
Podcasting 2.0 for September 6, 2024, episode 192, lunchroom. Quickie. Well, hello everybody. Hello boardroom. Welcome to podcasting 2.0 your weekly board meeting where all things podcasting are discussed. You want to know what's really going on. You want to tune into this one. If you're a nerd, you're in luck. We are the only boardroom that meets during
board member vacations. I'm Adam curry here in the cruise ship, capital of Mexico, just north of Puerto Vallarta, and in Alabama, the man behind the new BlackBerry takedown list say hello to my friend on the other end. The one, the only Mr. Dave Jones,

a fun that that cashews, this, this bowl of cashews here, if you can hear it,

yes, I hear your cashews, your cashews. Yes, your cashews.

It's, it's like a, it's like a quick trail mix to go along with the beef shake. And it's like cashews and raisins, you know, why

don't you fiber? Why don't you just mix it all into one so you can have the cashews ground right into your beef shake. No,

the cashews are soft so I can chew them. And, you know, mostly don't hear me, but

you might have a new product if you if you could do that, it might be something that could be marketable. Hey, I'm an entrepreneur. I'm always thinking,

it's like Bill, it's like Bill Maher said about like young people thinking that communism is great

socialism. I don't know if they think comedy is socialism. Probably some

do, some do comrade. But I mean, like that. He said, you know, just because an idea is new doesn't mean it's great. You can. What was this thing, he said you can cook in the bathroom and shit in the kitchen. It's a new idea, but

I haven't listened to a Bill Maher podcast in a while, to be honest. He

got, he got on a string of stuff I wasn't interested in, so I kind of he fell out of my rotation. Oh,

yeah, that happens if he's on the floor. I'm here in Mexico, in the hotel room. And I'm always Mexico, yes, I'm always, we're on vacation. Quotes, air quotes, vacation. I'm always amazed that it kind of works. And this is the new rig. This is, this is the new machine that you recommend that I get, which is, oh, it's the Lenovo ThinkPad, the Oh, yeah, Milka, yeah. It's great. Now here's what happened yesterday, though, I'm a little concerned.

Wait, by the way, I'm sorry I could not make it to your surprise party. I wasn't.

I know you were. I know I could

not make it because Melissa was out of town that that same weekend, buddy, stay with my daughter. It's

more than okay,

I tried. Man, I tried. I

know you did. Tina's like Dave, Dave, really tried. Dvorak didn't even answer the email invite. I said, Yeah, that makes sense. There's a difference in my podcast. Pardons, it was, I gotta tell you. Man, I was blown away. I was surprised. There were people from all over the country who came in for it on Labor Day weekend, no less, on Friday. My plan

was to do the My plan was to do the show and then hop on a plane and then hop on a plane immediately and try to get there. I couldn't find anything that was going to work, so I was trying to figure out how to do it halfway from a hotel room, because you would, because if it was on the same day as the show, so if I'd have missed the show, yeah, I

would have something. Yeah, it was for those who don't know, my wife threw me a surprise party for my 60th birthday, and literally invited 60 people from all over the country, and they came those

who I didn't know. She invited 60 people. Like, that was the magic. That's funny, yeah.

So it was, it was good. It was really good.

Anyway, what were you saying?

Yeah. So I set everything up here, and I had already tested out the rig at home, of course, you know, which always involves a an interesting combination of USB hubs and figuring out which port to put stuff in. There was a little moment of fear, as for some reason one of the rodecaster duo ports didn't come up, like, oh God. And then so I figured it out. Then I get here, and I set it all up again, and I noticed,
Oh no, what? So for some reason, the we're doing currying the keeper on Wednesday evening, and the and the Hindenburg recording failed. And so of course, of course, I have the rodecaster running his backup. So I'm like, okay, that's no problem. So I'll just pull it off the rodecaster. And so then I what I had not yet installed was the rodecaster central software that you need to put it into transfer mode. So I got new machine, yeah, so I got that, okay, and then it said, you can't transfer. Any
files until you upgrade your rodecaster duo. Oh, no, with firmware, yeah, this is you never want to do that. Never want to do that. And so and so it works. I'm able to get the recording. But then the next day, I noticed that the second USB audio device on the rodecaster, if it wasn't receiving any audio, it would just disconnect. And of course, I use that for everything, so let me just check and make sure it's working here. Let me see it is. And so I was really worried
during no agenda yesterday. But I guess if it's receiving sound up until a certain you know, I don't know if there's a timeout I Daren O'Neal making me go into my control panel and turning off the windows. Man, those guys suck. So you just be able to go into this other panel and you say, okay, don't power down USB ports to save energy. And that the issue? Well, I thought so. And so that's no longer there. You have to now go into control
panel, go into find the root hub. Yeah, the device in device manager, yeah, and, and, of course, these things are checked by default, which makes no sense. Yeah, because, you

know, everybody wants, everybody's you. What's killing the planet is everybody's USB ports. Yeah, that's, that's wonderful, exactly.

And so I click those both off, and we do the show. It's fine. And then maybe 15 minutes later, after we're done with the show, the USB port had shut down again. So I'm like, oh, man, is there some time around? I mean, the thing that really changed, of course, is the rodecaster. So I don't know. And if you go search for USB problems with a rodecaster, that's an ugly search, because it's everywhere. It's just like, there's all kinds of and I think it's just a function of USB by
itself. I don't know it's,

well, this you the so you're on the duo. Yeah, right now, yeah. I'll, you know, based on my experience and and the experience that I've heard through the grapevine of other people, the duo is kind of a fragile product. Yeah. I mean, I'm not saying it's bad or people shouldn't get it, but it's, it seems fragile. Well,

you know, these things are hard to make, and particularly if you're going to try, I tried it, you're going to try and make it work with all different kinds of USB devices. And of course, they have two USB devices which actually have three different, you know, there's one virtual device, which is the chat, which is what you know, is the built in mix, minus anyway, I decided before we started this show, I just reboot the rodecaster. Maybe that'll make a difference. And
so far so good. So let me just double check again, you know, just, I just have to hit that ding every 10 minutes. It's kind of like a dead man switch on a train. Yeah, if I don't hit that, if I don't hit that thing, it shuts down. Well,

I mean, I think, I think we get lulled into, based, based on how we grew up. We grew up with hardware that was the that where this had to say this. We grew up with with hardware that had its logic. Its logic was arranged as a series of tubes, tubes, tubes, or chips, or it was, it was do. The hardware itself was doing the logic. But yeah, now that
doesn't end, but it's not like that anymore. Nowadays. It's the the the logic is, is buried in software which is running in a general purpose chip, yeah, or, you know, or many general purpose chips on the board, yeah, so, but we still look at this piece of hardware and we think about it as if it's something, as if it's the way things used to be. It's kind of confusing that you're like, Why does rebooting my mix board? But
because it's not really a mixing board. What it is is a computer with a screen and some levers on, you know, some some sliders. Yeah,

no, that's true. And also Linux and, and, yes. And then there's another problem, which we've run into, as we've been testing stuff, you know, been working together for 15 years, building all kinds of projects. You get used to as an old school computer user who comes from that world, you get used to workarounds, and then you just use that workaround. And you're so used to using the workaround that, you know, things are fixed or have been updated or improved, and like,
oh, what? I don't have to do these 15 steps anymore. I can just hit this one button, and it works because I just get used to it, you know, because that's my from the Sinclair ZX 80. You know, from those days, there were a lot of workarounds you had to play with on the Sinclair,

oh, man, one of my favorite episodes of John. G's called causality show. Podcast is where he taught he goes over this radiation machine that was, it was x ray it was x ray machine, some sort of imaging machine that ended up giving people horrible cancer, nice and the RE and the reason was because there was a specific, I mean, he gets all into the
assembly language code of this of this machine. And what was happening is there was these bugs in it where it would give the operator of the machine a false message under certain circumstances. And it just became known that you always just hit Enter to go through that. So just ignore that. Ignore that screen that it was literally part of the training is ignore these three screens. Oh, man, and and when you in 99% of the time when you ignore those screens, it worked exactly
the way it was supposed to. But 1% of the time, it would keep the it would keep the shutter open long enough to give you horrible cancer. Yeah, yeah, work around became, if you ever have to tell somebody to do a workaround that becomes part of the unwritten documentation of that product. And then if you ever, if something ever doesn't, you know, but, but you lose the sense of the fact that that was not the way it was supposed to froze into me.

Yeah, exactly. And we've even he had that with the freedom controller. If you're there was something I was doing, like, what? What are you doing? I was like, Well, I do it this way. You can just hit command. L, oh, really,

yeah, for, let's be honest, the freedom controller is mostly that, yeah,

yeah. So one

of these days I'm going to rewrite that thing from scratch, and it's going to end like with modern things, and it's going to be amazing, yeah, maybe

that'll be our retirement. I'm not too bullish. I'm not too bull. Hey, I use it every single day. It's a part of my life. So I love the freedom controller. And by the way, that's, that's some software, man. I mean, I didn't even have the login anymore. I don't think you have that running on a server somewhere. And from time to time, you know, you'll go in and look, and it's been up, you know, uptime 700 days or something. It's just, it's a it's a beast. I

have not read. I'm gonna, after the show, I'm gonna log in and see what the uptime is on on that machine of yours. I bet you it's years rock years rock

solid. My brother, that's the Dave Jones experience right there. It does not go down. So just before I started getting everything set up, you know, I saw this, and this just it made me sad, at the same time, made me very happy because of this project that you and I started for this very reason. Was it almost Is it four years? Now, I've been doing this for four years. Is it four years? Started in August of 2020, so more than four years? Wow.

There you go. You're in the heart of the pandemic. Man So Todd Cochran,

CEO of blueberry, blueberry says it has been the biggest week in a long time of show and episode takedowns at everyone's beloved podcast platform. I'm going to think he's talking about Spotify, maybe. And he says everything we could review has us asking why we cannot see everything they've pulled. But one thing is for sure, the political content is the focus. So there they are, de platforming episodes and shows and again, I'm just, I'm going to presume, not assume, but
presume that is Spotify. But it could be others.

I think, I think I mean it. I think it's clearly Spotify that I want to feed of that so bad. I hope he does this. That's

what you proposed the the BlackBerry list. It's great

Blackberry, yeah, I need, I need this list because I want to see, like, an update in my podcast app, of all the weird things that they do platform and try to, it's like a game. You got to try to figure out why they did it.

