The boys piggyback a legacy by booking a residency, play somewhat political punk to parody pollution, and use the scientific method to conduct an autopsy on the corpse of The Dead Milkmen’s 1987 bizarre ballad, “Watching Scotty Die.” News items and digressions include Fleetwood Mac, Hollywood hotties, and Sammy Hagar.
The boys open doors by dropping acid, channel Hendrix through Eddie Hazel, and use the scientific method to conduct an autopsy on the corpse of Funkadelic’s 1971 psychedelic opus, “Maggot Brain.” News items and digressions include MGK, Megan Fox, and Rick Rubin’s controversial production methodology.
The boys find fault with feelings, set sail on a steam powered yacht, and use the scientific method to conduct an autopsy on the corpse of Steely Dan’s 1977 art pop hit, “Peg.” News items and digressions include lexical diversity and Tony Iommi’s “Monkey.”
The boys reflect on Godly greed with Gordon Gekko, get angry in a hurry with janitorial studio time, and use the scientific method to conduct an autopsy on the corpse of Nine Inch Nails’ 1989 industrial hit, “Head Like a Hole.” Includes panel discussion and review of the complete eight part “Did Cleveland Kill Rock ‘n Roll?” series.
The boys recap the Rock Hall, lament The Last Jedi’s listless Luke, and use the scientific method to conduct an autopsy on the corpse of Lost Souls’ 2023 single “Childhood Died.” News items and digressions include Star Wars, Optimus Prime, and letting go.
The boys debate who can carry on when key components can’t, watch assembled adolescents cha-cha-challenge Mom and Dad, and use the scientific method to conduct an autopsy on the corpse of The Runaways’ 1976 groundbreaking single, “Cherry Bomb.” News items and digressions include the pros and cons of bands continuing on and Metallica making mistakes live.
The boys nerd out over Night Terrors, write leggy lyrics with synth-pop samples, and use the scientific method to conduct an autopsy on the corpse of ZZ Top’s 1984 MTV hit, “Legs.” News items and digressions include Dream Theater’s new single and the worst albums ever.
The boys enthusiastically give Oasis the adoration that they deserve, work a side hustle on Howard St., and use the scientific method to conduct an autopsy on the corpse of The Police’s 1978 reggae rocker, “Roxanne.” News items and digressions include Oasis’s decision to decline dynamic tickets and iconic rock ‘n roll hairdos.
The boys get testy over local terminology, shed rap roots for a punky pivot, and use the scientific method to conduct an autopsy on the corpse of Machine Gun Kelly’s 2020 crossover bid, “Bloody Valentine.” News items and digressions include owning a personal piece of MGK history, LeBron’s effect on regional insecurity, and secretive 90s hip hop fandom.
The boys spend old age fighting on stage, lament being single while going solo, and use the scientific method to conduct an autopsy on the corpse of Phil Collins’ 1980 synth-pop hit, “In the Air Tonight.” News items and digressions include REO Speedwagon, Jane’s Addiction, Iron Maiden, and an asteroid induced end to civilization.
The boys get called out at home while trying to score, choose Born to Run as a template for Bat Out of Hell, and use the scientific method to conduct an autopsy on the corpse of Meat Loaf’s 1976 classic, “Paradise by the Dashboard Light.” News items and digressions include Prince’s premeditated playing, overplayed 70s bands, and thinking about meatloaf, obsessing over meatloaf, and eating meatloaf.
The boys debate the importance of making records with new members, embrace wide-eyed individualism with breakthrough commercialism, and use the scientific method to conduct an autopsy on the corpse of Rush’s 1981 classic, “Tom Sawyer.” News items and digressions include bands continuing on after death and dynamic ticket pricing.
The boys incur unpaid debt from Richard Pryor, manufacture pop stardom with credible friends, and use the scientific method to conduct an autopsy on the corpse of Eddie Murphy’s 1985 career crossover hit, “Party All the Time.” News items and digressions include the Oasis reunion, 80s playground bullying, and heavy metal nerdiness.
The boys (minus one) welcome wise music swami and prolific author extraordinaire, Martin Popoff into the lab to discuss his latest Iron Maiden Album by Album hardcover book. News items and digressions include Rock and Roll Hall of Fame elitism, the pros and cons of heavy metal branding, and a Johnny Rotten-less Sex Pistols reunion.
With scalpel in hand, our fearless host attempts to re-engage in rock n’ roll reanimation, reassess three underwhelming Danzig albums — “Circle of Snakes”, “Deth Red Sabaoth”, and “Black Laden Crown” — and reconfigure the remaining pieces into one cohesive kick-ass slab of post-Rubin Danzig.
