How welcome you are to involuntary permanence and let us talk about the prophecy of rip and other things that are happening to us. Because I don' t, and well, well, thank you very much and we started. You are hearing involuntary permanence with Fausto ponce how they are thanks to the people who are with us, the people who will be incorporated. Please share the transmission if you are already watching us, share the transmission, put like, put
the supports you want. We have a lot of support systems. We' re still talking about it as we go along with the program and I' m still really nailed to x MEN ninety- seven and I think Daniel Villamil is, too. How you watched the last episode of Daniel Villamil hijole this achieved that final moment the theme smokes in some ometo. Then I told you, son, what made you love. But yes, it' s good.
It' s that the spirit of the x Men and that' s why it' s triumphing so much, and I think the previous episode this whole part of letting go and understanding that we' re going on new directions, because it was like to go preparing for this episode definitely, if it already breaks, not in a bad way, but it breaks a little bit with what the original series was like. Here he keeps what I mean by
the Telenoveleska wave. But if you already take other themes than the original series, being more childish, so to speak, you didn' t talk as much about relationships as Wolver' s triangle in Cyclops. And that' s for sure, little bit, and here they' re playing more with it. I still think it' s Clubs It' s a pinazo gel, Sammy Scott. Is it too small? Is it too small? No more?
Don' t you? No more? Don' t you? Here I like that they are achieving and comics alike in one of the many deaths or long vacations that Javier takes, that he remains of the leader, yes, he becomes more like Magneto and in fact, he has as second in command Magneto because they already begin to coincide in points and here, as he
begins to let him see that they will also take that course. But I think they justify it better than that one in the comic book and here we are talking about one or two episodes ago of Newton Massacre' s crossover, where Thor comes out. They couldn' t bring Thor here. But that story, I mean, it' s all the Morlocks going over them and
here they make it even more spectacular. Being Henocha, I say for those who did not see the episode is Henocha, to the island where the mutants were, already recognized by the one are celebrating, decide that Magneto is the Prime Minister President, or whatever they want to call it. And when they ' re all celebrating, there comes a new Master mold, which is the giant robot that creates the sentries. Let' s say the factory, yes,
but it' s a mobile factory and it starts destroying everything. And in the middle of this we are seeing a love triangle between gambit Roake and Magneto And besides, they are making the chimit also between Giam Wolverine and knows Clop exactly that it was there very well. My Wolbik is up to it. It is that to see the context of this, I say already the medium told Daniel, but I return a little bit more, that is because Daniel has read the comics on which this plot is based and many things in
the series. But if you come in there in the cell and you haven ' t seen anything, there are things that aren' t explained, so it turns out there' s a new nation where they just mutate that it ' s called a gene and then they' re going to visit it. Magneto Roague and Gambito invite them. Not so much as in a cool act one of the secretaries, of the secretary we' ve seen from the beginning of the show, then invites them because already the one I also go to
United Nations. He recognizes Genosha and it turns out that they give him good forgiveness. They give him, for they invite Magneto, to be the leader of Genosha. Not so, not even President is the king, because there really is no democratic system and that is time Frost you have this knowledge Huth No, who is the ombi ah ok, so, well is Serro being part of the helfark Club exists and they put their ranks as in Chess is the white queen, Sebastian is the black king and Magneto wants to name it
the white king, which explains it. In fact, in the tempora gives two, if I remember correctly when they make the c adaptation of the dark phoenix. And then, because that' s why they' re the two who have that status and power that even Magneto tells you about you guys what you' re doing here. This yes we almost have yes, yes, it is there yes And so, yes, we are in power. But you' re the one who' s accepted by the most right now.
Then we want you as the official face and that makes the king as much as he does not sha, but officially, so that they are not so fez, the Prime Minister aha acha exact and there are his Council of men and a human. There' s no human. And to represent very pretty, yes, moira exactly people, moira friend romantic interest. Not Charles Javier, yes, so said creature Charles Javi. It wasn' t Charles ex
Viera Charles Javier. Yeah. And well, there she is, she' s on the web secretary or not, I forgot her name, but good. And Madeline Prier is there and there' s some really funny stuff going on. While they' re there, Scotts suffering horribly, they' re doing interviews with all the mutants to get past another face of the mutants.
