Warning, the following program is not for the weak hearted, those who are close minded or in general you're scared to learn what's behind closed doors. Here at Sapphires Airplay. I want you to pour the wine, grab somebody that you want to hold onto, or better yet, get the vibration stimulated through your body. Get ready for one hell of an orgasm in 5432. One what is up all you sexy motherfuckers out there, Radioland? It's your girl Sapphire. Married.
I guess I like, do I have to say I'm Mrs. Sapphire now? Like. I'm not Sapphire, so I don't know if Mrs. Sapphire. Right, right. It's. Sapphire Lorivier. That sounds weird. Wow, you're putting off the government name like that? I go by my government. That's true. You do you do what up everybody?
If you're wondering who this handsome devil of a mayonnaise, if you've been living under a rock, never seen this show and you've never seen the show, you know, after the nine years we've been together, yes, he has appeared numerous times on my show. My. First appearance was like 2 years in now. Yeah. Only seven years on Airplay. OK, OK, so seven years on Airplay. We've been together for nine years and we just got married,
as you guys know. And you know, we wanted to give you guys something a little special. It's a little delayed, I know you know, but your girl was on her honeymoon mode. I should be showing off the ring. Like you keep waving. I keep waving my hand. I'm I'm so not used to this. So I'm like getting still used to the having a ring, a ring. You've only had a ring for two years. I know, but like now I got like the ring. Ring. What about you? You got the ring too. Where's your ring?
I'm a. Man, we don't do this a lot. Not frequently. I'm sorry, now you did I know. Because you you requested it. Well, you're probably wondering what the hell are y'all doing on here? I know that I was teasing about Horny for Horror. I believe the episode that I teased it on was on the Lori Beth episode and I could not for the life of me say Horny for Sinners versus From Dusk Till Dawn. I could not for the life of me remember From Dusk Till Dawn,
and that's kind of like you. Forgot the words. I really did. I really did. I really did. So I hadn't, you know, I had to get my husband on this. We did a back-to-back night of Sinners from Dust till dawn because Ben has never seen the movie. Because we watch sinners first and everyone makes the comments. So I was like, I've never seen this. I had seen From Dusk Till Dawn and for a while it was a cool movie.
Then another movie called Kill Bill came along and that kind of replaced my love of Tarantino and Robert Rodriguez. Robert Rodriguez did direct this movie. He did not direct. He did not. Tarantino did not direct this. A lot of people try to get this shifted. They say that Tarantino was the one who directed it and also started it. No, Tarantino produced it and starred in it. Robert Rodriguez, also known for Spy Kids, Machete, all those fun grindhouse horror. Yeah.
Did he do wait? Did he have anything to do with Kill Bill? I don't think he had anything to do with Kill Bill. I'm just saying in general. How you were talking about how it like it replaced your like took the first place above. Yeah, because, like, for a while, Yeah. Because when I started watching Tarantino movies, I would think I was only like 1314 when Kill
Bill came out. And the first time I saw it, I was just like, Oh my God. And I remember seeing From Dusk Till Dawn in pieces and liking it. And then I saw them full again and I was like, oh, it's still a good movie, but Kill Bill is still my number one so far. Beyond that, Ben and I, we love sinners, and we love we love sinners. Like the soundtrack, the writing, A. Near perfect. Movie. Oh my God, it really is a near perfect movie. But what can't we stand Baba?
What can't we stand, Baba? Comparisons. The fact that people are saying that sinners is like a direct RIP off. Yeah, people keep saying it's a RIP off of Dusk Till Dawn, and so now that I've seen From Dusk till Dawn all the way through, I can actually comment on this And what the That's not true at all. You know you can cuss on Sapphire's airplane. It was just I don't want to miss. I don't want to miss represent the point I'm making by swearing.
Instead of making a point I don't know, I always say just like when in doubt, swear it out. I really do. And you'll probably wonder where we're filming. This is our new home, so you might be seeing a lot more of this depending upon who comes over. It's a bookshelf. A vinyl show. It's a vinyl show. Come on now it. Is vinyl in it now? It is. It is. So anyways, yes, Ben and I love sinners from start from beginning to the end. And it's funny because Bane is
not a horror guy. He he will swear it. No, no, you're not. You're not. I'm the queen of horror. I'm the queen of horror. You guys know this two different. Approaches to horror. And one of them is the same way it is to any art. If you it's not good, you don't consume it. That's me. If the horror film isn't going to be good, I don't want to watch. It this is where I would put lay. All. Horror. Yes. Layers of bad, bad, layers of garbage and and the good ones.
Layers of garbage. Things I have seen you watch. You barely see me watch because you can't even stand being in the room, I said. At that, the minute a head explodes. Table and made your wedding dress and watched you watch. Absolute garbage. Y'all I just I consume more because you know what it's my comfort. Some people like to say that Disney movies are a comfort or ROM cons No, I need to see blood splatter. I need to see heads exploding.
I need to see booties bursting, Dicks being decapitated. Dicks being decapitated, wow. Sorry, I'm sorry. Chopped off, circumcised, full circumcision, you know, just cut that shit off. Not yours though. I need yours. I need babies still. I need babies. That's. The only reason you keep me? The only reason why I'm keeping you around that insurance, health insurance because you we shits expensive. Y'all in America. That's the horror show right now.
But yes, so Ben's layer of horror and my layer of horror are two different spectrums. And why are we married? I don't know. Maybe because we're just really good at other things sounds like. There are other things. But you know, yeah, it just does break my heart when you don't want to take part in my bloodbathory. Not scary. It's just gross. Some, some can be scary, some can be scary. So I was yes, it can be both. It can be both. But I don't find it scary.
So going back to Sinners, when the first trailer for Sinners came out, I was already sold. I was like vampires. Well, first I was like Ryan Coogler. Check. Black, check. Black, black, check, check, check. Oh, it's adult vampires. Definitely didn't see that coming from the Billboard. Triple check, triple check.
