How are you today? Let' s talk about the angry movie. Let ' s talk it' s also a little bit about Jalow. Let' s talk about the documentary that Vine Spacy and a lot more stuff we have for you. So, don' t leave, because we started. You ' re hearing involuntary stay with Fausto Pons how you' re at good night right now. We know if America won wey the blues were even. It
must not be finished by now. All right. I want to invite Daniel Bellamil to this space first, because Benito Villamin how you are Hello vint comes nothing more at Jennifer Lopez' s conference yesterday. That' s what you told me to walk there, and you asked him if Ben Affleck was with them. Or not? Don' t you? Don' t you?
Don' t you? Don' t you? Her? Very angry, very angry, look, it was kind of strange, because for starters, to ask the questions, when they sent you the invitation was you have to arrive at such an hour, on that side and there you can be. If you want to ask a question in this other link send it if you try it. Many times in this type of event they select between ten and twelve questions. If you were approved. When you get to the register, they tell you if you' re accepted and here' s your number of
questions. I hope this is something very modern. I mean now, it ' s been a long time since it covers events like that. It' s but it wasn' t done that, that is, it was handcrafted and it was kind of there, because there you were doing well, ah if you and they gave you the word and everything, but that' s a lot of control, notice that that just surprised me what you just said to me a long time ago that I haven' t been going to a conference, but it' s weird and it' s made me too much
control of Netflix and I' m going to blame them. In our experience what happens, but they don' t just do it on Netflix. For example, when I went to this Sydney Swini' s for now that she came to promote her immaculately, it was something similar and in parts precisely so that there are no such uncomfortable questions or out of place. And the most curious thing is that not even the questions that were selected here, not even the one who sent them, but this hyena Rodriguez held her, who was
moderating the press conference and she said read all the questions. This question was sent from my baby boy, this non- Brazilian lap and so I was reading them precisely to avoid these things. And when he says well, this is the last question. Shalala, when it ends, begins to raise her hand as desperate. Who asks what was like in second or third row. I don' t remember, and Jefford Lopez comes back to see her like she is, yeah, what' s up. Something' s wrong with
you. And that' s when he starts screaming this Ben Affleck hears. And so most of the porters who were there started Buchello as if to shut up. She stayed just as she didn' t. This wasn' t in the script, so to speak And it' s this Samliu I also consider as Chanchi or Ken who takes the microphone and says you know this isn ' t and it can be better than this. So I kind of don ' t, and it kind of stops that I' m already leaving and I kind of calm down, because apart from, well, like everybody else
was buching it, because maybe it' s finished asking your question. But since he was trying to insist, but now the best thing is quiet and again he takes the microphone, this Samliu and says that, since he does not ask such questions, especially to a woman who is not only the protagonist, the star, but also the producer and who has assembled this type of productions so big and throwing flowers at him, but also as interesting the point of view, and yes, the truth is that he looks quite out of
place and even unprofessional, because I understand that everyone wants to know that gossip, but if you accept the rules of the place and go, then you already look bad, because there were some who said, because everyone wants to know that. Yeah, but you knew it wasn' t the time or the place. Then no. You can' t complain, no, because I don' t think I mean, it wasn' t the time or the place. And if they have so much control over those events, then
why? But besides, it was the little note there, kitty exactly. Here. I' m paying like you' re getting in, fast pay.
What happened to you with Hug Jackman. What did you do to Hough Jackman, what questions did I not also ask him, because several years ago it was the Pilicle of Pan already I think of two thousand fifteen, two thousand sixteen that Vinaghou and Jakman here to promote it and it was my turn to deliver to the interview that was asked him and then yes not really the questions that could be asked him, because they told us until that day if we could do no. And so already in the record, as Daniel says,
that is, we came and they said no, yes, yes, you can pass and you' re going to be number of where you' re going to be able to ask your question then if it was very controlled, and I think so. In part it is because, because there is a lot because maybe some troufa of the artist, or it also wants to protect itself for certain things or others, but it was still very very controlled and there it was really like you made the loss of the microphone. Practically
almost you couldn' t even follow him around. So, that' s like control so you' re not going to ask the artist something in the heart, some chingusi has been done. That' s why and when the movies are so bad that the voice gets out before the premiere, they also often asked, hear the review I said it' s horrible. And all this then, they kind of throw him out the moment they' re promoting him. And it was the two causes why this kind of control was started.