And Scott' s already in bad shape. He' s breaking up and he' s turning into a fofo sea that' s almost this Scott isn ' t there very bad and he' s angry about the report, he ' s starting to ask questions about his son. What gets angry and without you humans, which is a little bit of that, that speech is a bit of a chafa, because you are also human, na more than you have powers. They' re humans there They' re all bad, but
they have powers. So that you' re different, because you' re not different, you don' t have a ball of mutant madmen there who want to destroy everyone and are bad and misunderstood. Anyway, well, it gets kind of Loxscott and suddenly a couple of things happen that are really fun. One is a moment between Walverling and Jin Grey, which is strange. Your Scott doesn' t know who she is. Have Scott. All of a sudden you see my Walverring and my nasí swallow of the yes, how
nice everything. But you and Scott are the rule. So I' m not going to get in and almost if you don' t get me into your troubles. And this is really cool, welvery applause not and then there ' s another momentous count it you Dan between syk Clops and there that was really funny. That infidelity is so funny. Yeah, because she' s after Cyclops breaks down in the interview, she goes to her room, they
start talking to her. I say he and jin Aha are already reconnecting and they are like the good ondita and suddenly they are in their psychic wave. And there he is. There' s Madline and jin spot her and tell her to see you take her because she' s with my husband and she ' s obviously on the line. Jimmy des hears, since when. This was like our wi- me what' s up and it' s, what' s not here and the other. Ah, since he left at night I went to visit him to see how he is. But nothing else
happened to see how he was doing. But then this is like all this liver. It' s so funny. That detail and everyone else gets angry. I say that if it was her, that Hin wasn' t her, she would have stayed with both of them and the Do would have stayed with him. What exactly does he care about, and he' s a
father. They' re still winks to comics, because just as in one of the multiple times that gin went away they adopt well, they accept Emman the team returns to Jin and starts having Scott an afer with is Emma Frost and so are the Kachas, because they' re all doing it telepathically. They' re not really like interacting. And here' s a wink to that. But also when Madeleine is making, let' s say she' s gossiping, they make a little panning out of this emma that' s
touching the gem. So, like, there she may be interfering with something, in the relationship and even in the visions that both Jin and Madreling had about the future, that that too is very fatherly. When the Sentinel Attack arrives, cable comes running to try and avoid it. Madeline realizes that he
' s her son, that he did it and great timing. But he tells him forgiveness then goes because his mute time, which allowed him to travel in time is run out, let' s say gasoline and returns to his time and cannot avoid this catastrophe c so much being genocated there having fun. It' s like an exarra, it' s like an ibiza and clear truth, because it' s music for both of us. Oh, and
you say listen to the defenses. Then you realize that, but well, they get to a group of sentries and then you go a terrible slaughterhouse, of course, then you think about the following. Listen and the defenses, yes, because they had no army, because they had nothing. I mean, I tell you to ibiza there one that means the island of Leonardo DiCaprio, yes, I would sing as there were no more sentinelas, who was going to be the madman in the face, a place full of mutants with
all the powers. But obviously let' s say they didn' t expect it. And besides, there' s a wink that was super father just before the master mold came in, they pan the island, complete the sky and leave it in the sky for about two three seconds because you see the
outline of the watcher. So, of course, as I explained in wari Iff about me, I' m always gossiping, when something is going to happen, some tragedy, then, like from her they' re telling you, there' s something coming, there' s something coming, and I insist the tension is very well handled, because apart from before that big party that to make you see that it' s a novelist, they put up