It's, it's so asinine and and again, it just proves that all these modern apps that that aren't, uh, on any Silicon Valley you know, owned index. They are, they are the literal freedom of speech platforms, or apps, or whatever you want to call systems, because your speech is not, is not shuttered. It's just, it's crazy. And I don't know, I You never really hear anything about it, except this. In this
particular case, you know, just don't hear. And I want, I guess blueberry has to tell, tell their podcasters, hey, this got kicked off of Spotify. I would. I would think they would at least

I would, yeah, I mean, you would feel like a you would feel like that's your duty to tell them, because they've been just removed from a major platform, you know, and you're hosting their show. Because if they just come to you and say, Hey, this was where's my show, it's not showing up. Then you're like, well, it got taken down, and we knew about it, but we didn't tell you there's almost like, a more kind of, like a moral, you know, or an ethical thing, where you feel like you
need to, you know, people. It's funny that I don't hear anybody else. None of the other hosting companies mentioned this. But it has to be happening everywhere. It

must be happening to everybody. Yeah. And I remember when there was a time when there was a couple of people tried putting no agenda episodes up on YouTube and, you know, just the audio. And I think one guy at some point was actually doing chapter images, and, you know, making quite a production of it. And one by one, these people would finally email me and say, you know, I got three strikes now on your no agenda episode. So, so I have to stop, because it's ruining my account. Yeah,

is that like the innate in Eclipse guy? Remember that, um, where he would do, like, little short, like, no, he was, this

is full episodes, which I was fine with. You know, hey, if you want to maintain that, I don't care you. Go ahead, you as long as you don't enable monetization and and one by one, these would get taken down. And for what I mean, we're just two old dudes, what are we doing? And, you know, Tina got put in Instagram jail.

Instagram jail. Didn't even know there was an Instagram jail? Yeah,

she got put an Instagram comment jail. So she, she, of course, this is my wife, so she, she, you know, of course, posted stuff about the the party, and then she says, Oh, I can't comment even on my own posts. So what do you mean? Well, they're saying, you have a time out. You can't post comments for a week. I said, What did you do? Because I don't know, yeah, what district? They won't tell they'll never tell you. They'll never tell you. That's the crazy thing. It's
like, what is it? I said, You must have heard somebody's feelings this. I don't Instagram if somebody reported you, I guess I don't know what it is. It's crazy.

Yeah, I would, I would like to, I would like to hear from it that that shows you, okay, that right there, shows you the difference. It just kind of dawned on me that shows you the difference between podcasting and every other thing, yeah, is you're in, you're you got deeply, you know, you got muted on Instagram, and so you can't post there, and that's just it. You're done. So you, I mean, you're, you're toast, yeah, with podcasting, you got removed off Spotify. Did anybody even notice?

Yeah, right, that's a good point,

because you now, you still show up in 47 other podcasts, exactly, but eventually, and and on your own website,

you know, eventually people will figure it out. Like, you know, maybe I should be promoting, maybe I should be promoting, you know, different apps for people to listen to my show on, you know,

like, What do you mean?

Well, if, if you know, you don't want people getting used to listening to you on Spotify, and then all of a sudden, one day, you're gone, you know, or anywhere or anywhere. That's that's controlled by anyone else but you and your feed. I mean, that's that's the beauty of it. That's the beauty of what we've done here, which is good.

And Melissa sent me an episode of a podcast the other day of the she wanted me to listen to. And I was like, I was like, Yes, send it to me. And so she texted to me, and it was a Spotify link. And I was like, oh,

oh, I get those. What do you do? I don't even click on those anymore. If someone sends me a link to a podcast on Spotify, I'm like, I just don't answer. I'm like, I'm not clicking on that. And

like this. This hurts me. It hurts my heart. You know,

especially from your wife. Man, what's wrong with her? I

know I was personally offended. So she's using

Spotify to listen to podcasts, and she's married to the pod sage. I

know I had to go check her CO two monitor to make sure the room wasn't too hot.

You know, I've Tina's on on on fountain. She's been on fountain forever. She likes it so she she's good, yeah, but she was listening, I think probably on Apple previous to that. And

I got, I got work to do, man, while we're

on it, I want to remind everybody, if you're having an issue with an app, getting it into the App Store, because I got another one of these emails. There's been two this month so far, the two in the past two weeks where the App Store kicked the second, yeah, the App Store kicks it back. Indie hub, the App Store kicks it back and says, You need permission to access this content, which I do not
understand. Why this? There's some bug in there, in the QA process that says, oh, you know, if it's, if it's this kind of an app, accessing other content. And you know the clearly, the QA process doesn't include if it's RSS, if equals RSS, then
approve. So I have a, I have a boilerplate E. Mail if you need it, if you run into those problems, let us know, because I think we've had 100% success rate when I send that, when I send that email, and we have a link to our, you know, to all of our legal documents and all that stuff this, it's a pro it's a pro email. It always gets approved. So far,

you'll just sail right through. Yeah, that. I think they have a little wheel when they do approval that they just spin it and they say, Okay, what? What are we going to ding you on? And it's because, because 10 podcast apps can submit that use the index. You know, four of them will get dinged in this way, and six of them will just have no issue. I don't understand it can be all of them, because we've only needed to do this for maybe three or

four. Yeah, it's like, All right, everybody, here's another submission. And oops, that's not the one. Oh, man, that's not what I wanted to do. Ah,

no, you screwed it. I did. I do monitor. Here we go, everybody, let's see. Do we want

to approve this app or not? Round around, it goes. Let's see. Oh, seems like they're accessing other people's content. No, I don't think we can do that. Computer says no. Bombshell, yeah,

I finally got there. You got there. It was worth it. Wait. What am I doing?

So we

my phone automatically bluetoothed over to the rodecaster.

Oh, cool. I had that. Oh, that's interesting. All sudden, some

sort of play. And I was like, What is this? Oh, by the way, I wonder if I can pull this up. Actually, this is kind of convenient, because

are you going to play something from your phone. This, this will go well, let

me see if, can you see? If you see, if you can, can you hear this? First of all,

no, because no, because you could, because you're not connecting with the with the chat to the chat interface, I can hear it softly in the background. Can you turn it up? Maybe it's just there you go.

Is it? Yeah, yeah.

That I had the pleasure of introducing these guys with their debut. This was lifetime. How they're doing it, either Todd

Howe car thinks they can. I wasn't prepared for it, but I was listening to sounds like me. It is you I was listening to. I know this is the old bootleg from the bootleg dance party episode. From

the days, not here dance party, the three hour episode, yeah,

from March of 2023, that just, I was testing the new overcast and and it just had, it was in my upload. So I'll listen to that and listen to it for a while. And it sounds like during the whole episode, it sounds like your your mouth is swollen, or some really, you're sure you're talking right, yes, and I never noticed that. I wonder if that was during your dinner. I was just about to say

probably was. It probably was during my dental, uh, my dental escapades.

Yeah, you're you're something was definitely not right with with you, with your voice, your

version. Well, thanks. I feel better now. Sorry about that, now that I have a bootleg out there that sucks.

That's a classic. That's the unlimited the bootleg from, you know, recording that nobody will ever have a copy of. So

this week, an episode of our favorite hate listen came out, which it was so now I'm gonna say something that may sound sound unkind, but it's not meant that way. Please. I listen. So there's a couple of podcasts. I listen to religion, religiously. Pod News Daily. Every single day I listen to it. I don't think I ever skip one. And I realize that it's kind of like and I also, I think every day I will take a look at CNBC.
You know, around 830 my time, which when the market's open, you know, I'll just, I'll just, I'll just, you know, because I have the YouTube TV, I'll just pop it up and take a look what they're saying. And so on CNBC, it's always the same thing. If the market's up, market's up, time to buy. If the market's down, market's down, time to buy, buy the deal. It's always the same. And I realized that the pod news is kind of a bit like that. It's always up, it's always good, it's number. It's a
lot of numbers. There's a lot of stats and numbers. And revenues are up, profits are up. Number of podcasts are up. More people are listening, which which is, to be fair, is is very, it's very positive. Puts me in a good mood about podcasting. But then, but then you get, you know, one of the top podcast by output, probably production units that being N. PR, and the reality is different, and I'm glad that you clipped it. I see you have eight clips, so I don't know exactly,

exactly what I brought a PowerPoint, yeah,

but I think we should talk about this, because this seemed to me, there's a lot of interesting things in here, because it was only if was it 15 minute episode?

If that 11 minutes? Yeah, it

seemed like this was probably a fair representation of the state of the podcast, industrial complex as it is today.

There's a lot packed into 11 minutes of this, of this episode, and it was kind of like, as soon as I heard it, I was like, whoa. We're gonna have to go back and deconstruct a little bit of this. It's interesting from a lot of different perspectives, not just from the, you know, not just of the industry, but but on sort of the internal workings of a show like that itself too, yeah, and the state of public radio and
all, all of these things. But the first, like, before we kind of get into it, what I want to I want your opinion of the first clip. I want your opinion if this, this is a pre roll ad. I want your opinion if this is AI voice or not,
okay, here we go. This episode is brought to you by Progressive Insurance. What if comparing car insurance rates was as easy as putting on your favorite podcast with progressive it is. Well,

first of all, why am I hearing this
hiss? Yes, I'm

hearing hiss in that clip.
This episode is brought to you by Progressive Insurance. What if comparing car insurance rates was as easy as putting on your favorite podcast with progressive it is,

well, that almost sounds like room noise. It sounds like room noise.

It wasn't though I pulled it directly out of the mp three. I just chopped it up with Audacity,

then I'm going to say that's not AI that was. And I think I kind of recognized the voice. I don't think that was aI I would I don't think they can, they can do that. They would hate themselves so much. That's the only thing they have to do over there is talk. They're going to replace that with computers. I don't think so.

But supposedly, these, these are based on what they say during the show. These are, like, piped in,

really,

this is piped in, you know, copy so they don't, I don't think they read this in house with one of their peoples. They just got this from the advertiser, I guess. Let

me listen to it again. Let
me see this episode is brought to you by Progressive Insurance. Now, that does sound kind of fake. What if comparing car insurance rates was as easy as putting on your favorite podcast? Yeah,

you know, if I was producing this, I'd say, you've got to reread that, because this is listen to how this reads. This
episode is brought to you by Progressive Insurance, I'd

be like, Please, let's do it again. This episode was brought to you by Progressive Insurance. That's what I would that's what I would suggest. And then I'll use the next piece. What
if comparing car insurance rates was as easy as putting on your favorite podcast? I'd

say, Let's do that again. What if? What if comparing insurance rates was as easy as putting on your favorite podcast, there's no inflection here with progressive

there's, it is, yeah. No, it is, yeah.