And it' s not only here I say at least I know that it also happens in some of the United States and Brazil, I ignore in other countries behind those, but that' s why they' re so closed that they won' t talk bad about the movie, don' t gossip. And if any actor or Ramiller style has just done something that affects, then there is no mention of yes as it is. Well, that'
s cool. Anyway, what happens is that also when I went out to cover events I didn' t, but I did go to several of who it was that I remember, right now Robin Williams, if they didn' t ask you there that is, Robin William Robie Williams, one of the many, as well as international, and they didn' t ask you. You have to pass the review questions also to Brian Single when he came here with x Men, uy Brian, without me, who had disappeared he didn ' t come with him. X Men several, then, but not memories
that are so iron with the questions and that authorize them. Well, all right, this one, I don' t know, so let' s see how the movie is. Yeah, yeah, I saw the clip there Someone from the saga went to the good Lilly of the saga. He went to the conference and there was the incident recorded nothing more than no, I mean you didn' t hear as much in the buche, I mean if you knew that if people were complaining and generated discomfort in everyone. But right
now you' re talking about it. Yeah, it looks like he was more uncomfortable It seemed like it was, like, what was going on or what was on the unclear video. Yeah, besides, it was funny because let' s say, the reporters were sitting on the front and in the back there was like a platform for the cameramen and as it went through it they reported that all the cameramen were punching in between making expressions of surprise and
like laughing at it already screwed up. Then it was like a funny environment at the time. Oh, well, well, well, well, well, well, then, you' re going to see what kind of status, so it' s going to open tomorrow, because, as I don ' t know, at night or what time it' ll normally be, Netflix opens at about two o' clock in the morning, at hers today,
who killed him. That' s a good one, too. Then, to see what it' s like, and also to see the paco yes, I see you horrifying, but I' m very excited to go back, see what size, see what' s so bad, how the trailer sees you, what happened a little bit and that a hand dies, but already Tinley paper. The truth. Yeah, it' s gonna be terrible, too. But I do, too. It doesn' t look good and Mario sees you already want to sue them, that is to say if he goes out or he' s going to sue them, he said
and he has the legal arguments there, supposedly to make. But it is good that Carlos Andés Mendio who when it is tomorrow or it is Friday twenty - four in the morning or it was not tomorrow Friday, already has to be atlas in the morning, that is if you get up, as Ani say well around two three in the morning. I' m sure you can see him now and who killed him exac is also on Friday. Tomorrow too.
Amazona premieres around ten o' clock at night eleven o' clock, depending on them, if not bad memories in the central or peaceful hours. I think it' s the central and right now that there' s no more summer time, like eleven o' clock here, about when they release it, that is, not finishing we' re already there, because it would be good if we ps until tomorrow, but we' ll have two episodes every week until we' re six. I' m morbid with that
movie, that movie, that movie, that would be everybody. Yeah, yeah, but it looks really bad, you see some hairs that might be a parody there, but that' s why I feel like they' re doing it as a parody to be able to use names and not have to pay fees. Yeah,' cause I' m sure he' s already got it all figured out so they' re not going to take the risk that the others will, but also, but they' re going to lose, because Kissing is already. I don' t think they should have taken
that risk, too. But Besares said yes, and it' s through the trailer that' s suing him, and he says it' s his image that' s there. I don' t know if I can legally fight it Evidently, Bezares' lawyers say yes, but let' s see what is true is that if his name appears there, because, although it doesn' t look like Luis Gemens, Mario Besades, you know what he
is, I mean, you know what he is. And if there' s something wrong out there or some situation that can stain, let' s say Mario Besar' s life is in reality, because people, they' re going to partner that yes. Ah sure did that Mario Bessar, it ' s the people. Sometimes you don' t care if it' s fiction or not or if it' s docu series I say watch series. That is, people often stay with what they call themselves, with the perception
that they do. Indeed, what you' re seeing on screen is reality, but you know they' re sure to have that good I think that ' s the impression, but they, I think they' re going to save it, they' re going to wash their hands having a disclaimer at the beginning of this is based on actual fact. Mario Sard' s lawyers said it wasn' t enough, so I read the, that' s
Amazon' s letter, that' s not enough for them. And he has some legal arguments that I couldn' t defend, because, because they ' re things that I don' t know very well, the way you can defend is an illegal argument. And, besides, you have to see what doesn' t, because you see that they complain about there being a kiss between Paola and Mario. But in one of those you get it'
s a dream. And so, yes, because we' re watching the trailer and you know that in the trailer then you can edit to make it look like one thing and at the time of the hour it' s another. Now the theme is yes, it is a story that is still in the collective imaginary and it is a story that, yes, leaves bad to kiss. In general, the normal narrative, that is, even if I tell you, is not that there is no evidence, that it was clean.