an ayse of base theme, which made me great. Of course, Roake ends up with Gambit because he says yes, love and everything, but I ' m Southern and you' re Southern and we like to play and you can' t and with magnetos you can. Then there you see yourself, for there is also a poor area, but everything goes sad. But like what phrase, there are things deeper than the skin or something like that,
and it has its big time to dance Roke with magneto. Everyone is happy, they kiss and that' s when the attack comes and in the end it' s gambit who saves the day, but turning the comic around a little bit that I really liked in the comic after about ten years is that he had to do with the Humorlock massacre. Here he dies saving the place
from Genosha. He destroys the master mold, but he dies. And besides, there' s the way Rob says I can finally grab him, and well, they don' t leave him in twigs, I can grab him, but I' m not sorry. She' s already dead. Sure, I mean, it' s very tragic. There' s that part that' s very poetic and it' s painful. But Bonita, I mean, a theme is very well executed. Yes, the design of the destroyed place and how she carries gan Beat is very similar to how Luisa carried
Superman in Superman' s death, so even her winks are good. Oxa Gen on the exes telenovela and she' s Mutante' s lookout. Look at my telenovela Mirada de Mutante. I' ve seen my TV, the Zombie Look. I was my telenovela Mirada de Mutante. Hey and I think
this magnet is alive. Not me who is the achievements to save. Yeah, I think a wolf kills take me, so very subtly remember you get one or two super fast flashbacks from him in the concentration camp as a kid that well, it' s something you don' t let go of, because let' s say that in these times it' s kind of weird now to support the Jews, but here they do and usually yes, Magneto is a victim of this and that' s why it' s like that. Then I liked that too. I just missed Andrew Proa says it'
s what if. I don' t think, because the big difference is that the x mens what they do is they give in the tower to everything, but always a traveler in time fixes the escuals goes and we don' t go so bad at the end. Here, maybe you can' t
save yourself completely. But I think that between Vishop and Cable they' re going to do something so they don' t do so badly, although they ' re probably going to change at the end of the season the roster of the team, which is also something very very much of the MEN x. Yeah, yeah, yeah, I think they' re gonna change it, too. Well, there it is. That' s how it goes in
Mutante' s great Mutante stare telenovela. Yeah, all right, all right, hey, well, let' s take advantage right now to entertain him with payment that he also saw the prophecy as your straw jul you' re hello to sauz well and you well hear tell me, then you were too. You launched to see this film of prophecy, the first prophecy, the first pence, which the prequel of prophecy, of the film of the seventy - seventies, of the classic, of the classic of nine hundred and seventy
- six, the prophecy. This is a movie and what' s going on? We do not see that the parents of mine, for we do not see them properly just how this evil was created, how was this antichrist
created? It' s a little bit, this story that seems to me, I mean, it seemed fascinating, because I think that the film, apart from having a stage and a photograph and a score that are really shocking, is that I was shocked from the first moment, because it is very enveloping in terms of its atmosphere, in terms of how it begins to tell this story of a nun who then arrives in Rome because the race tells her to go to a convent and that it is time for me to support her
to take the vows and take the habit. It is not just like the anteroom and we begin to see that, because in this convent there is something strange and that in this convent there are disappeared and that there is a girl who is strangely mysterious and who always hurts others. And from there a series of elements begin to unfold that operate more in the area of thriller and mystery than terror. As such, and that strikes me as a great success.