It would be sounds. AI to me, yeah, I think you're right, but, but whatever's going on, there's, there's some kind of hiss or room noise in there that should not be in there,

huh? That's, that's interesting. Number one, so, like, the whole, this whole episode is about them. Supposedly, it's about them switching to How to Host red ads. That's what this is about. Well, there's

a there's a lot going on in that episode. Like, hey, you know, the part that I liked was advertisements, or what we call sponsorships. Oh, okay, so All right, there you go. It's advertising, yes,

and maybe, I mean, just based on that ad that pre roll, maybe it's not that you weren't doing host red ads. Maybe that's not. Maybe part of it is that your ads that you're piping in suck. Well,

I would reject if I was that bad, if I was the client or if I was the agency, I would have rejected that. I said, you need to reread that. That's not exciting. It's it's dull, it's boring. There's no inflection. So whether it's AI or not, I would have rejected it.

And the and pre roll number two on that episode was a house ad for radio lab. So that's not encouraging, right? Yeah? Like that. That would have been a better. They should clip that out of this show that would have been a better. Yes.

Him sorry, but,

like, okay, so, but clip two is, he's talking about, we're gonna, you know, they're gonna, they're gonna do host red ads. Now
we're gonna have a conversation, you and me about something that we're doing at the show that's kind of big. Yeah, it is big. And wow, Dave, I'm

hearing that same room noise in these clips.

It's not my stuff.

I'm inclined to believe you at all times well,
caster duo,

I don't think so. I'll listen through it. We're going
to have a conversation you and me about something that we're doing at the show that's kind of big. Yeah, it is big, and that decision is for us hosts to start reading some of the ads that listeners will hear on the podcast, not on terrestrial radio. Of course, that's got different rules now we haven't read the ads on the podcast until now, and there's a really good, if obvious reason why we're about to, okay,

hold on a second. This is bugging me, really. It really is.

I don't know what that could be. Let me listen to it on my side and see what it sounds like. Let me

just let me see if I can pull out that episode in pod verse that's really bugging me. I don't understand it.

Yeah, I get it on my copy too, of the clip, so it's not something coming from your side. Let me just let me get a podcast

on media. Hold on. Here it is. Latest Episode. Let me just play it from here.

Okay. Listeners support it. WNYC studios, I hear it already.
Welcome to the midweek on the media Podcast. I'm Rick glass, wow. And I'm what are they recording

that? Where are they recording this? That doesn't even sound like a like a studio. Hey, Brooke,
hi Micah for this week's podcast. Wow, they're

recording that their desk or

something. They got together in the lunchroom for a quickie.

I saw that, please.

I don't know. I don't know what that I mean, like, that's not their typical, no, that's not their PP said, maybe it's over zoom. Maybe they did a zoom call. Oh,

man, that's really bad. Well, anyway, let's listen to it again and we'll just try and forget the horrible, you know what? No wonder no one wants to advertise on that show. It sounds like crap. We're gonna

have the audio guy. The audio guys, the last round of layoffs.

All right, you guys, here's a pod Mike, everybody. You can do it. Good luck. It'll be great. Don't worry, you can do this. Podcasters all over the world do this. You guys can too.
We're gonna have a conversation you and me about something that we're doing at the show that's kind of big. Yeah, it is big, and that decision is for us hosts to start reading some of the ads that listeners will hear on the podcast, not on terrestrial radio. Of course, that's got different rules now. We haven't read the ads on the podcast until now, and there's a really good, if obvious reason why we're about to

wow. Okay, that's really surprising.

So the question is, why? Because a really good reason,

because advertisers aren't getting enough return on investment from dynamic ad insertions is my guess.

Yeah, the the the first this, the first part of the answer is sort of a hand wave. He says, you know, he's, he's like, you know where, you know, blah, blah, blah, D, Dai, and then this, but the second part is where, where all the action is, and that's, that's clip three.
Recently, some outlets like current and CNN have reported that this month, in mid September, our producing station, WNYC, plans to cut at least 8% of our workforce again, again, yes, and this is after a substantial round of cuts. This time last year. Last year, we lost a producer, so did some of our other shows, and we lost friends around the station too. They're gone now. They're

gone, vaporized.

Yeah, the audio gal was the first Yes, it's obvious.

I think, I think you're spot on with that. They fired the actual, they say producer, but it's really the guy who set him up and does the engineering. This is, this is very disappointing from NPR, somebody.

So now they just got, now they're just telling each other what Mike is telling Brooke. Hey, Brooke. Turn up your Yeti Blue, just turn it a

little bit hard. That's it. Yeah, you blue, yeah. Why did she laugh? That's a very good point. Cotton Gin. These are worth analyzing. I'm gonna pick apart every single breath and sentence in this recently,
some outlets like current and CNN have reported that this month, in mid September, our producing station, WNYC, plans to cut at least 8% of our workforce. Well,

this is okay, so this is interesting. Instead of saying, you know, here at NPR, we've made decisions, no, they're saying other news outlets are reporting that we are going to cut our staff.

Yeah, I noticed that that's an

interesting way of announcing this news. Let's listen to the next

Yeah. I don't know how to take that either, because it was they're as if it's as if they're not, as they're talking about themselves in the third person, as if they themselves are not part of this, of their own lives. Or, I think it's weird, or, how

about this? Maybe they didn't know about it. They heard it from CNN and current. Why? I don't know why they mentioned current, and they're pissed that they had to hear it from other sources.

Oh, and so maybe that's why they got it. Maybe that's why they did the lunchroom quickies, because they were, this is sort of a, you know, they're

going rogue. Yeah, that's why it was only an 11 minute episode. It's rogue. Let's go. Let's show these guys what this is. Horrible. The I can't believe they're doing that, and they and it's all over the place. Everyone's talking about it. Let's do an episode, and let's be critical of them. And
again, again, yes, and this is after again.

That's not very funny. Brooke, she's laughing

again, a lot of unexplained, unexplained chuckling in this that I don't understand. It's horrible

when, when you're when people get fired and you have to downsize. It's not a laughing matter, although she still has a job. Maybe that's why
she's laughing again, again, yes, and this is after a substantial round of cuts. This time last year. Last year, we lost a producer, so did some of our other shows, and we lost friends around the station too. They're gone now,

wow, so is it no Are they no longer friends when you don't work with them? Brooke, they're gone. Now I don't talk to them anymore. I've removed them from my speed dial,

so the chop and drop is in full effect, yeah, at NYC and NPR in general. I mean, in this, the the reason for the chop and drop, he's going to give he's he's going to go into a a brilliant economic analysis here. I'm
not going to pretend to be some

Sorry. No good.

No, I was, I was going to add to that, that we should probably mention that you know that a year ago, I mean, NPR over hired in their podcast division because of the incredible, hyped up market that existed on the, you know, the tail end of the pandemic. And of course, it was, it was a great time for podcasting. It was everyone was either listening to a podcast or making a podcast, and supposedly doing both. And they just over hired, thinking, This is it. You know, it's, it's
going to keep on rolling. So that I've

been saying that, I've been saying this for a while, is that the the bizarre thing about NPR and these public radio shows is that they still show up in the top of all the charts. Yet they've, they've, like, essentially fired most of their staff. They're not they're showing up in the top of the charts, but they're not making any money. Yeah, that's troubling.
I'm not going to pretend to be some ad expert, but the economy is funky, and for all kinds of reasons, companies are spending less money on advertising, and that is really hurt WNYC,

the economy is funky.

Yes, this is the economic analysis. One economy is funky, Funky. It's and then, and also all sorts of reasons. Yeah, those are the those are your two

You mean, like companies aren't making money. People are having a hard time making ends meet. Prices are through the roof. And advertise. There's been a pullback in advertising, although you wouldn't know it.

Those are the reasons. These are reasons.
I'm not going to pretend to be some ad expert, but the economy is. Chunky and for all kinds of reasons, companies are spending less money on advertising, and that is really hurt WNYC. I know it's hurt all kinds of media, but it's really had an outsized effect on the podcast industry.
Like we mentioned, there were layoffs over here last year at the time, our president LaFontaine Oliver cited a decline in advertising, what we call sponsorship, we saw that at other companies, like Pushkin industries, which is Malcolm Gladwell podcast company, they cut, like a third of their staff. Laist, which was formerly known as KPCC, got rid of some
of their podcast only shows. NPR cut over 100 jobs. So kind of, everyone's feeling it, but we're, we're all feeling it, I think especially rough,

hmm, these, all these shows, he mentions, they all have too many people. They all have, yeah, they all have one thing in common. They're, they are way over staff, staffed and over, over produced for what they are, yeah, that they have too much overhead, and you it's not sustainable that the change let me, I'll cut to the I'll jump to the end real quick, just to say that I think the real change that's going on here harvested, at least they have a joy department. Yes, they do.
Maybe that's why they're laughing,

hey. But good news, you're fired. Good news your joys are

the the the change is not from is not host red. The real change they're talking about is not host red versus automatic insertion. Yeah,

it's, it's the real downsizing.

The real change here is pre roll versus mid roll. That's what they're going to be changing. That's what's coming they're gonna put, start putting the ads in the show. It like on the media, which is a, you know, on the media always has a pre roll and a post roll. They don't interrupt the show midway through, yes, because that goes against what's gonna happen. That

goes against our journalistic ethics.

Yeah, yeah, exactly which they were, which the they
will talk about that aspect in the middle, but in a minute. But I think that's, that's what they're trying to prep everybody for, and why they did this special episode is because they know that it's going to be jarring when they drop an ad in the middle of the show, whether it's host read or dai or anything, that's what the real difference, I think that's what they're not saying out loud, is they're going to start sticking ads in the middle, in line, essentially, maybe even native
ads. We don't know that would be. Well, I think, and I think I have an idea about, about one of those? What one of those may be here in a minute. But the one interesting thing is he talks about ad money in relation to to what their their current situation is, versus ad money being sort of the gravy on top of donations, which are the meat? It happened, the queue dropped the queue. No,

no, it happened. The the USB crapped

out. No, let

me see if I reboot boot. No, I have to it. I can, I can bring the USB back up. Wow, this sucks, but then I have to essentially restart M airlist Again,

so maybe I can play it for a month. No, I'm

doing I got it. I'm already there.

I'm already good, yeah,

here we go. I'm

gonna eat some notes. Here it is, right?
But as a public radio show, we're not just relying on ad money. It's just an area where we have some potential for growth. We still have the membership model. That's when listeners, like you guys, support us, and that still is our most reliable source of funding.

