How are you? Well your stay involuntarily and today we are going to talk about civil war EXML ninety- seven. Yes, it does. Daniel Villamil told me he did. I hope that it will and well, because they are in this programme. How are Carlos Andrés Mendiola, how are you, Carlos Hi fause very well and you, because I here wondering where Daniel is, what is going on. It' s like Wally, but we do where he is. There' s Paco marino, too. I didn' t start as always true, how you are. Pacu forgive me very well
and to paus well all well. We' re going to start this way traditionally with our video. It' s always more. Don' t leave anymore. I put it on and we already started the show because I' m out of line. So, that' s life. Look then, as we are used to here, we change, we dress them and all exactly, for exactly talking. You' re hearing involuntary permanence with fausto ponce as they are now. Yeah, we' re back. I hope that all is well, thanks to the people who are with us, that they
share us, that they echo us and gradually hear forgiveness nothing faster. Carlos Andrés Manola had told me that you had seen a Tarot movie. That' s not how there was one, but you seem to remember me. You just told me. It' s announced, it' s not released yet, but the official and I said no Taroth. This is fause that' s happening here. He gave pause how this movie is for me to get someone to explain to me and I don' t know exactly. Let' s see how not yes, I' ve seen some things. You sent
it to me. I remember seeing things, but I don' t know. I don' t have much faith in him the truth, because no, but you know, it sounds like that one of just terror that takes advantage of any resource and leads him to exaggeration to see if that doesn' t get a couple of that right anymore. Sounds good. Greetings to Tito, Victor Rivera and greetings Hello from serada va California, Hello, Tito, greetings, we send you a super hug until now, until locked AA. He tells me I' m here, I' m here I' ve
seen him I' ve been asking for you. But, well, all right, all in order, it' s not even good there' s no delay. You have some delay to see testing, testing, one, two, three, you don' t hear well I mean, I think you have a delay out there, I don' t know to see we ' re going to try yes, you have a delay to see out there, no more, it' s you that means you have to tell us
rather why you don' t come in and reconnect. Yeah, let' s see if he connects me again, okay while we wait for you if while he tells me we' re not going to see Carlos from the tarot. I know we haven' t seen it, we haven' t seen it yet, but we' re with them now. Yes, they are told, they are told that a beautiful film inspired by Ron will come and we will see if it is indeed pretty or not. Ok let' s
hear the reading very well. Yes, exactly in what is incorporated to Daniel, well, let' s talk about the film is Civil War and also saw it Lenzoeta will incorporate and she will tell us what' s going on with his life, when with his life and with the film, obviously, then, well, Paco will rip off a little bit with Civil Wack what the film is about, what a wave with sibil World. Yeah, well, this is an Alex Garland movie, which is a science director, mostly
fiction that he has, which is me providing by ex- machine. This film of the two thousand carce Alicia well Kander, which is very, very good really for Netflix, with the traly Portman, which is also quite remarkable. And then that what' s called Alation or Portman annihilation and there were some alations. Yeah, yeah, I didn' t love that Millation like half I say I don' t know there' s something I didn'
t like. It' s like there' s a kind of bubble and weird like in the middle of a hoom or a forest and they have to go investigate and dig in. Then there happens mysteries, very mysterious things, and then that' s the men' s that, well, yes, it' s a terrible thing and that I never thought I' d ever recover from something like that, because it' s a really very bad movie
and notation. He didn' t have much faith in what followed him and Civil War came, which is a rather interesting dystopia, in which we see
a fragmented United States. We don' t know, because we don' t care to know, because we only know that we are in the middle of the civil war and that, because we are following these war journalists who are covering this battle and trying to get to Washington quickly, in the White House, to get the President' s scoop in his statement or to see what is going on with the war and its development, because the forces that
are like against the Government' s conservatism, because they are getting closer to Washington and the war is intensifying. This film was filmed in IMAX and if you can watch it on a large screen in imax, it would be ideal, because it is really fabulous to watch and listen to. It' s a sound job that literally explodes in the face. I saw her when I
saw her, I saw her about 10: 30 in the morning. And so it was like a punk that immediately scares you out and makes you feel a really immersive experience, because you follow these journalists who, as the main
one is Christian Dones on this trip to the White House. No, but well, within this journey, the interesting thing is that, well, we ' re going to see a little, maybe an interesting critique to see how it is that this question of the inhuman or the war has been depersonalized a lot and we' ve really normalized it the degree that, since these images do not generate or these realities do not suddenly generate much shock in the people