The film moves away from all the common places of the genre to really build a story that is very entertaining, that sells you very well all its twists and that really leaves you hooked. Not because the whole story, for forgiveness for the spoiler, if they do not yet read the ones, but more or have not seen the seventy- six, for we think to go identify why the antichrist will arise? Who is the antichrist, because it seems that he is already out there walking near the city or that, because he is
already to be born or will have an important role there. And the film skillfully puts us to various supposed antichrists or characters that could be this villain. And it' s changing us and it' s changing us and you keep buying yourself really every change. Not then, I think the film really does very well there. It also seems to me that the way it closes, because, of course, as a prequel, you have to be connected with what follows that here is already with that of seventy- six. And they
do it because they leave you connecting to the seventy- six. But they also tell you what this can be a hit and we' re going to leave you a little hook around here so that we do a sequel to the prequel before the g school and they do it very well, that is, really yeah, it feels very like the Avengers of prophecy. So almost the last lines of the film is like going back to. Practically feels a little bit of a way, but I have to admit that I was surprised I
had a great time. I didn' t expect the movie to be good and I was pleasantly surprised because I had an amazing time. I think it ' s a great proposal in terms of horror movies and something different, because, at the end of the day, we' re not depending on the sker and Jones, we' re not depending on the easy scare, we ' re not depending on some archetype or some structure that is, as usual, occupied in very archetypal ways. Here I did see about the church part
and the nuns is something interesting. It deals in a very different way to how it happens in the nun, for example. I don' t mean, I think the fact that the Church is the protagonist here and that nuns also have something to do there is more focused on building the real monster. Here the Church is the munstruo in many ways, beyond, or it is the devil himself or the demon part of there yes, then I think it has the part also very good, because they know how to give a good
twist and a good turn to this concept. And I don' t really recommend it. I liked it and I still really think that I was talking with my mouth open in the last few parts that I could no longer believe what was going on. There. Yes, I was surprised then and as long as I find a movie that achieves these kinds of situations and, above all, that put many maguuffins out there to sell you the ending with many turns and that all you can buy. For me it has on the other
side, not then it does see the prophecy, the first prophecy. I think it' s a great bet and that, because many people, like me, may not have much faith but, well, I don' t think it' s better to go with bad hopes and come out completely renewed. Sure. Okay, well, I like that vision. You liked Danielito, you didn' t like the way you saw him. I agree with Paco, who is very entertaining. However, as a prequel it seems to me to have failed and, on the contrary, I do find it in
many common places, that is, the first scene. Yes, it' s like yes, or that we are prequel to prophecy, because there is a death that is very similar, precisely to that of a character that is there, that is the only one that comes out in the original film, that in the original film was played that role by the second doctor hu as
natogic. It' s like another movie, totally because of that, photography, yes, feels settery, yes, it' s all very accomplished father, but it' s not something that we go those who if we' re like more nailed to horror movies is another one of nuns, another one where the church has everything and in fact, those who saw the time marked. The new version is almost equal to the plot of the first episode of that failed reboot, which also in its auto we plant because it is that
same plot and already if we see it as a prequel. I think one of the most shocking moments is when Robert Thorne discovers his son' s grave and whose mother he is. When it opens and who the mother is here they contradict you. Then from there. If you' re a fan of prophecy, as in the case, because if you say hijole it' s like I don' t know if in Batman they made a prequel and what you believe the parents didn' t kill them nothing else they left the chamaco
because Bruce was a brinchudo. It' s like that degree of changing who the mother really was, who the father was. And besides, yes, I don' t know. There' s a scene I' ve been pictured a lot of from Stigmata. When they go to a den the protagonists there go like from their night of drinks, crazy night and it looks very stigmatized and it has the same results and apart the supposed turn of who it
is. This all starts because the father is going to make another father confess to know how they' re doing wrong things towards the church and he says ah no, because it' s that a girl I don' t know what. But the girl grew up super, quick cut. They put us on a character and you say ah ok you already ruined me. I know where you' re going and then it' s those little details you say son, you could give him more, but you fall there, but the