I don't believe that. I think that's a lie. The most reliable source of funding from NP. I knew the the CEO before this one and the and LaFontaine, and that was ya Ramon, also known as Lee Masters, because he's the guy that hired me at MTV. And he was, he was Lee Masters, was his DJ name but wmmr,

it's a great name. It's almost as good as John Holden, but yeah, no, I

like Lee Masters. Lee Masters. Hey everybody, it's Lee Masters. Wmmr, hit radio. So he became the he became the CEO, and I met him at some conference a long time ago. I don't remember where it was. Was, and it was nice just to catch up with them, of course, because we hadn't seen each other for many, many years. And he said, You know, I'm probably going to retire. He actually had some health issues. I think he even had a heart attack after he left. And he says, but I'm
working on this endowment. And so they've had these endowments, which are, like, 100 million dollar endowments. I mean, really, really big stuff. And that is that's really their, their main reliable source of funding. Of course, it's fixed. And how much you can spend per per year is fixed. The actual and a lot of people think the government funds them, but the the money that goes to NPR from government, it's like one and a
half or 2% of their their overall budget. But to say that it's coming from listeners like you as as that's the biggest source. No, that's not true. And I think the ad money, this is incredibly important.

But this is WNYC, though she's talking about, not NPR, the mothership. So that may I believe, I believe that direct support is probably a big part of their stuff.

Nice. I still think that it's an NPR station, so I still think that they get a lot of their funding, particularly from these, from the NPR programming through the well, that's actually a good point, because NYC is a content producer as well as a station. So maybe it's just, we're really just talking out of our buttholes here. But maybe it's, maybe it's just the production budget that they just don't have the budgets anymore because, I mean fresh air. I mean that's,
that's one that gets GBH, yeah, I think so. So Wow. All right, let's hear that one more time,
right? But as a public radio show, we're not just relying on ad money. It's just an area where we have some potential for growth.

What a lie, Brooke,
we still have the membership model that's when listeners like you guys support us, and that still is our most reliable source of funding.

Well,

I disagree with you. No, I disagree with you. I believe her. I think she's because if we look at Spotify earnings, that clearly shows that they're that so much of their budget comes from their their actual revenue comes from Premium subscribers. It their the ad money cannot support it alone. Yeah, like they cannot. If I believe I believe her 100% that she's that she is saying that donation, without the donations, they would be completely toast. Well, she's

saying something else. She's saying reliable. So I would agree that people sign up for monthlies and that it's reliable, but people also, you know, when they when times get tough, they stop their sustaining donations. So I think it's reliable, because it's constant, but it has to be going down.

Yeah, that's, yeah, that's possible, yeah, and she's and they're trying to boost the advertising so that they can smooth, smooth it all out across the board. But the, you know, clip six is an interesting one, because it's obvious this conversation is it's meant to sound off the cuff, off the cuff, but it's very scripted. And to me, this is where we kind of get into the meat of things.
Our issue is that a show like on the media, a show about the news that's deeply edited, that features original reporting that isn't just like a couple people sitting around a table shooting the breeze like this is an expensive show to make. I think that's why it's really good, is that, is that we have really smart people, and we compensate them fairly for, oh,

hold on a second. We're not just a couple of morons with microphones sitting around a table. You know, we've got professionals doing this work. You know, we have editing, we have in depth reporting. Well, why don't you use some of that incredible talent to make your your sound good?
Our issue is that a show like on the media, a show about the news that's deeply edited, that features original reporting that isn't just what

does deeply edited mean? Sorry, I'm sorry for interrupting this and picking it apart to this degree. But what does that even mean? It's deeply edited?

Well, the you know, he's we aren't like the other personality driven show where it's just two people talking it's not who we are. I mean, he's saying that, like, that's exactly who they are. They that, if you listen to on the meat, that's so funny, because they're supposedly about the media. They hardly ever talk about the media. They just. You're they call up the show is they call up somebody from a university, yeah, and ask them a bunch of questions. And that's the show.
It's literally two people talking most of the time.

Yeah, you're right. And by the way, no agenda. In three and a half hours twice a week, we play between 70 and 90 clips, and we do it live, so we there's no deep editing, but there's real work that goes on there. Anyway, there we go. Our

they're essentially, they're essentially the same as these other two people talking shows, except their budget is 10 times higher, right?

Exactly, all right, and they like to compensate people fairly, yes, okay, our
issue is that a show like on the media, a show about the news that's deeply edited, that features original reporting that isn't just like a couple people sitting around a table
shooting the breeze like this, is an expensive show to make. I think that's why it's really good, is that is that we have really smart people, and we compensate them fairly for for putting a great program together, whereas there's this other big style of show, which is just kind of like the the personality driven chat shows and those, I think, are having a bit of an easier time securing ad money, perhaps because, whoa,

whoa, whoa, whoa, that's interesting. So first of all, they have really smart people, not just a couple of dummies, who sit around your personality driven and just talk and and because of that, they're making the money
shows and those I think, are having a bit of an easier time securing ad money, perhaps because they're not always talking about the news and because, and then I Just say it, Micah, it's because they're more commercial. Yeah, yeah. I mean, I don't want to speak too generally here. It's not a bad thing. It's just not what we are, yeah, okay, fair

enough. Well, whoa. This is, this is the best clip. So we're not commercial, and therefore we're surprised that we're not getting commercials. Hello, hello, hello, you said it. We're not commercial, not first of all, every single, every single podcast talks with two people and a microphone personalities is talking about the news. It may be sports news, it may be general news, it may be political news, they may be show business news. The world is news and and how this is tone deaf. Yeah,

they Yeah. They say. They say, Well, maybe those other shows are making more money because they just don't. They just avoid the news. Have you watched these shows? That's all they talk about. It's like that.

But she says, she says it. She says, Go ahead, Michael, say it. We're not commercial. There. We're not commercial. What does that mean? I listen to your podcast.

I really do that. Geico. That. Ai voice, Geico commercial at the very beginning. It sounds pretty commercial to me. Yeah,
bit of an easier time securing ad money, perhaps because they're not always talking about the news, and because I just say it, Micah, it's because they're more commercial. Yeah, yeah. I mean, I don't want to speak too generally. Here. Not a bad thing. It's just not what we are, yeah, okay, fair enough.

It's not, we're not commercial. I don't understand what, what

is who we are. What

does that mean? We're not commercial.
Commercial. I mean, in that

take, they, take advertising. They, they're, are they a non profit? No

commercial definition. Uh, occupied with or engaged in commerce or work intended for for commerce, suitable, adequate or prepared for commerce. They have commerce all over the place. It's called, sponsored by but there's all kinds of companies who want to be associated with their I would say Commercial Content, and they've been the podcasts of it advertising from, I think, almost day one. Well, not, no, that's not true. But once podcast advertising kind of
started rolling, they were doing it. That's that. That is an elitist stance, which is bull crap. It's very commercial content.

Yeah, the real issue is they've isolated themselves. They've isolated themselves into, like an into an ideological corner. There it is. And your content is scripted and not very and not exciting. It so, I mean, that's, that's the issue. It doesn't have to do with commercial versus non commercial, or whether you talk about the news or don't continue to talk about the news. It's just, it's just sort of a boring, ideological corner, even people who are hard, partisan
sort of people, they get tired of listening to them. Your own side. Talk about stuff all the time. This model of sort of that hate, Inc model the Taibbi, no expression of this, of this throw where the media has been thrown to extreme, ideological, ideological sides of the political spectrum, that is so I
think that that is wearing down. I think it's, I think it's past its prime, and it sucked a whole lot of the media into these, into these weird, little ideological spaces, and now they can't get a lot of them can't get advertising, because their audience became smaller and smaller and smaller. Then that audience became bored with it,

maybe, but at the same time, everyone's going through this, they're not unique. I think if anything, I just spilled my coke all over everything. If anything, yeah, don't worry. It'll just be sticky. If anything, they are. It is ideological. They they just, they hate advertising. They hate being the whole concept of being commercial. It just, you know, oh, we're better. It's a better than
thing, and ads are down for everybody. I mean, you may not hear it from the pod casting industrial complex advertising outlets, but it is, I mean, it's just a fact. It's down. It is just down, and it's down for them too. And now they're saying, Well, you know, we're hoity toity. We're smart people, and we like to compensate our people fairly, and so, you know, they're just commercial, no, it's down for everybody. And they have listeners. They clearly have listeners. Wasn't
that always, isn't that always? The metric is, like, if you're the top of the podcast list, then you have listeners. But there's just not enough ad money. They're blaming anything but, but that the truth they are on the media. The on the media is the name of their show. They should just be saying, truthfully, advertising is down all over podcasting. There's issues with metrics. We had the iOS 16 pocalypse, you know, the download pocalypse. We had all kinds of stuff going on, and
they're just being dishonest here. And they're, they're making it sound like, you know, they're like, they're victims of their incredible smartness. It's disgusting this.

Well, they, you said they have listeners, they have downloads. Well, that's, we don't that's, we don't know how many listeners. That's part of

the download metrics problem. We have a metrics problem. Well,

you know, because these, a lot of these NPR shows, go way, way back in podcasting. And it could be that, that they just are sort of still, they still have a wave of auto downloads that are historical in nature. And if, if there was sort of a great podcast reset that happened, and everybody had, everybody's playlist got wiped, and they had to start over today and resubscribe without a

good point, you know. And they have shows that are daily, and have a lot of, you know, really regular to maybe on the media. Think, is three times a week. And maybe the ad pocalypse hit them much harder than anybody else. It's it's Yeah, yeah. The download pocalypse, the download pocalypse, download

pocalypse, yeah. In clip seven, they talk about year of Jubilee, yeah, that's right. Nathan the the parasocial relationship. Now, this is a term. I have no idea what it means, and I have not looked it up, but they they talk about it in clips of

it, and there we go. I'm having a tough day today.

Man. USB, down,

yeah, hold on a second.

I don't know what.

I don't know what to do about this. I mean, this is, if this happens on Sundays, no agenda, it's going to be, it's going to be an issue. There's, there's some time out that is just, it's messing with me, all right. Clip seven, hold on a second. Yeah, maybe don't spill coke on it. Hey, thanks. Yeah. I'll jiggle the hand. Here we go.
I think what advertisers like about hoster Ed ads, what they like less about the kind of sponsorship ad where you have the like voice actor whose name we don't know, who reads the ad, is that advertisers they want to piggyback on the trust that audiences feel with their favorite personalities. You know what's often called the parasocial relationship, and so the fact that we have not read
those ads has limited the number of ads we can get. And so we're kind of drawing from a smaller and smaller pool of companies and organizations that want to pay us to have ads featured on our show. What

do you think they mean by. Parasocial relationship.

I'm gonna have to look, I'm gonna have to look up the definition of that. See, parasocial. A parasocial means relating to a connection between a person and someone they don't know personally. Oh, okay, okay. That means, aren't the you never heard that, sir,

aren't it? Okay? I'm just gonna call bullcrap on this, isn't it? Purely because host red ads have a much higher CPM than inserted ads. And as you pointed typically, yeah, and as you pointed out, they're, they're gonna be in the show itself. They're not going to be, you know, just just pre rolls, it's going to be in the middle of the show, so in the middle of the content. That's always going to be a higher CPM. So what this, what this sounds like is, well, we want the advertiser
said we want this. And they're like, Well, okay, and you'll get $21 CPM, if you do it like this, versus $3 or whatever the going rate is for for an inserted ad sounds like that to me,

or for the AI, I mean that that AI voice in pre roll can't be paying that much. No.

