August 18: Very Sweet and Very Bitter - podcast episode cover

August 18: Very Sweet and Very Bitter

Aug 18, 20244 minSeason 1Ep. 51
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Summary

Mina records in her journal about Lucy's improved health and spirits after a night of restful sleep. Lucy recounts a strange, vivid dream of traveling through the town, encountering dark figures and experiencing a mix of sweet and bitter sensations. Mina finds the dream unsettling, and shifts the conversation to other topics, and they enjoy a pleasant evening at home.

Episode description

August 18: Lucy looks better. Transcript here. This episode featured: Isabel Adomakoh Young as Mina Murray; and Beth Eyre as Lucy Westenra. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production. Find us online: Patreon: https://www.patreon.com/redracula Ad Free Feed: https://bloodyfm.supportingcast.fm/products/re-dracula-1 Merch: https://store.dftba.com/collections/re-dracula Website: www.ReDracula.live Tumblr: www.tumblr.com/re-dracula Bloody Disgusting Website: www.Bloody-Disgusting.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Mina Murray's journal, 18th of August. I am happy today and right sitting on the seat in the churchyard. Lucy is ever so much better. Last night she slept well all night and did not disturb me once. The roses seem coming back already to her cheeks, though she is still sadly pale and wan-looking. If she were in any way anaemic, I could understand it, but she is not. She is in gay spirits and full of life and cheerfulness.

All the morbid reticence seems to have passed from her and she has just reminded me, as if I needed any reminding, of that night and that it was here, on this very seat, I found her asleep. As she told me, she tapped playfully with the heel of her boot on the stone slab and said, My poor little feet didn't make much noise then. I dare say poor old Mr. Swales would have told me that it was because I didn't want to wake up Geordie.

As she was in such a communicative humour, I asked her if she had dreamed at all that night. Before she answered, that sweet, puckered look came into her forehead, which Arthur... I call him Arthur from her habit, says he loves, and indeed, I don't wonder that he does. Then she went on in a half-dreaming kind of way, as if trying to recall it to herself. I didn't...

Quite dream. But it all seemed to be real. I only wanted to be here, in this spot. I don't know why, for I was afraid of something. I don't know what. I remember... Though I suppose I was asleep, passing through the streets and over the bridge. A fish leaped as I went by, and I leaned over to look at it, and I heard a lot of dogs howling.

The whole town seemed as if it must be full of dogs all howling at once as I went up the steps. Then I had a vague memory of something long and dark with red eyes, just as we saw in the sunset. and something very sweet and very bitter all around me at once. And then I seemed sinking into deep green water, and there was a singing in my ears, as I have heard there is to drowning men. And then...

Everything seemed passing away from me. My soul seemed to go out from my body and float about the air. I seemed to remember that once, the West Lighthouse was right under me. And then there was a sort of... Then she began to laugh. It seemed a little uncanny to me and I listened to her breathlessly. I did not quite like it and thought it better not to keep her mind on the subject. So we drifted on to other subjects and Lucy was like her old self again.

When we got home, the fresh breeze had braced her up, and her pale cheeks were really more rosy. Her mother rejoiced when she saw her, and we all spent a very happy evening together. This episode featured Isabel Ademaco-Young as Mina Murray and Beth Eyre as Lucy Westenra. Directed by Hannah Wright. Dialogue editing by Stephen Indrasano. Sound design by Tal Manier.

Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Andrasano, Tal Manir, and Hannah Wright. A Bloody FM production.

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