh , I'm making a lot of typos . I just took a lazy shortcut . Oh , like it's my body going hey , we're tired , like we've written enough today or we need a break and a reset . And so sometimes in the handwritten version I'll go oh , I must have been tired . I took a real like .

I ended it in a cheesy way because I couldn't figure out the real ending and I was like and then read the next paragraph , I'm like that's good , like no , that's a shortcut , that's not good . And so a lot happens in that edit and then I'll send chunks of the book Once I've .

Right now , as we talk , I know in a couple of weeks I'm going to send 10 to 15,000 words to my editor and the key there is I had a call with first . So I came up with a list of things I wanted to talk about . Here's where I'm going , here's where I'm doing it . So then I pitched them . Hey , just so you know , this is where I'm headed .

This is why I'm excited . These are the steps , these are the . This is like it's got . You know , I'm deliberate about it , I'm working through it , and so I'm pitching him on the idea before he gets to 10 to 15 . So that when he gets it , he goes oh yeah , this is what . This is the thing he said he was going to do and he did it .

He figured it out . Or the key one of the smartest things I've ever accidentally done is add a letter to chunks of copy I send , and I really didn't come up with it . When I say accidentally , I just saw somebody do it , I have this editor , brian , and he would send me a letter explaining what he's sending , and it would be like five points .

And , dude , that is magic , because what happens is you go . Hey , editor , I want you to pay special attention to this . I really tried to balance the examples I was using . I felt like it was getting too many men and not enough female , or whatever . Or I want you to pay attention to this story . Or , hey , I sent you a seven point list .

Two of them aren't strong . I can't figure out which are the two . So would you please , in this list that I've written about in chapter four , take out your two weakest . Let me know what you think of your two weakest , and so I'm explaining it , and it goes so much smoother versus just hey , here , here's a chunk . You figure this out . That doesn't help .

I constantly look at this as sales . You're constantly selling the idea and you want the editor to have the easiest job possible . Where they go oh , I can see exactly where they're going Like , oh yeah , that makes sense . And you also want them to know you worked hard . That's the thing . So much of life . If I spend 30 minutes on it .

Speaker 2

Why does that matter for your editor ?

Speaker 1

Because then they know what you put into it . Then they go oh , they're really into this . The danger of being prolific is people can think you're writing quickly and casually and they go oh , here come some more ideas . It matters , because then they can tell you're all in , like you're the champion of this idea , like you have to be all in .

And it's kind of like the little things you start to notice with successful people , like what they do , like when you go to a meeting with them . They have a page of notes already . They've already had some thoughts they've been thinking about . They don't show up and try to wing it because they're charismatic .

When I sit down with somebody and they go , hey , I was really looking forward to this . I've already written down five questions I want to ask you . Here's the questions . That's a different experience than if somebody just shows up and wings it . So I'm always trying to go , I'm not going to wing this thing that's precious , which is writing a book .

So I can write a dope five point letter about it and go , hey , here's where , like here's why I did it , this is where . And it tells them it's another one of those signs .

It's kind of like that old story of like Van Halen and the Green M&M's they only did that so that they knew you took their contract seriously and read the whole thing , and it's another one of those signs of like okay , and it's my job . I like that . I want to be a professional writer and that's what a professional does .

Like a professional doesn't send a bunch of loose copy and go you figure out a thing .

Speaker 2

Yeah , I agree with that and I like the concept I guess I'm trying to understand in the context of sending that to your editor . Is that more so ? You feel like it gives them the overarching thing of what you're looking for them to zoom in on ? Is it more so you feel like they respect the process and then now they're putting more into it ?

Speaker 1

No , it makes their job easier and they can edit faster . They dial in right away , like it's kind of like . I mean , it's like a movie trailer , like , why do we like movie trailers ? It gets them excited about the content . We were like dude , there's a thing I stumbled on . I think you're going to love this part .

I can't wait to hear , like , why do we have movie trailers ? You could go , you don't just see the whole movie . Like no , like the movie trailer . I always tell authors you have two audiences the publisher and the person who buys the book .

You're selling to both people and so , like when I it's like when something good happens related to the book , I email the publisher because they didn't see it and they don't and they're not supposed to . It's my job , so if something if I go sign . Like Monday I signed 365 copies of soundtracks .