I mean the pre rolls. Just don't, if I can, you know, from what I've heard from Todd, I think it's between, you know, maybe one and five bucks or something. It's it's not, it's not, it's not big. So,

you know what? Why do advertisers like host red ads, and why are they willing to pay so much more, so much higher of a rate for them, it's, you know, on they, they like to, they're, they criticized earlier these, quote, other conversation shows that are, you know, those shows, let's think about Rogan, uh, throw call her daddy in there. Um, Lex Friedman show. I
mean, all these types of shows, it's not like that. A host read on that show is much different from a host red on a highly on what he calls a deeply edited, scripted show like on the media, yeah, because the pair, that parasocial relationship he's talking about exists in those other shows, because there's a sense with the audience that they're hearing what the host really, truly thinks. And believe me, because they because they

Yeah, Joe, I was gonna say, believe me, they're pissed about this because they're not going to get more money, and they have to do the worst thing, which is give up their journalistic integrity.

Yes, and that that's the thing, is you, you can't when you're listening to an edited show that's clearly edited and clearly scripted, there is no sense of connection there. You're not gonna, you're not gonna be able to get the same type of, sort of return on a host red from that type of show, because the there's a sort of, like, there's a distance there between the audience, and that distance has always been
part of NPR. And by the way, you listen to NPR, you know you're, you don't feel, you don't feel like you would ever be allowed in the room with these people. Well,

it's the lunchroom where they're recording, so I guess I am allowed in there the commissary.

This is I feel, I feel like, I feel like the NPR hosts typically are going to shrimp cocktail parties in Washington, DC.

Shrimp deals with the chocolate fountain,

yeah, yeah, the fondue or whatever. But they get into the ethics of it, the, you know, the Chinese firewall, yeah, here we go.
Which is not to say that this has been some, like, super straightforward decision. We are thinking through the ethics of this, and we're trying to internally figure out what our boundaries are, which I'd like to ask you about. I mean, what do you think should be like, the basic rules for how we choose ads and how we read them?

Okay, stop, stop. Here's another. See, this is scripted. He is not winging this and saying, Hey, Brooke, I know I'm throwing this to you for the first time, and we've never discussed this before.

Let's go back to the beginning of our analysis here. This is an emergency episode. They decided to do themselves because they're not happy with what's going on here, and they've and this is what it comes down to. This is really what it's about. This piece here.
Well, I think we need to steer away from our coverage areas so that we don't raise eyebrows or. Questions about conflicts of interest. So that's pretty obvious. So no political ads, obviously, or ads from entities we're likely to cover, for instance, big media companies or the oil and tobacco industries, because we've covered their misinformation campaigns, and we may still, obviously, if you start reading ads, it could raise eyebrows and questions about conflicts of
interest. I just want to be clear, the ads, whether or not we read them, aren't going to change the stories we take on or how we report them. Yeah. Look, we've always had a firewall between the editorial side of what we do and the business, and this ad thing is not going to change that whatsoever.

Well, you're going to be pretty limited. Are they going to do pharma ads?

I just okay, you stole you stole it. You knew exactly where I was going, that the within, I guarantee that is the one thing they did not mention was Pharma. Yeah, I
guarantee you. I guarantee you. Just like I predicted that Stephen Bartlett would be the keynote speaker, I guarantee you, within six months of them starting this, they will be running pharma ads or or if not, if they don't run pharma ads, they are going to cover some pharma topic negatively, to juice pharma into advertising with them, to get them to shut up. I guarantee you, which is,

yeah, which is pretty much the, okay, that's the modus operandi of television. Is what you're not advertising. Oh, well, ozempic seems to be killing people, but zepbound, oh, that's doing pretty good this.

They have not had a pharma ad. Within three months, there will be a there will be some ad about ozempic leading to more suicides, so, or something like that. So the

problem that NPR, or maybe they've recognized it, maybe not podcasting in general, you cannot create artificial scarcity because you're not on a 24 hour clock. They had it really good for, you know, 35 years, however, long NPR has been around, and the minute you get to podcast, advertising, there's no scarce scarcity. It's like we have unlimited inventory for as many people as download or listen to the show. It's
unlimited. So you can't create the scarcity. So the only scarcity there is is within the show itself, which is limited to, in this case, you know, 11 minutes. But let's say it's a half hour show. You can have only have so many ads inside the show that the hosts themselves will read. And when podcast advertising first started, I was one of the pioneers of that, because I'm not anti advertising. I just thought we would be able to make the advertising industry smarter.
Failed was, you know, codes, code Bongino, you know, it was, it was per inquiry, and that's a different model. So you you do the ad, and the success of the ad is rated based upon how many people use the code or use the link. And by the way, NPR, we have solutions for some of this. You can use chapters. You can use chapter links. There's all kinds of things that you can do. Funding tag. Funding tag for your for your most reliable
source of income. There's a lot of things we've created that can help you solve this if get you pull your head out of your ass. And by the way, this is not new in 2017 this is the this is a classic clip that we play over and over again when NPR was still just NPR, not even really doing, not even focusing on podcasting, it was already clear that this is an advertising outfit. Okay, moving on to money. How are NPRs, corporate
underwriting revenues holding up in the recession? And what about foundation
grants? Two different stories. Underwriting is, underwriting is, is down. It's down for everybody. I mean, this is, this is that. This is the area that is most down for us, is in, is in sponsorship, underwriting advertising. Call it whatever you want, yeah, call

it whatever you want. Yeah, it, that's what happens. 2017 is what I have on this clip. That may not be the original team. I think it's 2017 but I think it's, I think it's older than that. I'm not sure how long ago we played that, but yeah, that's what happens in a recession. It just happens. But, and if you have too many people, then people have to go. And if you think that you can make the same amount of money on podcasts just because there's some bogus release about then, of course,
they're pissed about Kelsey, the Kelsey brothers. Your body's smart list. It's just a bunch of nerds sitting around a table with the actors, mere the celebrities that they're getting paid. Your content is well worth money. Me to me,

oh, it's the Kelsey thing is, it's even worse. It's not even nerds, it's jocks. Yeah, that's even worse, jocks

and Swifties. So Well, welcome to the Welcome to podcasting NPR, where you take a vow of poverty to to make your programming. That's what it is. That's what it is. Try value for value. Try asking people say, hey, you know what? We put a lot of effort into this. Why don't you send this back, whatever it was worth to you. Man, would it be great if they just tried it? I think they would do great at it. They really, would. They really, really, would.

I think Nathan, I think Nathan gad in the in the boardroom is, I think he's spot on. It's a repeat of the fall of newspaper. And he says it's a repeat of the fall of newspapers playing out again. The firewall between the newsroom and the necessities of the business model isn't sustainable, correct? Yeah, I agree. And that firewall is not a firewall. It's just an impediment. And

all newspaper, almost all newspapers, are losing money, except one that I know of is the New York Times, because people are buying a game. They're buying a subscription to Wordle. And I think they're also in that package, getting the sports outfit that they bought, which is very specialized content that you can't get anywhere else, which is super firewalled. And, you know, sorry, they just not buying it for news. So, yeah, take a look at newspapers. NPR.
You know, people that are doing news aren't making money. News is just what it is. Twitter is news. That's what people take for news. You want to be in depth, you're going to have to ask people to support you, because advertising, they're just not the model. There's a humongous

building. It's a huge, beautiful, modern building in downtown Birmingham, and it was the previous headquarters of the Birmingham News. And the Birmingham News built this building. I don't exactly, I don't remember what year, but it was maybe 2010 and within they built it right before the demise.

What a great time to do that. Timing people, yeah,

they must have spent $50 million on this building, and within two years they were, they were completely out of it, and now it's owned

by an insurance company. Oh, is it empty? Is anyone in it, or is it empty?

It's been no, it's, it's owned by an insurance company. Now, wow, yeah, but that mean it was the this feels the same way. It feels like it feels like going, it feels like what happened at the end, you know, leading up to the pandemic, and then the pandemic just sort of polished everybody off, with this sort of mass all we're going all in all the chips into podcasting. And then, yeah, rug pull,

and it's okay, but let's just admit it and move on. And by the way, yes, I like her voice. I'm not a big fan of her, just as a person, she seems very mean. I've, you know, I just don't like her, but I, I don't mind. I'll listen to you with the crappy audio. That's okay, if that's all that you can do. Ultimately, it's about the content. And, yeah, you'd want it to sound good. But I and I listened to it for different
reasons that may be intended. IE, it's a hate Listen, but I listen to it and I'm a regular listener, and I don't think they've ever pitched me properly once to support them.

Do you support? Never heard it? No. I've never missed an episode of On the media, and I've not missed an episode in probably two years, and I don't remember ever being asked for

money. Also, I want to support that show, and I don't want to support NPR in general, so give me those give me those options. NPR. Want

any of my money going to radio lab or whatever?

No, I'm with you there. All right, should we take a break and play a song? Just ease in, just a weekend. Okay, this comes from the value verse that's out there. And I love this track. Nice and easy. DJ, yo, oh yes, baby. How young were you?
I remember my mother singing this song. You Oh, let me try and sing it for you. I can't understand, oh, yeah, why your love is so put to me, oh, yeah, I can't understand why your love is so true to me. Ah. Oh, why your love is so wide. I haven't been the very best I could, but you still are so good. You wrote my name. You owe my name in the book of life. It is your gift, the gift of Jesus Christ, who can comprehend I cannot I know what you done for me.
You came to Earth and showed me how to live. You died on the cross and I was set free. I can't understand why your love is so good to me. To me. I can't understand why your love is so true To me. Oh,

that's right. See Brooklyn, one, 112 a Jesus song, that's

right. I get like a Destiny's Child.

Whitney, Houston, Destiny's Child. Yeah, yeah. I really like that song.

That's a good track. Yeah, I like that. I

mean, it sounds like real musicians, you know, sound like someone really blowing the horn there at the end. It was nice that the value verse has something for everybody.

That's your industry. Let's see, that's your six cent what? What did you say that podcast listeners are worth six cents per hour?

Six cents per hour? Yes, I have not, unfortunately, because, you know, I have been trying to do a bit of vacationing with my wife. I have not listened to pod news, weekly review, but I do know that Russell from Australia is is on the show this week, and he has started the pod fund. Have you been following this?