And that's what I loved about it is that if you did not see, you know, any trailers, if you didn't see any footage besides the, you know, the standstill, that little stand alone poster and it's literally them in the sunset, you don't know what the hell this movie was going to be. Yeah, good branding, looks cool. Looks great you. Can tell it's a period piece. You can tell it's got Michael B Jordan in it. You can. You can get a, you can tell.
You can tell that Quinton Tarantino and George Clooney were in From Dust Still Dawn. What? Well, you probably never see the poster, I know, but you were just saying, you know, you could tell that Michael B Jordan you. Know my point being that like the the Billboard for sinners got you immediately. I don't know what the Billboard for dust till dawn. The Billboard for Dust Till Dawn. If I remember correctly, it was in like, orange and black writing.
It's Tarantino, George Clooney on the cover. I don't think you see any vampires in the back. It looks very grindhousy. Yeah, it looks very grindhousy. OK. So you OK? So I'm going to jump immediately into that. First, go ahead. Because you were about to comment about how, like looking at the billboards for sinners, you wouldn't know it's about vampires. But when the movie starts, you know it's a horror film right off the bat. It opens in a way like undeniably a horror film. Spoilers.
Did you? Are you going to put up a spoiler? I guess we might have to put some spoil. We are going to spoil this both. Of these films. So if you've never seen these films and I'll put it in the beginning. But right. Now like please stop this right now and then come back. Spend the next. 4 hours of your life. Watching those movies and. Then and then come right back. Come right back here. So I was actually pulling the front desk Till Dawn poster. But we're not. It doesn't even matter at.
This point you, you know immediately, yeah, that Sinners is a horror film. You don't necessarily know what the horror is, but you know from from jump the vibe just Till Dawn's intention is to trick you. It is. Supposed to surprise you. It feels like an indie. Like a violent indie crime store. Like a typical, I mean it, let's let's take it back 90s Tarantino. He was all about being very long winded. If you all know what I'm talking about.
The long winded dialogue, it's always like over masculinity. It's very gritty. It opens up almost like a spaghetti western. And I only say spaghetti western because in a modern day take of a spaghetti western because it does have that kind of grid of is this going to be a cops and robbers like obviously George Clooney, Tarantinos characters,
their brothers on the run. They get into it with a bunch of cops and beginning and there are a little layer setting up the scene and then they venture off to Mexico where you're like. It's a yeah, it's a, it's a fucking drug running murder. It's a, it feels like a Tarantino film. It doesn't feel like a genre. No, it just feels like another Tarantino film. And let's. Well, before Tarantino films were Tarantino films, yeah.
Yeah. I mean, it's it's, you know, Tarantino had like a couple under his belt at the time and then this. And so this is kind of like a different Tarantino Robert Rodriguez film all together. I believe this is Robert Rodrick as his first film as a director. So there's a lot. It's not a perfect film, but what movie is nowadays I have no idea. But I know that hit Tarantino and him are beefing.
So right now, yeah, Tarantino talks some shit, saying basically George Clooney hasn't been an actor in like 1015 years, completely forgetting that he owned and dominated the 2000s of the the ROM cons and the action movies and all that. Also like. I put some respect when it's due. Name off top of my head. At least 4 movies in the last 15 years that George Clooney schooled in. There you go. The descendants. Great movie. And now I've been 13 years no. It's not 1515.
Yeah. Yeah. So anyways, so breaking down the films, you know, in the beginning, it's like, yes, From dusk Till dawn. The plot starts as two bank robbers on the run. They take a family hostage across the border, end up at a topless bar. The problem is the bar is infested with vampire fires, which we didn't know until the midpoint, the big reveal. It's a big, it's a big red herring. It's a big turn. Yeah, and then they have to find their way out.
Now, Sinners. Brief description to former criminals, cousins, brothers, whatever you want to call them. Y'all know what I'm talking about. If you've seen the movie, if you didn't, please stop this and don't ruin it for yourself. Don't, don't, don't do it to yourself. OK? So again, drawing inspiration. The two criminals, they want to start a new life in 1930s and this is in Oh my God, where am I thinking? It's in the Mississippi Delta during Jim Crow's 1930s. So that's setting the tone
already. All right, it's all just some scary shit. But yes, two brothers on the run. They want to open up and start a new life for themselves and they start up to open a sugar shack. OK, now what happens with the sugar shack or Juke joint? Juke joint, sugar shacks. They're both the same stuff. Looking at my notes, so cute. You picked horror and and a vampire and a vampire turns a vampire. It turns other vampires. Vampire turns another vampires into more. It's just a bloodbath of
vampires. It goes from being this, OK, where's the horror elements? Then the big reveal is there is a vampire with a bit of history, a bit of lore. This is where I have. Sent around plot points that we are absolutely going to have to spoil. We will have to. Compare them. We will. We will. But again, some people try to question it. Is it a horror movie or is it a suspenseful movie? It doesn't matter. It has the lore, it has the scary, it has the horrific tones of 1930s Jim Crow South.
Just because something here's the thing about horror films that I think that you and I can follow on different. This is my stance, and I think you come at my favorite horror films in this because you like, you're like, it's not scary. It's a thriller. It's not scary. It's it's like suspenseful. OK. Just because you aren't scared doesn't mean the movie's not a horror film. It absolutely. Intended to scare people, frankly, especially in 2025.
People are fucking jaded. So just because it doesn't scare you? One of my closest friends, I was talking about how Nosferatu was one of the most scariest movies to me in recent years and his response was that movie's not scary. I was like I'm so sorry what the fuck are you talking about? OK, I will agree Nosferatu wasn't scary for me, but as far as gothic horror goes, it's a brilliant film, just like Del Toro's Frankenstein.
