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The admirators of Pétain, the 3rd Reich, the theories of the most radical theories that the others have, when they don't really have the ability to identify the movements of identity. The RN has put the word on all the stars, to have the message, its currents are well there and why they are constitutive of the extreme right. In their luggage, these radical franges take a number of obsessions that can't be solved. Among these, we can quote a new one that comes back often.
A very pronounced fascination for the average, the chevalier, the croissants, the templates. So, where does it come from? And what does it mean? We'll try to understand it with this episode. I'm Thomas Rosacke and you listen to Program B. Don't you think it's easy to read? I'm not going to be afraid of it, my boss. We'll have to get the ceremony and their multi-tracks.
And our guide, as often as we often get attacked by these nubulous, sometimes very rude, is Stephen François, whose you already heard the voice in this podcast. Stephen François is a historian and the polythologist knows perfectly all these territories on which he has a lot of written.
He has, for example, signed in 2022, a small passionate book called An Advanced History of the Straight, Contrary to Culture, Radical Conservatism, and Modernist Tentation, which is spoken in the editions of the Lentern. I started by asking him very simply what he had for the Straight, so fascinating in the Middle Ages. The first point of the society of the Middle Ages, these are organic societies, traditional societies, in our European societies, what is it? Aristocracy, clergy and church-état.
Always in this sense of organic society, we have this image of a fixed, anti-modern, anti-racional society. Today, we know very well that this period is not so half of it, but we start to detach from this romantic vision that made the Middle Ages a world of art, but this idea is reflected in rationality. And the third point is this idea of decivization shock. Poitier.
Poitier, if you remember your short story, is this battle that was held in 732 or 733, including the troops of the French military chief Charles Martel, and the general Omeyade, Abdal Rahman, who is often a very big fan of Charles Martel, has repulsed a Arab invasion to Poitier. This idea, the image that the middle of the Extendora, especially with an entity, are the warriors who are there to protect the West or the West from the East of Sarasin.
There, in a certain number of terms, which are explicitly sent to the Reconquesta and Spaniard, we are there in a certain number of discourses of identity-blocking-en-titering-movements, I do not prefer the move of this entity, that is to say, repulsing the east of the founding act of the appearance of the generation of the identity, that is the occupation of the Moisquette Poitier. So, we have a whole symbolic of this type, which is very interesting.
In relation to all this, we also have, in the midst of a certain number of militants, a sort of pagan-Christianism, Medieval, the fourth of the Graal. The Graal, the Silk, the Arthur, etc. The Celtic world, Tolkien, they like it. Because, precisely, there is this imaginary of Bravvou, of the Quethe Spiritual, of the Depassion of the Sun and of Transformation of the Sun. With a new imaginary, a lily or a moyanage, but not only, it is the Vikings.
The Vikings, it is not the common sense in this imaginary. It is the Great Blonde of the Blue, the combatant, the one who will create the Kingdom of the Red, the King of the Varyk of Russia, the King of Sardin, that is the warrior, the conquering, that is discovered by the American people in the world. And in the maps, you were drunk. But, we have this imaginary, the blond, the warrior who comes from the north, that is more purely from the original, from the European Union.
The one who is not the one who will remain the longest. And here we are. If we stay on this example of Vikings, we are interested in another classic of the imaginary of the extremely right, the runes. The runes are the angular letters, drawn by an alphabet used by the Scandinavian or the Saxons. We find them a little everywhere, the extremely right, on the SS, obviously, which is undoubtedly used, but also on the neo-Nazi.
With a lecture every time, very particular of the signification and symbolic, brought to these signs, came from a phantasm. And, besides, there are some minutes of the right, there are specials, the runes. With which the origin of the runes? That's a question that is all right, because we do not know how it happened, but the runes, the magicians, etc. is something that interests me.
So, I did not say the right, because the term did not exist at the time, but the ultranationalists, especially the Falkish, who created a whole neo-Afabese, in the end of the 19th and 20th century. This current Falkish, we have already had the opportunity to talk about it in the episodes we had discussed about survivalism.
It is a political movement, Germany, in the end of the 19th century, that could be qualified populists, who take a return to the pre-tendum of natural things, with a separation of populations and a preservation of Germany's purest purity. This nebulence of the muscula, is influenced by the beginning of the partisans. And after, indeed, on the runes, at the very beginning, are the runes used for magic? Because runes, that means almost totally. So, things that we are wrong.