performances are really good. Of course, I insist on the great photographer and something that I liked very much that I also mentioned. Paces that don' t depend on Jonsker. There are one or two, but well executed very well achieved. And I came up with the idea that the director had this
movie and someone said in fox or what it' s called. Now you know what, like you' re not going to hit him that' s a prequel to prophecy and we hit him two or three scenes and that' s it because even if you didn' t see the prophecy of the seventies, sorry, but the antichrist was born and let' s say the scene
where inside the first scene there' s like a flashback to that. But then it turns out that that scene of how it is, how they' re conceiving it later and there it looks in a way the creature, to put it, in a way it looks like even the craftians, but they ' re like tentacles and something like that and in the end they turn it around and that it' s not always the way the monster is rather a jackal and it' s like a hijole, because I think the director would
have left it. Your film would have been very good, but I feel like someone decided it was a prequel to prophecy and that' s why I know if for me they feel like lapsus here was a movie. These aggregates that are not badly glued, but apart from that ending that it is like Avengers, it is as you hear, but this character in the original told me something else about you and here you are like the hero. So you ' re not really clear what they want to make more than more money and
see how they go box office to get them out. Let' s say this network with that of everything you didn' t see from Demian' s family, yes sonle. Okay, well, Richard Kingd I like the antichrist The Gooddowments better. Thank you, Gooddowments. Machistas are crazy. Hey, okay, look, they' re really against the finger, and everything I like is fine. We have different visions there to say close our episode of the first prophecy. How much you give the movie a seven point, five,
Daniel, six and a half. Okay, there they are, there they are both, both versions. Choose the one that suits you best and we' ll close with the following. But not all of them are going out anymore. I think, Carlos Andés suggested the entrance as you are. Carlos Andres is very good and you well listen, because I don' t know tell me about ripley you heard many things. There were always a lot of things, but you see the ripley one I' m based on yes, yes, it is. It' s based on the talented Mr Replie.
It is one of the most important novels of one of Patricia Heisming' s most important shrillas. I think cispatis hi smit doesn' t hear. This is freaking out. Yes, Padrici Jain. So, we' ve seen her with maybe John Malcovich. He played Mr. Ripley at some good time exactly. And another movie with what this boy' s name is with Matt Damon. Yeah, I got him in the' 90s. Very pretty,
good movie, beautiful aesthetically and yes clear. I remember a lot about Just Low, because at some point he' s in a dialogue with Mat Damon' s ripley character and then he tells him it' s weird, tells him if you' re like him you' re spooky and starts singing him like jaz. That' s right, I' m really funny. It' s separate and I remember a lot. Then he kills him, obviously, because he doesn' t like the comment. You have to kill him, but well, anyway, then tell us, how he' s
ripley and what he' s about in Netflix. Just knowing is because there are five novels and I remember well, between thr ripley there is the talented Mr. Replete. New account is now adapted into a series that adapts Steven Clian. He' s the screenwriter who won Schindler' s Oscar Award list. This proposal that makes us ripley has several successes and in those successes perhaps there are also some of the details that can make it a little more complicated.
This series is a series of eight episodes. It is filmed in black and white, which is somewhat unusual but it is part of the whole proposal and has some other changes in terms of perhaps some actions, perhaps some characters. The general premise remains the same. It is tom replint this man who, because he is not having a really very successful life. Here' s a more mature man Antuscott who we saw in all of us are strangers.
Then he' s already a man who' s in his 30s. But, well, he still agrees to go to Italy for Dicki, just this kid who is, well, living the comfortable life at the ribs of the dad and dad wants me to come back so, he starts to make something more profitable. And well, as we know and as you well said, he' s no longer a spoiler. They don' t want to kill
us. In fact, that happens in the first act where, well, he is very comfortable with this life of luxuries that Dicky lives because he went and obviously, he does not return it, rather kills him, kills him, and then, then, he seeks to leave making Dicky' s identity, because it suits him to make resources and so on. No, then I say the premise is the same. The show' s fine. I
think so. He' s got about two chapters left over, maybe at least one, because it' s a series that' s too artistic, I mean, I think you stand out from the part too much, because it' s very nice to see. I mean, photography' s great. He' s got a lot of symbolisms. He builds parallels, for example, with Caravaggio, with his art, with the same question as him.