around it and have been seen with a certain normality. That seems to me quite applaudable from the film which really takes this role very seriously, in which, then, it tries to see how violence has become completely something everyday and
we also see the indifference of another part of the population. I don' t think these encounters that they have because, at the end of the day, it could also be a sort of road movie, a dystopian Road Movi, quite strange, in which we have different encounters, because we have these situations. No, but to me what stands out most, the more as I said, the job or what looks like a bomb is the whole part
of the image as such. We' re talking about a photographer' s movie, in a movie where they' re really looking to have the perfect picture. They are questioning themselves all the time about various moral points they may have, because, at the end of the day, they are photographing deaths, they are photographing people who are being killed and at different times. They question more where we can be able to get to to get the perfect image
that can really exemplify what we' re seeing. And in that I think it' s the most intense and cold part of the tape. But I also think it fits very well with the way Alex Garland manages to emphasize, the way he builds his own images, because the film is very well filmed. There is a very good put on camera that gives us frames that are really unique like the same ones that appear in the photographs that these photojournalists are
looking for. And it seems to me that part in which we are looking for the visual here in the film, because it also blends very well in a very, very, very intense way. And I think that' s a great point of the film, because you' re also all the time meeting with these perfect images of violence and war and a lot of hopelessness inside
the film. And it seems to me that that is a great success because, at the end of the day, not only is the film telling you this story, but you are also seeing it through what it builds you. And that' s what I applaud. Alece Garland, who really makes a great film, a very intermediate film, also, is not only of aesthetic admirations, but it also really allows us to have fun, well, have fun, but we do entertain and be on the edge of the chair.
Arno was very stressed at many times if I managed to nail the movie, and well, the actors' work is also wonderful. Christo in Dons is exceptional, very stoic, but I think his role required just that of her And he also has a small because I don' t come, but he does have a very small participation Jessy Plemons, who is her husband in real life and here also plays a bond role, as a paper usually hears. You liked Carlos Andrés Mendiola, I liked it, I liked it very much.
I was surprised by the fact that Alex Garland already had me a little,
as with the abandoned one. Yes exactly, because I liked it very much ex- machine, but after annihilation it turned out to me like what ' s going on with that metaphistic film so I didn' t love it, but, I mean, I remember right now the VI a long time ago, I remember that I had noticed some things that didn' t make sense to me, that is, some inconguenses there, like it was very effective all in the end to keep you there thinking that it' s something
much deeper. Then I didn' t love that anellation, but good forgiveness. I' m letting you go on forgiving there, too, and look what I read the novel. I very much applied to reading the novel to watch the film and I didn' t have any left to drink and I already saved the menem. But this civil war, the truth is that I was very curious because it was also a very controversial film, especially in the
United States. There has been a lot of division and a lot of criticism in the sense that it has been considered for some as a little politically committed film, but it seems to me fair that that is Alex Garland' s proposal and also, on the other hand, that Paco already said it. It' s not an entertaining movie, it' s not a movie, it' s fun, or it' s a provocative movie, it'
s a film that makes us uncomfortable at many times. Everything is a road mooge, because we follow these characters in this journey to see if they can interview the President and in that journey, because we are getting to know this group of journalists that, moreover, is quite diverse and it seems to me
that there goes precisely this look that he wants to share. There are not even dialogues out there that have a lot to do with journalistic work in this sense, you are here to report and of course, there are these limits. From then on the journalist, if he sees something happening, he should act, he should intervene, but it' s not his role, even they say it. Over there. No. My job is to take this
photograph and have the world interpret what it has to interpret. But it' s not an argument, it' s an old woman, because my whole city, journalism class, I don' t say old. I don' t mean that they' re disused without an objection, it takes a long time and it' s always taken in some way, it' s always no answer sometimes because some people say yes, of course it' s your taken back in some kind and I don' t know. There' s
job, but I don' t know. Go back and take the picture, so now you can be Selvin, you take the picture and you help like that. I don' t know, I don' t know that ' s interesting. It' s interesting, yes, it has interesting approaches.