Again, gothic horror, still great I. Do think Nosferatu is a horror film and and and Del Toro's Frankenstein is a fairy tale? Uh oh, we might need to have a horny for horror part 4. We'll do it. We might have to do this if y'all want it. Gothic horny. We could talk. We could talk about. The Point V Knock. In those Fratsu, yeah. And that God awful Bram Stroker's Dracula from 1992. We could absolutely throw that shit in, yeah. Absolutely. So anyways, we're going. These vampires.
These vampires. So again, the representation of sex is heavily based on both of these films. So I'm not talking about positive news. I'm not talking about sex positive. News, sinners, sinners is. Hold up, all right, ease your way into it. Lubit sexual representation when it comes to sex in both of these movies because you know this is horny for horror and of course your girl has to break down these sexuality themes and all that.
Both films represent sex very very very very very differently. One movie completely degrades women. It is a misogynistic sake on Lisbon then the other film however you want to take it. Some people are the Internet are saying that Ryan Coogler had to insert the fact that pussy eating is five times in the movie. Yes, cooter eating, eating that coochie 5 times mentioned in the film as a black man, as a black person watching this.
Believe it or not, oral sex, especially kind of Lingus in the black community is still very much a taboo. It's always please the man, never really pleasing about the woman. So to see a black man, a black director, make it a point to mention kind of Lingus in so many various ways. And also painting it with a very, very quotable line from Haley Stanfield, Stanfield's character, Steinfeld's character, Sorry, girl, who
plays a biracial woman. I got to say the way sex is represented in this, I know I spit out my my popcorn and my drink when we heard I heard you. I heard you loud and clear, but then you suck your tongue in my Coos and fuck me so hard. I figured you could you change your mind.
What are you talking about cooter in this in the 1930s, you know your grandmama was probably put crutching her purse but at the same time she was like oh I remember those days being at a Juke joint getting my pussy eating in the back of a club. Spoiler alert. There's a whole spoilers. There's just a lot. There's the way, again, sex in both films is being represented. It's on totally different spectrums. So again, remember, like I said five times, cunnilingus is mentioned in Sinners.
Now, when it comes to talking about sex and From Dusk Till Dawn, I mean, first of all, you have Tarantino's character. He is a pedophile. He is a rapist. He is a murderer. He is a bank robber. And we're supposed to feel sympathy for him? In some way or another, we're supposed to feel sympathy for both of these brothers, right? No, they're very they're not likable at all. You're not supposed to like them like they are not the heroes of the story, though.
People try to say like, oh, but they're the main. No, no, no, no, no. They're toss aways. They're big names. They're big name characters, but we're not rooting for that. Big names, then, yeah. OK, yeah, OK George Clooney was, you know, still on his ER kick. Oh, it was the same. Yeah. It's around the same time of ER. And again, Tarantino has already gotten his notoriety from Pulp Fiction. Robert Rodriguez steps in as a new director. These. Were after those.
Yes, yes. So it's a very interesting time of the 90s. But it's yeah, it's very like they're not like they're, they're written as like gross arc, like gross stereotypes of like criminal men that like kind of suck, but they like they expect you or maybe not to actually like them. Whereas the two brothers in sinners are. Smoking stack. They they are sinners. Sin is a big concept of it, but at the same but at the same time like they're, they're well fleshed out, they're three-dimensional.
They've got very clear motivations outside of just the plot. They build relationships differently, they're likable, they're admirable, and you want to root for them. Not to mention, again, how often are we able to see black representation on a on screen where they're not portrayed as necessarily thugs? Yes. Did they run the mill of Chicago in the said story? Yes. But the focus is not them being gangsters. The focus is to black men trying to make something for themselves
and for them. It's making this juicy joint happening. It also addresses the fact that like that was like crime and like the the gangs and everything was the only option available. Exactly this. Is this is their attempt to like? Redeem themselves. Start. It's a clean slate for everybody. Everybody in that film, in Sinners one way or another, was seeking a way out of something. Yeah, Dusk Till Dawn is about to.
They're they're on the run because they fucked up in Sinners. They're trying to get a new start. Right. So going back on the sexual representation scale, so from Dusk till Dawn, the first half of the film establishes a traditional, often misogynistic environment. Graphical sexual references, a strip club setting, frequent topless nudity. I mean, it's the 90s. We all love the little bustier boobies just out of nowhere. But on top of that, Richie Gekko, that is Tarantino's
character. As I said, he has like these delusions towards. I believe in the movie Juliette Lewis is supposed to be anywhere between 14 and 16. So again, a child. A child so and already you know, people who know Tarantino, we all know he's got a little creep factor. We all know about his foot fetishing. But rewatching this movie, it's
very fucking obvious. But rewatching this movie again, for me personally until I rewatched this with Benjamin, it had been like 20 years since I've seen this movie. I didn't realize how disgusting Tarantino's character is. And to be honest, some of the quotes, I don't think this movie would fly. It would not fly in 2020. And I know that they did have to water down a lot of context when Spike TV at the time took over and made the TV show. I know there were some vast differences on that.
It's an. Interesting thing that one comparison that I hadn't thought about yet. They both have lines that are meant to shock you. Yeah, but. In Sinners, when the line you put earlier, when Hailee Steinfeld's character Mary says that, it shocks you in a way that you go, yeah, and all the lines that are meant to shock you in. From Dus to dawn. Make you go. It was very uncomfortable. It's intended to make you. It's intended to make you uncomfortable and not be fun or good. Not at all.
And. Make you feel gross. And then, of course, you know, there's the hilarious elements. Everybody knows about the sex machine. If you don't know who I'm talking about, I'm talking about Tom Savini character in from Dusseldon Wild makeup artist extraordinaire. Okay, this man has just perfect like honestly, I love Tom Savini as a makeup artist and even as sex machine he's a great character he's fun he's less disgusting compared to everybody else.