Well, there are these criticisms around or these doubts about whether there was some crime and so on, in addition to all the exploration around the character of Tonry Pick is a very interesting character, of course, but yes, suddenly you can get a little tired. I mean, all of a sudden it' s kind of good, as something happens in this last hard chapter. I think an hour with eleven minutes a thing like that is almost a little peliculite by itself. But other than that, the truth is that the
performances are very good. There' s Andrew Scott, there' s Dakota Fanning, who makes Marge Sharewood, the character that Winnet Patrol plays in the
adikiy movie, Johnny Plin, who is perhaps not so well known. But if you don' t get into the rhythm that I was like the first thing I thought I said this series isn' t going to go so well commercially and I think it' s like one of those whims that you can enjoy doing on a platform because yes, it' s very well done, yes, it has good values, yes it' s worth it, but it may be that for many people it' s different or difficult to get
into a series that has a rhythm that is very different from the usual series today, which goes much, much, much faster. This way, Catherine asks what is the point of doing another. I would think that Talina that the point is in the proposal, in the interpretation that steve sayan makes precisely of this story. I don' t think that' s a little what he did at the time or just recently Guillermo del Toro with pinocho that we
said we' ve already seen her like twenty million times. Yes, but if you have something to say as a director, well, it' s worth seeing that you do have something to say, that is, if there ' s a proposal, if there' s a lot of details. The photograph is spectacular. Yeah, it' s a series you have to be watching with details. I mean, this isn' t a series we' ve talked about about there' s company. That' s where I put it and there I' m gonna find out and nothing' s gonna happen.
No, this is a series more like an art movie with many good moments, not of silence, properly, but without dialogues. Let' s say not where we have to be seeing the actions, where we have to be seeing the frames, because in what the director is showing us there is something that is being expressed through gargoyle paintings. There are many very cute games in terms of the photographs in how the character is framed and they want to tell us about all of it. But time has to be spent on it.
I mean, it' s a series in that sense. And even though as I tell you, because I already gave him the time, I already saw the eight episodes because it happened eight. So, after I saw the eight, I thought the truth. Yeah, we could' ve saved up, like I told you one or even two. No. But well,
and out there. If you like history, if you want something to which you are going to devote a little more time, if it is worth it, if you want to see other things or if you just want to know the story, it has me in less time, because the film will tell you in two hours. Of course there are their differences. Of course, because, as I tell you, there are changes in the ages of the characters, there are changes in some of the ages of the actions.
For example, there are changes in the end. The end is different and in the end I think it' s a good end. If it leaves you as well as you open your mouth a little bit I think that' s father. But I don' t. I mean. The truth is that if you want to know the story in less time, because Anthony Minguela ' s film does quite well, although it also has its freedoms. No. For example, the character that Planchet in Anthony Minguella' s version was
created for that persus does not exist in the novel. Obviously, it doesn ' t exist in this series either. Not then, because Mira is an alternative, depending on how much time they have and want to devote to the series and how much they like Patricia Higgsmith' s work in case they feel like having a little eye, because they can watch it perhaps little by little. It doesn' t happen, it' s not going to be a series that can be marathoned perhaps so easily. Sure. Okay, well,
that' s fine. Sounds good, sounds dense, but if you kind of discouraged dancing, uh, I' m gonna see her. Not if they want to see the movie. But, well, to see I feel that good, so as the count. I feel like it' s okay, and then if it' s demanding, then we' ll all know no more. Well, if it' s demanding, it feels. I haven' t seen him. I' d like to see her, because she' s a father. That' s the one I saw, by the way, from my friend Robot. She' s beautiful, but not
only that. It was surprising to see Lucy Gabriel nailed herself to the movie. I mean, we don' t know what we were going to see Basically, we knew it was pretty, because it' s not a dog and a robot, and we' re going to take the kids. They were so nailed. I mean, awesome, well, not because I' m beautiful. Great movie, no, but wait for Lucy. I think he suffered. I mean, for Lucy it was a horror movie several times, I mean, Gabriela and how you think this happened and it was like