It seems to me that that is very good the just fact of photojournalism, this game you have with the two protagonists, which is the character of Crystan Dones, who is justly called Lee Smith and who is also referring to a journalist who is Bully Miller, who, in fact, alludes to this, is mentioned in the film itself and who will have a film by the
end of the year. That way, with Kake Winsleds, if I remember correctly, and the other character, who is Kellytainy' s, the truth is that they don' t lose sight of that Spanishning, I think she ' s a very interesting actress. We saw her in Piscilla as the protagonist and we' re going to see her as the protagonist also of alien rumulus.
And then we have this journalist, who is the mature journalist, who I have already seen a lot, who seems a little stoic, and we see this other journalist who is very young, who is eager to be there in action and to be able to take and report and who perhaps a little more daring, without therefore, being measuring the risks that obviously I won'
t say you have to see him. But one of the moments of the end between these two actresses, between these two characters, is a very, very powerful moment that, as it also reveals us part of what Alex Garland is proposing. The truth is, I recommend it. I think it' s a great movie, I think it' s worth seeing. I think it' s okay that they know a little bit what they' re not going for, because if they feel like seeing something like maybe lighter or less
provocative the same and it' s not the right time. But it' s a film that' s worth a lot, a lot worth it. It' s not one of those movies that leaves you thinking, talking, and a lot of ideas. Danielito Villamill, how did you like her? If you saw her, I know you saw her you liked her, she says yes, no, yes, yes, yes, no, she doesn ' t say," In fact, I coexist a lot with pacon that
they go to see her. But ny Max, that' s how I could see it and yes, maybe it' s half dense at first, but the last act I think since saving Private Ryan there wasn' t a movie that also portrayed a battle at the end of the day has been I don' t know in a thousand nine hundred and seventeen right now that comes to mind or other movies that have battle scenes, but there' s always something you say this looks like video game or you see half fake that explosion,
there' s always something or even the same angle of the Chafa cameras. Instead, here what they do you really feel in battle and you never think you' re playing call of duty or anything like that. On the contrary, yes, you do think you' re seeing a real battle, or which for me left me very surprised, because I insist from Spielberg I didn' t see anyone succeed as well. And as they go for thirty years of the soldier king then it really is a great merit. I really
like the context of why this civil war is. They give it to you very little, but yes, they give it to you between conversations that you ' re picking up one or another question that the mentor asks this Christian Dones and the one that' s like his partner we could say is I think the first film also gives twenty- four that I don' t feel that
he' s ever released. Maybe in the end it' s very predictable about something on the contrary and I think this is one of the best that from which you know the pada wond and the teacher by calling them somehow, but from there on out, it' s really very good movie And if you' re a fan of the or photography, it' s okay father, as the pictures that the chava takes are in film, then it does have the grain, it does have the kind of things that you should see
in a roll photo. Instead, digital photos have other things, good things, bad things, but here they know how to respect very well, how they grab the camera. That' s also very fatherly, because then you watch every movie that grabs the camera like they just gave it to me, and I don' t know how you grab this, how it works. And here not both, especially the girl, well the padawane, because it is the camera more complicating each to use, because this analog then, even
those small details, are very well cared for. I came out, I don' t know if it' s wonderful or the word, but you ' re going out like wow, what a great movie you' ve just seen, although what a horrible subject And yes, go see it, yes, it. That' s because in the end, even the battle of the it' s dense, that, yes, but it' s worth end, it serves as a catharsis of pulls, all the attention you'
ve been having and like that of me leaving. I don' t know if they mentioned it, but black and white photos are based on real photos. So that' s also like a parent detail of photojournalism. Okay. Well Suara, there' s civilian, cool there' s everyone' s opinions. I think there is a lot of consensus in general. This time no one attacked anyone. That way, no one attacked each other. Then everything' s fine. Greetings from Ricardo Reyes. Say and see what a
war would be like in American territory. It' s very interesting if totally. Greetings Andrew Broa, how are you, Andrew, thank you for a super hug. Greetings also to Well, to Tito, we had already greeted Christina Cuellar we also give super super hug and put like. Do not forget to put the ake to both broadcasts, that is, if they are on
Facebook not the two songs, because they are on Facebook. On Facebook, they' re on YouTube, on YouTube, I' m going to sit down and say stay here anyway to listen to Daniel and my talk about our favorite soap opera from Mutants. The last chapter is not yes is good, I mean if this pro is a drama, I mean if it is a dramon to put in this episode, because it is already the Afttermath, as it is, it is what comes after the terrible feeling that we have not
already seen Professor Xavier. There' s this one who' s about to be the emperor, and then I' m my kids. So they put it in the Spanish translation, in the dubbing, so it says in English, my children refer to the piles like my children orale I mean, we are the children of the atom, they put it literal children of the atom, that is, the teacher is very toxic and all the x see have a theme. That' s where we go with love, that is,
we go twenty at this door, there' s happiness. Come with me, not like this, the couple in his cyclopajian is the teacher and liland ah no, he returns, they return. There I have to go with the children, I have to go to war, I mean, it' s interesting, because the typical is the hero not that he can' t stop being a warrior. The way of the warrior who, because he is at home, is depressed, cannot lead a normal life because he misses war. If so, then, I mean, they have these very tragic lives.