People have the perception, there' s something that doesn' t fit them and then you see you know the scapegoat, that is, it' s already been judged. There' s already that in court there' s no evidence of anything, but people still have that feeling. That' s why lawyers say hey this is going to affect the public image. There will be moral damage from my client who, in addition to the trailer, yes,
again seems to have behaviors that are not morally acceptable. Let' s say already in a moral terms that the proposal of the series is not supposed to be that each episode will tell us the perspective of any of those involved. We' d have one from Mario, one from Paola, one from Brenda Bezares, the other from Ay el güerito that I don' t remember what it' s called another from Benito. Jorge forgot the name of journalist
Jorge Ay. Yeah, no, Jorge disappeared from public life that besides, it' s going to be like you' re going is the character' s perspective. Or how is the matter and then they will tell us as different points of view. I mean, it looks like it' s very morbid, we' re going to tell them just like chinmecito, but we ' re not going to compromise the whole thing because, obviously, in the end, because it' s a little bit, we' re not going to give the answer either. Obviously, I mean, they' re going
and they' re already saying it right now in the interviews. Oh, no, we' re counting as well as various perspectives and there are you saying no, but then yes, no, don' t hear if from Niel, because you' re all here in picture, but Daniel you had Kevin' s spacey no. Ah well, but Paco and Carlos did that we all saw. Well, I missed the second volume, so, the second chapter. But, well, let' s start with that Kevin spacey on Mask unmasked Kevin space and a Max documentary that I do find interesting.
If I see Kevin Spacy as a troubled person, sometimes if I see him as a villain, if the documentary conveys that part to me and I fail to see Kevin Spacy as in BVR not that it is a fiction not passed on in real events. But there in Baby Rey, not at least Marta, while they have a number of problems that don' t make you hate
her, they don' t make you feel like the most monster. No. But here in the documentary, at least to me, if I see Kevin space and I say God of my life, that is if I didn ' t like to meet Kevin spacey at any time in my life, despite his actorial greatness, I don' t know what you think of this documentary. Yeah, well, I mean, tell us again. I reiterate that this type of documentary report is fundamental because, therefore, they give voice to
the victims and that is of the utmost importance here. I think the documentary is living in two parts. The first one seems to me very good, I find it extremely interesting. It' s a very well- run journalistic work in which we really, really see and paint a little bit of this whole part that, because it wasn' t so well known about Kevin Spacecy ' s case, because we did know that he was sued, we knew that it was good, that in fact he is already, because in theory,
he was found as innocent before several of these charges. However, we do not know on what charges they were found innocent of all those who are
here, because not all the people who appear here denounced it. You have tools to denounce him then, because really, in that I think it is very good the way to see how they show it to you, because besides, you listen to the testimonies of these men and you understand the modus operandi of this monster as such, because, at the end of the day, it is a predator that is really stalking and you can be too terrified to see the way in which, because it occupies its power, it occupies its
position and its status to take advantage of the situation. And because that exempts him and yet, to date, I believe, it is obviously something that is, because out there exgenerating like many public figures who, as much as they find themselves, because accusations against them, that they are true, that the facts are shown there, because still their media power and their power with others to have other influences, because it allows them somehow to escape the law,
allows them to have much lighter sanctions, allows them to really have this kind of verdicts that go down the water and because they hide a little while and then they can come out again. That' s exactly what happens with
that kind of attackers. And so I think that we, as an audience, should not forget that these situations happen, that they are really aggressors and are people who are violent against human life and that, obviously, they should not have the focus that we are giving them or for having a resurgence afterwards. At the end of the day, who says that in five years I came here and wanted to re- emerge with some situation, as so many
other actors have done, directors who either change their country or change. There ' s Brian Singer, after some accusations of sexual abbots ended up in Israel. It seems to me that Israel is doing things. Yes, that is to say, because it is very simple that these figures, because they find that an audience and some other part of the world after a time, because they have forgotten or forgiven, have not cared what they have done in the
past. And so they continue to benefit from this situation. Not then, well, that' s what' s so important, this kind of work that really allows you to know the other side of the story that we often don' t know. It' s not what we see in tabloids, it' s not what we actually see in stories, it' s what we see in judgment reviews. It is really the raw testimony of the people who see how they are, then, breaking in front of the House.
There are a couple very, very, very strong testimonies in the first episode, in fact, in which, therefore, there comes a point at which, because it is too much for several of the men who are on screen and because they have to stop and cut the shot or leave the picture because
the memory is powerful. Yeah, there' s a couple of details that I like about this documentary and it' s good, it' s a lot of things, but that are testimonies of men, that seems to me very important, just like in drinking Ren I don' t think the testimony of is a victim of certain circumstances. It is also important because you also need a voice on the male side, which is civilised as well. And if it' s happening to these men, it' s happening to them.