The boys get weepy when young locals play thrash, wear black hoods while adopting evil aliases, and use the scientific method to conduct an autopsy on the corpse of Midnight’s 2022 slice of black metal sleaze, “Szex Witchery.” News items and digressions include Cleveland’s local metal scene, illegible death metal logos, and unintentional laughter in the face of onstage evil.
The boys practice satanism for publicity, abandon melody for lyrical redundancy, and use the scientific method to conduct an autopsy on the corpse of Billy Joel’s 1989 historical harangue, “We Didn't Start the Fire.” News items and digressions include Gojira’s satanic Olympic opening, top five heavy metal moments, and cyclical generational archetypes.
The boys break format with a co-host on break, beat-off with a basketball-style bracket, and produce the most professorial percussive podcast in rock ‘n roll history. Featuring Mike Portnoy, Nicko McBrain, Danny Carey, Stewart Copeland, Taylor Hawkins, & Dave Grohl.
The boys use an auctioneer to telegraph their intentions, sing at the edge of their ability about coin operated machinery, and use the scientific method to conduct an autopsy on the corpse of Foreigner’s 1981 classic rock mainstay, “Juke Box Hero.” News items and digressions include EVH posthumous tribute plausibility, dream band legitimacy, and the fine line between character and caricature.
The boys play rock ‘n roll trivia, put co-host credibility on the line, and risk being exposed as podcast frauds or celebrated as professorial pros. Digressions include ham cubes, appropriated double bass, and late-night radio vibes.
The boys trash hotel rooms at Swingos, play low-fi frequently licensed garage rock in the basements of Akron, and use the scientific method to conduct an autopsy on the corpse of The Black Keys’ 2012 NCAA Men’s Basketball anthem, “Gold on the Ceiling.” News items and digressions include Cleveland Municipal Stadium backstage memories, the optics of selling out, and threading the needle of appropriation.
The boys reenlist in the Kiss Army for a night of outdoor rock ‘n roll, spandex, collapsible chairs, and reverent showmanship with veteran tribute pros, Mr. Speed. In addition, our intrepid Kiss fanboys revisit the mid-90s post-grunge tribute album, “Kiss My Ass: Classic Kiss Regrooved.”
The boys lament the loss of Ace Frehley YouTube shopping shorts, wax nostalgic about summertime oral inversions, and use the scientific method to conduct an autopsy on the corpse of Bryan Adams' 1985 pop rock hit, “Summer of '69.” News items and digressions include Ace Frehley’s relationship woes, Metallica set list talent tests, ham-fisted double entendres, and the generational proclivity toward romanticizing the past.
The boys dunk hot dogs in tears for competitive advantage, dominate MTV with haunting feminism, and use the scientific method to conduct an autopsy on the corpse of 'Til Tuesday’s 1985 new wave hit, “Voices Carry.” News items and digressions include Joey Chestnut, hot dogs, the birth of heavy metal, time travel, and Roger Daltrey.
The boys are annoyed by redundant rock riffage, inappropriately laugh at long-player puns, and use the scientific method to conduct an autopsy on the corpse of Aerosmith’s 1975 double entendre ditty, “Big Ten Inch Record.” News items and digressions include bat biting, ear fatigue, Sunday papers, and Babymetal.
The boys interview radio royalty, media historian, and early Rush champion, Dr. Donna Halper about her experience as a key contributor to the glory days of Cleveland’s pioneering rock radio giant, WMMS. In addition, the boys continue their quest to determine if Cleveland killed rock ‘n roll by using the scientific method to conduct an autopsy on the corpse of the Michael Stanley Band’s 1980 heartland rock hit, “He Can’t Love You.”
The boys are impressed by non-boomer blues, strike a perfunctory pose as half-hearted martyrs, and use the scientific method to conduct an autopsy on the corpse of Soundgarden’s 1991 genre defining classic, “Jesus Christ Pose.” News items and digressions include Slash’s Orgy of the Damned and social media clickbait.
The boys pick sides in the battle of acronym bands, feel stupid about being men, and use the scientific method to conduct an autopsy on the corpse of Garbage’s 1996 electro-rock hit, “Stupid Girl.” News items and digressions include RATM vs SOAD, man vs bears, Patty Smyth in Van Halen, and all-time awful metal albums.
The boys sound like a bad Rush tribute band, extol the resilience of heavy metal, and use the scientific method to conduct an autopsy on the corpse of Tenacious D’s 2006 metal anthem, “The Metal.” News items and digressions include rock fashion, Alex Lifeson and Geddy Lee jamming, and all-time great metal albums.
The boys get coached up by The Demon, become grunge rock royalty in the bathroom with a sharpie, and use the scientific method to conduct an autopsy on the corpse of Hole’s 1994 alt rock hit, “Doll Parts.” News items and digressions include Gene Simmons, American Idol, Meshuggah, and Bruce Dickinson.