Ex- media, that is, all the time. Someone' s returning them to Wolverin too all the time is sad and they' re returning it again to the Men x see that' s all the time. So, well, there' s a tragic thing about this and it' s justified because yes, well, mutants aren' t free, because they' re never the same and they' re always at war. Yeah, okay, you understand, but they don' t love toxic. Not the axons. And then, well, in this last episode, Rock is already crazy,
because they killed his man. It also says so. Yeah, it looks like telenovela to and Latina. You killed my man, she says so and now and then this one goes and Wagner tells your two men of ah two men, one way, two mutants, one way these mutants, one way Mira Roke and Magneto and Gambito and Cyk cloops with Jin Grey and his clone Adeline Prier, two mutants, one way. So, well, start breaking this one now you do break mandarins in gazos. I mean, start
hitting people already, start getting the information out. And finally, well, everyone finds out that not by stealing, because grog is out of control. But he learns from cyclops that Mr Trask is behind everything. Again they had not broken, had not broken nor had any mold been destroyed. And he has the master mold and his new feel the asp has some up his sleeve and besides, in a very strange and very obvious act, he invites them to his house. Come on, I' ll talk to you and I
' ll tell you the truth. They' re all leaving, because it ' s an obvious trap. It was obvious it was a trap. And there we will see that there are other revelations and great revelations. I liked it. I liked it. Yeah, I still think it' s very telenovelesque, but it keeps hooking me up. I don' t know what you think your duty is Yeah, well, we were talking about it.
I think since the first episode, the success of the x Mens has always been that it is a youthful soap opera, because yes, many years ago and it was for chavitos, but here we go then it is still that telenovela sale that we like and, for example, they know it is a trap, but they are so now. Yes, with so much courage that Wolvering of immediat pulls out the claws and excited, because it' s a
trap. Let' s hit them with everything. And one thing I really liked is that, for a change, the one who runs to Mexico, then here they have to catch the villain and when he comes out he' s talking rock looking for him he flies by the angel. The angel looks good. Unlike movies, there' s no filter here, sepia, which
is father. On the contrary, it is a colorful night and it seems like a dead day, because it passes through a cemetery, which is like where she finally takes out everything she brought for the death of Gambito and Magneto. When I told him about court and there were two of them, it wasn' t one. So they' re all designing two. Reminds you that they are why stepbrothers, why she at some point like that with her and Wagnerter exactly, is a very father moment. But it' s true,
that' s because she' s always my man. But you never know it' s two. You know it' s two, but it never tells you who. You assume for a number of situations that happen. Well, because they' re in the wake of Remi de Gambito and then you assume it' s gambit, but you know what' s up with Magneto. So, when Wagner tells her it' s two, you say, of course, the pain is double, but she doesn' t know what her man is or who she' s thinking. He' s thinking
about both problems. She' s in polyamourous, polyamourous. And like, besides, Magneta was like his air channel, since taking advantage of that he ' s bossing, then I think it' s a little bit more of an ambit, but it didn' t make the ugly Eric and it wasn ' t his face in the air. Yeah, yeah, it was like you' re having fun. Yeah, yeah, sir, there' s my shugar, Dady loves me and gives me things that you don' t
give me in the field that I can' t touch you. It' s a very twiste thing out there, but it' s good And besides, it' s got these connections that just the same from now on, it' s easier to make connections to the Marvel universe, let' s say wider, General Tadeo Ross comes out, Captain America comes out, and from there there are very, very funny winks. As he says, because you' re useless and you' re not going to help fly your shield and he' s father because he begs in the comics, he starts as
villain of the Avengers. So this one that they have this interaction, is father. Even the rock powers and that did get him out in some episode of the original series is because he stole them from Captain Marvel and let' s just say that they showed it to you, but they didn' t tell you the name, because they couldn' t for rights. Now, because they have it easier already they are all Marvel again and they have like these winks that, if you know who is under bol Ross is father,
but because nothing more is the general to which Captain America will humiliate. I think it is now Everyone already knows it from the movies. So it helps to establish that it' s a bigger universe for the men x, even though the captain' s the captain' s the boy scout of the cool boy, doesn' t even support them 100% because mutants. So that
' s a good father issue, because it' s racism again. Or leave the other one aside, the different one and teach it to you with the one who has always been the embodiment of the dream America, which is Steve Rogers. And even here he doesn' t help the sn as they should and that' s why oak throws his shield and make a nice analogy to get out of the closet. When Roberto goes and tells his mom.