I think it also sensitizes men and how it happens to women. So, I think it also gives you a perspective of understanding you and of being able to understand other situations that happen to women, for example, not forgiveness. Yes, of course, it is very important, because, of course, whenever there is talk of harassment, it is immediately thought that viontarier is a man against a woman, when he can also be a man against a
man. And that has actually generated many, many taboos and many inhibitions in our culture so that man does not denounce a situation of harassment or abuse, as he is sorry for it that it is not really taken seriously, as it can really be seen in another way before the law, because that is
really what happens. So, the more this possibility is visible too, because it helps a lot to ensure that these situations are also normalized for the better, so that these people can denounce once they have a situation in this way. So, yes, that part I think is fundamental and that' s why I think I very much applaud this part of the documentary. The second episode is not like the first. It' s really much more out of focus. I don' t think he did very well to split it in
two. Actually here, in the second they start to go on many sides, much more sensationalists and much more tabloids and leave much loose ends. But I think the first episode is very, very good, it' s remarkable and the second, well, it' s not like the first. But, in other words, the important thing is that this situation is being made visible and that is what should be most valuable in this type of work. Sure, I totally agree. Carlos Andres Medio, I like your posture.
I like this good job, too. On the one hand, in what they mention, I think this part of making men' s cases visible is very revealing. Precisely and say so in several of them not everyone would think of ah no. But if it would happen to me, I would punch him and do this, which is like the reaction that everyone expresses and that
is like maybe what you think, that you would do. No, and the truth is that that part of those testimonies are very heartbreaking, because it ' s not the same thing to think what I' m going to do when it happens to me, to be in fact and then yes, to see these men and how they break and how they just come out to express it, to share it, because besides, obviously, this is turning him around in the sense of being used to seeing men, the patriarchy marks that
men have to be strong and tough and brave and that we are not the victims. No, and here we realize that yes, we could be the victims. And these men are decomposed and obviously, they' ve been working on it. No, but they tell you it' s that the moment it happens, you can' t even understand what happened. Of course, there' s one detail that' s interesting and I' m sorry I
' m taking baby Rno back. But the feelings and emotions of the summer series seem to me to be very revealing in matters of abuse and I can do so with katanar with the abuse, for example, that the Marin suffers. Well, everyone who' s there, but the Marin really gets my attention, because it' s this man who has to be a man and
suddenly they come in and they break him. But there' s a part of the Marin that says, well, yeah, I already gave them a chance, it doesn' t say that, it doesn' t say that about bliss, but basically it kind of lets that happen because it' s Kevin Spacey. And then he calls him Keving Spacey to work with him. So, of course he' s gonna take the call and pass on to the reindeer drinking character, that is, he' s with this writer.
What he' s doing there, if he' s being abused, but he' s still there because he feels there' s going to be a profit that' s not worth so much and that his worth is depending on each other. And then he' s still there and abuse misbehaves. And it' s interesting how you live this way, that is, when you ' re broken when you have a lot of insecurities and everything you bet on a project, a job, a person who tells you that you' re
going to get ahead. You go up a lot of terrible abuses. There are things I recognize from what the characters lived in, good people from the documentary, both the character and drinking not the subject of sexual abuse. Fortunately, I don' t want to know, but the issue of abuse, that is, verbal abuse. And these people who are around and make you feel bad, make you feel small and you' re still there like Richard
Gard or like don' t Down in the series. So, I went to his house on Monday and he made me just like he raped me and I' m still there and I stayed on Monday, Wednesday and Tuesday and I didn' t and that if I cleaned the house, what you do there you explained to me and I mean, I can recognize myself under certain senses and in a certain way, in that narrative, in that feeling that
one was worth it is in the other and it' s horrible. I can' t imagine what' s going on in the issue of sexual abuse, but yes, it' s very revealing to me that you' re no longer a man, that how you should be a man, how you have to protect a man. And all of a sudden, I guess it happens to you like drinking. It' s not normal, not because I don' t know what I am anymore. I' m gay I' m gay I' m what I am I mean, who I am.
I don' t think that, besides, that' s very good, because since we have this whole set of testimonies, we have just this not what' s happening to me? Why is this happening to me? But yeah, I' m going, but I' m not going, but
it' ll happen again. But I' m confused. But it did not happen, I mean, like all these thoughts that are happening to these men who live it from different angles, because, obviously, Kevin Spacey was and perhaps still is in many ways a figure of power, because that is also something that they do in this first episode to build this race of Kevin Spacy, to show us how he was, well, up to his game, already winner of the Oscar prizes with his star in the passing of fame,
having received this honorary title from the English crown, that is, a series of achievements that the man had, as he was then in the House of Karts, which was also a super important series. Not then, like all these elements and how they are configured. I really like this. I like the show doing is also trying. I think that' s one of the issues that he' s trying to give us a certain picture of where
Kevin' s coming from. It' s because we have the brother who gives us a little bit of him, brother Kitterman, who is very interesting, because he starts with that brings us back to the neighborhood and tells us
here we grow up telling us his perspective of what he lived. And it also tells us that I don' t know exactly what my brother lived, because I, because I asked my dad not to do it again and I told him better with Kevin no, but he left because, because he had to leave, he had to get rid of all that and of course we ' re never going to have the full picture, because, well, Kevin Spacey would have to talk about what happened to him, which I don'
t think will happen and would have very little. That' s what I was saying, that' s what I was saying again, so there' s a series of interviews that Kevin Spacey said that looks like different, no more humble and yes no I did bad things and everything, but of his life person, so he suffered buruso I don' t think he' s
going to talk. And it seems to me that by probability by patterns of behavior, you could bet yes no and according to me, I, the brother, had already said it, it had already come to light before there had been abuse. But anyway, then I don' t think Hevin Spacey says yes. Is it true the people who are accusing me, all the people who are using me? Yeah, I did what they say, I did already because he' s already innocent. Uh- huh Exactly then, of course. Yeah, he says I haven' t done bad things.