I've vaguely understand what, what it is some sort of like, some sort of pot where apps can or podcast app developers can apply for some funding. Well, is that the way it works? Yeah, I

think so. It's okay. It's interesting. So, and I really love the sentiment behind it. Of course, it's like, well, without podcast apps, hosting companies have less of a future, I think is kind of what he's saying. And the idea is that they have some kind of key that they so he says he's taking 5% of his gross revenue, giving that to podcast apps that based upon how many downloads they're seeing from each app. That's the
key that that that creates the split of that fund. And in order to qualify, you can't be a corporate app, or at least not a, I don't feel it's just corporate app, but an app that also comes from a hosting company and and you have to have a minimum of five podcasting 2.0 tags that you support, huh?

Well, on the media would qualify for that because they're not corporate.

No, it doesn't go to on the media. It goes to the app developers. Oh, okay,

my man, yeah, that's. Think that's, I mean, it's pretty neat idea. I mean, you would, and it's, if you have a relationship, I think the application type thing is kind of cool, because you have a relationship with the person, with the the developer, and, you know, that's because it's going to be honor system, and you would need to have that sort of relationship, though, that there's some trust built in there. That's a that's a neat idea. I like it. I mean, I'm a
fan of all. I'm a fan of all these different ways of trying to make these different financial models work. Because when I mean, you know, that's a weakness within podcasting, when it's a weakness within all open source systems, is, how do you get some funding to this to the parts of the system that need it the most? And

I have to say it's been the hosting companies that have supported us with the most value for podcast index. I would Yeah,

absolutely, yeah, for sure. Yeah, Marco supporters for a long time. But I mean, other than Him, the bulk of the funding, you know, like that, those, like big chunks that we need to pay the the hosting bill every month that that has been hosting companies. So, yeah, I mean, it makes sense. And I mean hosting is, if you do it right, if you do hosting correctly, you can make money. Um, yeah, it's a good margin. It's got a good margin business. But you know, as long as you don't,

don't have any popular shows or offer video downloads, that seems to be a tough one.

Now, video, let's talk about video for a second, because, oh

no, we become the new media show. Can I be robbed? Can I be Rob? Please?

Yes. You pitch, you pitch yard stream, or whatever that thing called yard
stream.

What's it called?

You stream, yard stream,

yard. That's good. The so the video stuff, because me and you are working on the side project. And video, you know, is a piece of things, is a piece of podcasting. But, and Todd was talking about, I think last week, he was saying that, you know, he's going to take a risk, and he's going to go all,
you know, sort of all in on video podcasting. The the issue here, though, and this needs to be said is the video, I don't think can work well, as is intended in the podcast concept without support for alternate enclosure, and because every podcast app is going to download the full video when you when you first hit play, right, right, yeah, it's just the way it's gonna work,

yeah, unless You have some signal there. This is video. This is alternate. This is how I want you to access it, HLS, or whatever it is.

HLS, yeah, we need the alternate closure with an HLS stream in order for video to really work in podcasting, because nobody The other thing, nobody wants to download 15 gigabytes worth of podcast videos to their phone. So everybody's going to keep that on streaming, which is what it should be, because that saves the hosting companies the bandwidth. So these should all be stream first, type, type, me,
episodes. But in order to make that happen, you're going to have to do HLS, because the is, as soon as you hit play, what it's going to do is it's going to download a, you know, a half a gig or a gigabyte video file before it ever has, before it ever begins to play about and so I just think that, like, as part of this whole thing, I'm a I'm a huge, hey, let's do it, man.
Let's do let's go all in on video over RSS, but we've got to make sure that we're doing it over HLS, because otherwise it's going to hurt and it's not going to be a good it's not going to be a good experience for the listener either, because they're going to it's gonna be that overcast thing where he switched download, where you hit play and you have to wait,

yeah, I, you know, I just find the whole thing wasteful. If people want to, want to do video, do video on YouTube or rumble or those are platforms, they're understood. Yes, technically, we can do it. We can also do PDFs in podcasts. You can do all kinds of things. I don't think the the apps are conducive, which will bring me to another point in a minute. It's, you know, I don't think video is killing audio. So I think there's a, there's a, you know, it's clear the demand for
audio is huge. A lot of people will say that they Oh, yes, I watch Rogan but they really just have the YouTube app, and they may glance at it from time to time. But a lot of its audio that just closing the blocking the screen and listening to it. I just don't, I don't think it has a future in the podcasting. I'm off. I'm not against it. Obviously, put whatever you want in there, but I just don't see why it matters. So look NPR there. If they did video, they'd really be out of business.

Oh yeah, for sure.

You know it's, it's expensive, it's a pain in the butt. There's okay if you want to call a YouTube show, a podcast, do whatever you want. I think there's something different that we need to consider now you're done with video. Because, I mean, we can talk about this for until the cows come home.

Yeah, yeah, I'm done. I just, that's just, that's just the point is the video. I don't think video can work without a streaming, without a streaming solution, which is art, which has already been built. It's there. It's already works. Peer tube, peer tube combined with POD verse, Go, look. Go check it out. It works perfect.

Oh yeah. I mean, podcast guru does all. I'm surprised at all these things that pop up with video that people just jam and video like David Icke, yeah, he just does video pod. I don't even know how it works, but it just shows up and it works, and I wind up listening to it. I, you know, I usually just close the screen and I'm I don't care too much to
watch. If I want to watch something, I'll watch something, but I think that's, you know, we've discussed this, Dave, that's just people chasing metrics, that it's more about the metrics that YouTube can provide than it is about the video, right? I mean, I think that's really, really what's going on there.

I was talking to a person the other day, and they said his wife was a marketing person who's just joined a new company. And he said that she was telling him that her boss was, like, had done this video, put it up on YouTube, and was just saying, like, you know, I've got, like, I've got over 1000 views on this video. It's great. And so she went in and started checking the stats, and, like, almost every one of the views was some sort of bot. And it was, like, one or two seconds
of playtime. That's yeah, oh

yeah, oh, there's that, yeah, there's that, yeah. I was, I can't find the article. I think Spurlock posted it, and it was, it might have been one of those Hollywood Reporter articles about the top podcasters, the top celebrities. And in this case, the article was about what it was like. It was about the apps. Was that pod news, you know, the biggest complaints in podcasting and and the top complaint was the apps. Did you see that?

No, I don't. I must have missed this article. Maybe

someone in the boardroom can find it for me, but I think, but there were a number of comments, and I have to say it was Kara Swisher at the top, another one of my favorites.

So this wasn't just average listeners. This was people in podcasting. People

in podcasting, yeah, and, and what they were kind of saying was, the apps are confusing. There's no way to find what's trending. There's, you know, there's no recommendations, a whole bunch of things that, you know, we have semi solutions for, and I just want, and it was, it was, it was enlightening, because they see a podcast app as a platform. So, you know, YouTube is a platform, and YouTube will
recommend. But there's, there's, you know, ways, just here's what I think has happened from day one, because of the very nature of podcasting, it's been a very democratic display. So here, you know, it's like an inbox. You know that there's no there's barely any priority or preference. And you know, even though an app will have different features and have, you know different certainly for playback and for some organization, there's, there's no personality in the app that
is telling you what to listen to. There is no, I don't know of a single app that where you open up that app, it says, Hey, Adam, here's what I think you should listen to today, or because you listen to this, or here's what's new. Apple has a little bit of that in their charts, but it's not really even in the app. It's more, you know, it's more on the. On the podcast page. And I would, I would like the app developers just to consider, um,
trying out some stuff that is non democratic. Promote things, promote things that you because I think most app developers can probably see some of what their of what their users are doing. If not, you probably should. I mean, I think you have every right to to see what they're doing, not to sell it to advertisers, but to try and and, you know, maybe if someone's listening to a show that has a pod role, throw up those things the next time they open the app. Try not to be so democratic.
Does this make any sense? What I'm saying here,

you mean, I think maybe what you're saying is that we, most of the independent, most of most of indie app developers in the podcast world, are fans of open source and free and open software, and you're saying that sometimes that goes so far that it limits their their ability, that limits their desire to do things that would maybe conflict with that. Here

it is. A Hollywood reporter. I found it okay. None of the apps are great. Colon top podcasters reveal biggest challenges. So these are the top podcasters say of it, what you will, with more people tuning in than ever. Theo Vaughn, Bill Simmons, Rachel Maddow, there you go and more. Explain what's still holding the medium back. Rachel Maddow, it was actually mad Oh, not Swisher, interchangeable. As far as I'm concerned. None of the apps are great. We don't just need
curation and charts. We need national rational organization and America merit and a word Adam can't pronounce merit, meritocratic. How to help me? Dave,

like a meritocracy, yes,

but how do you say meritocratic? Is it meritocratic? You said it meritocrat? Yeah. Meredith, we need a meritocratic way for the best and most relevant shows and episodes to circulate efficiently. It's hard for me to understand why we're still saddled with such uniformly clunky, unintuitive user interfaces at this point. This is a very good point. And even though it's coming from Rachel
Maddow, I think that point is well made. We've always gotten into a democratic way of displaying podcasts and kind of a search and find where you know it's, I think it's okay to put personality into your app and say, I mean, by the way, why wouldn't you do an app that highlights left leaning political podcasts or conversely, right leaning political podcasts, or show business or sports, and call it
that is that really bad? I think it adds a tremendous amount of value, because you can't please all the people all of the time, and just the pure nature, like you said, where we come from in the open source Kumbaya, everyone's equal. I think it's been hurting the experience that app developers can can create for their users.

Yeah. I mean, you can start with, I think, I think the problem might be, well, first of all, it's easy to criticism is easy. Solutions are hard, of course, and you know, and so I understand it's a valid criticism that she says that, you know, these, these interfaces are clunky, and that kind of thing that you're right that is valid at the same time trying to fit relevant information of that type onto a small device and present it in a way that makes sense, that
doesn't look jumbled and weird and disconnected. That is a hard problem, and I think that that is part of that's part of the issue there on the developer side. The other, the other part is the everybody getting the same shape, like you said, is, you know, there's, there shouldn't be some sort of, like hierarchy you don't want to highlight, but I think, you know, starting with something like pod role and your own internal metrics. I mean we do that. I mean, we do a form of
that on the index. I wish it was even more. I wish it was even, even like more intense of taking sort of a survey of all of the the episodes being requested in. Assigning scores to the podcast based on based on episode request volume, and that's how, that's how our own internal search ranking system works. So, you know, we take a list of known podcast apps that we trust, and then we see how many times they've asked for data about a particular podcast, and the more times they ask, the
higher the rank. Some

some other examples, some other examples. Fountain is hands down. The value for value when it comes to streaming, SATs and lightning payments is hands down. The app that everybody who understands what that is uses, they have differentiated themselves even further by integrating nostr. So they're going after a very particular audience that they believe will grow. Of course, it's also alienated people. A lot of people like, I'm not interested in that. So which is good and
bad? Bad, they may lose some people who are just not interested in seeing a nostr timeline. They may gain a multiple of that by people who are interested and the concept of boosting and zapping and all of this stuff. So that's a big differentiator. Other examples, are okay. So ellenbeats.com Ellen beats is very, very specific. It's for music. Wave Lake app, it's for music. I think there are many you could
do. A value for value donation app, where you, first of all, you find all of the shows that have a funding tag, and maybe you go into all the NPR shows and find their link, to their to their funding page and add that in. I mean, I'm just saying there's, there's so many different things that apps could do individually that may attract not necessarily the wide
audience, but a smaller audience. Remember, my whole thing this year is, the future of media is small, that you can find a smaller audience that would appreciate that and would gladly pay you to continue to do that.