Hey, I' m mutant and it' s okay. Father the scene and then you have that bad twist, but it also makes it very real. Then I insist the series remains very well maintained and is super fun. It' s very good, I mean. I really like it if you have those details of melodrama that I feel are on purpose that sometimes they can be. Suddenly it' s going to do a little bit of how I
can say it, a little bit of crap. But it' s okay, I mean, it fits perfectly, it' s okay, it' s congruent, because it doesn' t, I mean, it doesn' t overflow as much as you say. I' ll pay you back then I like that, but I have an important connection there. Look at me, look at you. It has always been known that Gambito was going to have a tragic end, because what is called gambit notice, what is called gambit, Remiramille, obvious Oliver lousy, the rexact Remi, for that is,
it cannot go. Well, the name' s from Steen in him, not poor Remi, too. How he suffered, how his how he has to be unexact and did not die. His heart rejoices, but the most he dies remin Yes, all bad with gambit and with Remi. But, okay, it' s our favorite show right now, not what' s going on,' cause we' re all back there. I just didn' t see her, I took the picture and I didn' t see the screen get normal. Well, all right, then. There' s this ninety- seven men x. So it goes how many or it
' s one more we missed. We' re already here. Daniel' s gonna be ten. I think this was the sixth. They' re not yes. It' s the seventh. 7th, 7th, and you, if you saw her before, you' re already seeing it. I see her. I felt like you wanted to participate. It' s my novel. You said nothing, too. I didn' t think so. There, you were kind of there, scared of fame, but Anhelan didn ' t want to talk to her. But Dani is my favorite narrator of
my soap opera. It' s like I say they give the practice, because I greatly enjoy what he comments and if it' s a melodramon he looks at, they should learn the soap operas, because it would be better if they followed all these examples of X MEN ninety- seven. Yeah, it' s totally good. I don' t say no how you'
re doing well. So tasty sarroson and already waiting that, then, we have to integrate these pieces, because already we discovered that the protector X because he was not dead was coming romance already storm, we already cover his powers. So, they' re already preparing us for that great climate battle that I imagine will happen in chapter nine between nine and ten, and they'
ll all come together again. And the surprise of then look that all the trigger of the season of this new return, which was the sorrow that my player, Professor Charles Javier, is dead, because it turns out that not all that pain in vain see This is like in soap operas one suffering so that he is alive as he is, as he is, and that they will apply to the teacher the one in this suit is yours. As long as you' re lilating with me, if you leave it alone, they
' re gonna take your suit off. I don' t know how they ' re gonna keep him going,' cause comics did leave him, but eventually he broke down. The teacher has recovered his legs about three times, but eventually he loses control over them again. Actually he does have them well, yes, he can walk, but I think that and Jim Gray' s death are the things that happen to the X minus. That the teacher becomes invalid and that she dies is what is usually repeated every five or six
years. Yeah, it' s the cycle. There can be no lack of that and I think that the whole title what is returning to so propu loses exactly as Luis Miguel Yes, it does help him a lot to the plot. They' re taking very long bows from comics that were suddenly boring. Some were good, others were pretty bad, because they should have lasted for six months and lasted for a year and a half and here they are
knowing how to compress is what I should tell you. That arc and they ' re doing super well in one or two episodes and apart from something that made the X- mint comic very good were the sub- trams, something
that now almost no series in nor any comics. Sadly they manage to tell you the adventure I wanted to tell you, or they are this story and that' s why they' re left with characters or I don' t know what to do, because almost no one uses a subframe well anymore And here, although it seems that I didn' t know that Storm is suddenly leaving, he leaves with Forge and those who paid attention in the photos that he teaches to force Storm. There you see Bastian, you can see the
body of bascient without the face that we already saw in this episode. So it' s those little details that everything is coming together, as Ahorita Carlos said, that that comes directly from the comic book. Suddenly I didn' t know Clermont put you in a bullet that you said this what the hell and a year later you understood why I put him in. I' d put in one or two little vines per number. And that' s something I insist on. It has been lost in almost all mass media and here
