RCS vol. 122 | Thomas Bils

Thomas Bils’s paintings are a result of his interests over epistemology of memory and the ontology of its subjects, using his adolescence in central Florida as the base position of introspection. Working in photorealistic oil painting he references the mnemonic properties of the photograph and translates the image as an act of nostalgic contemplation. During the translation process Thomas assumes the role of the unreliable narrator, embellishing upon minute details or events, leavening the image with narratorial unease. This falsification accounts for the deteriorating truths of a reconsolidating memory. https://thomasbils.com/