I posted that on social media as a thank you , like so fun that the client did this . But I'll be sorry , buddy . And then I emailed team and said hey , just wanted you to know I'm in Miami . It's early in the morning . Whatever , I'm out here signing books . The book's doing great Like people are loving it . Thank you for creating an amazing product with me .

I really appreciate it . That book came out three years ago . Those are those little things that like when people go , I want to do what you do . I'm like , by all means , I think it's the best job in the world . There's a lot of stuff , dude . There's a lot of stuff , yeah , and like , and again .

It's another way for me to have gratitude for the to say like man , look how this cover is popping . Like you guys killed the cover and it's three years later and like it's another way for me to have gratitude to the publisher .

Speaker 2

In some ways it's like I think you want to be where I'm at , maybe not do what I've done . Because you're like , hey , I want to be you , I want to be you , yeah , let me get gosh . I got like seven follow up questions on this and I got one . Actually , I got one follow up question from like minute three of the interview , greg Sanky , sec commissioner .

He reached out to you . Did you reach out to him ? Was this what you were saying ? He read one of my books .

Speaker 1

He read one of my books . He's a learner . He's a consummate learner , so he read . A do over like this is going to sound so this is going to sound so braggy . He carries a card in his pocket .

He carries a card in his pocket with his four favorite books on it and then there's a fifth one with a blank line and one of his four and he gives it to players . So like you play for Florida , you play for , like Florida , you play for Georgia , and he , he mentors you a little bit .

You go , you got to read these books and he has a card and one of the books on the card is do over by John A Kov . So he really enjoyed do over and so that's how we connected and he was like man and then a cool moment , that was just straight up . God , it had nothing to do with me .

I , he wrote me a handwritten thank you note for being on my podcast and it was . He sent it . The week Texas and Oklahoma joined the SEC kind of a big week in the SEC and he , that was him and I was . I told my wife I was like can you imagine a dude at his level still since thank you notes ? And she goes oh you got backwards .

He's at that level because he sends thank you notes . And I was like , oh and so I told that story at Global Leadership Summit . And then I get off stage and go you know , greg , thank you is for Rose . And he's sitting right there here that story .

So I got to honor him about that in front of thousands of people , so that was just so we've become friends over the years , just like with text . He's he lives in Birmingham , I'm in Nashville , so if one of us goes through the city , he's just one of those guys . Again , I'm constantly thinking about what are people who have sustained long term success do ?

Because like I'm no longer interested in the , the man or woman who has like a YouTube channel that blows up for a year or like somebody has one hot book and then you never hear from again . I'm really fascinated by people that are on a 20 or 30 year run . That's the hardest thing . Like I look at a guy like Craig Groschelle and I'm like that .

He's still doing the thing at a high level or Greg , thank you , you're still doing the thing at the high level . What are they consistently doing ? And it seems like one of the things is they they learn from other people . And my wife challenged me on that last night .

She was like you know , you're 12 years younger than Greg name the people 12 years younger than you that you're learning from and I was like , oh , like I .

Speaker 2

Day your life is just killing it . Man , she's just like

The Art of Humor and Storytelling

boom , boom .

Speaker 1

Yeah , she's the best , she's the best and so like , and she was right . And so now I'm on this mission , I'm like OK , who are these like mid 30s folks that I'm talking , I can talk to and learn from , because they know so many things I don't know , like , how do I connect with them , you know ?

So that's what's fun to me about this job is you do get to meet people like and ask them questions .

Speaker 2

Man , we got to bring Miss Miss A Cuff on the podcast .

Speaker 1

She's living with a writer .

Speaker 2

All of the things that John gets credit for that I that I oh yeah , yeah , dude , you're not .

Speaker 1

You're not . You know what she said last night this is just us on the port . She goes . You know , social media is like you're a surf , you're a peasant . Back in like medieval times and I was like what do you mean ? She goes . Well , you don't own the land that you're working on the .

They can kick you off the land anytime they want and you exist only for the king's pleasure the algorithm . So you are a peasant , like it's fun to think . You , I'm building my YouTube empire they can breathe , and you're gone . I'm building my Instagram empire they can breathe and you're gone . You own nothing . You are a social media surf .

And I was like I've never thought about it that way . You're going to like slide that into a book somewhere . And if I put my wife said every time a story I was sharing with something she came up with , it would be a thousand times . So , yeah , I , I give her as much credit as I can . She's brilliant and hilarious .