We always return to this Germanism, to this nordicism, and there is also a stronghold of our centuries. From the time it seems to runes, there is a whole debate on it, to know what the runes are the most ancient. Why? Because if the runes are of an extreme ancient archaic, or possible, the creatures have not been invented for the glory. We always return to this nordic side. That's why, besides, I enter a political point, in a number of many centuries, these are the trials of the Glossel.
So, Glossel is a small village, a love, of the central massacres, or in the years 20, we will discover, in a conditional speech, discover, the objects written, at least with signs that are written. And Glossel, there is a debate, about which time it dates. So, for the archaeologists, they are on the surface. Today, the thesis would be in the sense that it is a cannula, it is a false treasure that has been invented at the beginning of the 20th century.
All the history and French communities are poisoned by the Glossel, which for the 20th and 30th centuries. The fulies, we measure objects, and your paléolytic and neolithic paléolytic, but these are the tablet of the creatures that will be successful in life and debate. For some, this writing is more ancient than the Phoenicians, which are putting in charge the certitudes of the time. For others, Glossel is a super-chery vast.
The Little Amos of the Lillian, which is in the center of a scientific polymix since several decades, has been proposed by the Vestiges, which were discovered in 1923. The conclusions of the archaeology direction have been published. We can't talk about a gloselian civilization, prehistoric, objects without any further ado.
The laboratories' analysis shows that the management of neolithic and neolithic paléolytic, if the industrialists discover its spirit of the historical art, the new object's adaptation indicates the Middle Ages, and the medieval presence seems major on the site after the scientists. The clues indicate that some manipulations have been found and that an authentic jisement could be fulfilled to make it more interesting.
For some archaeologists, it is the sign that the creatures were almost known to the prehistoric times in France, in Europe, before the invention of the creatures in the near future. There was a time when the ancient intelligence was at the top of the race, which came back all the time. But it's a form of our centrist. On the other hand, it's a form of hate, also of the Middle Ages. It's a broken case of the image we had for a long time, and it's also a reflection of the historical history.
The image we had of an obscure age was, in contrast, a form of hate. It's the Soviet Union's traditional Soviet Union. It's the Soviet Union's traditional Soviet Union. It's a Soviet Union, and the Soviet Union's partition is a place. But at the same time, we could have a son of a son who had a very nice career in the clergy. The laws of this form of religious movement are also there, a lot of the Alexandre brothers.
The Palfonier, who can become a chevalier, etc. etc. There is this side, which is the fascists. With the old Batu, I have an idea that it's not a shadow age, but a shadow age, that is, there are intelligence-based forms, reflection-based forms, a clear power, etc. etc. And an obscure age, which develops in the Middle Ages, is a good choice.
It's a good choice to be a traditional European order to go to something pure, mercantil, so two decades of research, etc. etc. If it's a routine, we will have to do before you have to fill our arms.
Another rule of fascination is to fill the temples, a place where religious and military are religious and a soldier-cretion army that has been fed, while a myth and legend since its creation in the XII century, and especially since its dissolution in the XIV century and the execution of its leaders to be theoretical.
A story that has been associated with the great fantasies that we find in fiction, with the famous malédiction of temples, which we saw at the TV of the King Modi, without any doubt. The temples are more ambiguous. Why? Because there is this imaginary in the Dordes' era, and the Eritical era, which makes people fascinate people who are rather Catholic but who don't want to go to the French-Séry, because the Pope says it's not good. But on our side, it's fascinate people, because it's a fight.
The temples are more marginal. We will find this in some of the more exotery and exotery of the Christian Catholicism. It's marginal. Because there are too many exotery speculations and exotery to be recovered. But what's interesting is that there is a number of Catholic groups traditionalists who could even qualify for Catholic identity who put in front of this imaginary temple. That's something new. Because there, it's been a decade that we see and appear.
There is not much of reference to the Template. Almost 19th, from 19th century, in the Amazonic or Amazonic temples. And more than that, there is an imaginary that for 20 years even more is a cartoon. So it's part until the French Revolution and at the time the French Revolution was mainly because of Robespierre and Montagnier, in short, under the terror. At the end of the 19th, Barais was going to start to put in front of this temple.
And especially this temple will become the symbol of the genius, of the church, of the pure society, etc., during World War II. In the past, I published with Adrian Nongen, I'm going to find a signage number. So the review of the SS during the war.
A number of 42 who say that they are looking at the Spartan Spartan, Célonidas and the defense of the European civilization against the Orde, Mongolo, Edo, Jumiv, the article was completely forgotten but indeed the Nazis had a fascination for the Spartans.
