Can romance bloom in a kangaroo court? Is there gold in that there mansion? Is the outside world rollercoaster-car accessible? These questions may be answered in this episode! Music "Valkenvania Suite" by Michael Kamen "Lovely Piano Song" by Rafael Krux "Black Velvet" cover by The Lost Fingers, original by Alannah Myles Join our Discord server! Look at our Patreon! Look at it!
It's a new series, and the GM hat passes to... nobody, because we're doing maybe the most popular GM-less game there is, Fiasco! We'll be using it to remake Dan Androyd's ugly 1991 baby Nothing But Trouble. "Valkenvania Suite" by Michael Kamen. Join our Discord server! Look at our Patreon! Look at it!
Join us for our first Righter's Room (though we never quite get around to that name in this episode) where, for one night only, Roleplay Retcon turns their gaming table into a writer's room table and talk about their ideas for re-imagining The Santa Clause 3 with special guest Franz Sweeney of The Land Above podcast. The Santa Clause 3 original score by George S. Clinton. Join our Discord server! Look at our Patreon! Look at it!
It's wrap party time! How did we do on Twilight? We discuss that and the original work, and also read some audience Retcons! Music "Small Enough to Fit in Your Pocket" and "Eschatology" by The Wolves of Chernobyl.
The sun sets on Forks, Washington. Music "We Lucky Few," "W/ Half a Disease," "Eschatology," and "Small Enough to Fit in Your Pocket" from "Eschatologies" by The Wolves of Chernobyl. Original Twilight score by Carter Burwell.
The Kids Aren't Alright in episode 6 of Roleplay Retcon does Twilight, and the adults aren't doing great, either. Bradley and Estella have to deal with the contents of the mystery box that arrived at the Swan house, and Carlisle has a grim diagnosis for Madge. Music "The Dragon of Round Rock," "All We're Offered," and "Small Enough to Fit in Your Pocket" from the album Eschatologies by The Wolves of Chernobyl. "Moonlight Sonata" by Beethoven. "Reversion 2015" by Nicolas Gasparini Original Twilig...
Estella and Brad's feelings pull them in different directions. Charlie looks for Madge where it all began 15 years ago. Music "My Clumsy Tongue" and "This Terrible It" by The Wolves of Chernobyl. Original Twilight score by Carter Burwell.
Welp, get comfortable: We accidentally made a bottle episode! Tensions of all sorts rise as a borderline-manic Charlie forces Estella, Bradley, and Madge to hunker down in the Swan house. Bradley makes the most of it by asking Estella all the questions you had about vampires, but were too afraid to ask. Music "Beloved Bones" by The Wolves of Chernobyl Original Twilight score by Carter Burwell
Episode 3 of Roleplay Retcon's re-imagining of Twilight introduces new challenger Jacob Black. We'd call him a "dark horse" but "horse," somehow, doesn't quite fit? Meanwhile, Edward Finch plays mind games with Charlie and reveals some juicy details from Madge's phone. Music "The Dragon of Round Rock," "My Clumsy Tongue," and "Safe Harbor" by The Wolves of Chernobyl. Original Twilight score by Carter Burwell.
More darkness covers Forks in episode 2 of Twilight. Bradley gets closer to Estella and further from Charlie when a secret from his past is revealed to him. Alex's taint ruins everything. Featuring "This Terrible It" and "W/ Half a Disease" by The Wolves of Chernobyl. Original Twilight Score by Carter Burwell.
It's the first day of classes at Ryan Stiles High School, and awkward senior Bradley Swan is stumbling through conversations with the supernaturally attractive-yet-equally-awkward Estella Cullen. Meanwhile, a suspicious death in the woods seems like more than just a typical hunt-gone-wrong, and Police Chief Charlie (and distant Dad to Bradley) is worried it might be tied to a dark chapter in the town's history. Music: "Autumn" by Puscifer. Original Twilight score by Carter Burwell.
Jensie takes the GM throne and runs us through the world-building and character-building mechanics of Evil Hat Productions' Fate Core. We also reveal the movie we're retconning in this series, which our guest player, Haley Koch, is an expert and OG fan of! The gif we talk about (proooobably NSFW) The other picture we talk about (very wholesome)
It's Wrap Party time! We talk the ups and downs of our Crystal Skull series, our pitches for the second draft of our script, and listener submissions of their own retcons and feelings on the original film! (Apologies for the funny audio at the end, Jensie recorded this episode from their bathysphere). "Vault" by Caleb Montgomery
Indy and Jock go back to where it all began to rescue Esperanza, stop Schneider, and finally solve the mystery of the crystal skulls. "Reversion 2015" by Nicolas Gasparini Original Indiana Jones score by John Williams.