Speaker 2

That's awesome . I hope you're loving this episode so far . So if you're serious about writing and publishing your book , we would love to chat with you and help create a custom plan . All right , so all you need to do right now is go to selfpublishingcom . Forward slash schedule Schedule a 45 minute consultation with one of the experts on my team .

All right , let's implement what you're learning in this episode and let's see how we can help with your book . Go to selfpublishingcom . Forward slash schedule . What the fifth slot on the card is that for a current book .

Speaker 1

So he's like , if so , something he's reading then . So he might like he loves strength to strength . I gave him this book , strength to Strength by Albert Brooke . That's the other thing I find like people that I look up to do they trade books , they give books to each other . They're like hey they're consummate learners . So yeah , he might go .

Ok , this is a current book that I'm reading that I wanted to . You know that I'm interested in . So yeah , he's , and yeah , he's just doing a million things like that . I saw him at the SEC basketball tournament . I went and I mentioned thank you notes and he had a stack of them in his pocket .

So during timeouts he's over there on the sideline right in thank you notes and I'm like this guy is doing it , dude , he's doing the kidding .

Speaker 2

Yeah , it's very impressive . It's very , very , very impressive what he's done with the SEC . I mean I'm a Clemson guy , so ACC , because so naturally I have like kind of a little bit of disdain for him and that conference , but you can't help but respect it . I mean it's incredible they're on a different level .

Speaker 1

They're like the Taylor Swift of football conferences right now . They're at a different level , like them , and the Big Ten are just doing things differently .

Speaker 2

Yeah , it's impressive . Hey , what ? How are you so funny ? Like I know , this is like you probably . Just this is not like a just thing that you can see on a podcast , but like as it relates to your creative process . I think something that makes you really unique is I'll see something on Twitter or LinkedIn or what , and I'm doubled over .

I mean he's like what do you laugh at ? I'm like , oh , this Johnny Cup thing , Like it's so funny . Like what is there any like ? What is your process for coming up with quippy , funny things like that ?

Speaker 1

I'd say I usually add it later . So , like I first get the idea , I just want the bare bones idea . So the bare bones idea might be . I think if you looked at the list of things you do that suck in order to do the good thing , you might realize how much you love the good . That's the idea . Those aren't the right words .

And then like , then I'll write it out and then I'll go how can this funny ? How could this be enjoyable ? How could ? What's a funny story about this ? Like dude , I put a story in the new book . So we did a teen version of All it Takes Is a Goal . So after Soundtracks came out , a bunch of parents were like , do you have a teen version of Soundtracks ?

We didn't . My two daughters helped me write one , so we're doing another teen version of my books All it Takes Is a Goal . I put a story in there that I'd never put into a book about .

When I was a ninth grader my biology teacher said if we found a road , killed animal and got bugs to eat all the whatever flesh off and then rebuilt the skeleton , he would give us bonus point . And I was failing biology and I was like that sounds easier than studying . I should fry . So dude .

For like a month , every time I was driving I didn't have a license . I'd tell my parents pull over . I think there's a dead animal . I finally found one . I couldn't tell what it was because it's so smushed , and then I put it in a tupperware in my backyard , forgot about it . It rained it like .

Eventually was just this like disgusting stew and the absurdity of me thinking probably rebuild the skeleton of an animal . I could probably do that pretty . How hard can that be ? Like it was .

It was insane that I even entertain that for a second , nevermind looked for dead animals for a month and so like that's a story that I know in a book will be really funny .

It'll serve the illustration I'm trying to make and so like that's the kind of thing I'm doing , or I try to like part of my humor is like I'm trying to guess what people are thinking so I can make a joke of it . And so like I'm going , OK , they're going to be thinking this and I want , I want to be in on the conversation too .

So if I say this , they'll be , they'll be surprised . And then , like dude , some of it is I use the humor to say things that would be hard to hear otherwise . So , like , I'll give you an example of that , of how I do that style People .

I'm a very negative person by nature but I practice positive and sometimes people are surprised by that and I tell them about all the things I do to be positive , because it's the ROI on positivity is better than the ROI on negativity . And then I'll go and I'll meet and I'll say I meet people .

Sometimes I'll say I'm negative and I'll say , well , tell me about your day and they'll be like , well , I drove home from work and on the drive home I listened to a podcast called Brutal Unsolved Crimes in the city you live in . And then I fell asleep that night to a documentary called People who Look Like you Getting Murdered .