But at the same time, I mean what's quoted is sex machines gun literally is his cock. That was the. Point where I had where I was like, wait, hold on, what the fuck is this movie? Because it it is again. It's supposed to be that moment. Like they OK can are we still in the intro? No, we're we're going into the, the sexual elements of the show, of the movies. You want to talk? OK. Yeah, I mean, again, we're talking about the sexual elements of the movie. So again, this gun, it's clearly
his cock. I mean, not really. It's a it's a gun shaped like his. It's. Like a wild Wild West bullshit thing where like his COD piece flips out a revolver. And it shapes like a guy, like a Dick. With it. Yes, he can shoot with it. This went from being I'm going to talk from this.
Sort of go. Ahead, this went from being like a a gritty and upsetting and unsettling but at least like kind of tense like crime noir, like pseudo like super low budget indie like crime noir to suddenly you're in the strip club you could talk about. The twitty, the titty twister that is the name of I could talk about. Yes, I am going to talk about Teach Mary. The cameos start showing up and suddenly, like that was the first thing that made me go. What the Wait, what?
Because it's all intended to trick you. It's not supposed to be like it doesn't set a tone. It's all a gag. Which is wildly different from Sinners. That early on tells you the kind of movie this is. Going that is going to be it. And then it's the slow build of tension. Whereas in Dusk Till Dawn they're like, yeah, yeah, this
is going to be a gritty noir. And then suddenly there's a man who has a gun penis codpiece that he fires with pelvic thrusts, not with his hands, no. And suddenly you're like, this isn't the tone at all that you told me this was going to be. This is not the same type of movie. These are almost two different films. Very, very much. Two different films.
And again, Cheech Marin's character chat pussy, you know, he has the infamous line when everybody's walking in to the titty twister and it's a long line, but he's like, come on. All right, pussy, pussy, pussy. Come on, pussy lovers. Here at the titty twister, we're slagging pussy in half. Give us like it's all about Pussy as an auction. Vaginas. Bloody pussy, velvety pussy, black pussy. He even goes into racism, calling it yellow pussy, hairy pussy.
Lot of racism, lot of racism. So again, this is not a movie that's representing and welcoming for women. This is a movie that was made for little boys, for little insult boys. No offense to enjoy, feel. Like that was the target audience. Yes, like. Yeah, it's and it's and it is a lot of like the the racism is played for laughs in a way that like in the 90s, people got away with a lot more. But you cannot like. It's not right.
Product of its time, but if we were to turn it and flip the script and maybe have a white guy play Cheech Marin's character. Oh, it would have been. Probably a lot. It would have been problematic as fuck. Can you imagine a man in the 90s or even just now if we were to put dust sold on now and you replace Cheech Marin with one of the top actors right now and we just flip in and say we're going to make them white.
Can you imagine somebody getting away with it on the script saying we got yellow pussy, black pussy nap like all day. We never fly in the in the 20 twenties right now. It would not fly. It really would not. It shouldn't fly, but I don't think it would fly. So again, when I'm being watching this, I'm like, I'm looking at him like, Oh my God it. Doesn't fly no matter what. Rate no, no, it just it's uncomfortable like I get it y'all got pussy, we're in the
titty bar. You got pussy period pussy for free pussy for a penny. So now we're we, we're devaluing women. And this is not me saying like you should never devalue women in movies. Just maybe have a better contact. Do it for laughs. I guess yeah, the. Thing that happens in movies all the time is like people like there's a people if if you're going to be like we're just comparing the two films if we're just going to compare the two
films. Dusk Till Dawn spends a stupid amount of time objectifying women either for laughs or to like make like an almost exclusively male audience horny, whereas anytime like anytime women's sexuality is brought up in. Sinners. Sinners. It is at at worst just accepted as a a fact of being human and at best their sexuality is celebrated. Not to mention the fact that how comfortable men in sinners comes to sex when it comes, not even just about the physicality of sex.
Again, cunnilingus. I'm I'm gonna just keep you all focused on the fact that there's such an oral fixation. Is that coincidence because vampires have oral fixations? The neck biting, could it be that? Like a monster that transforms you by by way of like it's. Not it's not. Consumption and etcetera have like and so much of the sexuality being oral based. In contrast, Dusk Till Dawn, where the we're gonna get to this, I'm sure I'm gonna save my point about how it's not
actually a vampire movie. Oh my God. But the vampires and the sexuality is about foot fetishes. OK, it's not really exactly about foot fetish, we'll just get into it. The infamous parts. About it are about foot. Infamous scene. Salma Hayek dangling the boa constrictor, which she was like, utterly afraid of. Yes, she singles out Tarantino in the movie, does her little sexy striptease in which she doesn't really strip down, but she's already in a bikini clad. Yeah, she does a little sexy
dance and it's cute. It's sexy. And then it just gets fucking weird because then it's. Sexy. It serves 0 plot. Zero plot points other than as Tarantino had said off camera and in an interview shortly after the movie was released. I'm the director. I mean, I'm the producer. I should be the focus. Yes, I'm having her put her foot in my mouth. OK, cool, Tarantino. Cool. What's the tough to do with
vampires? Don't know what that has to do with vampires, but cool daddy you you take the tequila shot. The tequila foot shot. Not sure what that is about. It's got nothing it. Contributes. Nothing. It's just another weird instance of like his foot fetish in the movie. And again, here's the thing. Oh, I'm sorry, and I quote, not producer As Tarantino said, her character was dancing for the writer. Tarantino. Literally is saying I wrote this for me.
Yes, yeah, that's not. Not for the general male gaze of an odd film, which is weird. So again, that's just. It's weird. Because you have a sex positive podcast. Can I address this real? Quick please. Our problem is not with people who have foot fetish. Absolutely not. That's totally fine if you have a foot fetish. The problem is when it's my fetish is not your fetish, your fetish is not my fetish, and Tarantino forces his foot fetish on everyone who watches this fucking movie.