That doesn' t say I haven' t done bad things, done things that aren' t right. And it kind of feels, I don' t know if you want to redeem, like you' ve done this one reflection test and everything, but I don' t feel and I don' t think you' re going to say yes to this I mean, yeah, I released you with Anthony rap but the truth did happen as he says. No, or he says it' s a lie what he actually says.
And what he' s going to say about Marin and what he' s going to say about everyone who' s there, I mean, he ' s not going to answer charges by accusing them, I mean, he ' s not going to do it, but he' s not going to accept it either, and besides, he' s not going to say anything is not something that seemed interesting to me from the second chapter, because I that I buy it in a way that doesn' t suit him. There agree with Easter that it does not give us all the answers. I don
' t think it' s the target either. I think the goal is also a lot on the one hand, making it clear that the story is not over, that even though Kevin Spacey would like to put an end to it and forget about it and we' re going to continue and ideally he would probably want to get his career back. But in chapter two, which I think I am not sure they will explain as well and not and I
hope that I will try to explain it a little better. But they talk about a demand from the producers of House of Karts to Kevin Spacey, and this demand obviously has to do with the losses they have because having to make these changes for the last season, because Kevin spaciy is already going to return me, obviously, because they have to go back to work on the script,
they have delays in production and that costs millions of dollars. And that demand does win it, that is, it loses it that I came space and wins it to the producers. And what they explain there, which is quite interesting, is that they have a chance to win that lawsuit because, in Kevin' s spacey contract there was a clause that indicated something like that
their behavior should be appropriate. And, obviously, there are certain elements that indicate that their behavior is inappropriate, because that just allows them to win the lawsuit. But yes, logic and it' s in aber whether Kevin spacey ' s behavior was inappropriate and that gives the producers the victory. So that ' s not a contradiction between that result and the result with the other demands. There' s something they' re pointing out that' s pretty,
pretty interesting. Yeah, I thought so. I think so. Gavin Spacy ' s case is sad, because he' s a great actor. Yes, he is sad because he does abuse because if we go there are many people. It' s not like it' s a zone, and it it' s a pattern and fifty years, because the first testimony we see ' s gone like you' re a mistake. No, I mean, there is that when Spacy was in high school, exactly the high school partner,
that is, senior high school. And the most recent ones are from when I was already having accusations, when I was running the Odby, that this theater England, that is, we' re talking about continuing with those behaviors even when you were already talking about it, because you can' t help it. Obviously, no, because I can' t imagine that as long as you don' t have a job there, you don' t recognize it and start working, I don' t know what can be told
him in his head. Well, anyway, there' s Kevin Space On. Plus, we' re gonna leave it inside with Danielito and this one to talk about Dr. Juguet makes you want to talk to Dr Julio Ahorita. We closed with anger that you both saw her. Truth was also sounds amazing and with that we closed. Hey, but hey, come along, Danielito Right now, see you guys. By the way, follow Carlos Andres
Mendiola as Carlos Andres mentioned on Facebook. You can also follow him as Carlos, Mendiola on Instagram and Tiktok and Paco follow him as Paco ML bass screenplay on Twitter and Paco ml seven on Instagram. I can' t find the super payment, but here we' ll find it sometime. It is already super under for those who are watching us Paco Screen under ML on Twitter and Paco ml seven on Instagram. Danierito now. Yeah, so let' s talk about Dr Hoo, Dr Ho' s new season, a new doctor.