Yeah? Yeah. I think, well, the smaller you get, the more rationale there is for being supported by that niche you serve. Right? Yes,

yeah, you should. Thank you. That's exactly right. It is the paradox. And so I think both pod verse and fountain started the development teams initially wanted to make clipping and sharing of podcasts easier, and I think both of them moved away from that, although pod verse has and I just evaluate, but what people send me, so if someone shares a clip with me from a podcast. It's almost always pod verse. It used to be overcast. That has changed now. Now it's pod verse for
whatever pod verse is doing. People like that sharing mechanism. I'm just and I'm not telling anyone what to do. I'm just saying I think there's opportunities, and we're hearing it from so we're hearing it for some of the the biggest names in podcasting are saying, help us organize this differently. Rachel Maddow has her own ideas of what that means. I think what she really means is make sure I'm on the home page every single time. You know, I think there's just so much
opportunity. I'm not a developer, so it's very, very easy for me to talk about this in this way, but I'm just here to help identify that there are the differentiator between podcast apps. I think it's time, you know, yes, people are always going to use certain apps for certain playback functions, certain you know, the the way the silent, I hear this all the time, the way the silent skipping works, the way the
multiple the high speed generation sounds. That's a big that's a big category, but I just think there's so many other things that are possible that you can draw in a smaller audience that will be much more likely to support your app when you ask them to, because of the work that you've done into highlighting that particular feature, instead of everyone trying to be all things to everybody.

But I think you're gonna see it with true fans too, where because Sam is going all in on activity pub, similar to the way that Fountain has done with noster. And I think what's going to happen is you're going to see you're going to see true fans links and true fans based postings. You're going to see them start to pop up all over the fetaverse. And when that happens. Yeah, it's the app itself is going to gain more action. Yes, I completely agree, touching a a specific audience. I

completely agree, you know, which?

No, I think not. I think you're right. I mean, I never really thought about it that way, but it makes sense. Yeah,

well, it was that article, you know. Let me see what else there was, because there were some other things that were said, like, okay, you know, the biggest challenge is marketing, particularly in the news sphere, says Ben Shapiro, so maybe, you know, there, maybe that's just a different view. Look at the top news apps. I mean, everyone has categories, but try not to do all categories. Try to focus on something

well. I mean, maybe we can help in this way, like, maybe we can publish more data that helps this even more. Like, like, you know, we have about 4600 podcasts being followed through the pod, through the podcast, a activity, pub bridge. Maybe I can publish the list of all those shows, and so that
way, that's a good idea. Every you know that these shows are being listened to by people who are also on the fediverse and probably have and that tells you, okay, well, here's an audience, here's here's a list of shows that are clearly relevant to people in activity, pro and so therefore, I mean, like, then you can do something with that information

and, and I don't want to put this under the general category of discoverability, because that's different. This is personality. This is personality of an app that draws people to this app. And other people recommend that. Oh, you know, it's like, I only like new shows. And so, you know, this app recommends that to me, and it does this, and it has these highlighted and whatever it is. And as I said, you know, like, I think your example of the of activity, pub
of the fevers, is spot on, spot on for for true fans. I think you're right. And and, you know, and so you have fountain clearly tapped into nostr. And I hope it grows. I hope it grows really, really big. And I think it can, you know, and they should, and it's, although I was against it initially, now I'm thinking, that's a great idea. Focus on that.

Well, it fit it, aside from the technology, I mean, the technology itself, argument that's different. But like from a perspective, from from fountains perspective, they are a they're heavily Bitcoin focused on that. They know that they have a strong Bitcoin focused audience. So why would they not do the nostr thing? You know what I mean? Like, yeah, that's where a lot of their audience is. So it makes sense.

That's what I'm saying that. And what they did is they took the risk of pissing off people, which they did. And I know that they did, and they know it at the for the upside of well, we're going to give this core audience who already understand Bitcoin and already understand value for value and boosting, because they are by far the biggest with the most transactions, not always the highest amount, but certainly
the by volume. And add to that, to that, to that audience that that already understands it and wants it and wants more of it. That's a bold decision. It's not necessarily for me, but it's a bold decision. It's good. I mean, I think that's really good, and

I and I think he knows that over time, he'll just smooth out those initial rough edges and make it where, I mean, like, I don't think anything's really on a longer time scale, gonna hurt? Well,

it's okay. The future of media is small focus on an audience that you can reach and completely satisfy you can't be I mean, why do people buy different radios? Why do people buy different television sets? You know, there's all kinds of, well, I'd like this because it has Netflix built into it. I like this because it does that. It this has 3d I can put my 3d goggles on. It switches automatically. You
know, there's all kinds of things. And that differentiation, it just really hit me when I when I saw this Hollywood Reporter, and particularly from Rachel Maddow, who I really am not a fan of, but, like, you know, she's saying something very interesting here. This is a powerful statement. It's like i It seems clunky. It doesn't fit to my worldview or what I understand of curation or promotion. And, you know, by the way, you could build quite a
business out of it seems to be like a dirty word. And I'm just unlike NPR, I'm commercial. That seems like a dirty word to say. Well, you know what? You can buy a spot on the homepage of my app to promote your podcast. That's like, it's like, not done. You know what? I mean. Yeah.

Yeah, yeah, that's not your dog.

I can, I can hear your dog. Yeah, your dog is not

happy, yeah, no, I'm but I'm okay with that. I'm totally okay with, like, sponsored, you know, placement, because if somebody cares enough to spend some money to put that in, you know that to promote that into in an app that I that I respect, I'm okay with that. I'm fine with it. This is all right.

You know, when about the end of the world, there was such an opportunity. I know we talked about it when Joe Rogan came back on onto open RSS, podcasting, as far as I know, not a single podcast app went, Hey, we've got Joe Rogan back. Click here. Obvious one, you know, it's like, Hey, you can get Joe Rogan here. No, you don't need Spotify come to us.

I mean, such a good point. And

you can do that from a you know, for all of these things, there's so much you can there's so much that can be done with this content and and the podcasters would endear you. Oh, wait a minute, you're promoting my show. I mean, what? What is one of the top things? How do I game apple? How do I get, you know? How do I get to Yo, you got to have this many new subscribers and this many five star reviews make it to just something you do. Doesn't have to be a democracy.

I've seen this for a long I've said this for a long time that, you know, writing a podcast app is incredibly difficult. No kidding, when you the first, the first, the star, all these, uh, sort of, writing an RSS feed reader is considered sort of like a bootstrap starter app, and then you and then, and that's so not true, because to do it well, and to do a podcast
app Well, takes years and years of commitment. It is not, oh, it is so not easy and like, that's I've I've got mad respect for every single independent podcast app developer that that exists and like to be able to to be able to take all this data and plug it into this tiny little interface and do it in a way that doesn't feel just like a complete garbage dump, and that just that just takes talent. And we all know that user interface design is literally the hardest thing in the world to do well.
So, so how about focus? Maddeningly difficult. So once

you have your basic interface design and all podcast apps are like email, here's your, here's your here's your list, and here's your inbox, and here's the new stuff, and you can organize it kind of like an email that's RSS readers the same way, but people choose different email clients for different reasons. Why is there so many people using proton mail? Because they provide reasonably simple to use encryption, and there's a feeling there of, okay, my email
is secure. What do people like about Gmail? Is Gmail so incredibly great? Well, some people like it because it's unlimited storage, which is not really true depending on how much you use. I like the hjkl navigation of it. You know, it's all these different features that are very specific to specific email clients, and that's why people use them. A
lot of people like Outlook. Why? Because it integrates with the with Microsoft Office, and these, these are all the types of things that I think it's well overdue time for podcast app developers to at least start thinking about, what can I do, what is unique to me, what is unique in my skill set, that I can do that will maybe not be the most general app for everybody to use, but will attract this audience and that I can bring this because once someone who likes encryption
sees proton mail, they tell someone else how you should use proton mail. Yeah,

even what you're saying is that, is that app developers should not be afraid of having an opinion

precisely. And it's, it's a it's a very, it's all. You know what it is, it's it's the same hurdle as asking for money in value for value. If it's a hurdle you got to get over. And most people don't really want to do it because it feels dirty. Doesn't feel right for some reason. But we're going to do it right now by asking people to support us with some money. Let's do it. So I hope, I hope that came across as what I
wanted to communicate. Because I think so, because I really see a future for everybody, and I would use different apps for different things. I already do. I already use, you know, if I want to share something, I typically will use pod verse, but. Know, Fountain has their own way, their own sharing thing, which is not particularly something I like with the wheel, but, you know, it's like, every there's audiences for all this stuff, and there's there's a lot of audiences. And, you know, we
don't need to compete with Apple. Apple, in fact, is at a disadvantage. We know that we can do. They're really trying to be all things to all people, and and they're slow. They can't develop things, and they have to be all things to all people. And you can have a smaller, very dedicated, and I believe, supporting user base, which doesn't have to be very big. Think about it. If you had, you know, 1000 users, and they're
all supporting you with, you know, $1 a month. It starts to get more interesting, probably, than what most are getting now. Just a thought. So looking at the boost that came in during the show, well, there's a guess who's at the top. Sam Sethi, yeah. And the good news is true, fans can now federate comments. Listen, did

you get it working?

I guess so. Listen, stats and more to all activity pub clients. So there you go. Nice, Sam is Sam is finding his niche, niche. You want to say something? I

need to I need to I need to check and make sure that it's working. Because he was said he was having trouble the other day getting it to federate out. Uh, wonder if he's posted. I don't see him posting anything else about it. Here's the fir, oh, okay, wait, let's check this out. Is it working? Here's the first ever comment from true fans in the podcast, 2.0 show published by activity. Pub, Oh, yep, I see it. Nice, nice, excellent, very, nice,

excellent. So, yeah, that's that should definitely be on the list for your ever growing list is getting some of those activity. Pub, stats out. That's cool. I like that. I like that idea.