And here's where it also gets problematic. So the vampires in From Dusk Till Dawn Easley would say that the women vampires are in charge because in fact, they are luring these men into the Titty bar. OK. And it's all men in this bar. There's no women who are patrons in this bar. So that's one specific thing that the women are in charge to kill all these fuckers, all right, in a misogynistic, weird way, they're trapping them with
their pussies. And then the big reveal is, Oh my God, these are not real women with real titties. These are vampires. Oh my God, these are demons. And that's becomes, is this a vampire movie? Is this a zombie movie? Or is this just a bloodbath that just happens to have a sprinkle of vampires and the lore behind? It vampires, but they don't follow any vampire tropes. No, they follow zombie tropes. Very much. Well, except for the sun. I mean, the sun part plays a
part in it, Yeah, but but how? These vampires are dying, Yeah. Like you, they're like they're getting blown up with shotguns also. And when you are when you are being overwhelmed by a mob, that's a zombie trope. Very much. Like when you're like, when you're boarded up, hunkered down somewhere and trying to like, trying to like fend off an angry, like a mob of monster of mindless, no personality monsters with shotguns who are just might as well be animals with whatever firearms and
weapons you can make. That's a zombie trope. That's a zombie. Movie. I never thought my own husband would be saying that's a zombie trope as much as he hates zombies. But I know the trope. You do know the tropes, and I'll give you that on top of that too. On top of that, when you think about sinners, okay, they use the vampire trope from jump in the club. You know, in the club setting, when Remnick and his friends, his band of jolly little people, are coming in, they're asking to
be invited in one. Of the best vampire tropes of all time is you. They can't come in unless you. I'm not going to lie, and it's been a while since I've seen a good vampire movie that has used this trope. OK? Very much like since Fry Fest. And we're talking about the newer and not the older I. Am talking about the Colin Farrell. One, the Colin Farrell 1 is great, but so is the old one
too. But again, it's not often that you see these vampire tropes modern day talking about Let me in. Why you? The drooling fact, all that is vampires, all of that is horrifying. Also they use vampire tropes to to single them out where it is not in the. I don't even think they even bother. Because they didn't. Really turn you as soon as you get bitten you're transformed into a vampire in dusk till dawn and that looks that's the same thing as zombies you're like
well how do we know well. On top of that, on top of that, there's this whole Eroticism to repulsion on from dust sold on. It's we are fantasizing the land of pussy. Okay, all these beautiful women at my own disposal and then all of a sudden the minute they turn into these monsters, I'm no longer attractive. I'm fearing for my fucking life. Fuck these bitches, I'm out. That's really what this shit is all about. Zombie versus vampire trope because how does it go down in sinners?
Sinners with this When it comes to the change, there is a moment, there's a death, there's a realization that someone's not moving. He's got bit. Why are you asking me to come in? It's also like it's the the it's the subtlety in zombie zombies. You get overwhelmed, you get if you're you get attacked by brute force and you get turned and in and that's all of the people who get turned in Dusk till Dawn, all of them. It's like they get overwhelmed, they lose the fight, etcetera.
And in Sinners, it's the vampire trope of seduction, even if it's not like the hot goth sexy vampire seduction of Interview with a Vampire or Dracula. But it is very much. Or the sparkly seduction. To engage you they're trying to entice you to come and like and none of our characters fall for it because it's not the same type of genre, right It's or not the not the same type of vampires and it's.
I think one of my favorite. It's not a romance, but it is that moment where they like it's all they try to coerce you. They don't try to take you by force. Like the perfect scene. The perfect scene is where Cornbread is begging to be let back in. Now mind you, Cornbread, he is the bouncer of the club. And so the fact that he's asking Smoke, yeah, he's asking Smoke. The bouncer's asking Smoke, 1/2 of the club's owner to be let back in. He's like, what you talking
about? You just said you had to go to the bathroom. Yeah. Why can't you let yourself in, Ryan? Coogler took and again, talking about like tropes, but that's what makes up monster movies. That's what makes up monster stories is you. Your monster is bound by the tropes, and if you don't play by the tropes, you're not playing the same monster. That's why people in Twilight
aren't vampires. Not to mention the constant like the continuity of this ever so like the lore with Remic being from Ireland. OK Remic sorry messing up on all the characters. Remic's character being from Ireland. And this adds on to what Ryan Coogler said of where he was drawing inspiration. Yes he drew inspiration and did say he had inspired was inspired by From Dusk Till Dawn and other vampire movies. Irish. Things in from dusk till.
Dawn No, I'm just saying. But when I talk about the Irish beginnings and the lore, it's it's. Genre when you make a genre. Hold on, Baber, let me finish. So as I was trying to say, you have Ryan Coogler, who says, well, also one of my inspirations was Luck of the Irish. And then you're looking at the Irish lore that is put in with the vampire and blackness of this movie. It's a whole different movie
within itself. But again, it's about culture, it's about family, it's about togetherness, and that's all Remick wanted to do. He wanted to just make a new family. Now, whether or not you want to say, is Remnick technically like the white devil? Probably not. I think the man probably has some good intentions. I asked the white person. Don't think that. I think, I don't know the white devil. I don't think he was the white.
Like he might have been the white devil, but I was kind of like feeling, hey, I would be part of your vampire clan. His goals were. Ultimately selfish. Yes, his goals were selfish, but then when you think about it, 1930s, a white Irishman is willingly trying to get in and find a way in with a black community. That's odd 'cause you think, OK, if a white man in the 1930s is stepping up into a Juke joint with two other white people, shit's about to go down. It's the Klan.
No, he heard good music, he said. This reminds me of my, of my Irish, you know, folklore and my background. I want to spread my love with them, so why can't I? And Ben's looking at me like, really? Really. That's what he keeps saying. He keeps saying I'm just convinced, OK, I didn't see any harm with my Nick, other than the fact that you're killing my people. That's it. That's it. That's a pretty big heart. He killed my people for community. Selfish. I'm gonna get cancelled for this.