And they got it in the wine. I was able to bring more diversity to Doctor Hood to go with the I don' t know if bu with fashion, I don' t know if it was necessary. You tell me. You' re very observant of that kind of thing, and they bother you when they' re unorganic and you' re a fan of Doctor
Hoo. How you saw this new doctor is curious, because the doctor, the concept of the program for those who do not know an alien and the power of this race is that when they are injured or something happens to them that will kill them, they regenerate. But this does not mean that they
rejuvenate, but change their bodies. It was something they invented because when the Willam Hearnell series started, the first Doctor hoo was already by the standards of that time, an old man, because I think he was about sixty years old, if I remember and could not speak well anymore, he already forgot
the scripts, etcetera. But the program was so express that they invent that since you are extraterrestrial, that that is power and that' s why they change character and that' s why the series but so long- lived then what bit the doctor' s who you are the doctor hu who exactly does, in fact, the sketch. This is pencil and it' s what it' s called a squid is that PI is a squirrel lippi and if you don' t know, you have to see it. It' s the PI and his son are seeing his nephew, his nephew, his nephew
is Kippi. No yeah, it' s for ANIMANIAX and it' s a great sketch that' s really fun to look for me or Max Key too is and it' s clear then that well, I don' t know what you think, but it' s in the DNA series that every once in a while has to change. Since he returned to the series in the eighty- nine he had lowered the rating a little bit. The one who was director of the BBC at the time didn' t like the show,
so he passed it done. From there to put it in. They don' t cancel it, they send it as a pause, in iatus, as they say in English and in eighty- nine. Up to two thousand and five there' s no show. They made a movie in' 90. If not wrong, I remember that it was co- production with the United States, because the idea is that, like b Abz, I didn' t want to invest in this that Fox invested. It' s a movie that connected, let' s say the end of the original series
with a new doctor didn' t hit. He was too American according to the British and too British according to the Americans. So it doesn' t hit and up to two thousand five, Rosalt Davis returns with the series and he is part of the LGBT community. He' s always never denied it and he was in the series since he restarted her in two thousand five with a character named the Captan Jack Harners Hartness, who is one of my favorite
characters because he' s a charismatic guy. It' s fun and the most important thing is that it will be bisexual, but it' s not like its only character feature. And being the doctor, someone who might be changing from time to time, because she' s become a woman, I don' t see any problem. In fact, it' s not the first tremor that changes, let' s say gender, so now I'
m a color person, I don' t see it bad either. The problem is that in these years, like Russell T Davis died his partner, like Ahorita Anda in the time of I' m not going to keep anything. And now, instead of telling you stories, it' s putting ideologies on the front lines, but there' s still something about the good writer,
which is then they' ve been weird episodes. The first episode of this new season is called space babies and it' s impossible that you don ' t know the title, because every five minutes the doctor says baby is space. Space babies and there' s a gross criticism of abortion. Well to be against abortion, because they' re on a space station that' s like a baby farm, because you can' t understand it anymore. But the government of that planet decides that there is no more money to keep
the people who worked there. Then they run them all, but they don ' t pay the machine because it would be murder. Then turning to the Chamber, they say it and it' s like what a chafa when twenty years ago, fifteen years ago you did it without turning to the Chamber. And and you could give me this kind of message, but not geurfade, which is what' s been failing him and suddenly, much of the series ' success since the sixties is that he' s been the doctor against the
monster of the week. There are some that repeat themselves like Alex gives, the Ierman and here they are or is that they are classic, the dalex, not so the classic give them are let' s say the doctor' s joker. And then, because every week he' s fought werewolves, with space vampires, but every week he' s the monster and being a monster he ends up killing them or taking things like that into space. And here, in the end, as you just said, you have to accept
the adopted, the different decide not to kill this monster. When the monster was created basically to scare away and kill the babies, then it' s how it' s okay that I want to save everyone. But this is the first time that if you say this is too much wok, i e saving the monster that is created to kill babies. It' s like your much The second episode always gets better a little good. Many times there have been special guests who are historical characters. Vincent van Gok' s episode is
great. It' s with Matt smiedele 11th doctor. I recommend it is grand. He' s very good with David Tandan. They were with Willam Check, but I mean, it' s not something new in the series, but here the Beatles don' t even look like two seconds. The villain is one I was reading about. He won the Roopol show he' s on right now. I just forgot the name Rackin guy. It makes it very planned, exactly makes it great. He' s a great villain. He' s a real father. The problem is that Dr Juan has
never been high school musical or anything. And that' s how that episode of how they' re in the' 60s ends. Inhabits a medium, medium Basselina musical, this musical High School, but very small. The choreography ' s fine, but the song' s all cool. And then it ' s like there' s some stellos that say if I' m watching Doctor Hoo, but I' m seeing something that' s not Dr Hoo
