Maria and Brandon discuss the 2009 film 500 Days of Summer, which is a really good example of a movie that shows us the toxic ways people can view love. During the episode we discuss the regular but also touch upon the manic pixie dream girl idea.
Maria and Brandon discuss the 1976 Martin Scorses film Taxi Driver. They do the normal liking and disliking stuff, but when they get to the mental health section, they focus on PTSD.
Lady Bird is a 2019 film written and directed by Greta Gerwig. Brandon and Maria discuss this Millennial coming-of-age film with a strong female voice, and they wholeheartedly agree that the movie is a great one. Brandon focuses on this movie’s Millennial voice, and Maria focuses on the effects of guilt and shame.
Joker is a 2019 film centered on the origin story of DC’s Joker. Starring Joaquin Phoenix, the movie may be the first of its kind to focus more on mental health and mental illness than any other supervillain story up until this point. Maria and Brandon talk about this, its impact on how mental illness is viewed, and what the film has to say about toxic masculinity.
Maria and Brandon talk about what they like in horror movies, Halloween traditions, and their favorites in the genre.
Maria and Brandon discuss the 1991 sci-fi/action film Terminator 2: Judgment Day—also known simply as T2. The two agree that the film’s reputation as one of the greatest action movies is well deserved. They also discuss some of its flaws—like the character John Connor—and comment on its depiction of a “psychotic” Sarah Connor.
Maria and Brandon discuss the 1992 film Batman Returns, the second in the Tim Burton Batman series, and the last. This movie made the other cheesy Batman movies possible. We also talk about violence against women in movies during that time and trauma.
Maria and Brandon talk about the 1977 Woody Allen hit Annie Hall, including the movie's intellectual nature and how problematic Woody Allen's personal life was. They also talk about how mental health was treated in the middle of the 20th Century, and age gaps in relationships.
Maria and Brandon have a candid conversation about dealing with grief, society's folly when dealing with grieving people, and a few movies that deal well with grief.
Brandon and Maria rank their top three (or four) Marvel films. Maria picks films that are just more entertaining, whether they are funny, Rated R, or contain a hot Cate Blanchett. Brandon picks films that are deep and tell a human story. Obviously we know who is the better person from these choices.
Brandon and Maria discuss the 2016 film Elle. They talk about how uncomfortable the film can be and what that means for viewers. Maria explores gamergate and shame, and Brandon focuses on grief.
Brandon and Maria discuss the 1976 film Network, talking about how, although this movie may seem outdated in terms of style, the themes are still relevant today. Brandon does some research on misinformation, hate, and the media today. Maria talks about the exploitation of mental illness.
Maria is just getting back from vacation. Brandon has pneumonia (again). So Brandon tells Maria (and you) the story of when he wrote Royal Caribbean cruiseline asking them to host a formal cat wedding. Complete correspondence in our show notes.
Since radioactive spider was already taken, Maria and Brandon talk about the origins of their superpowers: bipolar disorder and borderline personality disorder. Tune in for some early stories of heroism and even some villains.
Brandon and Maria discuss the 2013 movie Her. They agree the movie has a lot of things to ponder, including the ideas of love, technology, human evolution, and therapy.
Maria and Brandon talk about 2020 films, this year's Oscars, and the new movies they want to add to their list to cover.
This aggression will not stand, man! Maria and Brandon discuss the 1998 movie The Big Lebowski. Brandon explores the movie’s commentary on political discourse in America, and Maria explores some philosophies presented in this film. Maria drinks a white Russian and Brandon reminisces about drinking one once.
Brandon and Maria discuss the 2007 film There Will Be Blood, talking about the literary nature of the film and how superb they found the filmmaking. Brandon analyzes the psychology of capitalism and religion while Maria explores invisible illness. Maria also tries to do an impression of Daniel Day-Lewis playing Daniel Plainview.
Brandon and Maria discuss the 1994 film Serial Mom. They discuss John Waters, the types of films he typically makes, and how this movie says a lot about capital punishment and societal norms. Maria also proposes that the movie becomes the official movie mascot for the podcast, and Brandon agrees!
Brandon talks about women in the movies (both characters and filmmakers) and the bias and other challenges they face that are holding back many films from being made.
Maria and Brandon discuss the 2010 Best Picture winner The King’s Speech. This film is one of the rare ones that talks about stuttering, but also portrays it in a positive light. Brandon gets into some statistics regarding stuttering and how a stutter has affected President Joe Biden. Maria gives her views on what we all lose when people in power hide their maladies and weaknesses from the world. They also play a game to see how stuttering has historically been portrayed in films.
Brandon and Maria discuss the 2003 film Monster, based on the Florida serial killer Aileen Wuornos. They discuss Florida and the film’s message, and they also discuss at length the need to de-stigmatize sex work/prostitution and how poverty plays a role in health.
Brandon and Maria talk about Split, a 2016 M. Night Shyamalan movie that does way more harm than good in the fight for de-stigmatizing mental illness and people who have Dissociative Identity Disorder (DID). Brandon attempts to set the record straight as he talks about the characteristics of DID and also gives us some statistics that prove why accurate portrayals of mental illness in media and film is important. Maria discusses her discomfort with the film, particularly regarding the strange men...
Brandon and Maria talk about the 2014 film Boyhood. They discuss how real the movie portrays childhood and family life. They also discuss personality and abuse.
Brandon and Maria talk about the 2002 film Secretary with guests Marion and Kim from More Than a Crush, a podcast about love. The four agree that this movie is a positive one on the mental health front, and Kim, a therapist, lends her analysis on main character Lee and the family systems in the movie, including the stable relationship that Mr. Grey provides Lee.
Brandon goes over five films he likes to watch while he's depressed. How many sad indie films make the list? Wait—there's a classic film? Listen and find out!
In this episode, Brandon asks Maria a series of questions to uncover what a day in the life of someone with Borderline Personality Disorder, or BPD, is like.
Maria and Brandon discuss the 1988 Studio Ghibli film Grave of the Fireflies. The film provides a unique Japanese civilian perspective of World War II, and they both agree (along with Reddit) that this may be the saddest film of all time. From a mental health perspective, the duo discusses Japanese and wartime culture and how physical health and mental health are inextricably linked.
In this Spooktacular Halloween episode, Brandon and Maria discuss the 1976 not-so-horror film Carrie. They have their first ever idea exchange where dogs are the butt of the joke. Maria’s favorite part of the movie turns out to be Brandon’s lease favorite part. What a twist! Additionally, Brandon discusses the stigma around trauma and criminal behavior. Maria discusses dissociative identity disorder and parapsychology.
Maria and Brandon discuss the 2000 movie American Psycho. They talk about the movie’s negative portrayal of American society, particularly in the 1980s, and the movie’s ending that makes us believe someone like Patrick Bateman—a white, rich man—can literally get away with murder.