A lot of people. I'm gonna get cancelled. I'm gonna get cancelled for this. OK, OK, I'm gonna draw it over. Here I'm going to get cancelled. Comparisons between the two The vampire archetype Yes, you need a vampire. You need someone, one of them who has a personality, who has no not charisma, but who has power and who's leading it. And the whole infection of
everyone else getting turned. If they get turned, depending on the vampire movie, they're they're being turned by the the villain, by the antagonist, by the archetypal vampire, which From Dusk Till Dawn does not have. There's no leader, there's no main vampire, There's just a mob. Well, people will argue and say that maybe Salma Hayek was the main vampire, but again. Spoilers she gets killed immediately like she. Doesn't have a personality. She has no personality body.
And that's a sexy dance. And she feeds Tarantino's fetish, and then they kill her. Yeah, that's. Her her whole troll. That's not yeah, she's not that's she's not playing the archetypal leader of the vampire. But again, if you were to pick a leader out of that group, it would probably be her because she was the main focal point. If you have to pick, if you have to, there isn't one, right? There's not, there's no real, there's no real leader of the pack.
Like Benjamin said, it's just a mob. And then like we said, Remic and his band of merry thieves or whatever you want to call him, his followers, they were the bad guys. But again, was it bad guys or was it, hey, we're going to break the stereotype? Absolutely bad. Guy, I'm just saying I didn't see anything. I did not see anything. I'm not, I'm not defending that man. I'm not defending that man. But he heard some good music.
He saw black people having a good time and Jim Crow South and said well fuck it, fuck it, I need some of this too. Absolutely. He is the white boy that everybody was talking about. What are you? Intentionally leaving out like his whole motivation. No, OK, no, no. You haven't gotten there yet. I just hadn't gone there. OK, you're defending him so hard. You're on this. You're you're prepared to die on this. Real weird. I'm not. I'm not preparing to die. I'm not preparing to die.
So again, the agency of sex, sex representation on both spectrums of these moves are completely different. So again, are you still with us? Do you think that Sinners and From Dusk Till Dawn are the same movie? Because they're not They're not They're not. On top of that, I got to say I love the relationship that Smoke and Annie had in Sinners. You get a healthy 1. Healthy, but it also speaks in bigger volumes.
So there was this article that I was reading and the title of the article was actually sinners tries what we deny on on desiring. And they're talking about desiring of a big beautiful full figured black woman whenever we see a lot of the times black women. Yeah, very interesting. So again, there's always been this way of what a woman should look like. You know, a woman should be petite and frail and she is.
She has big boobs. She still has to have a small waist In here in centers, we see women of all different shades and colors. And it makes it a very big point, even in the very 10 seconds of intimacy that we see between Annie and Stack, even though I mean, Smoke, it's not like a fuck like Come and take Me, but she's like, it's passion. They hadn't seen each other a while. There's so much pain and love that's in their relationship. But to see a skinnier man with a
full figured black woman, What? I love you. I'm not. I don't think Michael Cage. I don't think Michael B Jordan counts as a skinnier. Man, not well, you know what I mean? Like he's not exactly like overweight, but he's also not underweight. And you see Annie, she is a full like. No, I follow. You she's a full BBW and respectfully I think. Michael B Jordan is built like a fucking superhero. He's a tank. He's built like a tank, but in this movie he's a little bit more submissive.
He almost submits to her, I think. I would I would argue that Annie is the only person. He submits to absolutely because there was just this one part where you know you see the dynamic of the relationship and just that the five minute scene, you understand it all. This woman has been through everything with this man that's. All of them, yeah. There's not a of the of the three like of the three male leads and their female counterparts and their dynamics and their relationships.
There's not a single moment where the men, there's not a single moment where the women are submissive to the men. The men are submissive to the women. So again, you have any? Not in a like a weird, not not weird, but like not in a like really obvious like power play way. Just in a very in a very subtle like no, we're on equal terms. And I know that you're I know that you're right. I know that you make your decisions are our level, whereas it's like and they it's built on
mutual respect. Except I would say that the women are more the, you know, demeanors in this, especially when it comes to sex. Annie demeanors like dominance. Yeah. Dom doms like taking the lead of handling sex. Annie was talking about my body missed you. I need you. And she gets it from him and he's gripping her and touching her. And you don't see that a lot in movies when it comes to bigger women with smaller body type
men. And especially you don't see it with dark skinned black women and lighter skinned black folk. That's a different topic for another day, but again, I'm going to put the link to this one article because it is fascinating how it broke down this one five minute scene into making a whole narrative of how uncomfortable we are when it comes to seeing full dark bodied women on screen getting pleasured. On top of that, now we got Mary on top of smoke. They're they're fucking in the
back of the the sugar shack. And she spits in his mouth. Now, would you say that's submissive? And it's almost like Stack was feeding into this, this fetish. I would say it's. Nasty. It nasty but we like a little spit play but not just like you know. Nasty in a. Fun way. It was nasty in a fun way. They even comment. It's really funny when they talk about that one scene. The movie goes, oh, but it's sexy. It's sexy at the same time.
You you would think it's nasty and then you think about it. It's like, yeah, I'd spit in his mouth too, girl, I'd spit in his mouth too. Like I'd spit in his mouth. We all swap spit. You would spit in his mouth too. But the way that again you see Mary and Stacks relationship, Mary is very dominant, she claims. And he tries. He's so hard. He like tries to get the other upper hand all the way all the time and all the time she's just like.
No, no, you ain't the one. And some people even will argue to say like maybe it was Mary's plan all along. Like she could have turned around and not bit stack and you know, 'cause this night of debauchery and fuckery. I don't think that. Wait, who? Who, who? Where are these theories you're getting? I'm telling you these. Don't make any. Actually, some of these do. Actually, some of these do. Wild. Because if you think about it, Mary was already married off in
an unhealthy relationship. OK, we don't know it was. An. Unhealthy marriage? Well, it's kind of wasn't her true, it wasn't her true love. So we're just going to say there, it's for the for the plot, for the plot. Clearly Mary's not happy with her husband. She's always wanted Stack. But of course, you know, Mary being a little bit more passing. You don't know what I'm talking about with passing. Look at the fuck up, OK? Go watch the movie Passing.