Francisco de Orellana's trail comes to its inevitably tragic end in the penultimate episode of Indiana Jones and the Kingdom of the Crystal Skull(s). Skulls are in hand, but where is El Dorado, the City of Gold? And can Indy and friends avoid the same tragic fate as Orellana? Original Indiana Jones score by John Williams.
Remember that 6-hour chase scene in the middle of Indiana Jones and the Kingdom of the Crystal Skull? Well, we cut it down by about five hours. That means we lost all the parts where somebody gets hit in the groin while fencing, but it's replaced by some thrilling flashlight-based combat. Original Indiana Jones score by John Williams.
Get ready for some Prime Amazon as Indy and the Indynauts go rollin' down the river in search of clues. There's strange whispering, sulking pilots, icky disguises, and MI-6 creepers! Original Indiana Jones score by John Williams.
The gang gets a clue from Orellana's haunting diary and run into (and away from!) ghosts from Indy's past. Also, has anyone seen Jock's snake? It was here a second ago... Original Indiana Jones score by John Williams.
Paris is liberated, so now Indy and the gang go to Spain to meet with Esperanza Rodriguez, an Indiana Jones superfan who knows all about the eponymous skulls. They'll have to Scooby-Doo their way through a creepy old mansion and solve Pizarro's ancient riddles. Mona steals some art, and Jensie's soul possesses a new body.
Alex takes the GM throne for Roleplay Retcon's version of Indiana Jones and the Kingdom of the Crystal Skulls. Can the heroes stop wondering what happened to Clive Owen and spouting snake Fun Facts long enough to liberate Paris?
In this episode, we go over the Savage Worlds RPG system! GM duties are rotating to Alex, and he goes over the basics of Savage Worlds. You can also meet the guest player for this series, Mona Moon, artist for the webcomic Dan the Snowman!
Now that filming on Batman & Robin has wrapped, it's time to go to the editing room. What did we do right? What did we do wrong? What will hindsight on hindsight reveal?
Our heroes wrap up the dynamic do-over of the 1997 Joel Schumacher Disasterpiece Batman & Robin with a twist that anyone who's ever read a Batman comic saw coming. Things still get pretty Oscar-worthy near the end, though! Gumshoe RPG system created by Robin D. Laws. "Reversion (2015)" by Nicolas Gasparini (Myuu): soundcloud.com/myuu "Detective's Work" and "Epic Movie Trailer" from Hooksounds.com Original Batman & Robin score by Elliot Goldenthal
Roleplay Retcon's dynamic do-over of the 1997 Joel Schumacher disasterpiece "Batman & Robin" takes to the streets as our heroes chase Poison Ivy and Mr. Freeze through Gotham, with Nightwing nestled snugly in the basket on the front of Robin's 12-speed Schwinn. Gumshoe RPG system created by Robin D. Laws. "Pursuit" music track provided by HookSounds. Batman & Robin original score by Elliot Goldenthal.
Roleplay Retcon's dynamic do-over of the 1997 Joel Schumacher disasterpiece "Batman & Robin" finds its way into the top floor of Gothcorp, where CEO Ferris Boyle's stand off with George Clooney reveals some surprising revelations about Mr. Freeze (well... surprising to Batman, anyway). "Dark Zone" and "Detective's Work" music tracks provided by HookSounds; "Red Alert" music track provided by Purple Planet Music. The Gumshoe RPG system was created by Robin D. Laws. Original Batman & Robin...
Roleplay Retcon enters the second act of its dynamic do-over of the 1997 Joel Schumacher disasterpiece "Batman & Robin." Join our heroes as they do whatever the opposite of tiptoe-ing through the tulips is. The Gumshoe RPG system was created by Robin D. Laws. Original Batman & Robin score by Elliot Goldenthal.
Roleplay Retcon continues its dynamic do-over of the 1997 Joel Schumacher disasterpiece Batman & Robin with a black-tie (and shorts!) affair at the Gotham Observatory. Will there be murder? Kinda seems like we wouldn't bring it up if there weren't! Gumshoe RPG system created by Robin D. Laws. Original Batman & Robin score by Elliot Goldenthal.
Roleplay Retcon's first series is a dynamic do-over of the 1997 crime thriller Batman & Robin. The Gumshoe RPG system was created by Robin D. Laws. "Tiptoes" by Myuu. Original Batman & Robin score by Elliot Goldenthal.
The famous Roleplay Retcon Studios two-minute backlot tour is starting now! Get on the bus! Music: “If I Had a Chicken” by Kevin McLeod