either. The third episode is written by an old runner show that brought Matt Smith, who wrote to Peter Capaldi and makes the difference, because there' s nothing on the agenda here, no listening to this. Listen to this, in fact, there' s a critique of blind faith. In fact, the army are Anglicans. The Anglican army calls, but being in the year five thousand, I don' t know what they are. Let' s say an army that had already been used in other seasons and a company
that had decided to give arms. It makes them think they' re at war with someone who doesn' t exist and nothing else. The poor soldiers are dying, but as we say as crusaders, because faith blinds them. And it' s a pretty interesting review, because they don' t make it your face is saying the Doctor. Faith is good, but not blind
faith, because that is when it no longer thinks. Sure, sure, sure, yeah, well, yeah, then you can tell when a writer does want to tell you something, but no, but with talent he doesn ' t blind his schedule. Yeah, sounds like Dr Juno' s last
seasons are so hot. I' m actually more familiar with David' s and a little more familiar with Mat Smith' s. More David Tenet that I loved, that is, because almost if I enterdavit ten because I saw several chapters of the doctor and then there, I love that season with Mattennan, David Tennan sorry and Matt Smith said orale goes. So, I saw several too and I liked it, I mean I don' t like to be changed, but well, I already this addition doesn' t so I
don' t say anything. But I don' t know the last season, the last few seasons that Disney didn' t see for sure anymore. And apart from being with Disney, it was almost his salvation because it went so badly at the time with Jodie Wittaker, that almost the bibis and cancel them again, because it comes out more and more in the face of the
series and the living of the taxes of the English. So, yes, you have to be as careful as what you invest in and that' s why you go with Disney' s ear you don' t care about this product right now. They save yes and there are certain differences. The specials were made, although the TRANSMITANESS were already made before the dial and if you notice, let' s say a more classic doctor ran in budget, and
that does get better. But anyway, it' s not from the Christmas special here that' s when we say Disney' s already in, and that does give me a lot of laugh, that there are a lot of people complaining that now have too much money. Dr Cody' s effects lost that as a serial, you see it was also something interesting before. Not
me. Yeah, I like that there' s finally more budget, but it does feel kind of lost just in the third, it feels like Dr Hook back in the day, but I think it' s getting them better at wanting to put up some agenda, than telling you a story. And that' s the problem. This third episode, in comparison with others that Mofat himself has written, is not so good really, but compared to the last three that we have seen, it does seem like the best, but
it really is not so good. But the rod has been so low that he with little quantity that he raised it, for it already gives another level. So it' s making me feel like a crisis, the good Doctor Okay, well, you' re there today. We' re kind of out of time and I' m saying I know we have TV, but there' s the part. I' m going in with Paco and Carlos Andrés. It premiered furious then saw something brief, boys not to hang us and then, if they want to shred it more another day. But well,
to see causing gave me the clap. So she has a shawl to talk about how you loved her, you hated her, oh, yeah, I think she did. I can say I don' t love her. I don' t hate her. I' d only take a few minutes from him that I' m not afraid of either. But I think it ' s a good delivery for you to quickly locate, just a prequela spin off of the Charlie Stern character we met at Matt max Fulia on the way.
They tell us how it is that this character, who ends up away from the Green lands, how it is that they are kidnapped and why he has this desire to return with his people. Let' s say, in fact, this isn' t a spoiler, but in the final credits there appear some moments that connect right with Matt max Full on the way and then understand one. Now I do, perfect, because I like this character' s journey. They' re good. George Millers knows his business very well,
he knows his universe very well. It has very good sequences of action, they are very very spectacular. Now he' s got more motorcycles, maybe more cars. He has a special one that had already been commented on before the film premiere, which is a fifteen- minute sequence of action, which is the sequence that reveals to us the character already in his adult age. Let' s say already with Annia Tellor joyd because in the first part, it is played by another actress called Ila Brown, who is like an
adolescentilla. Let' s just say he' s the one who presents this character and then he takes care of him, Ane Taylor Joy, which I like. In this character I had my doubts of a very small crisis and obviously here it had to be seen, since much stronger, imposing, more forceful. I think he' s doing well. In addition, it has a major challenge in the sense that there are very few dialogues for it. So, the character really has to express himself through the nonverbal language of his
eyes. At many times the character is completely covered and she does a pretty, pretty good job. I think the film, in addition to the part this visual ethics, production values, art design and so on. It' s her and, on the other hand, Christians Wart, which I think is a big surprise, is against guy or he does the villain. They won' t see it in Sexy, but Guapo and others will see it
showing a body because, then, it lends itself to the character. But I think he' s a character who does have a sense of humor, but it' s not this sense of humor that we' ve seen in other movies, which is like more because I don' t know how to play or chavacan. More and more we are going to use words like this, more gossip, more coto, more cota, there is more throwing, a lot of relaxation, a lot of spapa. She' s almost relaxed a little, but it' s darker. He' s a more twisted