Go watch the movie passing, it's a great movie. Conversation about that film. So as Mary's passing in Jim Crow South and she has a very tumultuous relationship, it seems like with Stack that they are able to fuck but they can never really be together and the only time they can actually really be together is when after they're. Dead. Is after they're dead. OK, but but that's what I'm saying. Some people try to say like maybe it was Mary's plan all along. She wanted stack.
Now she's got Stack. I'm just saying that's what the people said, not me. Don't quote it. Don't quote me. Don't quote me. Don't quote me. Don't quote me. I didn't say it. The people said that. Was the case, it would assume that everyone had the same plan. Who knows? I don't know I'm. Pretty sure Cornbread's plan was different. Cornbread's plan? He was hungry all right. Mary. She was horn green. Mary was horn green. You're.
Blaming, like all the victims. No, I'm not blaming, just no, no, no. Why? How are you going to get every? This is not the point of this podcast, but how are you going to get everyone to follow Mary's plan? I don't know. Moving on, Not justified. Moving on. Moving on someone. Pulled out of their ass. Moving on, moving on. So again, the female agency in in From Dusk Till Dawn kind of flips because again, women are seen as more of the objects. Women are seen more as objects.
Then you've got Juliette Lewis's character who was a little bit of a frail teenager, but then she puts the big girls panties on and she's got a fight. And that's when you're like, oh, she's got a little bit redemption. She's not this, you know, frail throwaway, you know, damsel in distress. She's got to save her own family. Her brother got killed, her father got killed. Now she's got to deal with these two fuck heads kids, you know, at the bar and trying to survive the night. Boom.
What are you looking at me for? Because I said fuck heads. No, I'm just waiting. No, I have no comments on Juliette Lewis's character because she has no character. There's no personality. There's the her role is victim, and then victim turned. Vigilante, not a. Badass. Yeah, she's not a badass. She's. Not anything, she barely has a character. It's. Not she got into, you know what? She grew up. She had. She was forced to grow up in the
movie. She was forced to grow up because the two men in her life died. She is the wow, Yeah, that's real. Real feminist. It's not feminist and it's not a feminist movie. The only time that you can actually step into your own is if the men in your life. Die, die. And that's literally what we are left with, that that is the resolution of femme fatale in this case of a movie. But she's not really a femme fatale. But I'm saying that's just the. At best, it's last girl. But.
Not even a good last girl, because George Clooney's still the one saving everybody. Yeah, she's, I mean, but she is the final girl, so we give her that. But does she really count as a final girl? No. George Clooney has more character development. I would argue that George Clooney is the final girl. There you go, she's also.
Prettier. So no. Offensive, Julia. So I would say to wrap it up with From Dusk till Dawn. I would say that ultimately sex is presented as a dangerous predatory force welded by its female antagonists transforming. Wielded by. The yes, the female antagonist transforming the conventional vampire seductress trope into something more monstrous and empowering before ultimately having their the male heroes and surviving character destroy them.
That's literally what that is. Yeah, there's definitely a part in the in the during like the turn in the monstrous slaughterhouse that takes. So fucking long. It does take a little bit too long. Where like it feels like the, it does feel like the lesson is going to be all these men are bad dudes and the women vampires are going to tear them to pieces. And then instead they're all killed by the men.
So like, yeah, you're right. No, that's if there's a lesson in Dustal Dawn. It's If you're a powerful sexual woman, you are going to be killed by men who are hate and fear your agency. So, and I would say to wrap it up with the sum of sinners, I would say the symbol, the symbolism talking about the sexual encounters, particularly oral sex are not just physical but symbolic, representing culture, exchange, healing and a rejection of explosive forces,
vampires. But if I need anything to compare the two in terms of like the final, this final summary, it's that we gave you the summary of Dusk Till dawn. We've told you pretty much everything that happens in Dusk Till Dawn. We've told you a of what happens in sinners. I feel like.
So much more. There's a lot there's a lot more deeper elements, but when it comes to like I said, when it comes to the focal point here on sapphires of your play, I wanted to focus on the sexual representation of what movies these movies both bring. And there is compare the movies. Yeah, I mean we we are comparing the movies, but I'm talking, you know, this focal is always say it is sex.
It is driven on sex women empowerment and I have to say sinners does do a better job representing sex on film representing female empowerment on film. Whether or not you want to say that the females are submissive, non submissive in this movie, that's. Also, yeah, you can be submissive and still be empowered. Absolutely. Like those are not mutually exclusive. And I would say, and I would say on top of that, it's like you can decide who is submissive in this movie in Dusk Till Dawn.
You really have no choice. Oh it. Tells you which. Character who's in in power it's true so that's what I'm saying like you can have a difference in seeing the dynamics of these characters but when it comes to sex representation, I would definitely say sinners sevens all across the board just like the seven nominations that they got for the Golden Globes. Congratulations guys.
Still kind of miffed on some of the the snubs on the actresses ends, but that's OK Michael B Jordan better get his GG and so should so should Mr. Coogler. Yeah, I honestly it's I've. Yet to see a Ryan Coogler movie I didn't think was great. Honestly, all of his films somewhat just keep getting better and better and I think by far Sinners is a flawless masterpiece in my opinion of the Coogler era. I feel like that movie can do no like you cannot do. You cannot take that movie and redo it.