it is taken directly from the comic book. And that' s why it also works very well, because let' s say you already know what people liked and what it was that drove them away a little, for example, the clone saga in Spiderman. Here his clone saga with Jin shortened an episode and they did very well. In the Spiderman series they also cut it instead of years. It was, I think, three episodes or two. I don' t remember right now, but you know where to go. And
the only bad thing is what a good series it is. But then they ran to the runner show. Then let' s see what happens next season, why they ran it. If it' s all right, it went wrong here. I don' t think it' s been said if Carlos, because I' ve found more track notes. No, but they did comment a little bit that it had to do with what had as abusive behaviors as in the correct production and that then, because they gave him neck?
But I understand that they already had the whole approach, at least from the next season, and it seems that already of a third not, but yes, it was like very much because practically I do not remember whether it was a few days before or just at the premiere and because they gave him neck. Thank you for leaving r and Bebe, but yes, it is already some issue that has to do with ill- treatment or intimate abuse not very
appropriate and good. Besides, I think that the character in question had it as exact, that besides here androu Broa is mentioning it, that he had his little blue page. It also seems that it was like a content, because because Disney does not exactly promote that his talent is sharing those talents very natural, that is in these new platforms and charging for CoA yes, ok, well, there it is then, there is ex one thousand ninety seven.
Listen and good to close the program as well as on time, because I don' t know if they want to talk about something or to close. So to fire you from your audience some more recommendation, a very important recommendation. Just premiered Go to the movies. They' re gonna thank us. I know. It calls defiant that it' s Luka Walagnano' s new film. I enjoyed it enormously. It' s a very good movie.
It' s Tashi' s story, which plays Zendaya, she' s a former tennis player who now takes care of her husband' s coach, who' s a tennis player, who' s not having a great time, isn' t having the best time and will face whoever was his friend and who was also Tashi' s partner. So Tashi, then, is preparing to take advantage of this situation to perhaps motivate her husband and, therefore, rekindle that energy and interest in tennis. Sayama is Ayama is a
story that has elements of romance, but it goes much further. The film is built like a tennis game, which I thought was really stupid, because, besides, if you go dancing, let' s say it doesn' t go in the present time of the Tennis game, but you go traveling to the past to get to know where these characters come from, when how
they met, what is the relationship between them three? This is literally a love triangle, because, because now everyone is against everyone or everyone else, as you want to see, everyone has a friendly relationship with each other.
That' s very good. I also liked this part of the work of the directorship of the actors very much, because the time in which the story passes is about fifteen years since they know that they are teenagers, to make mature young people and here you do see this work that then in soap operas they do not work, where the actors bodily see them and you believe that they are dolescentillos out there from I don' t know seventeen, eighteen years
and that now they are already young adults who are already married, they have children and others, and that they do so, with some questions, of course, of characterization, with a change of haircut and so on, but above all with the work of these three actors who are also the three, since they are very good actors. This is a character that already allows us to see Zendaya, because beyond teen roles, she is the main character.
But also she is accompanied by Joshu Connor, who we saw as Prince Charles in the young years in The Crown and there is the güerito. It' s Mike Face, an actor we' ve already seen in barrier- free love. He' s an actor mostly theater and well, all three of them are. The truth is, very well. It is a film, very exciting and good, in addition, a film that has many ideas, a great approach. I don' t mean to say over but remember that we' ve talked like a movie like this, which is a tennis movie,
should be a lot more than tennis. Well, that does happen here. Not tennis is simply a device or narrative to talk about something else. So, super recommended. Go to the movies. If they don' t like tennis, it doesn' t matter. They' re gonna like this movie and they' re gonna have a great time. Perfect. Well, there are the defiants. Paco some movie you want to talk about and recommend. Well, it' s too long for me. Challenging. I really think it' s one of the best movies we' re watching this year.