It's a new special on Netflix . It's weird that I feel negative . I'm like it's not . It's not weird , it's not weird at all . Like you fed yourself , like you watch the Jeffrey Dahmer documentary about somebody who ate humans . Like don't then go . I had the weirdest dreams last night , I don't know what . What could it be Like ?

Of course you're practicing negativity . Like you're like you're guzzling negativity , and so that might be hard to hear unless I exaggerate it with humor .

Like clearly there's no podcast called Brutal Unsolved Crimes in your city , but we all know where it like I'm making fun of kind of a meme of like on today's podcast episode we found somebody who got their throat , you know , and and the cops did nothing . Listen to this podcast , you're like it's pretty negative .

Like so at the end of the story , the throat cutters just out there cutting through . Like that sounds bad , so I'll use humor to exaggerate it so it's easy to see and it's easy to accept . Oh man , he's right . Like I would right , I wouldn't do that . Like why do I do that ? Like , why am I OK with that ? Like OK , that's you know .

Or like I have this line in one of my speeches that says you're the most persuasive person you've ever met . And that's a good line because it's counterintuitive , like the idea of you're meeting you , but you are the most persuasive person you've ever met . Because every bad decision you've ever done . First you talked yourself into it .

First you were like we should do that , that's going to work out , that'll be great . And so I joke about that . And then I say , like have you ever eaten a whole snacks bag of something and then realized at the end of it that it said share size on it on the outside ? I shared that with me . Or like party size , party of one .

You're like , and everybody's . That's a human experience that I'm joking about . Or then I'll go . Have you ever stayed up later than you wanted to Because you told yourself I'll watch one Instagram video , one YouTube video , and everybody's done that . And I'll go and then I'll tell a true story myself .

I'll say a couple of weeks ago I stayed up to 1 am watching videos about Singapore's number one stingray breeder . And I'll go I'm not even in the market for a manta ray , and that's a funny statement . Like I'm not in the market for a manta ray . No one's ever seen those words together in the same sentence .

And they go and like that's a funny and so like that . But again , I'm exaggerating the point of like we talked ourselves into staying up to 1 am . If I say it that way , like that's clinical , it's boring . But if I say like I'm not even in the market for a manta ray , like that , like people are like , yeah , like why did you watch that ?

Why are you like I gotta figure out this guy's doing with these stingrays . How is he breeding them so successfully ? It's got to be a difficult process , you know . Like whatever , like they can start laughing along with me . That's how I use humor .

Speaker 2

Got it . Have you ever done comedy or improv or anything like that ?

Speaker 1

Yeah , I did too . I was awesome , it was super fun . I did two nights at Zany sold out that Zany's is the largest comedy club in Nashville and that was , I guess , maybe about five years ago . Super fun , super hard , gave me great respect even more .

Speaker 2

And that was just a one off .

Speaker 1

Yeah , I just wanted to try it , see if I could do it . And two nights and they sold out in 24 hours . It was awesome . A bunch of people came out for it , but it gave me even more respect for comedians and I already have a ton of respect . I already have like immense respect for them . But it's super hard because in a speech there's highs and lows .

In comedy it's mostly highs . So , like in a speech , I'm like we're ramping up . It's a funny joke . Here's a story about something that's kind of ramping up . There's a funny comedy .

Speaker 2

It's got to be . Yeah , it's go , go , go , go , go go .

Speaker 1

And so that was . That was a super . It took me for it took me three months to write 60 minutes Easy .

Speaker 2

Oh , wow , you alluded to this before our interview . You said you're kind of getting back to your roots and in a writing style that only you can do , and so I think this weaves together a couple of questions that I had for you , which was hey , why do you think Soundtracks has done so well ?

And it kind of waves in some of the humor stuff , but it seems like that book's done really well . You you said before the interview like hey , I feel like I was a little too just clinical and maybe that's not the word that you use , but just like Well , some books , some

The Challenges of Finding Your Voice

books .

Speaker 1

I can be straightforward and I can get . I , if I'm not careful , I can be really practical , and so that's where the humor is helpful for me . So you know is your question how do I like ?

Speaker 2

Well , why do you think Soundtracks sold so well ? And does that relate to how you kind of mentioned to me before the interview started ? Like you're getting back to who you feel like is uniquely ? You like writing style wise , yeah .