that. How nice it is that Lucia as soon as they treat the robot badly, that is, when the sailors who are sinking in the boat aha and cut off his leg, you don' t know Lucia in the movies. That' s why Mom' s because they cut her leg and just a few people back there is filling up. As well as what a cute little girl, no, but I started to get nervous because Lucy did, suddenly she started to suffer. I mean, yeah, that part' s
like, yeah, it' s kind of traumatic. It' s not why he' s dreaming, because he didn' t come across the dog. But why isn' t he with him? But no, no, no, no, no, Lucia was this one in bloom. Then that ' s where you see it. Like many times, this one looks good at all ages, but as many times you plan to do trash for children,
it' s film or put an animation on it. So to get the attention, to get them stuck, to get them hooked and what you need is to tell a story well, not to mean having the emotions clear a good direction and the children are there very deep. So, I say it happens to us adults too, that is, suddenly we see because there hooked up why, well, because sometimes it' s nice to eat papits, freets and one alcohol thing, nothing more, no, but yes,
Gabriel and Lucy were very attached and remember a lot. Luci and all that string in the movie still tells me, but the robot was really dreaming dad if he wanted to meet the dog and I say yes, my life and gabey or be very happy both. Then it' s a wonder. Later we' ll talk more deeply and spoil everything, because we' ve been fascinated by the film as well. He hears a movie, and besides, it' s a good thing he doesn' t romanticize friendship. I think
that' s important, because it' s relationships. It is not a metaphor and of relationships and loving relationships. And basically there, because they put you in a little bit of inclusion because at some point, it' s a gay relationship. No, or you could think about it, but what? But the point is that the robot becomes neutral, because you could, you could identify yourself anyway, not or you identify yourself in every way,
but what you were going to say. I' m also sorry that if the scene of the gutter didn' t mistook you too, because it' s more like they screamed in my living room. Yes, there were several so see Mira you also had the experience children, because yes, yes, yes, you have. It' s a nice metaphor for relationships. I know I could say that half of it doesn' t go beyond friendship orlene
is one is talking about couple relationships. For it to work well, it must be a couple, because a friend will not stop seeing it as good, already has another friend, because to me it is not. But for it really, by the way, yes, it has to be a couple. So that' s like my only theme being a bought robot. It ' s like I told him then why you took them and bought another one. Then it' s both of them. That' s how interesting we are, you see, with relationships. I broke it and you broke the
robbery It' s no good. I' m going to buy another one and just because the dog is very lonely. Yeah, no, this approach to how you' re alone is great, that is, yeah, and playing punk In addition, I was excited, because if you' re eighties are very well represented there until New York, dirty and dangerous, although it ' s very nice, drawn, but you understand that it' s not the no good, neither is the current one, because now it' s
really good. Not damaged by other issues, but it is if you know the 80s, that part in which you are very father, what you achieved and it is very good movie, the squeaks jins or commercials. This one you want the city to be a character. Yeah, yeah, I mean what a great movie, I mean, yeah, and it' s clear that I insist, yeah, friendship, yeah, but it' s also this first relationship. It' s not a relationship, yes, I think it' s mostly homosexual, but, but it' s very well written
and the magic in the narrative. What it does to you is it becomes universal. So it identifies you if it can be that robot, it can be a woman, a man like you see it, we' re not going to do it, because finally, I mean, come on, it ' s the repository of your desires. Finally, and in the end, Mr Miyagi comes out. So what else do you ask for from Yes? Sure, sure, sure, yeah? Yeah? Yeah? Of course, I said that character did, yes, the character that prepares and everything makes
me a little familiar. Yes, it' s very nice. I just wanted to comment on my children' s reaction, I mean, because right now, I' m not going to talk about the plot anymore, or anything, but yes, the children' s religion is important and it really caught my attention. Not that sometimes I say you don' t try not to underestimate children. Obviously not, but they always surprise you as of the things that you can be, that you can understand and that you can understand.