You can't flip it. You can't flip it. I'm sorry, 99. Out of a. 100 like you really can't flip that movie. There's like one thing in it that I'm. Like that's Bane. I'm just saying as somebody who has lived through a lot of movies with black representation and a lot of movies that deal with black horror and mixing black horror insects, I have to say this is probably one of the better movies on that end as I've been going through a whole black exploitation re dive and
re dig. Then got a little taste of coffee earlier this year. You did this year. Yeah, I know it's been a long year. It's been such a long year. Though Jackie Brown is on the list. Jackie Brown is on his list. I want to clarify just because I talk a lot of shit in this one and like in this conversation, I like Kill Bill is like one of your like top five. Yeah. I don't dislike Tarantino's films, I actually think he's a very good filmmaker. I just thought, I think Just Put
On is a piece of shit. I like, I like, I like Inglorious Basterds is fun. I think Django Unchained is an incredible movie that Oh no, no, Pulp Fiction. Pulp Fiction is amazing. I actually have to still watch Pulp Fiction. We're going to watch Jackie Brown in Pulp Fiction. Maybe we'll do a double feature. So one for me and one for. You. Yeah, because it's crazy. I've loved Tarantino for years.
I don't talk about it a lot because again, it's when you talk about Tarantino, there's a lot of problem then there's. Touchy to be an empowered woman. Who says they like Tarantino? It's very touchy, but I always say like just give me 5 minutes in a room with him and I will not put my foot in his mouth, but I would love to just sit in a room and talk to him about what he has actually really done for filmmaking, especially when it comes to the black experience.
I think it's a very unique touch. Some people like to say it's a little controversial, but I got to hear from the man himself. Honestly, it is. Interesting. Like just if we're going to briefly touch on that before. We wrap. Yeah, yeah, we're wrapping. Where both like both Tarantino and Coogler are known for how they, how they, for like how they treat black representation in their films.
And I don't, I'm not going to compare and contrast that because I don't frankly have like the ground to stand on about that. But it is interesting that I, I didn't think about that until this moment. Then I'm like, wow, they're both really known for how they treat each of how they treat that. How they treat it and one would say Coogler is just represented in A in a better light. As far as it, Tarantino still has the jadedness of the amount of times he uses the N word in his context.
But at the same time, you have put on the map a lot of black actors, Samuel L Jackson being one of them. I mean, longtime collaborator of his and never misses, never fucking misses. On top of that, it's the usage of black music that he uses. He references a lot of black exploitation films and that takes a lot of work to do. I think a lot of that's a style difference. It is. Coogler makes grounded films and
Tarantino makes like like. Tarantino likes to bring you back to a time where movies were innocent. What? That's the word you'd use. I must say it like that. I think it takes you back to a time where movies were sensational. Yes. Like the the going to the theater was the experience. You still go to a Tarantino film in theaters and you're like expecting to be like every Tarantino movie, regardless of genre. Feels like going to see a Marvel movie.
I will say. The big you need the big screen, the big moment in the dark. You really do. And you know what, as much as it like again, we're trying to wrap this, there's a lot of uncertainty right now with Hollywood. And one thing is for sure, I just went to go see the re release of the whole bloody affair, Kill Bill 1 and 2. The whole bloody affair is intent. It was intended to be 4 1/2 hours long. And of course studios were like no one's going to sit 4 1/2 hours long.
I got to say the studios were fucking wrong. This by far way better than Kill Bill one and two and they're literally the same movie just with added elements. But it adds a different take. And being in the theaters and not watching this on DVD was an experience with itself. Even with the 15 people that were in the movie theaters with me, no one had seen that movie in theatre until that day until
the re release. And we all pleasantly say it like fuck, we really spent six hours at a movie and did not complain. So studios, I don't know what you're saying that people don't want to go to the movies. I think you just have to make movies that are worth going to the movies and sinners worth going to the movies. We would love to see it again. Re released in 70 millimeter. There have been like 4 different releases and we have missed
every single one. So Ryan Coogler, if you're watching this or someone says it to you, can we get another 70mm rerelease please? Please and thank you. All right, I think that's about it. My husband. What you think you you got some more, some more to say? Did I do you wrong? OK, I think he's no. Good, I got my big point out about the fact that Dusk Till Dawn is a zombie movie. He did and I'm very proud of him.
And not and and and A and A and again, like, not a. It's not a vampire movie and it's not a horror film. It's still a horror film, OK? It's a horror action. Thing What's the How do you define a horror film? Is it intended to scare people? Still a horror film. Both movies are still horror films, but what type of war, that's up to you to decide. With that said, I have some great news to tell you. Earbuds.
Sapphires Airplay is nominated once again for an AVN for Best Adult Podcast. So please, y'all have until January 24th, I believe, to submit those votes daily. You can vote five times a day. So you know what you must do? Sign up at the avn.com. I'll link it in the bio of this episode and do your worst. Meaning vote, vote vote. Come on y'all 19 years of this show and y'all need to put me on. Come on, get sapphires there, play an AVN. That's all I want for 2026
besides some babies. Give me an AVN. I deserve it. I fucking deserve it. I can't say if I'm going to manifest babies with this man, but I am going to manifest babies with this man. You got. To pick one, you can manifest babies or manifest in AVN. I'm a manifest both and of course, make sure that you are following me at Miz Radio Sapphire. That's MSRADIOSAPPHIRE on Instagram, on YouTube. Yeah, no, Sapphire is here.
Play on YouTube. And I do have an ex now it's Megan Sapphire because Miz Radio Sapphire, remember, was defunct. So now it's Megan Sapphire. Megan Sapphire. That's MEHGANSAPPHIRE. Megan Sapphire on the X. OK so make sure to follow me on that. Remember that safe sex is the best hot sex. And if I don't release another episode until 2026, y'all have a great holiday. We love you so much. Coming back in 2026. Make sure you get me on the AB NS nominations. Please get me that nomination
win. Till next time, goodnight. That was the show. All you sexy motherfuckers out there. Remember to follow at Miss Radio Sapphire and Sapphires Ear play on Instagram. Want some ear gasms of the past and future? Make sure to follow on Apple Podcast, Spotify, iHeartRadio and all streaming platforms.