Speaker 1

I think the challenge for writers is we always talk about finding our voice . We don't talk enough about keeping our voice and so , like it's not , finding it is not . It's not as hard to me as keeping it .

Your voice is very slippery , like because you'll get feedback , and then you'd be like , well , I guess I could like , or hey , people really like this , and then I could , and then like it's hard to keep it . So for me , that's always the tension is like , how do I keep it ? How do I not write ?

How do I not write Gary Vee's next , Because I read Gary Vee's book and he's really bombastic . And how do I not like you're constantly trying to not put on somebody else's voice . That's the challenge for me as a writer , and so I think the reasons , part of the reason Soundtracks was the timing . The timing was accidental . I can't take any credit of that .

It came out . It wasn't easy to tour on it , obviously , because it was the pandemic , but it came out at a time where everybody was overthinking . 2020 is catnip for overthinking , so if you weren't before . The other thing that worked for Soundtracks is that it hit .

The title worked really , really well , Because if I had named it voices , no dude would buy it . If I named it inner voices , no dude would pick that book up . Like there's no way . Like people go man , what Soundtracks is very Everybody can go . Oh yeah , I do have a soundtrack . Oh yeah , it makes sense . Like it's a really approachable word .

So I think that's one of the things that I try to do with my books is I'm like OK , how is the audience going to react to this ? How's a corporate audience going to react to this ? How do I have ? I've seen a million books about overthinking or have they had this position ? What's my angle on it ?

Like the book I'm writing right now about anxiety , my angle is going to be like it's great , Like you can do great things with it , because most books are like you can end it , the right four steps , you can end it . I'm like no , you can't . Like you can't stop it and why ? Like it's allowed me ?

All I've done is figured out how to channel my anxiety into creativity , and now I have 10 books and more because I'm a very anxious person , and that'll be a really interesting hook , I hope , because I think sometimes , when you've written a couple of books , people think you've got it all together , and so I think when I go like I do not , here's an anxious

situation . I think people will get a kick out of that and will see themselves and will are willing . I try to write books . People can't say no . So if I say to you , if I say to people I wrote a book called Finish it's about perfectionism , Like , is it ever hard for you to finish the things you start , who says no to that ? Nobody goes .

No , actually , I'm 100% for it . I've never started a hobby and stopped it . I've never . No , what are you talking about ? If I say I wrote a book about overthinking you ever overthink Nobody goes . Really I don't . I use exactly the right amount of thoughts . I , you know , and my spouse does too .

No , instead they go , oh , I need that book , or my husband needs that book , my wife needs that book . So that's when I know I've got a good topic and I think anxiety is going to . Anxiety and bravery are going to be an interesting , because I think the world's only getting more anxious .

So I don't know when people ever not need you know like I think that's going to same with overthinking . I think they'll continue to need it .

Speaker 2

That's good . It's a great hook , great topic and , guys , if you want to listen , you can go back to episode 98 . We did a full breakdown on the behind the scenes of the launch of Soundtracks . We talked about launching the book using a challenge . Like there's a bunch of good stuff there .

I'm going to go lighting around with a few questions , john , before you wrap up , I guess . First off , why are you still traditionally publishing ? Are you just getting fat advances and just like big book deals , or what's the why behind that ?

Speaker 1

Yeah , I mean , yeah , it's the advances work very well , I would say . The other reason is I really like the team , like I love the team . The team I have at Baker is fantastic , like the team I had at Penguin was awesome too . So I've been fortunate to be with teams Like I might . It'd be one thing if I was able to say well , you know what ?

Here's the thing . I've been burned a couple of times publishing whatever . I can't say that I've got great teams that are quick , that challenge me , that make me better and are fast . Like an example that would be . So Soundtracks comes out . We have all these parents go hey , do you have a team version ?

And Baker reacts we get a new product out pretty quickly , like they weren't . Like , hey , yeah , in four years they're like no , let's capture this momentum , let's do it . Here's what we can do . So it's funny . I almost feel bad when I talk to other authors because I'll go , man , my publisher's the worst . They're .

So I go oh man , that sounds terrible and I'm like man . But also I'm maintaining that relationship too , like I'm not there to be served . That's one of the lessons I mean . I keep learning lessons about ego in my own life and one of the things is like if I don't show up as the talent but I show up to serve , it's a lot better relationship .