Also not when I was Chico and we talked like that in the past, like, well, we talked about the kids like we never were kids, but we forget that we had there in that situation. But good says, greetings Andrés Broa who is here, to Ricardo Reyes also greetings to whom more here in Catalina is seen crisis. Chris is over there. We also send them a great, great, great greeting. Christo Ochen is out there, too. Thank you, a great greeting to all the people who are
with us. Share the transmission mole lax support us and thank you, Andrew brual We send you a Sticker, a nice Stickert. They' re very talkative there in the celat so much that I move him and I can'
t see him for anything is the New York that Homer Odia says. Ricardo Reyes, yes, it' s true, yes, we lost faus but Ahorita, I vote summer, she worries, she' s vocalizing, but Ahorita, comes back New York, Homer Odia just because they put her cat and she can' t go to the bathroom yet in the twin towers, so they banned the episode of a good time. Then he came back for the best. He came back to that Michael Jackson guy, which I' m sorry about,' cause I don' t like the New York guy
that much. And instead, Michael Jackson' s is great and you say he' s not back. But besides, he has all this detail that I' ve only seen him once. I want to see her a second time and I thought about why we see we focus on the main characters, no, but then you look at the secondary ones and there' s a
lot of detail about everything they' re doing, too. No and well, of course, this whole relationship with Septenberg, with Artwine Windown Fire' s song, which I was listening to out there an interview with the director and just because he mentioned how important this element becomes, because in the end the song is projecting a lot of what is also being told through the characters. No, yes, I totally agree. Hey, I just got my mic rebooted. I know what happened, I mean, and he had a
technical glitch, but anyway, it' s amazing. He says I did eighty- five my own Paid for MX thirst as much as I do in New York. Yeah, yeah, yeah, oh, yeah. If you have a faith experience in Mexico City, uff because it can be a city that welcomes you or hides you horribly. Well, listen, thank you very much. Follow Carlos Andrés Mendiola, on Carlos a Mendiola on Instagram and on tiktok, and you can also follow him on Carlos Andrés Mendiola on Facebook,
Carlos Amendiola on Instagram and Tiktok, or Carlos Andrés Mendiola on Facebook. Thank you very much, Carlos Sandez. Manuel. We' re talking about the actor. Then I promise you a bad actor, because it' s not to hang us so much because I' m already giving them. So, I know I' ve been saying it for almost two years now or Gabriel ' s age, but it' s real I promise you and well, Daniel Villamil follow him thanks to Miamil following him in arrobadan Wake Wake le Boka
and double Arrobadawnwake on Twitter and Instagram. Thank you, Daniel, thank you. I' ll see you later, thanks to him and Paco Marín. Thank you very much, Paco Marín, and follow him on Twitter as well. Arroba Paco, screenplay under ml o. Arroba Paco ml seven in Intagram. Right, Paco. Thank you. I' m paying something else you want to tell your audience. Not anything that varies from movie to movie.
There' s a lot of premieres. The billboard is really changing constantly and from the option to Mexican films, as is always the recommendation right now, which I think is the one that is worth the most love and math of Claudia Santrus, a dear friend and a great director. So, go see quickly before this priviw that whoever has seen a bad actor, how much they give her and then we talk about her how much you give her. Paco
four, I mean, she' s bad. Carlos Andrés, Manuel I haven' t ready him yet, but Daniel yes, Daniel yes, sorry. I' ll give you a six. I think it' s the film that Michel Franco has always wanted to make and he hasn' t been able to make. This guy pulled it off. Or that doesn' t mean it' s the big movie, but I think it' s worth the good time. Okay, that' s good, because there' s Oku. To thank Claudia Cuevas for her super charte. Thank you, Carlas,
greetings from Denmark. I don' t miss its contents. Oh, Claudia Cuevas, thank you very much. We' ve never read you I almost think the softies come out Good shows, guys. Thank you, thank you two all until the next hear well. Thank you all. If we see each other, if we hear each other in the next episode of involuntary permanence, until then, the audio editing is done by the Creak Ives Sounds
outs. If you want to make a podcast or musicalize multimedia content, sound a movie or a play or make a jingle between in the out com MX