character than that. It' s quite, quite well and we see that, in general terms, not to extend like Thijo fause to me I like. If I tell you that I will cut him a few minutes, but I like it, I like paco opinion to say that he did not like to take me against it. Let' s go bother you to screw no. I wouldn' t cut anything from this movie. I think I really got the shell to lift her against. What' s stop. I think
George Miller really carried mad mactreth roada. I say mad mac gets him off bat Max on a level that we didn' t think we followed, this franchise that could exist. To really see why this excites me, why it did not thrill. It gets a lot away from us. We' re gonna run into the lax action and be excited about all the sequences. Here, George Mider takes his time to build this character, to build despair,
revenge to build this despair in Furiosa to know it. All right, this whole first part is really overwhelming and brutal in the sense that they actually let you see the character in a very complex way. And then, obviously, the action that you love so much comes. But the action is being carried away thanks to these moments, which gave the day of previous construction so that this has much more felt only to see cars run for running and current,
which is spectacular. I love Matmaxy. I love it for those reasons, but I think this is where new levels come in. So because they really took the time to build a very interesting Furiosa background and to be able to give a bigger dimension to their pain, because at the end of the day, this is a revench movie. Let' s see what the pipe of revenge is like in every way and the end with if we see and fulfill its revenge, it seems to me simply exceptional. I was shocked. The
action is fabulous. The sequences are wonderful. See the Niemax, please, because the sound and image are phenomenal, as happens with Fry Road at the time. It is a proposal that, apart from being exciting, is extravagant. I mean, the characters here were by themselves and they were on board top too many. Here the Chriz Handsworth flies it and lifts it as to points also laughs, because they also play with comedy. There' s a lot of funny moments in the movie, something you don' t expect to
see either in Mad Max' s saga. Here you find it, and I think George Miller' s doing very well with this combination of elements to make this Frey Road prequel known, and I think that' s how it ' s done, a good prequel. It really leaves this franchise high. And then I want to see Wasteland, which is just the next delivery of Mad Max that George Miller had, which is not late, ten years, please, as happened with mad Max' s furious, who give us away
before, because, because it was really a wonderful thing. Look who' s father. I like everything that' s more Max and I' ve been developing the story without much context, not without explanations of what' s going on, how they' re without maps, that' s something very tol who very George r. R. Martin, right now it' s all very Marvel that connects. We don' t know anything here, nothing else. There' s this post- opocalyptic world. Where they are,
what they do, because who knows anything else. He' s going up against weird therelations. Not every time you travel from one place to another are more and more and more strange people. Then I love more. Max. I feel like the first one you' re saying builds the character and feels his desperation. I feel like the first bit is that, not the most.
Max one because you see him there married to his family and then his friend dies and then you go seeing how he becomes this lonely and taciturn hero who has to survive and he is worth even indifferent even indolent, except that they already have to be touching him, so poking, as well as with wands already come to help them lives, he no longer has another and goes and helps and he does have a good heart, but he is always avoiding it. Well, I don' t know I forgot. Well, I
didn' t forget anything else. I didn' t put it in time, but remember to follow Daniel Villamilli, throw Han Walkie, double Oka and on Twitter and Instagram. Thanks to Nelito follow Bandan Walke, because very well see you next week. Thank you in the vijamil. For all of you to go to Jennifer Lopez, very her fryer to ask her those uncomfortable questions so that she takes off being an hour late. Oh, no, I ' m not I' m coming in the afternoon more than one. I
don' t think he' s telling us if he divorced. Not ay, in case you don' t count the gossip. Yeah, by the way, read Hames Ward already out. Well, the image of Lim hems Worth as Ribe' s Geral came out for Witcher' s new one. Yeah, I don' t think we' re going to miss Rikabir that much because he looks very similar. Yeah, they act different, but good to see how it is and it' s a weird series. The truth is, it' s a little irregular. I like her, but she
' s irregular on her own and I see why. For Jenefer' s telenovela and hieralt, that' s why, because he' s going to soap operas, you' ve seen. Yeah, yeah, sure, sure, sure, we didn' t grow up seeing that. What happens is that you disguise it so that it is acceptable between the intellectual world, you disguise it with the X Men and with The Witche Yo, that' s why I already saw it on soap opera Richard Ton, but those you talked about elsewhere. We talked after Luis Stone, if everyone, I mean,
I haven' t seen him. She' s the one I didn' t fit in with, but, well, you' ll tell me. It' s hard to televell really good. Yeah, I' ve seen, I' ve seen the memes and everything that' s going around, well, all right. Thank you very much, Benito, thank you, Paco, thank you very much. Thank you. Thank you and Carlos Andrés, thank you very much. Thanks also to You. I send them a hug and thanks to the people who were here with us. The chat opened
me up here on the platform we used. Then I couldn' t say hello to people anymore. If you can greet her and talk about these greetings to Androw broa Ricardo Reyes, Catalina Cevedo, who is around here most, I hope no one will escape me. But thanks to everyone who is with us so much thanks and share the shared broadcast program and know how they can support us. And well, we' ll see each other and listen to each other in the next episode of involuntary permanence. Audio editing takes place by
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