Just to be on the Géné, Cazern, etc., etc., the simple Spartans, especially the Casc, in the Plyte, in the direction of the Cout created by a new right, we find it after the block of the monastery and it came out of the film, 300, we have the Landa, which was used by the Illiterate by Logo.
So we have the more the Templars have a symbol that becomes European because the simple Spartans are everywhere on the the the the the the the the the the the and and just from lie young as and and in motion arment and they come in and they were called a huge destiny. The less sold-out is also the only political one. There is a man called Amalgam.
It means that the person who can be violent, who is used to violence, who has a brain, and who has a almost monocle, stoic, who never leaves his goal, and who will work and work in France, even in Europe, the less sold-out is a non-visage. It's Dominique Vénère. Dominique Vénère is a radical militant of extreme rights, which has been one of the figures of many of the most influential of his cousins.
He wrote many texts, many books, he wrote on the weapons, on the chair, on the chair, but he was above all obsessed with the defense of an accident according to him or the permanent threat of invasion and decadence. My brother Renaudelli, has been a very interesting book by Russet-Anne, which is called the CIEG, in the head of Dominique Vénère, the cow or caged from extreme rights.
It's the book that summarizes one of his life's very striking features, his description, which was in the end for the time of his death in 2013, which was very brilliant, and very medial, since he made the choice to follow in the spirit of the cathedral of Notre Dame de Paris in full days of a ball in his head.
Well, on the body of Dominique Vénère, 78 years old, the police found several letters, they are in the analysis, but the most important is of course the block of this essay, of this very well-known writer in the extreme rights media. And no more than today, he wrote, against what he called this law, a woman, to understand the law for the marriage for all, and write these words, it will need new, spectacular and symbolic gestures to break the semolenses.
It is known that the president of the National Court of Paris does not seem to react, either to Dominique Vénère's quote, that he is a political gesture to try to reveal the people of France in the end of the city of Marine Le Pen. Dominique Vénère, who made Algerian War, who covered himself in his autobiography speaks of Kim De Geer, Algerian, the best thing I've done in Algeria.
He was a very nice guy, who was considered by the Algerians at the time, it's an article we wrote with Nicolas Le Bour, who says that the type is psychotic, who can be brutal and who can be freed from the glacial. There is this image of Dominique Vénère, besides Vénère, until the end of his life, he is afraid of some time from the X-Ren droid, I saw some anecdotes on some of the colloquial, some people say, hey, Vénère, who has arrived? Everyone has panicked.
It was his marriage, it's a symptom of a fact. In short, Vénère is this archetype. And today, some figures from the X-Ren droid of the company of Vénère are published, I think that Jean-Mabbier, who is very important to all of us, who are in the world of viking, or whatever, his works on viking are edited at that time, and a little forgotten, but not Vénère.
Because Vénère is the author of the Café, in 1962, he is a poachist, he is a former fighter, etc., etc. He is the figure of the weak, well, that's the one and only. And Vénère has a fascination that is also very common in his radical extremism movements, since we talk about archaic societies of soldiers who are making a fascination for the samurai. It's a fascination of the samurai. Besides, his last wish is to come from a samurai of the West.
And in his death, he is everyone of the caliphate of the Western samurai. Indeed, but for this extreme right, especially in the tendency, to say traditionalistic, of what we call in Italy, the nazi-marwist, so the tendency is improbable, but ultra brutal. We are a revolutionary, revolutionary nationals. So, the fascists of the Gacha. The samurai, the Japanese civilization, is a similar feudal society in Europe. And they are not racial infarctions. Rassio.
On the contrary, there is this fascination of the samurai's codes that send our code of chevalier. There is this analogy. Indeed, the samurai, Mishima, the Shido and all that are important values. For the Western right, but it's not today. Already, during this grand world, the nazis are fascinated by that.
And besides, since we have cited his name, we will remember that the great Japanese writer, Yukio Mishima, gave the death after a attempt to kill the military coup with the extreme right-wing militants, whose leader was the one who didn't lack it. He still had a morbid fascination in the most radical currents. Thank you to Stephen François for his answers.
I remind you that his book, an avant-garde extreme right-wing against cultural conservatism radical and modernist temptations, is based on the tradition of the lantern. Program B is a podcast of Benjodio, prepared by Charlotte Bex, made by Paul Berkio, all of our episodes, the ancients, like the new ones, are found on all your favorite podcasts. Look for us on the internet if you want to talk to us and very quickly to take new episodes.
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