I'll do that. Yeah, I'll do that. I'm actually, actually was coding in the, in the I spent, actually spent quite a bit of time coding, uh, yesterday, last night in the podcast, podcast, index, activity, pub, bridge, trying to do some troubleshooting, putting in some some new stuff, trying to make that thing more stable. So I'm in that code base right now. Awesome. 3333

from Chad F he says, I like Russell's pod fund idea. I've been wanting something like this for a while. Well, your request has been granted. Dr Scott, 4567, don't you know? Video Killed the Radio Star, kidding. Lol. Side note, I'm currently publishing my wife's podcast in two separate feeds. One is for audio with an alternate enclosure for video and the other for video with altered enclosure for audio. Well, that's interesting. I guess that's necessary still to do it that way. You know,

you know, what I would love is, I would love if Apple podcasts app would support HLS through an alternate, alternate enclosure tag, and then they could and then they streamed the Apple Keynote, the Apple live events.

Yeah, their own podcast app, yes,

yes. They publish it. They published a video over HMS. They do.

They do and

and they have, they currently have no way to watch their own live events, own their own devices, without just going into Safari and web page. They should do it within their podcast app. And everybody has a feed, silent, feed of just the of the apple live event feed or something like that. Yeah, it pops up in the podcast app, and there you go.

So that's a helipad being triggered by Darren O'Neill with 33,333 sets that has, you know, you got to hit the big number for that. And Darren says it's all rock and roll to me. Thanks for all you do. 1111. From Randall black and John's Creek studios. Good job thinking about saving the bandwidth for listener slash user and server demand for the hosting providers go podcasting. 1234, from dreb Scott, he says,
Keep alive. Yes, I need to keep alive for my USB. Actually switched the USB port so now I'm on the the main USB port, so I don't have a pre fader listening capability, but at least it's up and up and running. Sal to crayon, 111 from upbeats. Got together in the lunchroom for a quickie. Dave Jones, they weren't in the pipe for that audio quality. He says, Yeah, that's true. No, five by five. That's right. Booberry with 6666, going to be running lights tonight for Ace freely. Oh, wow.
Fingers crossed. There's time before the show to onboard him with an. And give a quick rundown of musicsideproject.com Well, yeah, I'm gonna definitely have my fingers crossed for that, brother. That'll be a good one. Yes, please. 1234, from Dr Scott. Show title, Dude, where's my show? Actually, I kind of like lunchroom. Quickie is the one I'm going with. Side note, kiwi, irc.com, is down, so I can't get into the boardroom at work. Oh, that's too bad. Didn't realize that the 777, from Dr
Scott keeping the rodecaster alive. Unfortunately, that all comes in on a different a different interface, but I appreciate it. Brother, another 1111, from salty crayon howdy boardroom got a dumb question for you all. There's no such thing on the stats page of podcast index.org It says that there's 4,258,428 podcasts in the index. On the value for
Value tab, it says only 21,126 are V for V enable. Does this mean that there is four that 4,000,236 231 that don't even enable them for V for V. When I tell people about V for V and the index, I want to have my info Correct. Got to be five by five. Go podcasting. Yeah, that's correct. Yep. That's right. That's so this, technically, anybody can in the index. Anybody can enable themselves through podcaster, wallet.com, or one of our many partner, APIs, but that number
is, is just index. That's not feeds, even that's indexes. That's index count, right? Yeah, so if we have the shim in place, yeah, there you go. Yeah. And another, let's see. That was 1000 from chat. F, who was actually listening pre stream. Thank you very much, Chad. F, that's our boosters live during this vacation episode. Dave, what do you have on on the PayPals and the monthlies and other boosts? Sam

says, If you reply to a true fans dot social posting. It doesn't go anywhere currently, but they're going to make that visible in true fans itself. If you somebody replies from the fever, just an, just an on a live update, okay?

Thank you, Sam.

We got, yeah, we got some, I guess, some PayPals. We got the blueberry team. $300

Whoa, hello, blueberry team. Shot Caller, 20 inch blades on the Impala. Thank you very much. There it is. Proof is in the pudding, keeping us alive.

Says, Go podcasting from the blueberry team, hold the line. Yes, we

will hold the line. Holding the line.

We got another, see, we got another. PayPal from Oscar Mary, $200 bam.

Thank you. Thank you. Thank you. Thank you.

Check your CO two. CO two might be too high. I don't even start the show until CO two hits 1000 I'm telling you, when

I was telling divorce, get fun, I was telling Dvorak about that story about what's that guy, Bartlett, the die of a CEO, and that when the CO two monitor hits 1000 then he stops the interview. And your Dvorak's response was, dude, open a window. So good one, yeah, makes total sense.

Yeah, Occam's razor. Do the simple thing. We got some booster grams. We got, oh, wait, wait, wait, you know what? We had a last minute,

last minute donation,

a one off $10 from see Brooklyn. 112, go podcasting. All right, brother,

thank you very much.

I almost missed it. Man, that was a close one mere mortals. Chiron Sasha Richards, 111, through fountain. He says, Enjoy Mexico Adam, some of the most beautiful and diverse landscapes all jumbled into one country for the police,

though it is indeed, it is indeed, it is. It is beautiful here. Too bad about all the cars

that's I heard Karen's Police Story. If you've never heard it,

he has a Mexican police story.

Oh yeah, yes. It involved prison time. Yes. Uh, Chris. Oh. Chris lass from Jupiter, broadcasting, net worth 20,000 SAS through fountain. He says, killer value to the community this week and taking time to talk patiently with Robert Lipson, good work. Really been enjoying the board meetings recently. Happy belated birthday. Podfather.

Oh, thank you very much, brother. Appreciate it.

See we got gene bean, 2222 row of ducks there, cast O Matic, he says, for location. I hope it utilizes latitude and longitude so that it can be easily correlated to any mapping tool. Well,

it's an option, isn't it? Hasn't that always been an option? Long and last,

straight up. Yep, straight up. Sir Brown of London, 11. 948, through cast O Matic, he says, I have to boost. I have to boost at the mention of tiles. Dot pod, ping.org, it does link to episodes.fm. Already for most, and it will link for all when it is upgraded to handle encoded URLs instead of iTunes IDs. Yes, we are all

waiting, waiting with bated breath. We can't wait. We can't wait to use episodes.fm for everything, yeah, tiles, dot pod, ping.org, is pretty, pretty cool to look at.

Gene bean, 2222 coming in again. He says, preach it. Brother Dave, general comment, not about a specific thing, just in general. Just

in general. Good work. Yeah.

Preach in new in Newy in new AB in new way this e, n, e, u, b, y, in way, B, and we be, I don't know, 20,000 SATs through fountain. He says, Can you make a suggestion of a good podcast hosting company, homepod, Libsyn blueberry, who appears to be supporting the most 2.0 features, who has best value split set up in terms of ease, love the show. Keep blazing new trails. Well,

if you go to podcastapps.com, I believe you can set filters there, so you can say, I want to have hosting companies and what they support, and that's a good way to really see who provides what.

Yep, choose the filters of the tags you want supported and yeah. Have have have a shot. Yep. Let's see we got Mike Dell Oh, I know Mike. I've heard it 1701 Yeah, 1701 that's the star. Star Trek boost through fountain. He says, finally got my wallet refilled. Well, good for you, Mike.

What? What is this? How is 1701 A Star Trek boost. I'm not familiar with the numerology of Star Trek

because the the designation number of the enterprise is NCC, 1701

D, Oh, of course, of course, I should have not got it, got it. Got it. Got

it saturated. Blogger, the delimiter, 27,000 SATs. He says, Yeah, through Fountas, through fountain he says, howdy, biz bros, Dave and Adam. We're approaching an era of total unemployment for humans,

it sounds like another AI boost.

We're already two years into the Gen AI with LLM revolution, and in just two more years, the humanoid robot revolution will begin, soon to be followed by AGI. The only job that might remain for us humans will be content creation. With that in mind, I recommend checking out the mp three podcast in 4k YouTube videos of bandrew says podcast equals BSP, podcast, it covers topics relevant to content creators. Yo, CSB,

well, that means we're good to go, Dave. We have employment for the rest of our lives, for as long as we may be here. We got

some monthlies. We got Chad Farrow, $20.22 Thank you. Jeff. Kevin Bay, $5 uh, thank you. Kevin Cameron rose, $25 pod page is Brendan over there in the gang, so he's $25

we've been they've been advertising on pod news all week. Podpage, have you heard that scene? Yeah, that's good.

Mark Graham, $1 new media, $1 thank you guys. Randall black $5 just Morocco $5 and Emilio Keno, Molina, $4

well, thank you all very much for returning value, for the value that we provide with podcastindex.org the work that goes into that the board meeting, we are tickled pink, and would ask everybody to consider supporting us. You can go to podcastindex.org down at the bottom of that page, past all the funky stuff and the tiles and the carousel, there's
a red donation button. You can send this to your fun Fiat coupons through PayPal, or, of course, use a modern podcast app to boost us, and that will typically get read on the show, which also, if you put a note in your PayPal, we'll read that as well. Thank you all for supporting the entire project known as podcast index.org, and podcasting 2.0 and a special announcement, if you are listening live right now, yes, special announcement live on the stream next, after we after we
disconnect, will be a live session from oistin Berger. No, you remember we played some of his music on the last show.

Yeah? Now, okay, yes, I got him confused with who's the guy that does all the AI stuff? That's the we figured out later. His music was, oh,

Richard grease. Richard grease, that's
it. Richard

grease is, let me see, where's his let me. See, I'll give you a little preview of some of his musical stylings, if you recall. This still cracks me up. This is his mosquito mystery track. Oh, that's

right, yeah, he's Dutch, right? No, he's

well, I think he lives in Holland, but I believe he's Danish. I think Danish. Okay, I think so. So make sure you listen for that. I'm definitely as as I'm wrapping up and getting ready for to head down to the pool. I'm definitely going to be listening to that. He's interesting fellow, interesting fellow. All right, brother, Dave, thank you so much. Another another week in the can. What are you doing this weekend?

We got my daughter has a she's got a concert tonight, and so we're gonna go watch her play. She's playing playing guitar in her band. Oh, nice. And, yeah, you

want to mention the venue where people can go and check her out

at the firehouse in downtown Birmingham. All right, excellent. Well, yeah, cool.

And is she streaming that live like she should be

negative. No streaming live,

no live stream.

All right, board day, one day we will get that word. Yeah, you

bet boardroom. Thank you very much for being here as always. We will return next week, on the Friday, bringing everything that's happening in podcasting, right here in The Weekly board meeting for podcasting, 2.0
You have been listening to podcasting 2.0 visit podcast index.org for more information. Go podcasting. Yeah, it is big. You.