It' s a great, great movie. Guanino is a surprising director. I wouldn' t say it' s an affair. I think it ' s a movie of struggle for domination between the people involved and it' s and it' s brilliant. I think editing and music is what makes it even bigger. The film is very well worked with synthetics from the nineties
and also the editing is amazing. Not here all three, as Carlos already said, are fabulous mkfis is, I think my favorite of the three for the whole character thing and I think it' s a great, great movie. Go see her and they' re also in Mexico City, Ahorita. There' s just a small, small cycle of probes. Here, in Mexico, in Essas and Nepolis. There are several films that are very worthwhile,
several many documentaries and also some fictions that I think are impossible. There are twenty days in Maripul that won the Oscar this year that, because, if they could not see it illegally they can see it right now in cinemas see it legally is gon for Tin Mariachi, which is about a school of a mariachi college in the United States. It' s a rather bizarre and
strange thing, but very good. The documentary is interesting. I didn' t know about that situation at all, and I think the one that made my favorite up to the moment of this election, George Monster, who has Melisa Barrera as the protagonist. This is a film, it' s a musical horror rom com, a mix of genres, quite strange, very bizarre and that strangely works. I mean, I never thought what this whole thing was really gonna work out. Also when you' re seeing it, you
' re surprised because it' s very charming. The film really moves away from all the clichess that might exist within these films and also gives you a story of a very interesting gemeine perspective about self- love and also about the way you rebuild yourself after a fateful event in your life. I think it is a film that plays very well with its analogies and metaphors and that also has music just like all musical, because very well designed for the film and
for the occasion. And Melisa Barrera, I think this is the role that defines her as an actress right now. I mean, I think he' s an artist who' s served by trying more and more and more, and I saw him in this movie had just seemed spectacular. The whole last part is wonderful. It shows that he knows how to sing, that he knows how to make comedy, that he knows how to give you drama, that he knows the screen who and here tulos everything in the same movie is
the truth of the must- haves and there is still work. Please see her, because she doesn' t have a layer of stellar here in Mexico yet or not. I hope so, because it' s Melisa Barrera and her name is Bigain. They' re not two different, they' re two different. Or what it' s called is in the if there' s no Abigail' s. It' s a vampire movie that' s commercial. This one brought her in as a probe. In fact I think there' s no longer the jury prize or the grand public game prize.
I don' t remember which one won and because it still doesn' t have a release date, either here or there. But if you can see her here in the functions she has, don' t miss her because she ' s very funny. Okay. Okay, so how to ormanliculate Monster Monster. Sure, sure, I' m your monster. Ok well, there ' s the recommendation of Paco Your Monster Menni saba with Melisa Barrera, but it' s in the century of Sondans Cinépolis. No, then you can
see this one from here until Sunday. I think he' s got phone numbers. If you put the lexact, then, if you' re left with something, don' t take advantage of weird popcorn that I miss, you have a strange feeling. I mean, I' m already leaving, guys, or I' m dreaming or I' m leaving. But, yeah, surprise, well, today I don' t know, but well, listen to Daddy something else out there, so, speaking of Melisa Barrera, Abigail' s is a pigeon movie. It' s like the plan.
I don' t remember forgetting the name of Brad Pitt and George Clooney, where they' re all thieves. It' s that with dracula. She' s funny, she' s entertaining. If you think about it, it' s got a lot of crazy stuff. It steals a lot from resident Evil the video game the first, especially from Frag Knight, the 80th film. There' s even a scene that looks like it' s set. At the end of the day vampires and that' s one of the great vampires. So, if you' re gonna steal from someone,
you might steal from them. But the girl' s doing very well and Melissa' s doing very well. They both hold the film along with that ' s why I forgot the name of the actor, but it' s the one that came out of Fett in the series that adapted to Guillermo del Toro' s vampire novels. So let' s say he already had experience with vampires. I insist on that pigeon movie, but if you want something, have fun paying for your brain and laughing that' s the option.