Same with like public speaking change for me when I went from being a performer into somebody serving , like I'm serving the audience , like I'm there one hour . The event planner is there , is there all year . I want her to look like a rock star . I tell them before I speak my three goals . One your phone blows up during the talk .

I want you getting text messages from your boss that says hey , sheila , this is way to put on this event . This keynote is exactly what we need it . Number two I want the audience to go . He understands me at taking the time . Audiences can tell when a speaker shows up with one speech and gives it , whether you're a mom , blogger or plumber .

And then three , the one that I really like is I want the sound team to be engaged , because if I can make the jaded dude who runs the board at the JW Marriott , who's heard every speech and seen every PowerPoint , if I can make that guy laugh and lean in , the rest of the audience is dying . So I know like .

I stepped off the stage at an event the other day and the sound guy was like I bought your book while you're talking , man , I can't wait to read it . That then I know like okay if the guy who's working the event goes . I got to figure out these soundtracks . I got some of those Like then .

I know the rest of the audience who's an attendee is having a super fun time and I've served them .

Speaker 2

Well , cool , I like that . So making the event planner look good , it feels like I'm talking to them and isn't just the can talk and then the sound guys engaged . Are you on the speaking side of things ? Are you basically every new book , are you creating a new talk ? And that is what you're kind of going around , multiple talks , yeah , so I mean I like .

Speaker 1

So I gave a soundtracks talk twice this week and that book came out four years ago .

Speaker 2

From a nonfiction perspective .

Speaker 1

I don't know how any human sells books without speaking gig . Selling books is hard , dude , like it's hard . There's so many books , people are super distracted , like it's hard .

And so for me the two work really well together and I feel really fortunate that I , like I genuinely I meet some other authors that understandably , like I don't want to be on stage , it doesn't make me comfortable , and I like I love it , it's so fun to me . So , yeah , I , but I usually do one to two keynotes per book .

Speaker 2

Okay , One to two , two keynotes that you'll create per book . What , how many ? How many times are you speaking a year typically ?

Speaker 1

40 to 50 .

Speaker 2

40 to 50 . And are those gigs mostly coming inbound or they mostly come in like ? How do you book most of those gigs ?

Speaker 1

Well , I have a form on my website , so they do . There are people that fill out like an availability form , but I have a speaker's bureau I've worked with for 10 years here in Nashville where I am , so a lot of them come through there or relationships .

Somebody will see me at a different event and then but like the one I did this , one of the ones I did this week they said oh , we saw you at this other event two years ago and so sometimes it's it's compounding that way , like the more you're out there , the more you're out there .

Speaker 2

That makes sense , and

The Art of Public Speaking

is it mostly corporate ?

Speaker 1

I would say 97% corporate and then maybe the percent church , like I'll speak for my church once a year or every once every other year , but it's 97% corporate .

Speaker 2

Okay , and that and and is that the main is the I'm assuming that's the main business model is on the speaking side of things . You've got some online stuff and then the books . That's kind of like that's the model .

Speaker 1

Well , think about it this way Like I , at this point , I'm what ? 12 years in , 13 , 14 years in to speaking . So I'm very aware that anyone can start an online something tomorrow , Anyone , anyone but they can't have Range Rover them to speak debut of their new vehicle . They can't be like , hey , Range Rover , why don't you go ahead ?

I'm going to like , at that event followed Wycliffe Jean . So like you can't . Like if you were , like I want to be a speaker , I'm just going to call up Ranger over and be like , hey , like that relationship was the byproduct 10 years of doing the stuff .

Doing the stuff Like and so I'm aware that , in the same way that I use humor because I think a lot of people don't , and so like I know I'll never out research Jim Collins , he's amazing at that but like there's a lot of people that I can be , really that I can be really funny .

And then same with speaking Speaking at this point because I've been doing it so long . There's definitely a ton of people that do it , don't get me wrong , but there's . It's a harder road , it's a steeper climb . If you were like , well , I want to do exactly that , like amen , go for it .

Where , like some of the online stuff I do , it's so anyone can sell anything . Even like you know , like you can be writing a parenting book and you have a toddler and you're like , you've done so far as protect . Like when you have a two year old , you haven't even parented yet you've protected .

And like now that I've got an 18 year old and a 20 year old , I might feel kind of comfortable writing a parenting book , because I'm like , oh man , like we're not perfect . I'm not an expert by any means , but , man , I got two decades to talk about what we did deliberately , what things work , what things didn't .

Maybe I'll write that but the challenge with like online stuff is , like anybody , can you know , pop up and be like I'm an expert in this . And then , like I had a professor tell me it was so fascinating the way he said it and I wrote it down to my idea notes . He said there's a lot of people who feel imposter syndrome and that's because they should .

He said they are . He said because they are imposter . So and that opened me up to oh , he's right , he's right . Some people should feel that that's appropriate . You're selling something you're not qualified to sell or do . That's like that's actually your heart , that's not imposter syndrome that's your heart going .

hey , I don't know if we should take that money from that box and we don't know what we're doing . Like I don't like what do we ? And you'll see people sell that . They'll go just look up what's trending , create a product and like you're not an expert at that , and even if you can't sell it , it's gonna be quick . It's not a .

So sometimes it's again like my . I like to grow my brand over time , like where there's a lot of things I have to say no to because I'm like it's outside of what I do . I wouldn't feel good about that , it's not what I like to talk about . Just because I could make a little money off it .

I think it would dent the brand more than it would help the brand . So I think that's part of why I love public speaking is that I've spent a long time doing it and I wanted even longer . The crazy thing is people tell me they'll be like man , you gotta get off the road . Like it's hype this is the phrase people tell me all the time .

They're like it's high paid manual labor . Like you gotta get off the road . Which is like if I said to your brother man , you gotta stop playing live concerts , you gotta stop going to Red Rocks .

Man , if you could just stay home and never like obviously the road is challenging in its own way , but the whole point of a musician learning the guitar was to play in front of people . That was the joy . So , like I don't wanna get off the stage , I like yeah , like nobody's . Like , oh , man , I can't wait to go through the Baltimore airport or whatever .

Man , I love doing it . Like that's not . I don't like the idea of like oh , you should get off the road . Like no , I'm having a blast , dude , I wanna do it like with the right clients . I don't do a hundred events a year . I know my limits and I'm pretty serious about like that's too many gigs so it's not for me .

I always think about that , but that's why I love speaking . There's so many reasons that I think it's a really fun business model .

Speaker 2

That's cool man . That's really cool . Well , I got dozens more questions , but we'll save them for next time .

Speaker 1

Yeah , third episode .

Speaker 2

Maybe two years from now , you've probably published a couple more books . I'm trying .

Speaker 1

I'm out of here . Maybe we have Miss A Cup on the show by then . You published like 900 this week . You're telling me I'm prolific . Chandler Bolton team are just getting books out into the world .

Speaker 2

Oh man . Well , John , where can people go to find out more about you , to buy your books , all the stuff ?

Speaker 1

So the books are available anywhere books are sold . The latest one is All it Takes the Goal and I read the audiobook and it's got 10 bonus stories .

There's a free add bonus stories to your audiobook if you get the chord one , because a lot of times people buy both versions and that's a really fun way to super surf so I wrote 10 separate stories that are only in the audiobook Podcasts . All it Takes the Goal and websites johnnacuffcom and I'm Johnnacuff on Twitter and Instagram and all the stuff .

Speaker 2

And follow him if you wanna laugh . Yeah , yeah and learn all at the same time . Try , and I'm out here , I'm dancing , I'm tap dancing out here , chandler Babies don't you or on LinkedIn if you wanna see videos of him on a walk or on a road .

Yeah , yeah , yeah , I'll see you in my neighborhood If you wanna see a very normal suburban neighborhood and a sweaty man yelling at a camera .

Speaker 1

That's me , that's me .

Speaker 2

Oh , john , you're the man . Thank you . Thanks , buddy . Thank you so much for watching , or listening to , this episode of the self-publishing school podcast . I know there's so many places that you can be spending your time . There's other podcasts that you can be listening to , youtube channels that you can be watching , so thank you so much at means the world .

Now I want you to do three things right now . If you found this episode helpful I don't know if you know this , but we've got a YouTube channel . It's a companion channel to this podcast . All the video versions of the episode are on the YouTube channel . So , number one , subscribe to the YouTube channel .

Number two , if you're listening to this podcast wherever , whether this is Spotify , apple Podcast Number two , I want you to subscribe to this podcast right now so you don't miss a future episode . And then , number three , this is probably the most important leave a review on the podcast .

All right reviews are super important and help this podcast get discovered out of people . So , number three , leave a review on the podcast . Thank you so much . I'll see you in the next episode .

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