There are one or two black humor jokes that aren' t very well done, but I insist it' s to hang out and get fun. It ' s worse. I don' t know what' s worse than the movie. What a movie. I wrote two movies of terrible vampires. Yeah, I forgot the name, but I think you guys saw them We' ve already talked about them here or we' ve finally talked about the movie on the shift. Or ah it' s not, no, it'
s bad. Yeah, no, this isn' t, it' s not entertaining, I mean, it' s a dove to be entertained, but not that you' re saying any bad thing I saw because I insist, everyone' s performances are very good, but they' re the two of them who keep the movie, because you still think she' s a cool girl, you think she' s a vampire that' s going to kill you and Melisa you really believe all the doubts she has and why she
has them. So, I insist, everything does well, but the two of them and the one who played fet in the series, they' re the one who, for me, holds the movie and she' s funny, she' s not, I insist, the big movie, but she ' s father. All of a sudden see nothing more than a little pigeon
to entertain you and make it well done. In addition, the music version that she released exactly appears in Matilda and it is fantastic, because the time in Matilla and she sings Baila is a charming matilde and here, as Dani rightly says, you have her in this first one as a fearful child, because she is there frightened because they have kidnapped her and she has passed and
you pity for her. And then he gives you the twist and the surprise and you believe him, then, in both versions, in this child, because apparently harmless, and then in predatory and the victim of these kidnappers, and he changes them, therefore, completely the play. Not that there'
s pity for the trailer. I think that surprise, watching the movie, would have been more powerful than it would have been, because that' s where I' ve seen it. I' ve done well, but I think that turn would have been more of a father to find him in the movies than since he' s already been telling you what the turn of the nut is. But sometimes you have to sell the film and I think they didn' t have that much faith in it. They oversold her on the
plio oi. And the other vampire is the one from Sidney Swiny who comes out second. There' s this one. I think Megan Fox, his name is Knight, TeVe fangs of night, a horrible ex also in Netflix, a nice set of steps a Knight. Yeah, well, they' re one of the two movies I' ve seen lately. Then I have bad experiences. I don' t want to see any vampires lately. Oh, yeah, how about and less about Megan Fox. And yes, in fact, that' s where I met Sydney Swinnin and I told Mira she
' s gorgeous. That one was really funny to Megan Fox. There, then I got in and after, or just like a couple of months later I was everywhere, that is, it' s kind of fashionable. She ' s the fashion actress right now a rising is coming in Mexico, by the way, next week. Yeah, just as they do get to Mexico. So, thank you very much, thanks to people. Pauses of the night. Pau yes knockd because it' s a yes. According to me in Spanish, it must be like this. It' s kind of weird.
It' s a I think since it was that I don' t even remember the plot anymore. I think he' s a kid who' s suddenly a cabbie and gets two vampires in his car and then suddenly gets wrapped up in a vampire world and meets girls and vampires and suddenly you realize there was like a bunch of vampire hunters who keep vampires at bay. Then the vampires broke the pact and I don' t know what weird things there
are anymore. You remember that he was also like the driver' s brother or cousin and the brother a thing like that and he' s taking her along like a series of killer moons. And there' s something out of control for you. And so this is like the pretext and that of Carlas all day shift, but you can save them two are with the Drobdog, with the Snobdog and Jamie Fox. Not exactly. Well, all right, then. Thanks a lot thanks to Carlos Andrés Manuela follow Carlos Andrés sold in
arroba, Carlos Andrés Mendiul on Facebook and Carlos am on Twitter Instagram. Then stay here Los Andes sold Carlos to Instagram and Twitter, to forgive on tiktok and Instagram. Discuss Tiktok and Instagram. Carlos A Mendiola and Carlos Andrés Mendiola on Facebook. Thank you so much for being here. Follow Daniel Villamiren, Arroba, Dan walkie k, Dan Wake on Twitter and Instagram and, of course, follow Paco Marine on Paco Guiml on Twitter and Paco ml seven on
Instagram. I' m paying. Thank you very much. Thank you, Danielito, thank you Carlos Andrés and thank you to the people again Talina and the people who were here with us, with whom we were chatting in our chat. And, well, we' ll see each other and listen to the next episode of involuntary permanence. See you later, audio editing takes place in charge of Outs Creative Sounds. If you want to make a podcast or musicalize multimedia content, sound a movie or play or make a kingle enter outlos com MX